‘Eddie and the Cruisers’ With Bill Simmons, Chris Ryan, and Van Lathan

2026-04-07 01:00:00 • 1:42:31

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where you can find Ringer Tilgate with VanLathen.

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I believe he did invent raised roof.

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Joel and Bennett raised a roof.

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Didn't our CEO Hall raise a roof?

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No, it was Joel.

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Joel and Bennett.

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what was the album Michael Jackson put up

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before Thriller off the wall?

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Look what's happening.

2:27

Okay, got it.

2:28

I get it.

2:29

Justured.

2:30

He just told me we brought the load time.

2:32

Like, wow.

2:33

We know what we need for CR month is like an amaro

2:35

after the big meal.

2:36

Yeah, after dinner drink.

2:38

Comments of the half.

2:39

No, no, no.

2:41

Drinks are on.

2:42

Douth.

2:43

This is the house.

2:45

A movie we've circled for five years.

2:47

And this is a victory lap for us.

2:48

Because this is only a couple of times this has ever happened.

2:51

Yeah.

2:52

Where we've baged America and the streamers

2:54

the company is to just basically revive movies that we love.

2:57

One thing about corporate America is they listen.

2:59

They do.

3:00

Eddie and the cruisers is next.

3:03

All right, Eddie and the cruisers.

3:19

Best musicals ever.

3:20

Greece, Eddie and the cruisers, and that's it.

3:23

There's only two.

3:24

Drops off right after that.

3:26

Those are the big two.

3:28

There's no even big three.

3:29

It's a big two.

3:30

All that jazz.

3:31

There's a lot of really big musicals.

3:32

I'm wearing Eddie and the cruisers.

3:34

Drop off.

3:35

Chicago, I don't want some Oscars.

3:39

I know my story with this fan.

3:41

I was surprised you like this movie because we never talked about it.

3:44

Then you were like, I love this movie.

3:46

What was your history with it?

3:49

The film beat me into submission.

3:50

Because it was on for administrators.

3:53

On so much.

3:55

This is the biggest fuck your algorithm movie ever.

3:59

Everything now is controlled by algorithm.

4:00

You get told what to watch.

4:02

My 80s and 90s algorithm was just superior because they kept.

4:06

There was some probably not even a computer program with some guy named Jim.

4:09

There would be a charge of programming what was on HBO.

4:12

Some dude, right?

4:14

And they put this movie on until I had watched like Major League.

4:19

You know, that's a guy from Tom Tulliard watched stuff with Ellen Bartolome.

4:22

It's going, you know what?

4:23

Fuck it.

4:24

I'm going to watch it.

4:25

And then after that, I watch it every single time it was on television every time.

4:28

Same for you.

4:29

The weird relationship to this movie, which is I'm sure I watched it in a Tadeh on HBO

4:33

when it was on in the 80s, like every other minute.

4:37

But I think that like, if I remember correctly, one day I was in the car and I was like,

4:42

whatever this song is, rules and it was dark side.

4:46

Because the soundtrack popped off in the mid 80s because of the HBO revival of this movie.

4:52

So I think dark side, I was like, what's this band?

4:56

And it was like, it's a band with a movie about it, but the band isn't real.

5:00

That blew my mind.

5:02

My background was 1984 flipping channels and watched the last six minutes of this movie,

5:08

including the surprise ending.

5:09

Okay.

5:10

And I was like, huh?

5:13

Week later, watch it from the beginning.

5:15

Now I'm furious.

5:16

I know the surprise ending.

5:18

Think about how long it was on cable.

5:20

And then it was on over and over again.

5:23

I think it's one of the 20 movies I've seen the most in my life.

5:26

Yeah.

5:27

I know all the words to everything.

5:28

I know all the scenes.

5:29

And I'm not proud of it.

5:31

It was just on all the time.

5:33

We had less channels and they didn't have a lot of movies.

5:35

Like, see, are you the HBO little guides next to you?

5:38

Yeah.

5:39

And that little stand over there.

5:41

They didn't really have a ton of movies because they only had licenses for whatever.

5:45

So they would just rerun the same, like they ran either the first or the second

5:49

Rambo was just on all three times a week.

5:53

Yes.

5:54

Nine o'clock at night back to school.

5:55

Yeah.

5:56

A lot of danger filled all the time.

5:58

So this was just in the thing and the thing with music movies is, you know, you, I would

6:03

just watch this part and all of a sudden you'd watch to have power.

6:06

The middle of this movie, there's what 15 minutes in the middle when he goes to the lounge

6:10

to see the smile.

6:11

Yeah.

6:12

That is just like one of my favorite 15 minute stretches in a movie.

6:17

I'm taking it back to HBO 1984 Craig.

6:21

Here's what they had boxing.

6:23

This is when when Tyson was coming to his own, they had the comedy specials because they

6:28

had Eddie Murphy, Delirious and George Carlin and some of those guys.

6:31

It's comic relief around now.

6:33

Not yet.

6:34

Not yet.

6:35

Not necessarily the news that started, which was like their answer to SNL, the hitchhiker,

6:39

which had nudity in every episode.

6:43

The premise of the hitchhiker was somebody fucks somebody else and then they die and

6:47

that would be the episode.

6:48

Is there any hitchhiking involved or at the end?

6:50

The guy would have his little, continue to have his little fortune cookie thing.

6:55

CR thoughts.

6:56

CR month would give him more talent.

6:59

What he didn't realize is it would kill him and then he would just walk away with the

7:02

slum out.

7:03

First in 10 with OJ.

7:04

They would have some concerts for Diana Ross and pretty famous concert around there,

7:09

once in a while.

7:11

And then just movies, lots and lots of movies.

7:13

They weren't really making the original movies yet at this point.

7:15

I think that the Terry Fox story, maybe one or two others.

7:19

So something like Eddie and the Cruisers, once got in the rotation, that was it.

7:23

But what's crazy is this movie bond when it came out and found life on HBO.

7:27

Yes.

7:28

Which led to on the dark side, finding radio, radio station, what, and a year after it

7:33

came out.

7:34

The fact is is that the band Eddie and the Cruisers from the movie almost mirrors the story

7:41

that Eddie and the Cruisers tell us where people are like, wait, what's this band?

7:46

And like even, you know, John Cafferty winds up getting like a cup of coffee because of

7:50

this band, because of this movie.

7:52

But like, it's essentially the same story as the movie's minus the possibly missing Bob

7:57

Dylan-esque figure.

7:58

So you think John Cafferty should have done that?

8:00

Just to see if they're to like 10 years.

8:03

Yeah, it's interesting.

8:04

Interesting.

8:05

But it doesn't just become like a regular hit.

8:08

The song that like goes like number three.

8:10

Yeah.

8:11

It's like a gigantic.

8:12

Yes.

8:13

Actually, have it.

8:14

It became, it was the number one song on the rock billboard charts.

8:18

It was number seven overall.

8:20

Number seven overall.

8:22

There was a week where it was number one.

8:23

The fix was number two.

8:25

Bruce Springsteen, Lindsey Buckingham, David Bowen, you two were the top six.

8:28

Yeah.

8:29

That was the level.

8:30

It was it was on all the time.

8:32

Consider that though.

8:33

Consider how much, I mean, obviously the song starts to get radio playing and stuff

8:36

like that.

8:37

But think about how much the movie has to be on for that song then to make it from the

8:43

movie.

8:44

Yeah.

8:45

Into people's minds, then radio, then, and this is a year after the film has already, it's

8:52

like, that's almost would be impossible for it to happen.

8:54

Also a crazy music year.

8:56

It's not like 1988.

8:57

Yeah.

8:58

Back in 1984 was like a real achievement.

8:59

It's huge.

9:00

It's like so many major stars at that point.

9:02

I was reading The Washington Post did an article about this movie's staying power.

9:06

Yeah.

9:07

And they talked to the writer Sherman Alexi.

9:09

He was this great novelist for restoration blues.

9:12

He actually had this great quote.

9:13

It was the VCR turned movies into songs into hit songs.

9:17

So movies that you could play over and over and over again.

9:21

And that's basically what those pod was originally about.

9:23

It was about movies that you wound up just walking in midway through, maybe only sitting

9:29

down for one or two scenes.

9:30

I don't want to get up and go to dinner yet because this might happen in this movie.

9:34

And that's kind of like what happens in any of the cruisers is like, you're passing by

9:37

and you're like, oh, wait, is they about to go to the writing of Dark Side?

9:43

Yeah.

9:44

Okay, I'm going to stick around and watch them write dark side.

9:46

You should see.

9:47

What is the pot about now?

9:48

CR?

9:49

Well, it's just about, I think it's more about great movies, right?

9:50

Yeah.

9:51

Or movies.

9:52

But that was the initial conceit of the pod.

9:55

To me, it's like, there's maybe like five or six moments where HBO became like really

10:00

part of pop culture.

10:02

And the fact that it could take this movie that bombed and was nothing and turned into

10:07

an iconic rewatchable movie for everybody who grew up in the 80s and 90s.

10:12

That's like up there with the Eddie Murphy Delirious concert that really like pushed him

10:17

to another level, comic relief.

10:20

Them having like real boxing, like I think I watched, I want to say I watched coony homes

10:25

or one of those in 80 when maybe it was prior to our go.

10:28

Just fights that they would have just you would have to go close circuit and instead they

10:32

were on HBO and some of the comedy specials they had, but it just all the sudden felt like

10:38

it's like holy shit, they're mainstream.

10:39

And they got inside the NFL.

10:41

That was a huge deal.

10:42

It's kind of the model Netflix is doing now, right?

10:43

Yeah.

10:44

And it's funny because I was I was going back and reading the perception of HBO in 83,

10:50

84 where they were like, we don't want people to come to theaters.

10:52

It was basically all the same Netflix style.

10:55

We'd have 40 years later.

10:58

Michael Paran in 2018 talking about this movie said, the whole idea is to leave your mark

11:04

on the world and impact people to make them think.

11:07

And in that way, I think the movie was pretty successful.

11:11

We didn't get much of a theatrical run, but we've got history.

11:14

Is that your Michael Paran voice?

11:16

I didn't do my Michael Paran voice yet.

11:19

But this movie is so beloved that they ended up making a sequel that for some reason,

11:23

Van Watch recently.

11:24

I don't know.

11:25

They don't watch sequel.

11:26

I didn't like the sequel.

11:27

I attended before the sequel.

11:28

Just like it wasn't even on as much.

11:29

They didn't put it on on on cable as much.

11:31

It was bad.

11:32

He had a must, Eddie has a mustache in it.

11:34

The music's not good.

11:35

You could tell that obviously like most sequels, they thought, hey, there's fertile ground to

11:40

continue this story, but they didn't think of actually a way to actually story first

11:45

continue the story.

11:46

So Craig, we've talked about this movie for five years.

11:49

You don't have to tell us what you thought yet.

11:52

But what was in your head?

11:53

What did you think it was going to be versus what was it?

11:56

I got to say, when you texted, I didn't know the movie was about it all.

11:58

And when Bill texted us saying, it's a 95 minute musical drama, I was kind of thrown

12:03

off my tilt there all day.

12:05

You and musicals, I don't usually put together.

12:07

I don't even know if I'd really call this movie a musical.

12:09

It just has music in it.

12:10

It's not a musical.

12:11

Yeah, that's fair.

12:12

The musical performances are legion and they're like, we're doing the whole song.

12:18

Yes.

12:19

I mean, the movie, oh, it was pretty much that full song.

12:21

Yeah.

12:22

The movie.

12:23

Oh, good.

12:24

Oh, you got it.

12:25

I call something a musical if the music drives story.

12:27

So if the music in the movie drives story, a lot of people think that it's a musical if

12:33

the dialogue is sung at some point.

12:35

Yeah.

12:36

But if the music like in this movie, the musical numbers drive different story points.

12:42

And to me, that makes it a musical.

12:43

Well, we got to talk about Michael Paray.

12:45

OK.

12:46

This was literally the apex mountain for him.

12:49

And he had a couple other at bats, but Eddie became his signature guy.

12:54

He's lip syncing everything.

12:55

Yes.

12:56

And it's one of the best.

12:58

I'm trying to think of a better lip syncing where it really seems like he's singing.

13:02

The voice of the band sounds like his voice.

13:05

He's got the charisma of a leading guy, the way he moves around the stage.

13:10

Really convincing.

13:11

Another one I can really think of is is Ramy Malik as Freddie Mercury and Boomean Rhapsody.

13:16

Which won him the Oscar.

13:17

I thought I think Shalame is pretty good at doing like when he was singing.

13:22

I thought he was actually singing.

13:24

Yeah, I just mean like the way he moves around with a guitar and like, but I'm saying Michael

13:28

Paray never sings in this.

13:30

Right.

13:31

Like Shalame saying, Balkomer who we talked about in the doors was incredible, but he's

13:34

actually singing.

13:36

This is him lip syncing the whole time and it actually works.

13:39

He also works.

13:40

He also pulls off mysterious rock star.

13:43

Super awesome.

13:45

The whole movie is based around this mystery that there was just more going on with anything

13:50

we thought there was, right?

13:51

And even in death.

13:53

And for your first role, this is his first big deal, right?

13:56

Yeah.

13:57

For your first role for him.

13:58

It found him.

13:59

Yeah.

14:00

For him to be like brooding rock star mysterious guy.

14:02

He really sells that really well.

14:04

And if he doesn't work, then obviously the whole movie is fine.

14:06

Being an actor and a band is probably like being an actor and a basketball movie.

14:09

You can either choose to get the guy who looks right, playing music or the guy who's

14:13

like the good actor who you can like cut around.

14:17

Like I don't think I know Barenger learned a bunch about playing keyboards, but they are

14:22

cutting around Barenger.

14:24

They never show Barenger's hands really.

14:27

They are, they got Eddie like in full wide shots, like walking around with the guitar, his

14:31

guitar moves going into the crowd at one point.

14:34

Kind of meant mimic like they're pretty close.

14:36

Like I don't know how, whether he learned to play guitar for this, but it looks pretty

14:39

good to me.

14:40

I mean, he's also carries himself like the leader of a band.

14:44

Like you actually buy that he's in charge of the band.

14:47

He's ordering these guys around.

14:49

And the movie taps into, I don't know, there's some pretty cool themes in this that I don't

14:53

even really fully know if they, what they were getting into when they wrote this.

14:57

I don't know how much thought they put into the script, but about the concept of like how

15:01

great can somebody be?

15:03

You know, like they're making these sound out this club every night.

15:07

And the band is delighted to be there.

15:10

And Eddie's like pursuing something that's a little higher than everybody else that he's

15:15

with.

15:16

And that's really all he cares about and the other guys don't say it.

15:19

It's kind of cool.

15:20

We've seen this theme in some other movies and TV shows, but I like how they do in this.

15:25

Well, it's based on the novel, right?

15:27

Yeah.

15:28

It is.

15:29

And the novel's more of like a mystery.

15:30

Yeah.

15:31

It's like somebody is like, did he get killed?

15:32

Like, was Eddie murdered?

15:34

Interesting.

15:35

I have to also on that at the end, by the way.

15:37

But it seems as if the one of our research, the novel is like incredibly important.

15:45

Like people were saying this one of the best rock and roll novels out.

15:47

So there was some sort of a blue key.

15:49

Yeah.

15:50

Yeah.

15:51

A blue key, something like that.

15:53

I give Michael Paray two possible words that we have in flex categories we never use.

15:58

The Sasha Jenkins award for actor.

16:00

You can't believe they've become a big star.

16:02

Sure.

16:03

And the Ted Levine award for performance so good and distinct that met a inadvertently

16:07

rude his career.

16:08

Ted Levine also on something very bad is going to happen.

16:11

Oh, really?

16:12

Yeah.

16:13

Were you surprised when you watched this that this was his peak, Michael Paray?

16:16

Yeah.

16:17

I had that same category written down as a flex possibility.

16:19

I think he has incredible stage presence that like his physicality is so good when he's

16:24

the scene where Eddie's at the college.

16:26

And he's talking to the crowd.

16:28

There's like that edge.

16:29

There's a Spencer where you're like, I think this could turn dark.

16:31

He's angry.

16:32

Yeah.

16:33

He's like, command the attention of everyone there and is holding you on that like edge

16:37

of, I don't know if something's going to happen.

16:39

It's pretty impressive.

16:41

He's really good.

16:42

He's good on stage.

16:43

The stuff off stage where he's just delivering lines.

16:46

He's not as great.

16:47

Yeah.

16:48

He's limited.

16:49

But director gave him hell too.

16:51

So it sounds like it was like a tough shoe in that regard.

16:54

Because like in Greece, Travolta is just really good.

16:56

Like you watch that and you're like, yeah, that guy's good at this.

16:59

Yeah.

17:00

I feel about Parachs that he's somehow not singing.

17:04

And then you have Barenjari, you mentioned word man, who did this in big chill in the same

17:08

year.

17:09

The word man.

17:10

Big chill, massive movie, like kind of generational adult movie.

17:14

Sure.

17:15

He's with all these actors.

17:16

This is Lawrence Caston, but he's also in this, which doesn't do well.

17:20

And he's probably a little embarrassed by this one and then somehow they both live on.

17:23

Do you put Barenjari in the William Peterson?

17:26

Like what happened?

17:28

Because he, both guys, William Peterson, of course, you know, I love William Peterson.

17:32

Both guys seem like they have everything to be just like one notch higher.

17:38

So I would argue he actually delivered on some of that.

17:41

Okay.

17:42

Because he platoon, he gets nominated.

17:44

That's a great part.

17:45

Someone to watch over me, Ridley Scott.

17:46

We love that movie.

17:48

He's in shoot to kill, but trade, last rights, and major league on like two years.

17:51

Like he had like, you know, seven year run of like he was leading movie.

17:55

It's not unlike if you take the the group of guys who was in big chill, you know, he and

18:02

William hurt had really good 80s.

18:04

Yeah.

18:05

And then started to fade and get passed by the cost.

18:08

There's like gold.

18:09

Gold, gold and wine push through the 90s.

18:12

Pretty much.

18:13

So that's what I'm saying.

18:14

I'm saying that like, I mean, when you think about it, the nomination for platoon is like

18:19

big huge deal.

18:20

And he's fantastic in that movie.

18:21

Yeah.

18:23

But Klein and Goldblum is what I would have thought just like a little bit more because

18:29

he gets to a point then he went by the time you get to the sniper era, he's almost out

18:32

of I love that movie.

18:33

And the substitute.

18:34

Yeah.

18:35

Like he's almost out of gas and being taken seriously.

18:37

Possibly he let him mildly hard life.

18:39

Yeah.

18:40

I mean, he's still pretty rough and sliver and that's 1993 and it looks like he's 20 years

18:44

old.

18:45

Inception.

18:46

Which is an inception.

18:47

He's an inception.

18:48

I haven't seen him much recently.

18:52

There's an amazing what if with him.

18:54

Do you know what TV show he turned down?

18:56

No.

18:57

Sonny Crackett.

18:58

No, shit.

18:59

Turned it down.

19:00

That straight up doesn't work.

19:02

In no way, shape of the pool.

19:04

He doesn't work if he's sunny crock.

19:06

I think he has too much baggage at that point because he's been in movies and we know

19:10

he has.

19:11

Don Johnson had no nobody knew he was right.

19:13

Don Johnson.

19:14

I think Baron J.

19:15

Could have done it though.

19:16

Oh man.

19:17

Don Johnson is beautiful.

19:18

He's a little slimy.

19:19

He's a little mysterious.

19:21

Like it's a completely different show of Tom Banger.

19:24

Don Johnson's funny.

19:25

No, you're not.

19:26

You know, I love Don Johnson, of course.

19:27

But I think Baron J.

19:28

It would have been okay.

19:30

Yeah.

19:31

I always liked him.

19:32

I always thought there's some there's some costume with him.

19:36

There's some leading man stuff.

19:38

Like he's good in this role.

19:39

He's good at playing a cop.

19:41

Platoon's probably the biggest.

19:43

I don't know, swing he took.

19:45

But Major League.

19:46

He's just kind of like the good guy.

19:47

Yeah.

19:48

Like that guy's a solid guy.

19:49

I trust this guy.

19:51

Kevin Costner with like with like a more like weathered face.

19:57

Yeah.

19:58

But he can play sports.

19:59

He can play action.

20:00

He can do that stuff.

20:01

Yeah.

20:02

Tell you one thing.

20:03

Yeah.

20:04

Pretty incredible chemistry with him and I'm barking him.

20:07

He's ready to fucking hop on him and every scene.

20:09

They're like four seven and seven.

20:11

Yeah.

20:12

Yeah.

20:13

I mean, she's just sitting on his desk like every like everything

20:16

she's bringing it.

20:17

She's not in the movie.

20:18

For some reason, I remembered her being in a movie more than she was.

20:20

I know.

20:21

She's in three scenes that seem to have been shot like in a completely different set.

20:24

Yeah.

20:25

You know, it's wild to go back to movies like this and watch it when like everybody

20:28

in the film is probably like it's like Matthew Lawrence is in this movie.

20:33

He's like got more screen time than Ellen Barkin, right?

20:36

Yeah.

20:37

To go back and be like, can you tell the Joey Pants, Ellen Barkin and Tom Barenger

20:42

are the ones that are really going to pop out of this cast?

20:44

Right.

20:45

So she was in Diner in the year before and this year was in tender mercies and Eddie and

20:50

the cruisers and started coming up.

20:54

The smoking is, I don't know when we're going to cover that.

20:57

I don't think she doesn't have a scene where she's does is in Barenger's all back in the

21:01

cancer place.

21:02

The only thing Barenger doesn't smoke is school.

21:04

Is high school.

21:05

It's elite smoking movie.

21:06

Everybody is like really smoking.

21:08

They're not like don't give me the fake cigarettes.

21:10

They're sucking them down.

21:11

I get my sense too.

21:12

Sucking them down.

21:13

It makes sense to rock stars, the life they live, making them seem cool.

21:23

She's pretty cool.

21:24

She's a cool character.

21:25

She's not in the movie that much.

21:26

She's smoking at that time that was seen as a little bit sexier.

21:29

So I can't tell you a little.

21:30

Do you like this movie?

21:31

Ironically at all or are you like sincerely Eddie and the cruisers is like just a great

21:36

film?

21:37

I'm 100% sincere with it.

21:39

Well, it taps into something else that I really like.

21:41

So I love Baren's kind of on the rise and Baren's coming up with songs on the fly in scenes

21:49

that make sure they're sent.

21:50

They're two minutes long and they come up with a hit song.

21:53

But I like the concept of, and this we did this a little bit in the counting crows documentary

21:58

when it seemed like he did the first album and then Dürer it's like kind of goes off

22:02

the deep end and it does seem like they're going to record again and the guys in the band

22:05

are like I just was almost touching the sun.

22:09

And now I'm just back to my life like what just happened.

22:12

And I like the theme of like these guys for like 18 months had it.

22:17

And now it's like Salamado's at the fucking holiday in Lounge with Eddie rip off guy.

22:21

And Joey Pence is drinking.

22:23

He's drinking pizza in the locker room and his dressing room.

22:28

They're followed by some lady in the piano who's like, but I and the guy Kenny's a black

22:33

Jack dealer and it just doesn't kind of work out for anyone.

22:37

I think that happens a lot.

22:38

And Joeyans do in choreography.

22:39

Yeah.

22:40

You know, who I think when I watch the movie again to your point, it is dated, right?

22:45

I mean, obviously it's dated.

22:46

It came out a long time ago.

22:48

And even in performance, like all these people grew so much as performers like after this

22:53

movie to me, like the scene where there's a fight between Eddie and Joey Pence's characters

22:59

and they just like does not look real at all.

23:01

It doesn't look like there's any real rage happening.

23:03

It's a very demosh too.

23:06

The themes of the movie and like we were a part of this really amazing thing.

23:10

And this was as good as it was going to get.

23:13

And we really didn't know it.

23:15

We thought it would go on for like a long time.

23:17

And Eddie's his search for greatness being the theme that actually sabotaged the one of

23:22

the band that we see that.

23:24

Or even like the idea that Frank coming into the band and being like, let's do Rambo poetry

23:32

and really get deep.

23:35

And then we're like, what's the point of this is what breaks it up because that's always

23:39

like one of my favorite moments is when Sal yells at him in the studio.

23:42

Like we were fine before you show up.

23:44

It was you.

23:45

We could have played Tony Martz, like forever, you know, like we could have just been

23:51

the best band in Ashbury Park, but instead.

23:53

I mean, you could make this movie every 10 years.

23:55

You could have done a hip hop version of this movie in the 90s and said it, you know,

24:00

it was said it was some group in like 1984 that self-combust it and we're having the

24:04

movies like this is to make the song or songs, but the song specifically because there's

24:08

always got to be one.

24:10

A song that people want to hear.

24:12

Yeah.

24:13

And then this one has like four, but it has one main one and then it also had and that's

24:17

the same thing for that thing you do.

24:19

Like that thing you do has some good songs, but what you want is to hear all these different

24:24

iterations of that thing you do.

24:25

And the same thing with dark side, you want to hear them through dark side three times.

24:29

All you have to nail in a movie like this is the music.

24:32

That's it.

24:33

If you nail, it's hard to even conjure a film to where you like the songs, particularly

24:40

the main song and some way you don't respond to the music because if like for that thing

24:45

you do, which I'm going to talk about later, that song is so good.

24:48

It's so catchy that you could see why the wonders got famous so quick.

24:52

Yeah.

24:53

And why they couldn't recreate it because it was such lightning in the bottle.

24:57

And with this one, they sell you on the fact that any new cruisers are dope and that's

25:02

really all the movie has to do to like create the mystery around the band.

25:05

Did you watch Daisy Jones in the six?

25:07

Did you watch it Greg?

25:09

Did you watch it?

25:10

Yeah.

25:11

So that has some of the themes of this of like you're watching this band try to put it

25:16

together.

25:17

It's going back and forth and it's trying to do all the 2020s.

25:22

There's slight mystery to what we're watching all that stuff.

25:25

But for the most part, same kind of themes and not being able to keep it together.

25:28

And there's a connect too.

25:30

Five Harby's.

25:31

Well, talk about later like a movie like that.

25:33

They got a banger of a song out of it.

25:35

It makes it ordinance the whole movie.

25:39

Joey Pants was the other one we didn't talk about.

25:42

Who has this and risky business?

25:44

Guido the killer pimped in 1983.

25:47

Goonies running scared the bomb and then midnight run in 88.

25:50

He is a full fledged that guy in 1983.

25:52

He's also to my my taste blowing everybody off the screen in this movie.

25:58

Like he is clearly so good.

26:00

And not only that knows exactly who this guy is, I can't tell if he's wearing a prosthetic

26:05

nose or not or if he's just really young.

26:07

But he the hair is definitely a little weird.

26:10

But he is the guy who's like, I to your point, he's like, I had it for one second.

26:16

Like you bet on all these bar bands and you get lucky with one of them.

26:20

Right.

26:21

A struck oil on the DJ and now I'm like sitting in a overhead lighting in an overnight shift

26:27

at a radio station.

26:28

So much so to where he pulls some Scooby Doo shit.

26:31

Right.

26:32

Like the desperation.

26:33

We get into that.

26:34

Yeah.

26:35

Trying to like take on Eddie's persona and do all of that stuff.

26:40

It's like they sell that they kind of create that at the beginning of the movie.

26:44

Look, he's working in this small little room.

26:46

Word man comes in.

26:47

He has all of these ideas.

26:49

Maybe we can be technical consultants.

26:50

The first time I ever heard of a technical consultant on a movie.

26:53

Yeah.

26:54

Maybe we can be in the movie.

26:55

Do you know how desperate he is from that time on?

26:58

So I think my favorite Joey pants in this is when they're on the roof, which is a great

27:03

scene.

27:04

And they're just Frank's like playing that song and he's like can't be comparably

27:07

saying and he's sitting there.

27:09

So excited.

27:10

Come here.

27:11

And he's just a sound.

27:12

And he's there laughing.

27:13

Yeah.

27:14

And he's like, this guy can't sing.

27:16

Yeah.

27:17

He can't write.

27:18

He can't.

27:19

And he just like of this rates him.

27:21

But it's just classic Joey pants.

27:22

And you can see all the seeds for who's the sprunger's character Ralph Ralphie.

27:27

Ralphie cipher.

27:28

It's like all of the characters that like made him famous.

27:33

There's a little bit of them in the band.

27:35

Marceco and Bill bonds is right there.

27:37

Yeah.

27:38

Did you tell the fucking judge?

27:40

Everybody tell me to go fuck myself.

27:43

The people Brown Band we mentioned, they were found by Lou Isan, the Kenny Payne, the

27:49

technical consultant for the film who was Lou Isan, the executive who's like a bunch

27:53

of jerk offs, $10,000.

27:54

Yeah.

27:55

Found these guys and they wanted the cruisers to be this Jersey bar band.

28:02

So there's some there's some shades of Springsteen in this.

28:06

I have a guy.

28:07

I think was a bigger day.

28:08

Basically massive.

28:10

You're like, I watched this 100% seriously.

28:13

I watched this like 70 30.

28:14

I think the 30 comes from the fact that there is a break in the space time continuum of

28:20

rock history that happens in this movie that I cannot get over.

28:24

What is it?

28:25

Tell us.

28:26

Well, Eddie and the cruisers sound almost exactly like Bruce Springsteen.

28:30

Yeah.

28:31

Bruce Springsteen would have started in the early mid 70s and really starts to sound like

28:36

Eddie and the cruisers or vice versa in the mid 70s.

28:40

They make tender years in 62 or 63 and they're working on season in hell in 64.

28:47

That predates the Bob Dylan record bringing all back home and Highway 61 revisited.

28:54

It predates the Beatles doing rubber soul and revolver.

28:58

It predates Eddie was ahead of his time, man.

29:00

It billets beyond ahead of his time.

29:02

Like Ray Charles and the charellas is what was on in the radio.

29:06

They would not have a rock band with a sax player doing rock opera 70s music and you're

29:13

asked to believe that like this guy is basically Dylan going electric but without Dylan having

29:19

ever happened.

29:20

The only thing that drives me nuts about this movie is that if they just said it in 73,

29:26

then they would have been able to be like, yeah, we're trying to get like this feeling

29:29

back.

29:30

And then it's just 10 years later in 83 when they're like Eddie disappear.

29:35

But now 10 years later, there's a revival.

29:37

But the idea that this is happening at like sock hops is kind of like Marty McFly going

29:43

back and starting rock and roll and back.

29:45

Oh man.

29:46

So fair points.

29:47

One of my favorite white supremacist scenes of all time.

29:50

Yes.

29:51

Marty and Vince Rock and roll.

29:52

I love that.

29:53

Is this done to make Eddie seem like he wants in a generation rock visionary book is

29:59

setting like the Dewap era?

30:01

I see what you mean.

30:02

And they made it more like we want this to sound like Jake Isle band John melancham.

30:07

And then they go from run around suit.

30:09

They go from covering run around suit.

30:11

Yes.

30:12

Straight to dark side and it's like and then season and hell and then season and hell by

30:16

time season and hell comes out there like in excess.

30:18

So it's like when season and hell happens, they're like, this is like avant garden.

30:22

I'm like, this sounds like an eagle song from the long run.

30:25

It's not that.

30:26

What other movies you want to ruin?

30:27

The Warriors.

30:29

Could we ever get 40,000 gang members in one spot?

30:32

No, I'm just saying this is an easy fix that they they chose not to make.

30:36

I don't know why I think they could have made definitely could have made it three, four

30:38

years later and probably not lost anything.

30:41

I think they really wanted the innocence of the early 60s.

30:44

Yeah.

30:45

Well, in that scene at the college, they literally pull up and sleepwalk is playing, right?

30:50

Yeah.

30:51

Yeah.

30:52

Which is the scene though the song, the instrumental that you play to say, hey, we're

30:55

in the 60s and the 50s.

30:56

It was a different time.

30:57

Yeah.

30:58

Stand by me.

30:59

Stand by me.

31:00

And sleepwalk is playing and then they come on and just their energy completely disrupts

31:04

everything that the college has going on.

31:05

Yeah.

31:06

They were playing that disruptive music head of their time.

31:08

In 63, like, what would they have been playing?

31:10

These guys are doing left at the Rolling Stones.

31:12

Exactly.

31:13

I wouldn't have because they didn't exist in this universe.

31:15

You know what I mean?

31:16

Like, apparently they don't go on in Sullivan.

31:18

The Beatles are not on in Sullivan in this universe.

31:22

They had the sax player from Beaver Brown, Michael Antons is the sax player in the movie.

31:27

That was the only one that cast over.

31:29

No, no, no lines.

31:31

Tough.

31:32

Well, he does, he makes an impact.

31:33

He makes an impact.

31:34

I got things to say.

31:35

Zero lines.

31:36

They released the soundtrack in the fall of 84 year after the movie came out and it

31:44

goes, could Drupal platinum and all the shit.

31:47

Even tender years peak that 31.

31:49

So two top 35 hits and it just kept going and going.

31:54

So the director is Martin Davidson.

31:56

He wrote the screenplay of the sister and basically got screwed over by the studio who paid

32:03

for it.

32:04

Couldn't figure out how to release it properly and it ended up on HBO and he was like,

32:07

nobody's ever going to see my movie.

32:09

Not realizing HBO is about to come.

32:10

They're not realizing that the rewaterables would force streamers to put it on.

32:14

I didn't shout a man dream.

32:15

The real reason we're doing this is because we need kiss the death back.

32:20

And if we haven't any in the crew, we brought any of the cruisers back to life.

32:23

Looks like any Wilson at the end of this movie.

32:25

And now kiss the death has to be next.

32:27

Craig, 95 minutes plus five on the Horobex scale.

32:31

500 par.

32:32

Pretty impressive.

32:33

This movie is as good as it is and is as enjoyable as it is because it's 95 minutes.

32:39

If this movie is two and a half hours, it's unwatchable.

32:41

Oh my God.

32:42

Unwatchable.

32:43

This goes to show you how much that matters.

32:46

Like the 95 minutes is a part of why this movie is so great.

32:49

Though that being said, for my probably I answer for questions.

32:52

I have some questions about what you would like to see more of.

32:55

Yeah.

32:56

So one of the reasons it hit on HBO was it was 95 minutes.

33:00

And they could push on an 8 and it would be done at 935 and they could go right in

33:04

a comedy special.

33:05

Five million dollar budget made 4.7 million.

33:08

Audrey Bert two stars.

33:10

Any in the cruisers is all build up and no payoff.

33:13

You wrote that.

33:14

They could have had a good movie here.

33:16

They had the cast for one.

33:17

They even had the music.

33:18

The soundtrack is terrific.

33:21

But the ending is so frustrating, so dumb, so unsatisfactory.

33:24

It gives a bad reputation to the whole movie.

33:28

I have a counter for Raj.

33:29

Go fuck yourself.

33:30

Wow.

33:31

First go fuck yourself.

33:33

Like with a capital F.

33:35

Like to start there.

33:37

I really like the ending.

33:38

I love that he lived.

33:39

I mean, granted I saw this first one.

33:40

I was 15 years old, but him coming back with the beard and me like, oh my God, he's fucking

33:45

alive.

33:46

He was alive the whole time because they're hinting at it, but you don't actually think

33:49

they're going to do it.

33:51

And then they actually do it.

33:52

And I don't know, I'm still into it.

33:53

But to Raj's point, it doesn't really mean anything.

33:57

By the time we find out that he's alive.

33:59

It's the last second.

34:00

Yeah.

34:01

By the time we find out that he's alive, what?

34:04

Well, he wanted respect, right?

34:05

He did want to express.

34:06

Right.

34:07

Now he's watching through when he's watching TV.

34:09

He's watching TV.

34:10

Season of Hell and all that.

34:11

I was like, oh, that's funny.

34:12

Got my respect.

34:13

It's too bad you saw it the way you saw it because I would like to know whether you thought

34:16

watching the movie or like is Eddie breaking into people's houses and looking for the season

34:20

and hell tapes.

34:22

Yeah, I don't see.

34:23

I knew the ending.

34:24

Well, let's find out from Craig who knew nothing about the movie.

34:27

So the twist ending, what did you think?

34:28

Well, unfortunately, I knew there was a sequel called Eddie Lives.

34:31

Yeah.

34:32

That was tough.

34:34

I think it's tough.

34:36

I didn't have a problem with I thought, yeah, I considered me.

34:39

I didn't know what was going to happen in a nice way.

34:41

I was I was let down by the Joey pants ending to be honest because I they just signaled

34:46

that way too clearly.

34:47

I actually thought that was going to be like a classic red herring because he was so ridiculous.

34:51

He would be my first culprit.

34:52

I thought it was going to be like Salamado who wanted to be the leader and that's why he

34:56

killed Eddie or it was Eddie coming back or something like that.

34:59

But Salamado cut his brakes.

35:00

Is that your.

35:01

Yeah.

35:02

I thought he was like, you're screwing us up.

35:04

I can lead us to the promise land by doing run around Sue for 20 years.

35:09

But I didn't have a problem with the ending.

35:10

To me, like the movie's already over at that point, it's just like a fun button at the

35:13

end.

35:14

It's definitely over.

35:15

The movie kind of overs with the rekindled romance between where it man and Eddie's girl,

35:19

classic dirty mac and Hayden, cooking, happening in his movie behind Eddie's.

35:24

Fuck back where it man.

35:25

Are you crazy?

35:26

Stuff some guy cut being broken.

35:28

He's lucky.

35:29

He's just called him Toby Tyler and.

35:30

Yeah.

35:31

I'm not going to hurt for it.

35:32

But like the movie to me, it was always there's no real story.

35:37

Like I enjoy this movie.

35:39

This is like legitimately this made me homesick for Louisiana.

35:42

Like I watched the movie and it felt like it.

35:45

I'm back in general Jackson, Baton Rouge, Gardir, it's not pizza and it is cruises on.

35:51

But like it's not actually like a real movie in any way, shape or form.

35:55

She starts off and she's going to be looking for him.

35:58

That just kind of goes.

35:59

Get rid of that.

36:00

Like they just fucking go, okay, like really if the movie was driven by her trying to get

36:07

this story, you talking about Ellen Barker.

36:08

Ellen Barker.

36:09

The payoff would almost make more sense.

36:10

It's two framing devices.

36:11

Right.

36:12

Because it's got they've got to get Ellen Barker and two Tom Beringer.

36:15

But when they get to Tom Beringer, it becomes him going around meeting people from his

36:20

past and having these reveries remembering his days or that he increased.

36:23

I don't think we were putting a ton of thought into stuff in the 80s.

36:27

But we were having fun though.

36:28

We were having a great time.

36:29

We were fucking having fun.

36:30

We didn't add up.

36:31

We didn't care because it was like I'm the center somehow somehow came out two years before

36:35

Highway 61 revisited who cares.

36:37

But wasn't it better though?

36:39

But wasn't it better?

36:40

Wasn't it better sitting down and like finding reasons to like what the fuck you were

36:46

watching?

36:47

Yeah.

36:48

It was better like to say, Hey, this has great music.

36:50

This is a cool story.

36:52

You have an interesting lead.

36:53

I guess Tom Bering is just the lead.

36:55

You have an interesting character here.

36:56

Sit down for 90 minutes and have a good time rather than get off and like pull everything

37:01

apart and overanalyze it.

37:02

Also, you know, yeah, you just have more fun with movies.

37:06

Well, it's like, you get out of it being 95 minutes.

37:09

You could explain it more if they added 20 minutes to get into some stuff, but then is

37:12

it as enjoyable of a movie now?

37:14

Probably not.

37:15

Take a break.

37:16

We'll do the categories.

37:17

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38:17

All right, most of you watchable scene, opening credits.

38:21

Sounds done, CR.

38:22

Yeah.

38:23

Cold open.

38:24

Darksides coming out, nothing is real.

38:27

And this is dead everybody.

38:28

Doing dark side at the college, I imagine.

38:31

And then it cuts to Elm Barkan on her like 17th Sega the day.

38:37

It's like 1230 in the afternoon.

38:39

Given dog walking every guy in the room.

38:42

She's just dropping lady all over them.

38:45

They're all in love with her and she does.

38:47

You ever hear of a poet named Martha Rambo?

38:50

Committed suicide, not of the flesh, but of the mind and soul.

38:57

Pretty good hook.

38:57

Yeah.

38:58

Good song.

38:59

Everybody's off.

39:00

Everybody's skeptical.

39:01

You're fucking crazy.

39:03

Eddie fucking died.

39:04

Who cares, man?

39:05

What's the hook?

39:06

What are you doing?

39:06

What's the deal?

39:07

What's the deal?

39:08

And that's why you think that the story is going to be through her perspective.

39:12

But it's seen sets up the entire film.

39:14

We got word man's flashback to meeting the cruisers at the Tony Martin.

39:19

Word man, Frank Ridgeway.

39:21

Jersey sore 62.

39:24

Needed to say Zor.

39:25

Yeah.

39:26

Timely Paws.

39:29

Barkan goes to see Frank at school, sits on his desk.

39:34

Because Eddie died.

39:35

He died.

39:36

The cruisers died with him.

39:38

He was my friend.

39:40

You I just met.

39:42

Fake cruisers band at the Sal lounge leading into the memory of being on the roof

39:47

creating on the dark side, which might have been the best seven minutes of the 80s.

39:50

I don't know.

39:51

The Hacker herds.

39:53

Hacker herds in this.

39:54

I thought you're the danger zone.

39:55

Better than this.

39:56

Hacker herds in the baby.

39:57

Get away from her, you bitch.

39:59

I love fake Eddie.

40:03

Fake Eddie comes out with this eight, nineteen, eight, three lounge band and has the leather

40:07

jacket and kills it.

40:10

We get the whole word of music thing.

40:13

Get the performance with the coming back to the cover guy wrapping it up.

40:16

We get to I just love when watching somebody create a song from scratch.

40:21

Yeah.

40:22

I also love any scene where a band is together creating a song and there's an unexpected

40:30

missing ingredient.

40:32

Like there's an unexpected look style.

40:34

So he does it twice.

40:35

He does it when he's explaining to them, we're going to marry what we do at bar rock with

40:41

high literary concepts and all of that.

40:43

But then he does it again, listen, like he's got something that nobody else has and the

40:48

difference between Eddie and the rest of the band is Eddie can hear it and they can't.

40:52

Michael Perez said the scene on the roof, which is awesome.

40:56

He said, I've been told that that scene at Top of Tony mart is the way rock and roll happens.

41:02

You take a melody and just make it rock and it just sort of happens.

41:05

It's one of the most flattering things you can say.

41:06

I mean, it's an awesome scene.

41:09

Nothing is fun here.

41:10

I mean, when a hit song comes together in a movie in two minutes, I forget where like

41:15

hey, come in.

41:16

Perez, like, what do you want vacation?

41:19

Joe Pippa literally comes in on time, no perfect.

41:23

And he's like, boom, boom, the sax guy comes in.

41:25

He's got a solo already put him out.

41:28

Girl comes in on the drums, Joanne back in the bang and the thing.

41:31

I love also when like everybody catches the vibe.

41:34

And then they have to be a part of it.

41:36

People start dancing, hitting the tambourine and adding melodies.

41:39

Awesome.

41:40

When that Beatles documentary came out, did you watch that?

41:42

Yeah, it was a little like this.

41:44

It was.

41:45

It was.

41:45

It was like just took 15 minutes.

41:46

Yeah.

41:47

And there would be like lots of like dudes being like, did you watch the did, did

41:50

you want to cause the show last?

41:51

Right.

41:52

That was really good.

41:53

Because you think about get back and you think that like when you think about some of

41:56

the songs that the Beatles made, you think that these songs were like handed down from like

42:01

the gods and given to Lynn and McCartney.

42:04

And you just see him going, what sounds best?

42:06

Two songs?

42:07

Is it fucking two-song or things?

42:08

What should we put in the song?

42:09

If they fucked around till they can call something that people will remember forever.

42:13

But they just have this like dark side comes out fully formed.

42:16

Right.

42:19

I thought Bairncher does a good job even though you never see his hands of like, he's got

42:23

like this head knob and and a parade in that scene where he's like, he's just so happy

42:29

it's happening and you can feel like the Eddie charisma.

42:33

Yeah, it's a good scene.

42:36

That leads to South's last song with the fake Eddie band right into Wild Summer Nights.

42:40

We go back to 63.

42:42

We go wild Summer Nights right in tender years.

42:46

Really good parade performance again but ending with the Bairncher piano.

42:50

The sacks guy coming over.

42:51

Yeah, that's fucking awesome.

42:52

Yeah.

42:53

Put the elbow in the piano.

42:54

Just like, yeah.

42:55

Do you have a favorite not dark side Eddie song?

43:00

Ten years is good.

43:01

Ten years is good.

43:02

It's like just a flat out song.

43:04

I don't know if you noticed this though but it comes back to South after tender years

43:09

and they're wrapping up and they play some oldy book of his song and all the people in

43:13

the audience are holding secret letters.

43:16

Right, the whole thing is up.

43:17

And he finishes it and it cuts to the crowd and there's this lady in the front row.

43:22

It's like this.

43:23

It's going to be really funny social clip.

43:27

This extra is just going for it.

43:29

Just making like five bucks for three hours just like throwing something to it.

43:35

Sound word man eating pizza enjoy.

43:39

So let me test drive this one for you because South is really going for it.

43:43

He's got the sweaty lip.

43:45

See pizza is about to start crying.

43:47

I think he might be a Peter North award for most effort loaded into one movie.

43:51

Matthew Orts.

43:52

Yeah, it's like he's got this nothing based part.

43:54

He's throwing himself into this full speed 100%.

43:58

We're kind of need him in this.

43:59

Yeah, you do think about the little soliloquy that he does after the song and he's sitting

44:04

down there and he's telling them remember when you used to driving around and things

44:07

getting wild in the backseat and you're touching on her and all of this.

44:11

I mean, everybody's starting to feel remember that first time.

44:13

Yeah, first time.

44:14

This is like the whole of the flex.

44:16

What is it?

44:17

Salamado.

44:18

I used the band out of bio eight.

44:19

Where the fuck did that.

44:20

It's not a problem.

44:21

Mel from 902.

44:23

I don't know.

44:24

No, no.

44:25

Salamado in the nightclub.

44:26

Like he could have been at the Copa cabana.

44:28

He was smooth as butter.

44:29

He always had that.

44:30

He was just like, I can't be Eddie, but I'm really close to nice on stage tonight.

44:35

Yeah.

44:36

So he had he was in he was the gay guy in San Elmos fire.

44:39

He lived across the hall for the new more and then peak the Nana to know his David Silver

44:44

Stad Davis pops.

44:45

He served.

44:46

They he served Donna Martin champagne got her drunk.

44:49

She passed out at the high school graduation and then wasn't allowed to graduate and they

44:54

revolted.

44:55

I think it's all because of Salamado Salamado serving underage kids champagne.

45:00

I thought he was greatness.

45:02

The Toby Tyler move we mentioned into Frank and Maggie.

45:06

Which I think I think every scene with barren during barkers is just really good.

45:09

Yeah.

45:10

And I had this coming later, but barking like hates this movie.

45:14

Yes.

45:15

Hates it.

45:16

She fucking shit.

45:17

Oh, she shit.

45:18

Oh, I never meant to rent.

45:20

That was to pay the rent.

45:21

We didn't know who was in charge.

45:23

The movie fucking.

45:24

Everybody was on drugs like and she she hits to being actually mistreated on the movie

45:31

in a way.

45:32

If you watch how just viciously she treats the film hurt my feelings.

45:39

Wendell dies right into Eddie crying and being a bit of sing tender years.

45:42

Yeah.

45:43

The friend died last night.

45:45

Season hell going sideways.

45:47

This is what I've been waiting a year for a bunch of jerk off making weird sounds.

45:54

That guy.

45:55

That guy's funny as fuck.

45:57

He's so fucking mad.

45:59

He's at Lou Eisen.

46:00

Yeah.

46:01

He said that $10,000.

46:02

He's a 10 grand.

46:03

Yeah.

46:04

And they came back with some experimental bullshit when he's trying to get the kids to

46:07

the fucking sock off the dance.

46:08

Really funny.

46:09

Then we ain't great.

46:11

We're just some guys from Jersey.

46:13

If we can't be great, then there's no sense in ever playing music again.

46:17

So that's why I think before every tailgate.

46:21

It does point Eddie through the sequel Eddie lives.

46:24

He's like, I just don't want to get up on stage unless it's going to really mean something.

46:28

Yeah.

46:29

And then the ending.

46:33

That's it for rewatchable.

46:34

What do you got?

46:36

I'm going to go writing.

46:37

We stop writing dark side.

46:39

Yeah.

46:40

I think that's me too.

46:41

That's what it is.

46:42

Yeah.

46:43

No, did you enjoy Eddie in the flashback in the fucking junkyard castle?

46:50

Palace depression, the Palace of Depression.

46:52

It's Japan, they actually actually did.

46:54

I love that thing because that's when Eddie, when Eddie starts to crash out towards the

46:58

end of the movie, the middle to the end of the movie, those are my favorite parts of

47:02

the movie.

47:03

He crashes out in front of himself to the end.

47:05

So, yep.

47:06

I think it's cool because for the most part, it's all of barringer's happy memories of

47:12

it.

47:13

And then it's like when Joanne is like Kenny and Joanne are like the ones who were like,

47:16

it wasn't all happy.

47:17

Yeah.

47:18

It was like, there was some dark shit.

47:19

Yeah.

47:20

Like, this wouldn't even exist.

47:22

Two years first down.

47:23

We've done other fuckers.

47:24

What's the most, two, eighty three thing about this movie?

47:31

No caller ID.

47:32

Oh.

47:33

Really jumps out.

47:34

Yeah.

47:35

When Joanne keeps getting these calls, now you would just be like, who's this number?

47:38

She couldn't even, I don't think they had star 69 yet.

47:41

Watching a row of TVs through a department store window.

47:44

Definitely.

47:45

It's very 1983.

47:46

Yeah.

47:47

That doesn't exist anymore.

47:48

So, a trope that continued to come back up.

47:52

Now it would be like a homeless guy with no pants on watching through a best by, and then

47:57

peeing on the window.

47:58

Now it would have been the end of it.

48:00

Yeah.

48:01

It's like, you're talking about it.

48:04

Any of the homeless guys?

48:06

Any of the homeless guys?

48:07

Yeah.

48:08

Yeah.

48:09

I have a couple of here for the 83.

48:11

One is, dark side just sounds like Brian Adams or Southside Johnny or John Millicamp.

48:17

So like very classic early mid 80s rock sound.

48:21

And then Ellen Barkin working for Media Magazine, which is in fact a television news program.

48:26

It was like a very big thing at least in Philly.

48:30

They had one of these.

48:31

I think it was called, we had one too.

48:33

And roster.

48:34

I think it was called like entertainment magazine or entertainment week or something

48:37

like that.

48:38

But it was like two hosts.

48:39

Yeah.

48:40

And then they would be like, you know, Bruce Willis and Cybil Shepherd.

48:43

They're back on screen for moon struck season.

48:46

Yeah.

48:47

Like, and it's, it was just like a really weird phenomenon back there.

48:50

Regional entertainment news programs.

48:52

Yeah.

48:53

It would be the celebrities that passed through that they were in an interview.

48:55

Yeah.

48:56

But then it would be like a hard hitting piece about some school that lost its funding for

49:00

the school play.

49:01

Yeah.

49:02

Um, one, one the smoking.

49:05

Very 1983.

49:06

How much smoking they have in it?

49:08

Maybe even more than 83 was.

49:09

They had non-smoking sections by then.

49:11

Yeah.

49:12

The smoking.

49:14

The fact that and this part of the 80s, they just did not give a fuck about aging or

49:20

de-aging or anything like that in any way.

49:23

This is this is like it in no way.

49:25

They're barringer exactly.

49:26

They don't give a fuck.

49:27

Yeah.

49:28

They would, they would take you, mess your hair up a little bit.

49:30

Yeah.

49:31

Put you in an open shirt.

49:32

You're 14 years old.

49:33

Like, you're, you're, you're, like, you're 14.

49:36

He in this movie is 83, right?

49:38

He's 34 or whatever.

49:39

So when he joined the band, he was 14 to 15 years old.

49:42

I think it's supposed to be 1737, but this is, this is another problem with the space

49:46

time continuum.

49:47

Right.

49:48

It's like Joey Pants.

49:50

He looks the same.

49:51

Then they, they give him a little baldie.

49:52

He's, he's 20 years older the whole night.

49:54

Yeah.

49:55

Just in the 80s.

49:56

He didn't care.

49:57

You're younger.

49:58

It doesn't matter.

49:59

Joanne barely looks different.

50:00

She looks, oh, exactly the same.

50:01

Yeah.

50:02

They just change her way.

50:03

I would say she just looks great.

50:04

Yeah.

50:05

Um, yeah.

50:06

They didn't put a lot of thought into this stuff.

50:08

It almost makes you think they, they thought it was going to be 1968 and then they decided

50:13

in the editing of Shave Six More Years, Adam it or something.

50:16

Yeah.

50:17

I think it's just closer to the book.

50:19

Yeah.

50:20

Baron Drew basically looks exactly the same.

50:21

There's no difference at all.

50:22

For the Flood, Gandalf, Butter, and Myass and Lollipop, some of my mouth for something

50:26

I just enjoy.

50:27

I said it right, but watching in a movie or a TV show of being created song from scratch

50:33

gets me every time.

50:34

I have, when the quiet part of a rock song makes this way for the loud part of a rock

50:37

song via isolated guitar riff and hand claps.

50:40

This is just stuff when it's just like, here we go.

50:45

Dark Side's Puts Kick In.

50:48

Sleepwalk being like a fucking soundtrack for like the 50s and 60s that always gets to

50:54

me.

50:55

But also, I like Frank's dirty mac and man.

50:57

Frank Donnelly, where man don't even give a fuck.

50:59

She walks into the bar.

51:01

He sees her, he's like, oh shit, some walking in was going on right now.

51:04

And then fucking Eddie comes in and he kind of taps it down.

51:08

But as soon as Eddie is gone, he's trying to get that.

51:10

I get back on his shit.

51:11

I still, Eddie's college, some bad things happen.

51:14

Yeah.

51:15

I actually watched it like two or three times being like, did I miss the part where she's

51:19

like me and Eddie are on a break?

51:20

Yeah.

51:21

It's like, no, she's right back in Eddie's arms like the second after he makes out with

51:24

her.

51:25

It's tough shit, man.

51:26

Can't trust them.

51:27

Chris Rile do a song about it.

51:30

Woman in Paramount 1963.

51:32

She can sleep with whoever she wants Bill.

51:35

She was a beach.

51:36

He doesn't hold her.

51:37

We'll take the best.

51:39

Mentioned a couple of her already.

51:40

But I think Wendell is a home run in this movie because he has no lines, but you feel

51:45

him in the movie, which may be wonder, do we create the Wendell Newton Award for best

51:50

performance with no lines?

51:51

Zero lines.

51:52

Have we ever had a no line?

51:56

It's weird because it's not even like, hey man, grab me a coach.

51:59

He's nothing.

52:00

Doesn't speak.

52:01

Doesn't even say like, yeah, nothing, not even one word.

52:06

But I tell you what.

52:07

I tell you very powerful.

52:08

You know, I'm just throwing up.

52:10

But you know his whole fucking life story by watching him play with Eddie and the Cruises.

52:15

You know exactly.

52:16

He's playing for a long time in a jazz band.

52:19

Eddie heard them someplace, brings them into the cruises, it changes fucking life.

52:22

He had a whole song.

52:24

He even taught Eddie some music.

52:26

He was Eddie's like musical Obi-Wan to a movie.

52:28

This was the Springsteen issue for this movie when they thought it was a Springsteen

52:31

rip off because the Clare's comments was probably the biggest heat ever.

52:35

Most famous heat ever.

52:36

What's a big fan?

52:37

Yeah.

52:38

How old fame smoke we mentioned?

52:40

I like Jersey Shore in the 60s.

52:41

I have Jersey Shore.

52:42

Also like Jersey Shore in the 70s, the 80s of the 90s.

52:45

It was really fun to go to.

52:48

I like when Eddie gives Frank the Green Light to write songs and then he does the, that's

52:53

the most you ever get out of me word, man.

52:56

Little like bonding on the beach.

52:59

And then Baron Church is just completely committed to this all time.

53:03

But I like at the end, the ends ridiculous when Joey pants is like, I'm going to get

53:08

the tapes.

53:09

I'm working again.

53:10

I'm going to make the best day of week and he drives away and Baron Church comes flying

53:13

and he's like, go get him.

53:15

I just makes me laugh.

53:19

What do you have for what's the best?

53:22

Like this is oriented around a conspiracy theory that Eddie is still alive.

53:27

Yeah.

53:28

That was very much alive then.

53:30

That was the heyday of Elvis is somewhere hanging out in Montana.

53:34

We did it again.

53:35

It was a DB Cooper.

53:36

A big thing.

53:37

A big Cooper.

53:38

Yeah.

53:39

We did it again in the 90s, two pop lives in Jamaica.

53:40

Two pop's the best one.

53:41

Yeah.

53:42

Like all of this 30%.

53:43

30% you might be.

53:45

Andy Kaufman people thought.

53:46

Andy Kaufman, like the conspiracy theory that the movie is wrapped around.

53:50

It was really age good.

53:52

I want to hear your two pop theory though.

53:55

What happened to pop?

53:56

The box alive.

53:57

Like where is it?

53:58

Just say I believe that one the most.

54:00

Did he get shot though?

54:01

Like he's like in hiding.

54:03

No, he sadly he died.

54:05

But that was the one I really want to believe.

54:07

In the late 90s, I was like, it's a Bill Simmons exclusive.

54:12

He can confirm the two pop.

54:15

If you put drinks at me in like 1998, I would have brought nuts for it.

54:19

We all thought it.

54:20

Like everybody was it and it was so.

54:22

Because he still releasing music.

54:23

It was funny because like my mom caught me up on it one time.

54:27

My mom goes, remember how stupid you used to say we looked when we would say that Elvis

54:31

was still living or something like that.

54:32

Rumbassu, you all are doing the same thing.

54:34

I was like, but this is different.

54:36

Yeah.

54:37

I got pieces of autopsy.

54:38

Music is still dropping.

54:39

He said this on this all.

54:40

If you listen to it right there, he, these Jordans that he's wearing in his video,

54:44

my mom, these Jordans wasn't even out.

54:46

I believe it was really good.

54:47

It died.

54:48

I want to say like early 2000s, it became like, I did have a really good to your rent.

54:53

Great shot, quarter award.

54:55

Most cinematic shot.

54:56

I don't have a specific cinematic shot.

54:59

I want to give a shout out really good extras acting in this movie.

55:03

All the bar scenes with the crowd, everybody's like acting like someone out of the corner.

55:07

The college concerts, great.

55:08

The college concerts, great.

55:10

Yeah.

55:11

Big 200 burger, where best use food and drink.

55:13

South pepperoni pizza.

55:15

Yeah.

55:16

I love a good old school greasy slice.

55:19

He never takes a bite out of it though.

55:21

There's also a lot of people drinking what seemed to be seven and sevens, which is a very

55:27

8380, you know, like that early kind of like 80s drink.

55:32

Ches Rockwell.

55:33

Rock on that one.

55:34

They both come from that scene.

55:35

The PBRs though.

55:37

The PBRs tells you what kind of guys these fucking are.

55:41

One of beer is the fucking PBR.

55:43

And she lets the drink and she lets him.

55:46

Ches Rockwell, best character name.

55:48

Frank Ridgeway is pretty good.

55:50

The word man Frank Ridgeway.

55:51

I had Salamado, but yeah, Salamano is good too.

55:54

Dantithee's Benihana word scene still in locations.

55:56

It's got to be the junkyard.

55:57

Yeah.

55:58

Yeah.

55:59

Yeah.

56:00

Yeah.

56:01

Yeah.

56:02

See are you have a flex category.

56:03

Vincent Chase award, are we sure this character was good at his job?

56:05

Frank.

56:06

Oh, word man.

56:07

Yeah, word man.

56:08

Oh, I thought you were almost certainly going to go with with Joy Pancy.

56:11

I wouldn't say that word man is blowing my mind with his words.

56:16

Like dark side's a good song, but I don't know if you deserve the title word man for dark

56:21

side.

56:22

Whoa, whoa, 10 years.

56:23

What's your best way by tears?

56:25

He also steals his bandmates girl, which I, it's a knock for me in terms of being in

56:31

a band and having a bandmate.

56:34

And he kind of forces them into a life of obsolescence when you spring season of

56:38

hell on them.

56:39

Who was it for Frank?

56:41

They probably would have made 10 or years part two and does that.

56:42

To barely play this sense.

56:43

Yeah, exactly.

56:44

I have to be taught just how to do this.

56:46

He's like, he'll like, no, play these cool chords.

56:48

He's like, we're man kind of a bitch.

56:54

I some say, you know, you know, I thought this.

56:57

We talked about it a great time.

56:58

We're man kind of a bitch.

57:00

We're man fucked up.

57:01

Everybody's like, we're somebody's girl class trader.

57:04

Well, yeah, exactly.

57:05

He's basically like a little or some in the straight up hope.

57:08

Yeah, like he gets to the college.

57:11

He is like really slum and what did they say to the party?

57:13

You're dropping your eyes hanging out on the like, that's what word man is doing.

57:17

That's what Eddie says to me.

57:18

So like, I didn't say better.

57:20

I said different.

57:21

Yeah.

57:22

Yeah, you like this movie.

57:23

You're like 90, 10.

57:25

Yeah, like the 70, 30, but just girlfriend award week link of the film.

57:31

Doc's plan of torturing Joanne and everyone else for the tapes and reckon their apartments

57:36

over just asking them if they had the tapes.

57:38

I don't know.

57:39

I have some notes.

57:40

I just asked Joanne, hey, do you have the tapes?

57:43

We never really come back to the fact that he walked into his apartment.

57:46

And it looks like someone was killed there.

57:48

So I have to struggle like going crazy.

57:50

He was like all that stuff.

57:51

It just comes to the movie.

57:52

It's just like, go get a doctor.

57:54

What changed the worst is Tom Barronjer's acting when he sees that his apartment has been

57:58

trashed.

57:59

First of all, he's working in a he's a trailer in a trailer park in Vynland, New Jersey.

58:04

We walks in and it's completely destroyed.

58:06

He's like, okay, start smoking a cigarette and answering his phone.

58:12

What's age to worst?

58:14

The sequel.

58:16

Oh, tough.

58:17

Why did they do this?

58:19

89 for some reason gave us, well, 88 and 89 gave us catish act to another 40 hours.

58:25

Another 40 hours, which we've begrudged really decided we liked.

58:29

There's just a bunch of bad ones where they were just just trying to capitalize.

58:33

I think on the rewatchability of these movies on cable, maybe these dumbasses will go see

58:39

a shitty version of a sequel.

58:40

You know how you don't remember the pods we did during COVID?

58:43

Yeah.

58:44

We do another 48 hours, like two months ago.

58:46

Yeah.

58:47

Yeah.

58:48

We did.

58:49

We did.

58:50

Did you get the COVID vaccine again?

58:51

No, I just got burned.

58:52

Boy, Bill's going forward.

58:53

I can't wait till what happens in a couple of months.

58:55

What happens?

58:56

Bill's right on the edge, guys.

58:57

Just hear the things that are being said.

58:58

What's going to happen?

58:59

Did you get the COVID vaccine a little bit?

59:00

It's going further.

59:01

It's watch.

59:02

I think he's getting red pills.

59:04

No, Bill, it's happened.

59:05

I don't remember anything that happened in 2020 or 2021.

59:08

But what you're saying is because apparently the box played the song for the first

59:12

year.

59:13

I'm telling you, it's getting.

59:14

Look, it, so what's Asia worse is that, okay, so there's, how many black guys are in

59:19

the group?

59:20

One.

59:21

It's one.

59:22

He died.

59:23

I don't know.

59:24

You could have done it, John.

59:27

It would have been one thing if everybody in the cruisers, like had a drug problem if they

59:33

were sharing needles in the whole deal.

59:34

Like it was the 80s.

59:35

They missed the opportunity.

59:36

One of the guys could have like become HIV positive.

59:39

I shared a needle with fucking two black guys.

59:41

Two black guys.

59:42

Yeah, the place that's in place and it's just like, I just want to say that the greatest

59:47

saxophone player who ever lived died.

59:49

It is my fucking holding a saxophone like, God damn, we're trying to keep up with this and

59:53

that that's what's Asia worse.

59:54

Let me ask you a question.

59:55

It's probably an answerable.

59:57

End of the day.

59:58

When do it goes home?

1:00:00

You think he's like, man, I'm in this great band.

1:00:02

It's a unit cruisers.

1:00:03

I play sax.

1:00:04

I don't talk a lot, but man, I love being in this band or do you think he's like, shit,

1:00:09

I got to get back into a hard-bop combo.

1:00:11

I got to get back to jazz.

1:00:12

What a good question.

1:00:13

Is he calling home being like, man, some of the stuff Eddie wants to do is stuff like I've

1:00:17

never fucking heard before.

1:00:18

Or is he like, fuck, how did this happen to me?

1:00:21

I think he does.

1:00:22

I don't fucking miles.

1:00:23

He's 12 seconds solo over a terrible blues ride band.

1:00:27

So do you think Frank never, it's realistic that Frank never would have known that he overdosed

1:00:32

in heroin at the Abtad Motel?

1:00:33

Yeah, man, it's crazy.

1:00:35

Like, I guess the, because Kenny the Blackjack there is like, where were you, man?

1:00:39

When are you going to wake up?

1:00:40

Who goes into my hottest take later?

1:00:42

Okay.

1:00:43

Yeah.

1:00:44

What stage is the worst?

1:00:45

None of these characters ran into each other for 20 years.

1:00:48

And they all live in the same state where they're not talking to do.

1:00:50

20 minutes apart.

1:00:51

Yeah.

1:00:52

They never had some sort of 10 year reunion.

1:00:54

Nothing.

1:00:55

I thought that was weird.

1:00:57

The Springsteen Shadow we mentioned, mentioned no embarking hate in this movie.

1:01:01

I have one more big one.

1:01:02

Does anyone have any of the else?

1:01:03

They hinge the entire insult of Eddie's insult of word man on stage at the college on the

1:01:09

Toby Tyler character from like a Disney movie that was around back then.

1:01:13

I don't really know if that's really hidden in 2026.

1:01:16

People are like, I it's Tyler.

1:01:18

And fan mentioned it.

1:01:20

Barenger and Schneider look like they don't look at all day older than when they were in

1:01:25

high school.

1:01:26

Oh, one more thing.

1:01:28

We got to fix this.

1:01:29

Amazon and Apple, their posters for this movie are the Salamado band.

1:01:34

Oh, it's fucking crazy.

1:01:37

It's Eddie and the Cruisers and you're like, neither Eddie nor Barenger nor Barkin or

1:01:41

the poster.

1:01:42

It's Salamado and his holiday in band.

1:01:45

That ties into what by what sage the worst was in this is I'd like to do this as a public

1:01:51

service to all the streamers watching this right now.

1:01:54

All of them including Netflix.

1:01:58

So this movie is ending, right?

1:02:00

Surprise ending with Eddie in the window and he's got the beard.

1:02:03

And the closing credits come on.

1:02:05

The season's counting me down in the bottom right corner because it's about to send me

1:02:09

to the next thing.

1:02:11

And now I really want to hear the ending and you have to like grab your phone or your

1:02:15

moat, frantically try to stop it so they don't send me to like fucking Harry Potter season

1:02:20

seven or whatever they're going to send me to.

1:02:23

And it's like fuck off.

1:02:25

Let me enjoy the end of a movie for 20 seconds before you send me to your next thing so you

1:02:30

can bill your fake streaming hours to me when all I did was leave my TV on and you pretended

1:02:35

I watched something else.

1:02:36

Fuck you.

1:02:37

Some of your best work, Bill.

1:02:38

This is what this is the shit.

1:02:41

This is the shit.

1:02:42

Yeah.

1:02:43

I fucking bullshit.

1:02:44

Fucking can't stand it.

1:02:45

Can I finish God forbid?

1:02:46

I don't push you to the next show.

1:02:47

You know what Bill?

1:02:48

Good for you.

1:02:49

Thank you.

1:02:50

Good for you for saying it despite current business situation.

1:02:53

No, I'm like, I like like the bird.

1:02:56

Like let me watch the fucking movie before you give me five different things to watch.

1:03:01

Change my settings and be like, you know what?

1:03:03

You can't do this for 30 seconds.

1:03:04

I don't want to live in a country where we can't say it's time for me to watch the next

1:03:09

episode.

1:03:10

I'll click over to that now.

1:03:12

If you need someone to spoon feed you the next episode of the next movie before you've

1:03:17

come to the conclusion of the artistic statement that you were taking in, we can't do this

1:03:24

in the credit.

1:03:25

We're done as a country.

1:03:26

That's the case.

1:03:27

You know what?

1:03:28

I wonder what the actual calculation is here because I bet they don't want it to get

1:03:33

too deep into the credits before you've already.

1:03:35

They don't even want you to think that they want to send the next thing.

1:03:38

They want you on the next thing to keep you on the thing.

1:03:41

It's really shows.

1:03:42

And on a cliffhanger, you're counting on the fact that somebody's like, I have to see

1:03:46

what happened to this nurse in the pit start the next episode.

1:03:49

Anything to add?

1:03:50

Correct.

1:03:51

It's anti below the line.

1:03:52

I want to see who lit the movie.

1:03:53

Let me see their names.

1:03:54

Who's the ad?

1:03:55

Sorry.

1:03:56

I know.

1:03:57

I care about these things.

1:03:59

Stop telling us you actually care about the movie industry and you won't let us see

1:04:02

the closing credits for anything else.

1:04:03

Who was Salamado's assistant on set?

1:04:05

I would know.

1:04:06

It was the key grip.

1:04:08

Really annoying.

1:04:09

All right, we'll take a break and then come back with Vince Flex.

1:04:15

Protein is now at Starbucks and it's never tasted so good.

1:04:18

You can add protein, cold foam to your favorite drink or try one of our new protein lattes

1:04:23

or matcha.

1:04:25

Try it today at Starbucks.

1:04:26

We're fresh and wild cherry cola meets smooth cream.

1:04:38

The treat you deserve.

1:04:39

Pepsi, wild cherry and cream treat yourself.

1:04:45

Ruffalo Hannah Rubin and Partridge overacting word.

1:04:48

Can you the drummer?

1:04:49

Where are you going to wake up?

1:04:51

I had Joey pants.

1:04:52

I'm going to get in some mad at word man for it.

1:04:53

He really goes for it.

1:04:54

Yeah.

1:04:55

This is my one scene.

1:04:56

I'm going to get really mad at red.

1:04:58

You guys are going to like it.

1:05:00

I have Eddie whenever they're not on stage.

1:05:02

Oh, whenever they're not on stage.

1:05:05

Just going for it.

1:05:06

Eddie is just fucking going for it.

1:05:08

He puts his whole body into when he shoved what you call it.

1:05:12

Whenever they're not on stage, Eddie is dialing it up in the middle of it.

1:05:17

My favorite part of that Kenny scene is when he's like, you remember those days in the

1:05:21

backseat of a car ball and some shit.

1:05:24

You were so handsome.

1:05:26

I should be ballin' him with stage the best.

1:05:28

Ballin' some shit.

1:05:29

I'm the last time ballin' was said.

1:05:32

And then they cut to the audience and all the guys in the audience were like, yeah, I remember

1:05:36

that.

1:05:37

That's Chris and Sean.

1:05:38

You remember back in the day we were ballin' some chick.

1:05:40

The watch comes on.

1:05:41

Yeah.

1:05:42

Van you have a flex.

1:05:45

All right.

1:05:46

So it's a list.

1:05:47

Top five, fictitious bands.

1:05:48

Never.

1:05:49

Okay.

1:05:50

Okay.

1:05:51

I do not have Eddie and the cruisers in this.

1:05:52

It's just because we're doing the movies.

1:05:55

Number five is Josie and the pussy cats.

1:05:57

Okay.

1:05:58

You got to count them.

1:05:59

I conic shit.

1:06:00

Number four.

1:06:01

I got the wonders, man.

1:06:03

I'm a that thing you do truth there.

1:06:05

Punch them.

1:06:06

Yeah.

1:06:07

I love that movie.

1:06:08

It's almost lost time nobody talks about as much as they should.

1:06:11

I love it.

1:06:12

Should we get into the list?

1:06:13

I think it's a really good rewatch, boy.

1:06:15

Okay.

1:06:16

Yeah.

1:06:17

I love that movie.

1:06:18

Number three, spinal tap.

1:06:19

Got to have spinal tap in there.

1:06:21

Resident piece Rob.

1:06:22

Um, number two, the five heartbeats.

1:06:25

Okay.

1:06:26

Now this is an underrated fictitious band.

1:06:29

The music is fantastic.

1:06:31

Robert Townsend.

1:06:32

Robert Townsend shout out to him.

1:06:33

The story is very reminiscent of temptations.

1:06:36

Obviously, but their amazing.

1:06:38

The music was amazing too.

1:06:39

I like that movie.

1:06:40

Number one.

1:06:42

For me, still water.

1:06:46

Still water from almost famous.

1:06:48

And they, they sound like a real band.

1:06:51

Yeah.

1:06:52

We have the real band chemistry and angst.

1:06:54

Still water.

1:06:55

Can I ask a question?

1:06:56

Good lead singer presence too by Jason Lee.

1:06:59

No, forget the movies that those bands are in.

1:07:03

Best music of a fictitious band.

1:07:05

So to me, it would be, excuse me, the five heartbeats,

1:07:09

the wonders, any new cruisers.

1:07:11

Yeah.

1:07:12

They got to be up there.

1:07:14

And the still water stuff is awesome to me.

1:07:16

It sounds kind of like.

1:07:17

Still water is really good.

1:07:18

I just don't think fever dog is as good of a signature song

1:07:21

as dark side or with that thing you do.

1:07:24

Yeah, that's fair.

1:07:25

It's a good list.

1:07:26

I want to like nitpick and say you missed one,

1:07:28

but I can't think of one they missed.

1:07:29

No, there was one thing that I couldn't really decide.

1:07:33

I went back and forth with Kim Burke about this is the revolution

1:07:39

in Purple Rain.

1:07:40

Doesn't count.

1:07:41

OK, because he's not playing prints.

1:07:43

I'm actually, I think they're called the Rwandan Lee

1:07:46

Sardin in his other man.

1:07:47

Everybody has the regular name.

1:07:49

The time is in it.

1:07:50

But we couldn't decide whether or not that was technically

1:07:55

a fictitious band or not, because if they are,

1:07:58

they're obviously number one.

1:07:59

Yes, we just did an 80s soundtrack.

1:08:01

And the time doesn't count in there.

1:08:02

Yeah.

1:08:03

Do you want to add to it is a sex bomb from Scott Pilgrim?

1:08:08

Scott Pilgrim.

1:08:09

That's a fucking Miss Bavain.

1:08:10

Yeah.

1:08:11

That's the best band in the year.

1:08:13

As a call yourself for third person trip.

1:08:15

Scott, he doesn't know.

1:08:16

The sky doesn't know.

1:08:17

Dan band, real band, right?

1:08:19

The Dan band.

1:08:20

Hey, that's my bike.

1:08:21

Hey, that's my bike for reality bites.

1:08:24

Oh, yeah, yeah, yeah.

1:08:24

That's a good one.

1:08:26

Oh, see before.

1:08:27

So we never see citizen Decker singles.

1:08:29

We just hang out with them, but they are mud honey.

1:08:32

So they're pretty good.

1:08:34

Yeah, wait, wait a minute.

1:08:36

Oh, yeah, no, they're the only fictitious band in singles.

1:08:38

Because everybody else is like, I was changed.

1:08:39

I'm never performed now.

1:08:41

No, we hear touch me.

1:08:42

I'm sick.

1:08:43

Yeah, touch me.

1:08:44

I'm sick.

1:08:44

Look at me.

1:08:45

I'm dickhead.

1:08:46

No, no, no.

1:08:47

We see them on stage.

1:08:48

No, we just hear their rory.

1:08:49

Yeah, yeah, we don't see it.

1:08:50

Touch me.

1:08:51

I'm dick.

1:08:52

That's a good one.

1:08:53

CR thinks Luke Wilson could have been Harrison Ford.

1:08:55

How does take a word?

1:08:58

I don't know how hot of a Taylor says, but if this movie had two more great songs in it,

1:09:05

what happens?

1:09:07

Does this become Greece?

1:09:11

The level to which Greece is better than this movie is difficult to articulate.

1:09:14

So tell me Greece is better in every way, right?

1:09:18

I'm aware.

1:09:19

Except for every one of the movies, 38 years old.

1:09:23

In Greece, go kids, yeah.

1:09:24

Yeah, true.

1:09:25

Yeah.

1:09:26

So would you want another song that was like Dark Side,

1:09:28

or do you feel like we needed like another Joanne solo song?

1:09:33

Well, I was going to do this later for either Nick Picker or

1:09:37

Unnance World, but you assume all the songs we hear on the Dark Side

1:09:41

tender years, they're all on some album right?

1:09:43

They're on tender years.

1:09:44

They're on tender years.

1:09:45

They're on tender years.

1:09:46

We don't know anything about the release of that album.

1:09:51

How well the songs did.

1:09:53

How famous were they?

1:09:55

Did they get to go on the Ed Sullivan show?

1:09:58

No, we know nothing.

1:09:59

We only know that they're back in the studio that they got $10,000

1:10:02

to do their album after it.

1:10:03

We don't know if John and Paul saw Eddie and the Cruisers on TV

1:10:08

in relation to the start to be right.

1:10:10

Yeah, right.

1:10:11

But there's this whole missing section.

1:10:13

So Craig Gas, like, I love that this was done in five minutes.

1:10:17

I actually agree with them.

1:10:18

I think you could maybe cut out seven minutes and add.

1:10:21

I just want to know what happens when the album comes out.

1:10:24

And did it make them more successful?

1:10:26

Did one of the songs become a top song?

1:10:29

And then, so would have heard another song during that

1:10:32

opening?

1:10:33

Here's my take on that.

1:10:34

Is that most records in the early 60s?

1:10:35

Like that were a collection of singles for the most part.

1:10:38

Yeah.

1:10:39

I think that those songs were probably like a collection of like the 10

1:10:44

things that they were playing that were the biggest original songs that they had

1:10:47

when they were playing live.

1:10:48

But it wasn't like, here's our LP.

1:10:51

It was like songs people were pretty familiar with.

1:10:53

So was was the dark side on tender years?

1:10:56

Yeah.

1:10:57

But I thought Frank helps them write dark side to Frank knew that I don't

1:10:59

tend to do darks.

1:11:01

I don't think they did 10 years until after he had been in the band for a long

1:11:04

time.

1:11:05

So then what did sound to me then when he was like, we were doing just fine

1:11:07

without you.

1:11:08

And it was like we were just playing bars doing run around suit.

1:11:12

They were already moving like.

1:11:14

It's in your years took them to a whole nother level.

1:11:16

I know, but it seems like that was uncalled for from some.

1:11:20

Yeah.

1:11:21

It feels like that word man joining the band was the final piece to then

1:11:26

becoming like a mainstream kind of successful band.

1:11:28

But to your point, we don't know how successful.

1:11:31

If there's one more great song in this movie, I think it, I think something

1:11:34

different.

1:11:35

Can I do a hottest take up piggybacks off of this?

1:11:37

Which is that the best part of this movie, which is also like the thing

1:11:41

that I think fucks this movie up is that they play dark side first.

1:11:45

And it's out of context of the entire movie.

1:11:47

They just play the best song that these guys have to open the film.

1:11:51

Yeah.

1:11:52

And even though that happens at the college, which we know is a dark moment

1:11:55

for the band, if you make us wait to hear dark side and you get to see

1:12:01

them do the big full band version of dark side after you've seen them

1:12:05

write it, it blows the fucking top off the movie.

1:12:09

It's so much better.

1:12:10

But that would denote that the movie had a regular storage structure,

1:12:15

which it doesn't because it really is not that concerned.

1:12:17

So that's where if you had that extra great song, that song leads the movie

1:12:20

and then it all leads to dark side, which is their movie.

1:12:22

But if the movie starts with tender years, I guess, but I think people would be like,

1:12:27

yes, pretty song, but you start to dark side.

1:12:29

You're like, whoa, holy fucking shit.

1:12:31

This is pretty good.

1:12:32

You know what?

1:12:33

Two, two, your question though.

1:12:35

At the beginning of the movie, I guess is when they frame how successful

1:12:40

of a band that they've become.

1:12:41

Yeah.

1:12:42

It's that she's trying to talk about, but even as she's doing it,

1:12:45

she's almost informing them of how big they were.

1:12:49

It's not like they had like, they, it's not like they were like,

1:12:52

oh my God, it's dark side from Eddie and the cruisers.

1:12:54

It's still kind of ambiguous to a degree.

1:12:56

There's a talk show five minutes them going on a talk show or an

1:13:00

ads-solving type show that could have been in this movie.

1:13:03

Yeah, it would have been fun.

1:13:04

Mm hmm.

1:13:05

Do you know how to stick?

1:13:06

I do.

1:13:07

Um, I think word man trying to kill Eddie.

1:13:09

Um, I think he actually killed the saxophone player.

1:13:13

I think this entire thing he cooked up a hot shot for Wendell.

1:13:16

I think he did because there's no way to live in a trailer.

1:13:18

To your point, there's no way he didn't know.

1:13:21

I think actually his jealousy, because I watched his movie.

1:13:24

Does it doesn't make any sense?

1:13:26

He's openly trying to work.

1:13:27

Man's fucking crazy guys.

1:13:29

He's openly trying to fuck with Eddie's girl.

1:13:31

Can you imagine we all work together?

1:13:33

We're a man.

1:13:34

Can you, can you, can you, can you just imagine we're at like,

1:13:38

I don't know, ringer party or something like that.

1:13:40

And I'm just over there with one of y'all's wives like trying to figure out what the fuck is up.

1:13:44

What is like is, is the shit is, it blows my mind every time I watch this.

1:13:48

My dad used to fucking hate it.

1:13:50

Also, maybe she didn't edit and make her toast girl.

1:13:53

Van is really on to something because if, if you come to the end and it turns out word man

1:13:59

is the one who's been flipping people's apartments up and down.

1:14:01

And it's Kaiser Soze.

1:14:03

And he did his own the reason why he didn't get upset when he saw his apartment is because he's like,

1:14:08

I know I did it.

1:14:09

Oh, you have the Kaiser Soze ending at the end?

1:14:10

Yeah.

1:14:11

Where he's just like, all I wanted was the tapes to get out of there.

1:14:14

So I could get out of my dumb teacher job.

1:14:16

Yeah.

1:14:17

Guys, let me tell you something.

1:14:18

In Eddie and the cruiser's two, Eddie is performing music,

1:14:22

but he still refuses to let people know that he is Eddie.

1:14:25

He's like, I'm Joe West.

1:14:26

He's Joe West, right?

1:14:27

Do you know why?

1:14:28

Because he's fucking scared of word man.

1:14:30

So the whole reason why Eddie has gone into hiding.

1:14:34

I've seen Eddie and the cruiser Eddie.

1:14:36

Eddie was a long time.

1:14:37

He's a pseudonym.

1:14:38

Is he a scared of word man?

1:14:39

No, this is in my brain.

1:14:40

He's scared of word man because he knows word man tried to kill him,

1:14:44

which is why he's hiding this whole thing word man.

1:14:47

So when we see Eddie at the end, Eddie and the cruiser's one walking away.

1:14:50

Word man's behind him.

1:14:51

Word man's talking.

1:14:53

But you don't see it because Amazon has already caught it to the next Harry Potter.

1:14:57

Right.

1:14:58

Seven casting what ifs parade claims they were ready to replace him with Rick Springfield.

1:15:04

Oh, it's interesting.

1:15:05

And that he had to do that first concert where he had to lip sync all the songs and act like Eddie.

1:15:12

And if he sucked, they were going to replace him.

1:15:14

And Rick Springfield admitted that he did.

1:15:17

He did think about trying to get the part.

1:15:20

We're going to cool.

1:15:21

Instead he lives on and Jesse's growing boogie nights.

1:15:24

That ends up being his legacy.

1:15:25

No, we don't see him.

1:15:26

If Rick was in it, they would have been a box office success of it.

1:15:29

There were more people who will not see it.

1:15:30

Pray was discovered in a New York City restaurant working as a chef.

1:15:34

So still hope for Dave Chang even in his mid 40s.

1:15:38

He might still be an actor.

1:15:41

Weird one.

1:15:42

This isn't a casting one if but one of the people in the opening scene that when Maggie's

1:15:46

telling them about rainbow, Scott the mustache Barry sand.

1:15:51

He was an original letterman producer in the first five years of the show and was on

1:15:55

camera a lot.

1:15:56

Really?

1:15:57

And I never understood why he was in this movie.

1:16:00

It's really strange.

1:16:01

I mean, that's like a deep, deep letterman cut.

1:16:03

That's the NBC.

1:16:04

Only you and Brad.

1:16:05

Yeah, but it was just fucking weird.

1:16:07

It would be like if Daniel Kellison was in the movie just randomly.

1:16:10

Just in a scene.

1:16:12

Best act guy, Joey Pants, not eligible.

1:16:14

John Stockwell was in this, the lead guy from Christine and also in Top Gun.

1:16:18

He's the guy that knows.

1:16:19

He's wizard from Top Gun.

1:16:20

Yeah.

1:16:21

Oh, yeah.

1:16:22

Well, if I can't remember, yeah.

1:16:23

But the winner is Mitchell Lawrence.

1:16:24

Mitchell Lawrence.

1:16:25

Yeah.

1:16:26

Yeah.

1:16:27

Not Mitchell Lawrence.

1:16:28

Matthew Lawrence also now does or did sports talk radio in Lexington, Kentucky.

1:16:40

Wow.

1:16:41

How many episodes as David Silver's dad and Nana, who know you think fit the guest?

1:16:46

How many episodes is what?

1:16:47

Was he watching that?

1:16:48

No, no, no.

1:16:49

Yeah.

1:16:50

36.

1:16:51

Oh, you basically on the show at that point.

1:16:54

Yeah.

1:16:55

So over 200 shows.

1:16:56

Well, we've never talked about as a now to an old parent ranking because you have he's the

1:17:01

best one.

1:17:02

What about not what about what about Dylan's fucking dad?

1:17:05

Dylan's dad was the man who was doing who played Dylan's dad.

1:17:08

That guy that was that we've seen this guy that that that guy, Jack McKay.

1:17:12

Yeah.

1:17:13

Like Jack McKay was the man.

1:17:14

He's shady.

1:17:15

What is it up though?

1:17:16

Should have looked out for his family better.

1:17:17

He was like some kind of fucking mobster or something like that.

1:17:19

I would have thought you would like David Silver's dad because he was like constantly

1:17:23

messed around the dental.

1:17:24

You only bring in Kelly.

1:17:25

Uh, uh, Brandon Kelly's parents got on my nerves.

1:17:29

Yeah, they're terrible.

1:17:30

They they they got on my nerves.

1:17:31

The whole family.

1:17:32

I didn't enjoy.

1:17:33

Actually, my favorite is Kelly Taylor's mom because she had the drug problem and was.

1:17:37

Oh, Brandon.

1:17:38

Brandon.

1:17:39

Brandon.

1:17:40

Is that where Brandon and Brenda and then also Steve's mom because she was like famous.

1:17:43

Yeah, famous.

1:17:44

She was kind of cool.

1:17:45

Deon Waiters word.

1:17:46

Ellen Barkin.

1:17:47

And then she wanted to give it to the I didn't pay for a bunch of jerk off.

1:17:50

I think it wears out.

1:17:51

No, I think parking.

1:17:53

Recasting couch director city kind of after you Michael Keaton is Kenny the drummer,

1:17:57

just randomly being in this movie.

1:17:59

Yeah, I like to take that.

1:18:00

That's good.

1:18:01

It's like a year after night shift just looking for work.

1:18:03

So yeah, gets this big scene playing as a blackjack dealer.

1:18:06

It's going crazy.

1:18:07

I like it when Kenny puts the comic book down and just gets on a kit.

1:18:10

It just immediately just like lays into it.

1:18:13

The van lathe and word for it.

1:18:14

Did this movie need more black people?

1:18:16

No, we were treated poorly.

1:18:18

Um, it, but no, it doesn't.

1:18:20

Perfect.

1:18:21

And then we're going to have another thing about these 80s movies.

1:18:24

Don't fucking put it not where we just do the thing.

1:18:28

Okay, just do the white band.

1:18:30

So why is this a white band black saxophone player?

1:18:33

That's cool.

1:18:34

You know what I'm saying?

1:18:35

We don't need to see it.

1:18:36

It's fine.

1:18:37

I'm telling you it's fine.

1:18:39

Craig has a flex category.

1:18:40

I did it.

1:18:41

It's the, um, band out of bio to Salamado.

1:18:43

Oh, yeah, you did.

1:18:44

Where the fuck that come from him at the night.

1:18:46

First time somebody did band out of bio is a flex category.

1:18:48

The 83 point game.

1:18:49

It's going to live on forever.

1:18:51

Professor research, Banger said he did not try to learn piano.

1:18:55

Did practice some keyboards in his trailer.

1:18:57

It's well, he read big chilled that love.

1:19:00

Is that even missing?

1:19:01

Yeah.

1:19:02

The tracks and keyboards still bothering me.

1:19:04

Matthew Lawrence did learn how to play the bass.

1:19:07

Um, date, parade remembers that, uh, when they all played together, it was a little

1:19:12

like still water.

1:19:13

It was a college concert.

1:19:14

The extras were into it.

1:19:16

Everybody was going nuts and they were really pretending they were the band.

1:19:19

And then, uh, the palace of depression, depression was a real place in the violin, New

1:19:23

Jersey.

1:19:24

Uh, does not exist anymore.

1:19:26

For turning the house was at Havroford College.

1:19:28

Where's that outside of Philly?

1:19:31

Tony Martz was an actual place until the early 80s and then demolished.

1:19:36

And then, uh, we didn't mention this.

1:19:37

Joanne played by Helen Schneider was a pretty famous like German music star in the 70s

1:19:44

and 80s.

1:19:45

A lot of, uh, a lot of like success.

1:19:48

I kind of like and wish there was like 10% more of her losing it a little at the end,

1:19:53

where she's like, I have to get ready.

1:19:55

Eddie's here.

1:19:56

And it's like, kind of, that's the glorious, lots of things out.

1:19:59

And I'm like, Oh, yeah, this is do more of that.

1:20:02

Like she's been hanging on waiting for this call for 20 years.

1:20:05

That's great.

1:20:06

Like you go in her room and it's just all weird Eddie Manakin.

1:20:09

Eddie Wu dolls.

1:20:11

Fake Eddie did some research on him.

1:20:14

John Cafferty or the Eddie that was with Salamata.

1:20:17

The Eddie was Salamata played by Joey Baylon, uh, put on an album in 1994.

1:20:22

If you want to download it and rehome the Joey Baylon's, uh, solar work, apex mount,

1:20:26

Michael parade definitely.

1:20:27

Oh, wait, I'd one more, uh, uh, half ass internet research.

1:20:31

Yeah.

1:20:32

In that same Washington post article that I mentioned, baringer claims that they filmed

1:20:37

a scene in a roadhouse with the cruisers watching the Beatles on Ed Sullivan and making

1:20:43

fun of it.

1:20:45

And he has like a whole thing he talks about.

1:20:46

And then after this quote, Martin Davidson's like, we never shot that.

1:20:49

That's fair.

1:20:50

But I really like the idea that they at least thought about the Beatles in this movie.

1:20:55

Yeah.

1:20:56

I love when there's like violent disagreements like that.

1:20:59

Yeah.

1:21:00

It just goes to show you like people were probably using substance.

1:21:02

Like they were fucking high a shit.

1:21:04

Yeah.

1:21:05

I mean, it was 1983.

1:21:06

Yeah.

1:21:07

Mhm.

1:21:08

Apex.

1:21:09

That's why we're the Grandland oral history will never happen because of the amount of

1:21:12

drugs.

1:21:13

No, no.

1:21:14

I mean, I'm going to say, uh, David Silver's dad probably so that shows pretty big.

1:21:22

Yeah.

1:21:23

Beaver Brown band.

1:21:25

Yes.

1:21:26

Jersey Shore movie.

1:21:27

Yeah.

1:21:28

Yeah.

1:21:29

Yeah.

1:21:30

Yeah.

1:21:31

Yeah.

1:21:32

Yeah.

1:21:33

Yeah.

1:21:34

Yeah.

1:21:35

Yeah.

1:21:36

Yeah.

1:21:37

Yeah.

1:21:38

Yeah.

1:21:39

Yeah.

1:21:40

Yeah.

1:21:41

Yeah.

1:21:42

Yeah.

1:21:43

Jersey Shore movies.

1:21:44

No, but I also can't come over the better one.

1:21:47

I might get killed for this for not knowing.

1:21:52

Do you claim the Jersey Shore with your relationship?

1:21:53

I mean, it's a decent.

1:21:55

It's like the summer destination for most of Philadelphia.

1:21:58

Yeah.

1:21:59

But I don't know of a better Jersey Shore movie than this.

1:22:02

They really figured it out as a great location.

1:22:04

Yeah.

1:22:05

I mean, not a movie, obviously, but the Jersey Shore.

1:22:07

Yeah.

1:22:08

Yeah.

1:22:09

The show is probably the show.

1:22:10

Yeah.

1:22:11

Yeah.

1:22:12

No, of course, no, never hang out with those people during your

1:22:16

early competition.

1:22:18

I think I think during the situation, never go.

1:22:21

See a couple of them.

1:22:23

Not never like that shows.

1:22:24

Mariffa, that show to me is when I realize, oh, you know, I don't have to fucking

1:22:28

like what everybody else likes.

1:22:29

It made never made this girl test can away.

1:22:31

Um, that got dark.

1:22:34

No, no, I just I never understood it.

1:22:35

I get it.

1:22:36

Everybody was so into it.

1:22:38

No, everybody was so into it.

1:22:39

I loved it for two years.

1:22:40

I just never, everything else that had come from MTV like fucking Roll Root.

1:22:46

Challenge challenge.

1:22:47

All that stuff is to it.

1:22:48

For some reason, Jersey Shore just never fucking Arthur Rimbo.

1:22:52

I think that he's had bigger moments than this.

1:22:55

Yeah.

1:22:56

Helen Schneider.

1:22:57

Sounds like Germany was pretty hot.

1:22:58

Yeah.

1:22:59

What happened?

1:23:00

You would have thought that she'd have been around.

1:23:02

She was like, what went back to Germany?

1:23:04

Interesting.

1:23:05

1957 Chevy's probably not.

1:23:07

Cruiser Hanks.

1:23:08

What about Hanks as word man?

1:23:10

I had cruises.

1:23:12

Cruises Eddie.

1:23:14

Because cruise has priors of doing the outsiders.

1:23:17

If cruise is Eddie.

1:23:18

Cruises Eddie.

1:23:19

He basically played a greaser in the outsiders.

1:23:22

And that's kind of way Eddie dresses.

1:23:23

Like Eddie is just full outsider.

1:23:25

Oh, Craig's all in.

1:23:26

Eddie and the cruisers.

1:23:27

Come on.

1:23:28

Yeah.

1:23:29

Come on.

1:23:30

What are you doing?

1:23:31

Okay.

1:23:32

Yeah, it makes a lot of sense.

1:23:33

And I think you could actually, this is one of the rare times where you could do cruises,

1:23:36

Eddie and Hanks is Frank.

1:23:38

Mm-hmm.

1:23:40

Scorsese, vice-spellberg.

1:23:42

Yeah.

1:23:43

I have Scorsese, tristate area.

1:23:45

Yeah.

1:23:46

Best hang, we're saying best hang, Sal.

1:23:50

See, you know, he has pizza, fun dressing room.

1:23:53

Best hang is absolutely Maggie.

1:23:55

Like I got Ellen Barking as a good point.

1:23:57

Yeah.

1:23:58

I got Ed Maggie.

1:23:59

I got Ellen Barking as a best hang.

1:24:00

I got worse hang, Sal.

1:24:02

Well, come.

1:24:03

Just talking about the old days.

1:24:04

No, Sal.

1:24:05

I dock as the worst hang.

1:24:06

So when you think about it, dock.

1:24:08

Docks, stuff, hang.

1:24:09

Sal, you come in there.

1:24:11

He offers you a slice of pizza.

1:24:13

He sits down the pizzas in his hand.

1:24:15

He never fucking eats it, right?

1:24:17

He's just hanging off.

1:24:18

He's always crying and sweating.

1:24:19

He's crying.

1:24:20

He's sweating.

1:24:21

He's doing the whole thing.

1:24:22

Word man, he's skeptical of word man, which is probably because he knew that word man

1:24:25

was a psychopath.

1:24:26

Yeah, right.

1:24:27

Yeah, so like, Sal.

1:24:28

I think probably Kenny would be best hang.

1:24:30

Yeah, Tom Blackjack, sir.

1:24:31

Yeah, just talking about ball and checks.

1:24:33

I'm part of these guys' count cards and then we balled in a car.

1:24:37

Why didn't you have Maggie in the three-year life away area?

1:24:42

That's a good question.

1:24:44

You took it out of Flex.

1:24:45

That's a really good one.

1:24:47

Pickin' Nits.

1:24:49

Would there have been more interest than Eddie's disappearance or way more interest?

1:24:54

I felt like this would have been one of the bigger stories of 20 years.

1:24:58

I think that there is something to be said for how local news was back then.

1:25:03

So I think it would be a huge deal in New Jersey.

1:25:06

Yeah.

1:25:07

And maybe get to Philly.

1:25:08

But I don't know if it cracks the big apple.

1:25:10

This speaks to the question of how big of a band there were.

1:25:13

They were because that's a part of it.

1:25:15

However, they never found a body.

1:25:17

Yeah.

1:25:18

Being that they never found a body is always funny in 80s movies when they go something something happened to a body was never found.

1:25:24

People would never fucking like, Bolivet.

1:25:26

That's the DB Cooper thing.

1:25:27

Don't know where he went or what happens to him.

1:25:30

We mentioned Barringer's tool for Word Band.

1:25:33

We talked about Word Band and Joanne kissing.

1:25:37

So at the end, this is a super nitpick.

1:25:40

But media magazines doing their big feature on Eddie and the cruisers and Eddie Wilson.

1:25:44

How brilliant he was.

1:25:45

And they're showing video of him at the college concerts.

1:25:49

Yes.

1:25:50

How were they filming that in 1963?

1:25:52

Full color video with close ups.

1:25:54

Yes.

1:25:55

And they were filming over Chris.

1:25:57

Full color video with close ups and editing at the 1963 spring dance of Benton College.

1:26:02

There were nine cameras apparently there.

1:26:04

And then but they're showing the crowd.

1:26:06

It's like Sunday night football.

1:26:08

Yeah.

1:26:09

Pretty tough.

1:26:10

Come on, band.

1:26:11

You're not thinking that by me after I've seen this movie 78 times.

1:26:13

I love it.

1:26:14

I agree.

1:26:15

Any other nitpicks?

1:26:16

Just that the one bit we hear of season and hell is pretty vanilla compared to like they were like,

1:26:20

this mind blowing avant garde noise.

1:26:23

You can't put it out.

1:26:24

It's like, it's just a slow blue song.

1:26:26

Like this is not that complicated.

1:26:28

I guess my big nitpick that I've always had is like, is word man fucking Mozart?

1:26:33

Why?

1:26:34

How you want to play piano that fast?

1:26:36

For man's fucking around.

1:26:37

There's no way he's doing all of a sudden.

1:26:38

He's playing piano.

1:26:39

He's got solos.

1:26:40

No, word man.

1:26:41

You had to play piano.

1:26:42

Yeah.

1:26:43

He has to piano solo earlier.

1:26:44

He has to play.

1:26:45

I'm talking about early.

1:26:46

No.

1:26:47

Earlier.

1:26:49

Doesn't Eddie am I the main matter?

1:26:52

No, no, no.

1:26:53

Eddie showing him rock course.

1:26:55

Yes.

1:26:56

So he already knew how to play piano.

1:26:57

So he's like, I know how to do it.

1:26:58

But Eddie's like, no, you have to groove down at this end of the keyboard.

1:27:02

1:27:02

Now I love this box.

1:27:03

30 years.

1:27:04

No.

1:27:05

No.

1:27:06

No, it's not the movie for nitpicks.

1:27:08

Sure.

1:27:09

I don't think any of these people would have hung out.

1:27:11

This band makes no sense as humans outside of the band.

1:27:13

Oh.

1:27:14

I think Sal and Joey Pant sort of hung out.

1:27:17

to hung out. Yeah. That's it. That's it. Yeah. Sequel prequel prestige TV all black

1:27:22

cast are untouchables. So prestige TV. I think you could do this and you probably make it

1:27:27

in 80s band and you set it in 2000 or maybe you make it like, oh, yeah, strokes like

1:27:35

that error early 2000s New York and now and then it's like today coming back today. Yeah,

1:27:40

where it's like the somebody has a strong thing on TikTok. Yeah. Yeah. Think about what

1:27:45

we already did. This is begging begging to be like a two-pock situation. The begging to

1:27:54

be like some big prestige you do where some rapper that we thought was killed in a beef

1:27:59

back but he's alive in the whole 90. This is begging to be remade with that exact

1:28:04

spin to it. There is you would do it with the yeah, yeah, yes. Because you change and

1:28:08

make it a female singer. The first thing to do would be to like basically try to blare

1:28:12

with it where you're like, we've discovered these tapes. And it's like and now this band

1:28:18

like it would be basically like a viral marketing campaign. The air which crossed with Eddie

1:28:22

and the cruiser. Yeah, that's pretty good. Is this movie better with Wayne Jenkins,

1:28:26

Fergie the Flores? Do it. So many others or Zayn Lowe. Eddie, man, here you are. You've just

1:28:35

seen your own face on media magazine. The lovely Maggie reporting it out. Season in hell.

1:28:42

Never even came into fruition. Never came to harvest. Never came to flowering. But you,

1:28:47

what's you, what have you been doing, Manson's Palace of Depression? Tell me, take me to the palace

1:28:53

and let's get out of this depressive zone of so great Zayn finally got to talk to a musician.

1:29:04

Bring me back to Tony Mark that day. Yeah. The other option would be Zayn interviewing Wendell,

1:29:09

but like Wendell doesn't say anything. Wendell men, you played with bag, you played with Dexter Gordon.

1:29:17

I wonder if it's like no one's ever asked me his record.

1:29:24

Just what ask her who gets it? Soundtrack or original song? I go original song, dark side.

1:29:31

I'll give you best music, original song that you're winner was Flash Dance. What a feeling.

1:29:36

By the one and only Irene Cara. Banger.

1:29:40

Fame.

1:29:41

I don't care. Tough nude scene for her and fame. Soft fame recently.

1:29:45

Really emotionally scarring is a 10 year old. Yeah.

1:29:48

Say now take your shirt off that creepy photographer guy. Do you like fame? Yeah, do.

1:29:53

Fame, like well at first I watched the TV show first. That was the first thing I saw.

1:29:58

The TV show then I went back and watched it. I saw fame in the theater probably a little too early.

1:30:02

Probably H 10. You know, fame. Really good idea for a movie. I'm actually surprised they haven't

1:30:08

run that back. Are you a Flash Dance fan? Not totally. Maniac from Flash Dance was also nominated.

1:30:19

Over you from tender mercies and then two Yentel songs. I feel like we could have stuck in dark side.

1:30:26

Dark side in there. Maybe bump the second best Yentel song. That would be incredible if it's like

1:30:31

Academy Award winning Eddie and the Cruisers.

1:30:35

Probably an answerable questions. What happened to Media Magazine?

1:30:39

Maggie moves on to where? I think she to she get that like doing like live at five in New

1:30:45

York City. Replace the system. Maybe she moves up to people or newsweek or time.

1:30:52

It's lung cancer. So my question is did Eddie always pull out or did his boys not swim?

1:30:58

How does she not get pregnant? Who? His girl. Joanne. Yeah, Joanne. They're on the road all together.

1:31:03

Music field. Lusty love making. Falling in the back of a car.

1:31:07

Carly is the back of a car. Maybe not a lot of sex because he was so driven by the art.

1:31:11

That's why she was the Catholic. Or like that's why she got with Wordman. But something doesn't make a lot

1:31:17

of sense how there was no like Eddie baby at some point.

1:31:19

Yeah, one of my prophyxies. That's a bad question. It was just like what did Wordman think was going to

1:31:23

happen when he like when he shows up after his long date with Joanne. And it's like is it time

1:31:29

for us to play? Like of course Eddie's gonna fuck with you now. Yeah, yeah. Toby Tyler got off

1:31:35

easy. Yeah. What did Doc sell the tapes for and what happened next? The musicals you want,

1:31:41

NEO. It's like I think it's a I think it is anticlimactic. I think people are like this isn't

1:31:48

that good. I like I'd prefer dark side and it just doesn't go anywhere. Does it come out on

1:31:53

eight track? What were those things? Not the seat between cassettes and CDs. Eight tracks.

1:32:01

Eight tracks. Yeah. I think eight track is dead by 83 though. I think it's still around.

1:32:05

Oh, 83. That was the last year. Yeah, like cassettes, right? No, it's. I don't think season

1:32:11

hell does that well. Me neither. I think it's a big bust and Doc probably is arrested for fraud in

1:32:17

some way. How do they position it? Do they do music videos where they get like because it's

1:32:22

the age of the video starting to happen. They don't but the cruisers are they all had incredible

1:32:26

footage of Eddie and the cruisers playing betting college. Yeah. Secret handshake club memorabilia

1:32:32

that you'd want from this movie. I like the photo of Joanne with the two guys that center of place.

1:32:38

Yeah. It's a weird one and just having the wall right now. People, what the fuck is that?

1:32:42

In the cruisers night today, three. That's the original staff of Brentwood coach,

1:32:47

Finstock, Mr. Miyagi were for best worst life lesson. Guys like you guys like me and you,

1:32:54

they strike oil under your garden. Now you get his dead tomatoes. Oh, shoot. That's

1:32:58

pretty good by it by Salamata philosopher. That's good. If we can't be great, then there's no sense

1:33:04

in ever playing music again. Best double feature choice. That thing you do.

1:33:12

Who won the movie? Beaver Brown Band. And they're still dining on this 40 years later. HBO.

1:33:20

Good call. HBO. I was entertaining parry. But I think I think you're right. I think it's

1:33:28

Beaver Brown Band because those songs still get played. Those guys will probably make money off this.

1:33:32

Craig, let's hear it. Had a great time. Loved it. Super likeable.

1:33:37

To watch it with Liz or Sola. I tried to get hurt. I badgered her to watch the movie with me.

1:33:41

And she wasn't interested. Unfortunately. Just that she doesn't care as much about the

1:33:45

banger. I was like 15 minutes in. I was like, you, you're, this would be fun. We can just throw

1:33:49

this on and you can like half watch it. She didn't want to do it. But I think she would have liked it.

1:33:52

You should have told her there was like some sort of ad potential out of it.

1:33:55

She would have done it at that point. Yeah. We can. There's great sponsors. She'd be like,

1:33:58

this is Phil's actually in this movie. Yeah. I was almost certain you'd hate it. No. No. I knew,

1:34:04

I knew he was going to like it. We know. First of all, 95 minutes here, 80% of the way there with

1:34:09

yeah. Like I music provides such a high floor. Like it's like you're just going to win 48 games with

1:34:15

a couple good songs in it. Yeah. And I don't know. There's a level of like how much you take the

1:34:19

movie seriously and then that allows you to be comfortable and enjoy it. Yes. Which is why I think

1:34:23

like I went into LA Confidential and I don't think I loved it as much as everybody else did. But

1:34:27

my the expectation versus reality. I didn't like LA Confidential. I didn't love it. I don't know.

1:34:33

It's that you need to watch it a couple of times. I don't know why. But LA Confidential. First

1:34:37

watch. There's a lot going on. You know what? I thought I was a little chief. I can be

1:34:39

else with you. I get it. It will be hard for me to understand that because the movie was

1:34:44

legitimately the biggest fucking thing in the world. And I saw eight times. I saw it in the

1:34:51

area. And you didn't go into it being like, I can you know it? That was that was a boomer response.

1:34:56

I could see that. I could see now it being a little tougher people. Also this movie I love

1:34:59

I do. I'm I've always been interested in like the second album theory of a band. You know,

1:35:03

always find this to be interesting. There's a little bit of like pet sounds to this Brian Wilson,

1:35:08

Eddie Wilson, sure with the Beach Boys and like the controversial pet sounds album. Nobody liked

1:35:12

it. And then you know down the road is a masterpiece. This movie people liked pet sounds. It was like

1:35:19

wild honey or whatever the next. No, I thought pet sounds was considered very abstract. And

1:35:23

I don't know. It has a good. I mean, it's abstract, but it was like it blew away. I thought it came

1:35:27

out the gate and was and was not reviewed. Well, okay. I mean, you know better. I mean, Pimberton

1:35:31

is like that from weezer like child ones that come out and people go, what the fuck are you doing

1:35:35

in the? But is this what the fuck is Pimberton Pimberton? Is this kind of movie the 80s equivalent

1:35:42

of like a current Netflix movie like Gaslit by my husband, which I have great disdain for

1:35:49

and I a movie like that nowadays. But I'm like, is that just what this was in the 80s?

1:35:53

I know. You know, Bill was like, what's the double feature in a weird way. I feel like the double

1:35:58

feature for this movie should be Legend of Billie Jean because yeah, that's great. It's kind of

1:36:02

like the same kind of like regional, local sensation, huge story in my town, but wouldn't have

1:36:09

wouldn't have made it out to like L.A. We're people were like, and I think I think it's hard to

1:36:15

almost replicate that now because of social media and just weird that like this movie is looked

1:36:19

like you guys are looking back on it with like charm and nostalgia. But I feel like a lot of the

1:36:23

current like Netflix movie slopper, the streaming movie slop is not looked at that way. Nobody,

1:36:28

it like honors those films anyway and they will disappear even if people watch them. But these

1:36:32

movies we look back on and we're like, oh, Eddie and the cruiser's like such a fun easy watch.

1:36:36

But no one's gonna do that to Gaslit by my husband. Yeah, but we don't know what would happen

1:36:40

with some of those movies if there were only seven movies on Netflix and they played them for you.

1:36:43

I would say give Gaslit by my husband and she. To me, to me, the difference in that is that like

1:36:50

those movies you first of all, you have to be active in watching those films. You have to go

1:36:55

search for the movie and then put it on. That right there means that there had to be a reason for

1:36:59

you to do that, right? People weren't doing that to this movie. It was on HBO. Didn't it just come on

1:37:02

and you? Yeah, but like, so they didn't we didn't have as much else stuff to other stuff to do.

1:37:07

Like people barely had a Tari 2600s back then. Yeah, with Gaslit by my husband or these other

1:37:12

movies, there's like this cultural conversation that gets you to go watch the movie because you heard

1:37:16

with Eddie and the Cruisers, there's none of that. Like I never had one come. This is the first

1:37:20

conversation I've ever had with friends about Eddie and the Cruisers ever. My own my own. My

1:37:25

own. My own. My own. My mom because my mom loved this movie. My dad will watch it. But that would be

1:37:29

like you watching them say people again. Why don't people always on TV. But like is is like with this

1:37:34

movie was just on all the time and you just had a situation with it. It was almost like seeing you

1:37:38

know what I would compare it to you know, and if if you listen to an album a lot,

1:37:43

you know, it was sort of like 20 times and then like the eighth best song in the album, you're like

1:37:47

songs fucking awesome. Yeah, I really like this. And I'll never know when that happens.

1:37:51

It never happens. I don't know about this. It happens anymore because every these songs are just

1:37:55

our released almost like you can you can cherry pick months. I don't think it happens.

1:38:02

Because I don't think the albums last long enough for them to like for that to happen. Like I

1:38:07

think that the artists are dropping music so much like you're getting so much more stuff. There's

1:38:13

so much. I don't think that that happens. I think it happens here and there like the Geese

1:38:16

records a good example of like there was my original run through it. I was like I love these five

1:38:20

songs. Then there was like two more three more that came became really favorite to mine.

1:38:25

It's also crazy how much Hollywood screwed up. I like I can't believe that John Cafferty and the

1:38:30

beaver like the fact that they didn't turn anything is insane to me. It might have been because

1:38:35

of the band name. I think it might have been because they people really you're Eddie and the

1:38:37

cruisers. I mean, there's like a little bit of like a I know. The song you said was number three

1:38:42

and the billboard charts at you seven. I mean like a legitimate hit in a monoculture time.

1:38:47

We're in a different completely different world now. But like nobody even knows who the singers are

1:38:51

of the K-pop demon hunter songs. And yet that's like the biggest band in the world. Literally no one

1:38:54

knows who sings it. And yet they knew this band and these people and they couldn't get them

1:38:59

relevance and they couldn't get them another album that's crazy to me. Same thing happened to Eddie.

1:39:03

When Jack O'House were here like a year ago, you told me this was on TCM.

1:39:09

And I recorded it. I was like let's tape it. Yeah. And we watched it in the morning and we were all

1:39:12

like completely into it. I don't know. I just think they I don't think there's a lot of these

1:39:18

movies, which is one of the reasons why it's endured a little bit. There's not enough music movies.

1:39:23

If there are like or if they they're in the works, I think all of it is based on whether the song

1:39:29

like there's you get like the band, right? Well think about like Rock of Ages with Cruise.

1:39:34

Was a bomb. Yeah. So stupid though. Like you know what I mean? Like this,

1:39:39

that movie almost doesn't take itself seriously. This movie takes itself incredibly seriously.

1:39:44

Yeah. Like you get that this is sincerity about this. Maybe it's obviously not perfect, but

1:39:48

there's a sincerity like about the movie. Would you watch a movie about Dunn Love Story,

1:39:53

JFK Jr. style about Lenny Kravitz falling in love with Lisa Bonnet? We love it. We get all the

1:39:58

golf Lenny's music. The entire thing would love it. It's a good idea. So he Kravitz plays

1:40:03

Lisa Bonnet. Oh, shit. You like that type of shit. I'm into that. It's a good idea. I'm into

1:40:08

Lisa Bonnet. I'm into so he Kravitz and Lisa Bonnet, sure. Everyone loves Lenny Kravitz. I don't

1:40:13

even mind that I don't like the NBA, NBC song. You don't mind that you don't like it. I just I'm

1:40:19

never going to I'm never going to be mad at Lenny Kravitz for anything. All right. See our month.

1:40:23

This was it's no longer see our month. This is the little chalk. I'm right after. Yeah.

1:40:27

It's a little little little little little gum things. What's the one that it's got the

1:40:33

there's like different ones that they'll bring out. Well, they've got the mints, you know,

1:40:36

chocolate cover mints. I don't usually that's I feel like that's lazy when the restaurants do that.

1:40:40

Okay. I like when I felt like there was the dessert. The dessert chef made me something.

1:40:46

I like to get prepared for the forbid. It's true. That's it. I don't know what's coming next week.

1:40:53

This was fun. Good to see you, Ben. Of course. Good to see you. See you guys in San Francisco. If you're

1:40:58

oh, yeah, San Francisco two days from now, this will come out on a Monday. We're there Wednesday.

1:41:03

Yeah. Do they I'll do the little intro for that. But yeah, we're going to be doing basic instinct.

1:41:08

Oh, the three of us with Mallory at the Tony Rempi theater. Yeah. That's I think that's what this

1:41:15

is like. I play for the Rangers San Francisco Tony Rempi. Yeah. Yeah. Like 280 last year. Yeah.

1:41:20

We will be there in San Francisco. Thanks to Gahad. Thanks to Eduardo as well. And we'll see

1:41:25

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