Mindhunters

2026-04-10 04:05:00 • 1:18:30

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What is the movie?

1:29

Where does it stream?

1:31

What is the movie?

1:32

Where does it stream?

1:33

We saw mine hunters so you know what that means.

1:37

Now is time for...

1:40

How did this create?

1:41

We're gonna have a good time celebrating failure.

1:43

Not just be the hater.

1:44

Could you know you wanted?

1:45

How did this create?

1:46

Let's walk in the mediocrity of Sephora.

1:50

Perhaps we'll find the answer to the question.

1:53

How did this get made?

1:54

Hello people of Earth and welcome to How Did This Get Made.

1:57

I'm Rose Paul Schier and today we are talking about the 2005

2:00

Rene Harlan directed action film,

2:03

Mine Hunters.

2:04

Now in case you didn't watch, this is what you need to know.

2:07

There is this FBI instructor played by Val Kilmer,

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who's evaluating new recruits to join a serial killer profiler team.

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And here's the thing.

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Val Kilmer's methods, little on orthodox,

2:19

often includes creating very realistic simulations of murder scenes

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using like sets and props and even actors.

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And for the final test, the group is brought to our

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remote island for simulation training.

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However, once they are there, they realize that they are being hunted

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by a serial killer who might be someone that they actually know.

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Could it be LL Cool J, a last minute addition to the team

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who was sent along to just observe.

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We will soon find out, but let's not get into any of that before.

2:50

We introduce my co-host.

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Please welcome, June Diane Rafeel and Jason Manzook.

2:54

Is how are you both?

2:55

Wow.

2:55

I mean, it does.

2:57

I'm worried is this podcast episode a test?

3:02

Oh, is it a test or is it a trap?

3:06

Okay.

3:07

This is a movie.

3:08

What time is it?

3:09

It is what I need to know.

3:10

More clocks, please.

3:13

This is a movie that infuriates me on so many levels because

3:18

very much like law abiding citizen June,

3:20

which you were not a present for a movie where there's a lot of traps

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and a lot of things and you have to be like, how did this all come together?

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I'm going to put some of that on the side and just focus on the opening

3:31

which you see this man incredible approaching a car in the middle of winter

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and his hand touches, you know, the hood and we see like a masked

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glove like by the woman's face looking as if like, uh-oh.

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This is a bad guy.

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It's a bad guy and it's just Christian Slater and we're like, okay,

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well, that's going to pay off.

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Like that creepy moment should definitely pay off.

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It doesn't.

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Uh-huh.

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And but now I'm going to put that on the side and go now we're just in the real

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4:03

I want to make sure I'm clear on this with you both.

4:05

Okay.

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We're in the real world.

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We are interviewing real people because we're on the road.

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We're in the middle of the forest and we believe that we're in.

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We're in the world.

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Well, I mean, yeah, that's what the mood.

4:20

Here's really like once you start pulling at the threads, this thing,

4:25

this falls apart.

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That's so quickly because, you know, the entire cold open of the movie

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is this very high stakes, high tension thriller kind of beginning where

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the end of sounds of the lambs like that kind of or something like that.

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You know, like one of these kind of we're going to find the serial killer

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and then they find the house.

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They go in.

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They find they can hear the girls, the kidnapped girls.

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They they're there.

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Uh-huh.

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They do all of it all the way through both of them being killed.

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Christian Slater and his partner, Katherine Morris.

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They are the only two people who they are.

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They don't wait for backup.

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They go barging right in and boy oh boy, do they get killed?

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They get killed in such a crazy way because also I will say the way it shot

5:16

I was writing down all these jokes like I was a haunted house.

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It looks like a haunted house.

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Like it looks like something that I've paid $40 to walk through and have people

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jump out at me.

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Uh, and but I also was like, what am I seeing?

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I can't see anything like the camera angle was obscuring enough stuff.

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I was like, is that person?

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Did he shoot himself in the head?

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Are those girls like dummies?

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Are they real?

5:34

I couldn't quite and I was getting irritated.

5:36

Yes.

5:37

Only to reveal.

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It was all set.

5:39

It was all, yeah, and God, so many questions.

5:42

It's very hard in a movie like this because you have to hang on to just what are the truths

5:46

that you know and like what are what what is what can I hold on to to orient myself

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and to come back to over.

5:54

Yes.

5:55

One of the things that I feel like was was important towards the amount of flies around

6:02

the serial killers, you know area.

6:05

Yeah.

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Serious work.

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Lots of flies.

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And not just the flies, but the sound of the fly sound of the flies.

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That was very important.

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I would have loved to have seen a moment because we do see Val Camer breaking down the scene

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once it's revealed it's all set, dealing with like the fly Wrangler, you know, like

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guys, it was good.

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It was too much on the flies.

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We get a few.

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All so roughly now I understand we will get to the island in which the Navy uses it for

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simulation purposes.

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The all sorts of like opposite.

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Oh, right.

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We're talking about O'Neigha.

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That's right.

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But that's that's fine.

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That's an island.

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But this is a place I guess outside of Virginia is in Virginia somewhere where it felt like

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it was it felt like it was on a Hollywood set.

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Like and I say that not like, you know, like the way that they had control of the lighting

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and everything.

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I guess this is wondering like roughly how much does that cost?

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It's got to be a staggering amount just to produce the escape room that Christian Slater

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and Catherine Morris have to go through must have cost millions.

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That's what I wonder.

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Millions of dollars.

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Because I want to just go back when you're talking about the flies and how important it

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is that the flies are buzzing around the corpses and the dead people.

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You see someone going and turn off the tape player that is playing the flies sound effect.

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Yeah.

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So it's all it all falls apart like and the cake is real.

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I mean, because Val Kilmer does as he's chewing them out is eating a piece of cake that

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was left in the table where this serial killer I guarantee that was an improv from Val.

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Oh, absolutely.

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But like that's a, you know, we're tax paying citizens like that's if you guys fund a

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bar like that's millions of dollars.

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Oh, but now that's like sending cash betel to the Olympic now.

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What are we doing?

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But here's the thing I want to go back one step on.

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I because I guess I just have to leave out the fact that they were in the middle of the

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wilderness interviewing subjects.

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It's like, so in this world, they had to find this house.

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Like that's part of the mission.

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Yes.

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Okay.

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So, okay, I'll buy that.

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But they are training to be pro-fielers, which is it I know where you're going with this

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plot.

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It's the same question I had.

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Yeah.

8:19

Okay.

8:20

Go for it.

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Tell me.

8:22

Well, yep.

8:23

Okay.

8:24

So, so to be an FBI profiler and I don't know that much about this, but I'll speak on it

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anyway.

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It seems like you have to be doing some deep psychological work.

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Lots of research.

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Lots of like, how does the human mind work?

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You were way past like 101.

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We're really, you know, we're on message boards about young white men who are categorically

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usually stereotypical.

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We are, we are doing that type of work.

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We are not doing the tactical sort of knocking on doors.

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They're not knocking on doors.

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No, we're not clearing rooms.

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That's not our area.

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And it seemed to be that Val Kilmer's biggest issue was with their tactical powers.

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Yes.

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Not their, not their, their ability to profile.

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Special agent, more.

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When is the situation secure?

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On the drive home.

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On the drive home.

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That's right.

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On the drive home.

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Sir, we shut up.

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We'll figure it's on the table, more at the door, different brands.

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Two cars up front.

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Four place settings, not three.

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All should have the lure to do to the possibility that there might be another suspect.

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I think.

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Sorry.

9:35

What?

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What did you say?

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I think you enjoy watching us fail, sir.

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Better in here than out there.

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You know, this really happened.

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The unsub was apprehended under two minutes without a shot fired.

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Cook you guys seven minutes and you killed your partner.

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Here's the thing.

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What they failed to do was not profile, but just not take in all the information.

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Like, oh, didn't you see there's four?

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That seems like a skill set.

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They were just plates on the table.

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Yeah.

10:09

That's all right.

10:10

Like a homicide department, just like cops, clearing rooms, going through.

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We can prove.

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So, one of them to be a SWAT team, like I don't think that any of these skills transfer

10:19

to, to profile.

10:21

No, no.

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I mean, by the way, I'm going to say this, they're all bad.

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In a movie where the main idea is there is a killer amongst them and they have to profile

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each other.

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This movie fails at that.

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These are the dumbest motherfuckers that never use any bit of information and even in the

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big end reveal, which we'll get to eventually, but it's not even like, oh, I profile them.

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She basically just marked them with paint.

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I mean, it's really similar to it's like, it's like a horror movie that's happening.

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It's like a group of teenagers who happen into a house full of traps.

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Right.

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Like, they are, they are acting with the same kind of chaotic, we don't know what to do,

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that teenagers would, but they are meant to be the best of the best and they, they don't

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work together.

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They don't use their brains, they don't use their skill sets to the best of their abilities.

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They are constantly just, it's seen after scene where they're just pointing guns at

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each other being like, it's you, it's you, it's you.

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I know it's you, it's like, it's like the movie, the thing with idiots, like the thing where

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it's like people who are not supposed to be profiles are smarter at figuring out who

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is an alien and who is not.

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And these are just normal people.

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And here's the other thing.

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They don't have a different skill set.

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They all are equal, which is an other odd thing.

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So this is a team where everyone is on an equal footing.

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Like, no one's like, oh, you're the, you know, you're the ballistics person, you're the

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this person.

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They are all, they are also are like, each trap seems to be, so, so, so in the story of

11:57

the movie, the, the killer is picking everybody off one by one or sometimes in pairs or whatever.

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And there's a watch that appears or a clock that appears with the time of the next murder.

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So everybody knows, okay, in between now and then we have to figure out what's going

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on.

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The timelines are like two hours and the killer somehow has set up traps inclusive of

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draining an entire body of all of its blood and using all of that blood to write numbers

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all over the walls that are some sort of code.

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Well, at that point, they've been asleep for five hours and they drink the bag coffee.

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So he has five hours to set up a day's worth of, oh, here she is.

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Oh, here she is.

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Like ignore the numbers, the numbers don't matter.

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Let's find the trap.

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And I'm like, the number is definitely matter.

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They all work together.

12:49

They never, like you figure out this, not figure out that.

12:52

They're all like just, it's like, it's the worst people in a skateboard.

12:55

They're so, they get so angry at each other for trying to, trying to profile.

13:04

Yes.

13:05

They're like, enough of that.

13:06

Let's try the killer.

13:07

Like, I know, enough of the numbers, enough of the letters.

13:10

Now there's letters, fuck those letters, fuck those numbers.

13:12

It's like, we would have made more sense if the thing had happened where it was like

13:17

three profilers and three like soul, yeah, you know, like, we, because the idea is oftentimes

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you guys are paired together in the field.

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Use your complimentary skillsets to solve these problems.

13:31

They all brought guns.

13:34

And here's the other thing that really cracked me up again, just to drive home how much

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this movie does not even embrace the premise of the film, which is, LL Cool J is, like,

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at the very last minute, brought on to join the team to observe because, you know, people

13:52

are like, to your point, June, why is Velkimer spending all this money?

13:56

That's something's up.

13:58

Is that how he, is that how he drains in the beginning?

14:01

I thought he said he was joining to observe.

14:03

He's an investigator with the Department of Justice, he says.

14:06

Right.

14:07

Thank you Jason.

14:08

He's introduced as a police detective who just wants to tag along and see how they work,

14:14

which makes a little bit of sense kind of what we're talking about.

14:17

And then it's, then the crew become suspicious of him because they find maps and information

14:22

that he has about the island that they're on.

14:25

And then he comes clean and says, listen, I'm not who I said I was.

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I'm here investigating Val Kilmer, the Department of Justice thinks he has too much power

14:34

basically.

14:35

Now here's what I will say.

14:36

I don't remember if this is him because they didn't write down who wrote this, but I

14:39

am going to bet that it was LL Cool J when he goes, you all think your profilers, I'll

14:45

profile you right now.

14:46

What you say about me doesn't tell you about me, it tells me about you.

14:50

Now, I could say you're a little gambling means you have an addictive personality.

14:56

I could say I know you're sleeping with one of the guys in this room.

15:00

I could say you take charge of your team because you never had a leader in your own life.

15:05

And you, when push comes to shove, you crack under pressure.

15:10

Your partners can't depend on you.

15:13

You don't belong here.

15:14

And when he's profiling one of the women in the unit, right, this is, I believe Patricia

15:20

Velasquez, that's the actress's name.

15:22

He goes, and you're sleeping with one of the guys.

15:24

Like, well, that's not a, that's not a profiler thing because at one point he's like, you have

15:29

daddy issues.

15:30

You do this.

15:32

You're sleeping with one of the guys.

15:33

That's not like, it's, it's more detective work.

15:36

It's not like, it's not psychologically, that's not what she's made of.

15:40

It's just like, oh, yeah, you are fucking somebody here.

15:42

That's okay.

15:43

And that's fine.

15:44

It's a fine thing, but you can't sell that next to you have daddy issues.

15:48

You've always come up behind September 19th.

15:50

Yeah.

15:51

It's like, it's not, that's not what we're doing here.

15:54

But that's like, those are the kind of like, this movie is making all the shortcuts and

15:59

broad strokes.

16:00

It's not interested in any of these people going deeper and actually trying to crack the

16:06

case, which was disappointing because that really stays at the same level the whole time.

16:12

Everybody is just inactive panic throughout.

16:16

And they never question why I couldn't understand why they wouldn't assume that Val Kilmer

16:23

was the killer or that they do it one point at one point.

16:27

But then they let go of that so quickly.

16:28

And it's like, well, only because they find his body.

16:31

Well at the end, but so many people die before that.

16:35

Yes.

16:36

And I'm like, why, why are you assuming it's also Val Kilmer clearly did not stay for a

16:42

life model mold because they really got to tell you, no, no, that's him.

16:47

Even though he doesn't really look the way that we think.

16:50

Well, and there's a, there's a lot, the movie really wants to pull from all of those,

16:55

you know, seven and those grisly kind of.

16:58

And so, and they're even trying to make this idea of like, oh, the puppet master is

17:03

the serial killer.

17:04

And then some of the bodies are strung up like Marionettes and stuff like almost like a

17:09

puppet master would, but most everybody else just dies in a trap of some sort in a, a

17:15

scary room type trap.

17:17

Can I ask a question?

17:18

Indiana Jones style dress.

17:20

Can I ask a question?

17:22

So we're just here asking questions.

17:24

So they are brought to this island by Val Kilmer to find an actual serial killer who

17:30

knows what he's setting up a final.

17:34

This is like their final exam.

17:36

And it's like another one of the fake setups.

17:39

Well, I know it's fake, but in the world of the fake set up, yes, I'm sorry.

17:43

I know that they are finding a serial killer and that that more next morning in Val Kilmer

17:48

says it's going to strike tomorrow.

17:49

You'll find the crime scene.

17:51

I was waiting for that serial killer, that fake story to somehow fold into our real story.

18:01

Would that be great?

18:02

Well, because you would think that Val Kilmer, who has left the island or we assume he

18:06

has left the island, has started to set up these traps because where are those traps?

18:11

And I think the first body is, yes, his trap, but then we also don't know.

18:18

Oh, I do.

18:19

I have a question about that.

18:22

Well, who is that body?

18:23

Well, that's a mannequin.

18:26

I thought that was a man.

18:27

Okay, that is okay.

18:28

I don't know.

18:29

Val Kilmer's body also, to me, love like a man.

18:31

I know.

18:32

Because you did also text me, who is that body?

18:35

What's her number?

18:36

What's her deal?

18:37

Who is that body?

18:38

I'm always like, I very much like Corey Feldman, I want to help bring young girls to Hollywood

18:44

and just teach them the right way.

18:46

Oh, but when they see that body, there's a tape player that goes off, Christian Slater,

18:52

because of course, he's the leader of the group, goes over, turns off the tape, and then

18:57

a domino setup gets started.

19:02

And all the dominoes start to fall and things are happening.

19:05

And they stop and stare.

19:08

No one, no one activates.

19:11

Why wouldn't they stop it?

19:13

They know that the entire, this is before they even understand that there's zero killer

19:17

in their midst.

19:18

They understand that clearly it's set up by the-

19:22

I feel like the world of the simulation, why wouldn't they stop it?

19:25

Right.

19:26

Even if they were doing the simulation, even if this was just pure like, no stakes simulation,

19:32

you know, no physical stakes, you know, they don't think they're going to be heard

19:35

or anything like that.

19:36

Still their final.

19:37

They're still doing an absolute dog shit job of assessing the situation.

19:43

They're still doing an absolute dog shit job of clearing the rooms, of looking for traps.

19:46

Well, I guess they're profiler.

19:47

When they go to the-

19:48

Why would they know?

19:49

They blow up the escape boat just by tripping a trip wire that was very visible, you know?

19:55

They are supposed to be the best of the best, and they're in fact the worst of the worst.

19:59

And I would believe that these are the FBI profilers under Cash Patel versus in the

20:07

2000s.

20:08

I was just kidding.

20:09

Okay, I have to tell you.

20:11

I was just looking on eBay where I go for all kinds of things I love, and there it was.

20:16

That hologram trading card.

20:18

One of the rarest, the last one I needed for my set, shiny like this.

20:21

The designer handbag of my dreams.

20:23

One of a kind.

20:24

eBay had it, and now everyone's asking, ooh, where'd you get your-

20:28

Wincheeel wipers.

20:29

eBay has all the parts that took my come on.

20:31

No more knowing.

20:33

Just beautiful.

20:36

Millions of finds, each with a story.

20:38

eBay.

20:39

Things, people, love.

20:40

Losing weekends are all about enjoying the season together.

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Spirits not sold in Virginia and North Carolina drink responsibly B-21.

21:09

Hey sweetie, your mother showed me this Carvana thing for selling the car.

21:12

I'm going to give it a try.

21:14

Wish me luck.

21:15

Me again, I put in the license plate.

21:17

It gave me an offer.

21:18

Unbelievable.

21:20

Okay, I accepted the offer.

21:21

They're picking it up Tuesday from the driveway.

21:23

I haven't even left my chair.

21:26

It's done.

21:26

The car's gone.

21:27

I'm holding a check.

21:28

Anyway, Carvana, give it a whirl.

21:31

Love ya.

21:31

So good, you'll want to leave a voicemail about it.

21:34

Sell your car today on Carvana.

21:37

Pick up these manply.

21:38

Now I will say this, that I don't trust anything that Christian Slater does because he,

21:45

well first of all, he got some sweet CS butt cheeks out there.

21:49

We got to see some sweet cheeks.

21:51

Oh yeah.

21:52

We got to see that Slater Tush.

21:53

Yeah.

21:54

Yeah, a little Slater Tush.

21:55

But he proceeds to have sex.

21:58

And you couldn't make a more open area to it.

22:03

And a resident.

22:04

Right.

22:05

And so loud to have sex in like the communal shower open stone communal showers of the everybody

22:12

must have heard.

22:13

And by the way, this is also a island that is used for military training.

22:18

No one's ever lived there.

22:19

It's just for military exercises.

22:22

But yet when one of the guys is in a bed, there's all these like posters of naked women

22:26

up on the wall as if it was someone's bunk.

22:28

Or like, I figured that out.

22:30

Or as a direct or decorated.

22:32

And then I was like, or did he decorate it?

22:33

Or did Val Kilmer?

22:35

Decor did Val Kilmer set the scene?

22:37

Like, like how many people pre production are going to the island to set it up?

22:44

And by set it up, I mean create ultra realistic serial killer murder sites.

22:50

You know what I mean?

22:51

We know that Navy had just been there because they left us sitting ducks, you know, again,

22:56

I was waiting for the Navy to somehow get full did back in and and for them to find

23:03

something that that was going to be important from the Navy.

23:06

No, nothing.

23:07

Nothing.

23:08

Nothing important ever happened.

23:10

And, and, you know, spoiler alert for the movies that killer is revealed to be Johnny

23:14

Lee Miller.

23:15

For reasons that I still am unclear on.

23:18

Totally confused.

23:19

Well, I guess the question also is like, there seems to be like, obviously this final,

23:25

there's a competition element to it, right?

23:27

Because apparently according to Clifton Collins, like Val Kilmer is like writing his

23:33

recommendations on his desk and he happened to walk into like his teacher's office and

23:37

read the like read the Rex and know that like that Sarah is not being upgraded.

23:43

So there's a little bit of competition there.

23:46

Can I see something about Sarah being upgraded though, Paul?

23:49

Yeah.

23:50

Her, one of the reasons she is not recommended to be a profiler is because she panics.

23:56

Now that's going to come back to us later on.

23:59

She panics.

24:00

But again, I have to ask who cares if your job is mostly in an office.

24:06

It's okay.

24:07

In a computer panic away.

24:08

Yes.

24:09

Like we don't need to medicate for that.

24:11

Just continue to panic and you don't have to.

24:14

And or don't be she doesn't have to in order to fulfill the duties of a of a profiler.

24:19

She I don't think needs to be in the field.

24:23

You know, doing gunplay.

24:24

She can be in the office trying to crack the numbers code.

24:27

That's the, I think the point of having the team is like, oh,

24:30

the good with guns guy goes and does that.

24:33

The people that are good at puzzles get to do puzzles and that's a cohesive unit.

24:37

Nope.

24:38

Nope.

24:39

Nope.

24:40

Nope.

24:41

Everybody knows guns all the time.

24:42

Well, but if you are to treat the movie as truth, it is revealed that Johnny Lee Miller,

24:50

the whole reason why he has done this is yes, he is a serial killer who has infiltrated

24:55

the FBI's serial killer profiling program to figure out who the most worthy person is

25:04

for him to challenge.

25:06

And that is her.

25:07

Like so he's like, oh, wouldn't it be the best coup for me?

25:10

Like I don't want to just, I don't want to just deal with it.

25:13

I want to find the best of the best.

25:15

So this has been for him a long time.

25:18

Does he say that?

25:19

Because that's, that's interesting because I could not for the life of me figure out what

25:24

the genesis is.

25:25

Yeah, what the deal was.

25:26

He said something like that.

25:28

But are you saying Paul that he, he wanted sort of the most challenging prey?

25:33

Yes.

25:34

Okay.

25:35

So here's what's so crazy about him that even the fact that he penetrated the FBI.

25:38

Now, both of his parents were murdered in front of him or it seems like both, well,

25:44

that we will, we will know they were murdered by him later.

25:48

But when we meet him, it seems that they were just murdered.

25:51

That alone to me, a 10 years old, that alone to me, it's like I kind of want the FBI flagging

25:58

that on someone.

25:59

Right.

26:00

You would think at a certain point someone would be able to say like, hey, why was his

26:05

parents murdered?

26:06

Let's just look into that a little bit more.

26:07

But me, maybe he's very, very good.

26:09

I don't know.

26:10

You know what I wish for?

26:11

I wish that he had been the one who killed her little sister.

26:15

Yes.

26:16

Well, there you have something.

26:18

And it's, and it's, and he put Clifton Collins Jr. in the wheelchair.

26:22

And he, what if he had connections to everybody that they didn't know about what or like the

26:28

idea that they float for LL Cool J's character is that, oh, are you doing this as revenge

26:34

because you didn't pass the exam?

26:37

Like you're trying to get back.

26:38

Like did you just walk out the FBI didn't want you?

26:41

Like I couldn't figure out Johnny Lee Miller's, you know, it's just not enough time is given

26:46

to it at the end.

26:47

Like what, what is he also changed an accent?

26:50

He changed, like does change acts.

26:52

I was, I was, his accent was so slight that I was like, is this, I couldn't quite figure

26:58

out if he, I mean, it's strange because he is a British person.

27:01

Yes.

27:02

His, his character is American.

27:04

And then when it is revealed, he is Southern.

27:08

Yeah.

27:09

When he, when the final twist comes, he, he starts to affect like a weird Southern draw

27:14

that wasn't there before.

27:15

And I was like, I don't know what this is trying to tell you.

27:17

There were notes of that Southern draw early on.

27:20

But boy, does it come any?

27:22

Oh, I thought it was a different boy.

27:24

Like I thought he was like, this is the real me.

27:26

Right.

27:27

No, it was sort of there at one point, but it is, it is, he's playing fast and loose with

27:31

that accent.

27:32

I was also sort of amazed early on.

27:33

And maybe this is just a product of like movies used to feature like four white men on

27:38

a team and no one blinked an eye, but there were so many of them.

27:42

And they all look so similar to me.

27:44

I genuinely couldn't keep track of them.

27:46

Agreed.

27:47

I was happy when some of them got killed at the beginning because I was like, I don't

27:50

know that guy's deal.

27:51

Well, but I was upset that the first person who dies is Christian Slater because I'm

27:54

like, well, I understand who that is.

27:56

But the guy, like, but the guy who is like, I then there's a gentleman who is, that's

28:00

Captain Collins, who is, you know, wheelchairs.

28:02

I'm like, okay, that at least gives me another marker.

28:05

And then Johnny Lee Miller's American.

28:07

And I know who he is because I know him as an actor.

28:10

But then there's another British guy who is the guy whose head just pops right off

28:14

of his body.

28:15

What happened when they all wake up from the coffee?

28:18

He looked like a robot.

28:19

I thought it was going to be revealed that he was a Westworld robot because you saw strings

28:22

in there that looked like.

28:24

Oh, God.

28:25

Paul.

28:26

I would love it.

28:27

Well, can I ask something about Christian Slater's death?

28:29

Why?

28:30

So he's being sprayed with step out of the way.

28:33

Yeah.

28:34

Liquid nitrous nitrogen.

28:35

Nitrogen.

28:36

Yeah.

28:37

Some sort of, it's a tea juice.

28:38

Did you just say step out of the way Jason?

28:39

Yeah.

28:40

Okay.

28:41

So step out of the way.

28:42

It was as though he couldn't move, which I did have a question about.

28:45

Like, is it paralyzing you?

28:47

Immediately paralyzing you.

28:49

And then my next question is like, would the rest of the team did not move to also just

28:55

take that container, take that master, turn it.

28:58

Everybody watches, everybody watches all the traps happen from their frozen, and their

29:05

frozen.

29:06

Yes, they don't try and intercede in any traps execution.

29:10

They just watch it as if they are trapped and they're not.

29:15

But here's the thing.

29:17

That is one canister of liquid nitrogen that's shooting at his ankles.

29:23

Now yes, he could have easily just stepped back, stepped out of the way, done the top of

29:28

his body down.

29:29

Right.

29:30

I don't even want to get into the fact that that is completely impossible.

29:33

That would never happen.

29:34

But the movie also posits the idea that if it starts at your ankles, it would freeze

29:41

your body up to your head and crack in seconds and crack you like a doll.

29:48

Like anyway, he breaks like an icicle that drops onto the floor.

29:52

He breaks in like so many pieces after being sprayed like by, I mean, if you've not seen

29:58

the movie, imagine like a birthday party helium canister is just blowing.

30:04

It's not like in T2 where he falls into or whatever, a vat of nitrogen or whatever.

30:11

This is a spray of nitrogen that freezes him and he's able to talk.

30:17

He's like, stay where you are.

30:18

He's still giving commands and I'm like, stop talking.

30:22

Take a step to your right.

30:23

Stick it to baby steps to your right or someone just move that or turn it off.

30:28

Please.

30:29

Now, here's because honestly, I have to say there was a part of me watching this because

30:33

so many of them are witnessing the traps and just watching the traps happen, there was

30:37

a part of me that's like, oh my gosh, that's the horror of this movie.

30:42

That's the scariest part.

30:44

Yeah, right.

30:45

You couldn't do anything.

30:46

Yes, is that when confronted with someone in pain, someone suffering an event happening

30:55

before your very eyes, like people will freeze and watch and not intervene.

31:01

That's where June, we've seen that numerous times on scare tactics.

31:04

The premise of scare tactics, the horror prank show is like they put people in these

31:10

situations and they often do as they are told or freeze.

31:14

But I think the whole point of this program is at the level they're at, they would have

31:20

already learned to push through that immediate freeze.

31:24

They would have already learned the skill sets and tools to not just be observers to these

31:30

tragedies, but to in fact, either intercede or get to it before it happens.

31:36

Well, the opening scene is saying, hey guys, don't freeze, be smarter.

31:42

And yet they aren't.

31:43

And I thought that his death was so bad in the sense that he didn't do anything.

31:47

I was like, well, clearly he's the serial killer.

31:50

Like, he has set up some sort of contraption to make it look like his body broke into glass.

31:55

Now I will say this, you know, I know that you both love interior design and I would love

32:00

to show you that if you like interior design, you can actually purchase a broken Christian

32:06

Slater.

32:07

And I think Scott, can you pop that up there?

32:10

This is the body.

32:12

It comes on the special mount.

32:14

It's on an auction house right now.

32:15

Oh my God.

32:16

Yeah, the legs are separate.

32:19

You can do the whole thing.

32:20

Yeah, you can get in there part of his face is coming off.

32:24

But again, that's a great centerpiece for a living room.

32:26

That's the kind of thing that I feel like we should use our money to buy and then have

32:30

it in the, how did this get made house?

32:32

I would love it.

32:33

Because I think a lot of people don't know that we all live together now.

32:36

Yeah.

32:37

I know.

32:38

And it's a little bit.

32:39

By the way, just about how did this get made?

32:41

I am, I have become obsessed on Instagram.

32:45

There is a wax museum that is auctioning off every one of their wax figures and they're

32:51

pretty conservative.

32:53

Like they're not, they're not expensive to a certain degree where it's like all of a

32:58

sudden I'm like, can I get this Tom Cruise?

33:00

Can I get this Conan O'Brien, this J. Lennon?

33:03

The J. Lennon one.

33:05

The J. Lennon one is the one that I was so close to.

33:07

Right.

33:08

Why is the J. Lennon one the one you want?

33:10

Because I think anyone would love a little J. Lennon in the house.

33:13

Wait, it's not little though is my guess.

33:15

No, he's a life size.

33:16

Yeah, life size.

33:17

Yes.

33:18

Because then you know what's going to happen and June, this is for you.

33:21

If you allow Paul to buy the wax figure of J. Lennon, he's then going to start saying,

33:26

hey, I need an antique fire truck to go with the J. Lennon doll.

33:31

I'm going to have to, I'm going to have to get a lot of yarn.

33:33

I really, sometimes I think about it.

33:35

Like if I wasn't in his life, what his living order, I mean, it would just be, you know,

33:40

it was just, yes, he would be living in a house of horrors.

33:44

Well, especially when you see, like if you can get a J. Lennon for a thousand bucks, why

33:49

not?

33:50

Like that's what life has opened.

33:52

Without you, June, I feel like the 15 foot skeleton that comes out in Halloween is out

33:57

year round.

33:59

And it's perhaps inside the house.

34:01

We have seen many a time.

34:03

Now I will say, and I will take all the things in there as you want to throw at me, but

34:07

that skeleton was brought to me this home by worship.

34:12

That was my idea, but, but I will say that that skeleton is very static and it has a

34:17

point of view and it's very beautiful and there's, our neighbors have to have one.

34:22

Yes.

34:23

So that's, that's a different thing.

34:24

And I think that's a beautiful spook and a beautiful scare.

34:26

Yes, agree.

34:27

I worry about with Paul.

34:29

I want to shirt that says a beautiful spook and it's a big skeleton over somebody's

34:33

edge.

34:34

But, but what I really worry about with Paul and it's, it's honestly scary to think about

34:39

is just what if, if given no boundaries, yeah, you know, what he would come up with,

34:46

what items, what figurines, what stickers, what it is trickles for me, what kind of, I

34:53

don't even, I can't even imagine.

34:55

Oh, just the, the kinds of auctions that he would be registering for and what they

35:00

would be selling.

35:01

Yeah, I think what's always hard for me is when Paul comes home with things framed because

35:07

it's like, it's like, it's really hard because I'm like, well, God, I've done this for a

35:12

long time.

35:13

I've done it for a long time.

35:14

I've been, I've been, yeah, it's great.

35:18

It's really hard because it's like, it's framed and so when something gets framed, it feels

35:22

like it's got to go.

35:23

Exactly.

35:24

Yeah.

35:25

Yeah.

35:26

You're talking about and you know, in retrospect, in retrospect, those are things I would

35:29

get now.

35:30

I mean, times change.

35:31

You're like the most chilling.

35:32

So to you, June, the most chilling words out of Paul's mouth are, I'm having the art

35:37

hangers come tomorrow without you knowing why or for what to hang, to hang what?

35:42

Listen, I think at this point, we've been together for so long, like, I don't fear that

35:47

happening anymore, you know, but we definitely, we definitely had a transitional period.

35:52

There were moments.

35:53

There were moments.

35:54

Now back to this film, my country.

35:57

Can I ask you guys a question?

35:58

Because like we've said, this is a, this is a, this is a, Rennie Harlan movie who is

36:03

like a real author of this schocky era.

36:09

And then, you know, like we said, Val Kilmer, LL Cool J, they're Johnny Lee Miller, there's

36:14

recognizable names, there's recognized, it's like, it's got a vibe that feeds clearly

36:18

expensive, they clearly spent money.

36:20

I've never heard of this movie.

36:22

Never, whenever, when I clicked it up, I was like, I don't recognize any of these images,

36:28

any of this art, I don't know what this is.

36:31

You know what I was so disappointed by when it started and even being in that bar scene,

36:36

I was like, this is right up my alley.

36:38

Yeah, right.

36:39

Like, I love, this is going to be fun.

36:40

This is going to be so much fun.

36:42

And I was so excited and I love the idea of they're all trying to out-profile each other.

36:48

And like, I was just like, oh, finally something for me, something for the girls.

36:52

You know, but then boy, did it evolve.

36:55

Well, it really is.

36:56

It's the kind of movie that structurally needs the team to come together, but they never

37:01

do.

37:02

Well, it's as if the movie never starts.

37:05

It's just that people, people just start dying.

37:08

Nobody ever knows why.

37:10

Nobody ever, it also doesn't do that thing, which some movies do, which is let us the

37:15

audience in on information that the main characters don't have.

37:20

You know, so we know the trouble there in before they do.

37:23

They don't let that happen.

37:24

And then for the-

37:25

And you guys don't need to be like, you're discovering.

37:27

And there's like, the threads where, you know, when the island is brought up in the outer

37:32

bangs, Crow, Crowatin or whatever.

37:35

Crowatouin, yeah.

37:36

Crowatouin, Crowatouin, whatever that was.

37:39

Yep.

37:40

And then, first of all, what the fuck was that doesn't even cut that doesn't even fold back

37:45

in.

37:46

And you would think it would be, it would, it would be important information dump.

37:51

And it's not.

37:52

It doesn't matter ultimately.

37:54

Well, that's not why he doesn't.

37:56

Yeah.

37:57

Yeah, it's not why he's doing this.

37:59

He's doing this to find the perfect prey.

38:01

It has nothing, no bearing on the rest of the plot.

38:05

But again, when it's mentioned, I'm like, oh, okay, this is the movie that we're getting

38:10

like revenge or figuring out a mystery of what happened on this island.

38:16

Okay.

38:17

But you can't like give us, you can't give us busy work because if you're going to take

38:21

a moment to explain an island and a, and a mysticism around it or a story like, well,

38:26

that's important.

38:28

It's, it's not like life.

38:30

Like you know, it's like, well, every bit of information here is going to be building

38:33

to a larger point, which again, why set up Christian Slater as the creepy guy.

38:38

Yeah.

38:39

And also you kill him in such a way that it's like, it would have to be insane for him

38:42

to even have survived.

38:43

Oh, I used a robot.

38:44

I did this.

38:45

So it's like a very, or if he had just not been standing exactly where he was standing.

38:51

That's the other thing is like these traps are, it's like the game mouse trap.

38:57

They are so random and, but require such specific situations to unfold perfectly to the

39:06

second that is just preposterous.

39:09

Like just people moving through the world would not fall into these rhythms and this

39:15

exact setups.

39:16

But I guess the thing that I keep on coming back to is even like, where's the mystery?

39:21

Like kill people in a way where they're not definitely dead.

39:24

When you get like three harpoons to the chest, yeah, you're dead.

39:27

So you start taking people off the table in a way where it's like, oh, I don't know

39:33

because I thought at one point when Clifton Collins like crawls into the freezer room.

39:37

By the way, they do collect Christian Slater's body and put it like in like they, they

39:44

more get up.

39:45

I'm like, at this point, do we need to collect all the pieces?

39:47

I feel like we should be solving this.

39:49

Like something's going on here.

39:50

That's what respect we don't have time to get the gurney to load up the gurney to bring

39:54

it into the thing.

39:55

It's like, it seems like he's going to be frozen frozen for a bit.

39:58

I guess you're right.

39:59

He was frozen.

40:00

So that's why it's Clifton Collins.

40:02

So let's stay in the free.

40:03

Like here's the other thing is once everybody's so suspect of each other and once people

40:08

are really dying, everybody should just hide.

40:11

Oh my God.

40:12

Why did he get out of the freezer?

40:13

Well, everybody just go hide on your own.

40:15

Just told to hide.

40:16

He should.

40:17

Waited out.

40:18

Yes.

40:19

Waited out.

40:20

But the thing that the thing that I actually really made me insane and I I wanted to throw

40:26

the remote at the very end when L. Cool J and Sarah are there and there is a helicopter

40:33

in sight, but they've just, you know, they made it out.

40:35

Yes.

40:36

Oh, yes.

40:37

When do you know the situation is clear and resolved?

40:40

Yeah.

40:41

Basically, like, don't party until you know the situation is cleared and they both say

40:46

to each other on the ride home.

40:48

Yeah.

40:49

And yet, but they're not on the ride home yet.

40:51

They're not on one more twist.

40:54

Yeah.

40:55

They're not on the, now was that intentional to think like I didn't know I didn't think

41:02

so Jason.

41:03

I didn't think so.

41:04

I don't think the movie's smart enough.

41:05

Well, but I think that movie made me angry.

41:07

I was like, how can Dario you don't even need that helicopter to take off?

41:10

Just put them in there somehow.

41:12

Yep.

41:13

Right.

41:14

The same thing you're shooting the helicopter coming to the island.

41:16

Just shoot that's other thing to you like the two of them leaving off.

41:18

Well, now wait.

41:19

So now you're just a line producer.

41:21

I'm just trying to make your idea.

41:22

We've got to we've got the chopper for one day.

41:25

We're going to do in the morning.

41:27

We're going because of Southern exposure.

41:28

We're going to be looking.

41:29

Oh my god.

41:30

Paul just wanted to do the one liner for this movie.

41:33

Wait, are you giving us day out of dates for this?

41:37

I sometimes look and this is the problem that I have now is like not only am I looking

41:40

for like that.

41:41

I'm like, but why don't they do they could have done it.

41:44

They had they had it.

41:46

Were they running over that day?

41:47

Like I when I start to look at when I look at it as a line producer, I really that's

41:52

another level of movie watching.

41:54

Like I do think of that often.

41:55

I'm like, well, how do they?

41:57

How did they get over that?

41:58

I must have.

41:59

I would they do that.

42:00

Okay, I have to tell you I was just looking on eBay where I go for all kinds of things

42:06

I love and there it was that hologram trading card.

42:10

One of the rarest the last one I needed for my set shiny like this designer handback of

42:14

my dreams.

42:15

One of a kind eBay had it and now everyone's asking, ooh, where'd you get your windshield

42:21

wipers?

42:22

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43:00

Mom, can you tell me a story?

43:01

Sure.

43:02

Once upon a time, a mom needed a new car.

43:04

Was she brave?

43:05

She was tired, mostly.

43:07

But she went to Corvana.com and found a great car and a great price.

43:10

No secret treasure map required.

43:12

Did you have to find a dragon?

43:13

Nope, she bought it 100% online from her bed actually.

43:17

Was it scary?

43:18

Honey, it was as unscari as Carmine could be.

43:20

Did the car of a sunroof?

43:22

It did actually.

43:23

OK, good story.

43:24

Carbine, you'll want to tell stories about.

43:26

Buy your car today on...

43:27

Carvana.

43:29

Delivery fees may apply.

43:30

Carvana, just give me.

43:31

One of the things that I think could have been a theme for the movie that is not.

43:37

And it is actually the theme of the movie is after the cold open when Christian Slater

43:45

and Captain Morris are downloading with Val Kilmer and he's like, basically, here's

43:49

how you fucked it up.

43:50

This and that and this and that.

43:52

You missed this clue.

43:53

You missed that clue.

43:54

You took longer than anybody else.

43:56

Blah blah blah.

43:57

He's dressing them down.

43:58

She's like, I don't understand how...

43:59

What could we have done to save the girls?

44:02

Right.

44:03

And he says nothing.

44:04

Girls already dead.

44:05

They couldn't have been saved.

44:07

This test was to get you used to not winning.

44:10

Right.

44:11

And I was like, oh, whoa, wait a minute.

44:14

I know.

44:15

I struggled with that as well.

44:16

I was like, well, that's what this is about.

44:18

This is about not winning the best.

44:20

I think so.

44:21

So there's something and I think I rewound it and watched it twice because there was something

44:26

very disturbing about, I'm really unsettling about Val Kilmer's like, worldview on crime.

44:35

Because I think what he was saying is, hey, someone gets murdered.

44:38

You find out just a regular old murder.

44:40

You'll find out in 48 hours if you can get them.

44:43

But if you can't, then it's done.

44:44

You'll never find them.

44:45

It's really unlikely.

44:46

So put that over there.

44:48

They're never going to get that's never going to solve to which I was like, okay.

44:53

And then he's like, but if it's a serial killer, his point of view almost seemed to be you

44:59

want them to actually kill someone because then you can start building a profile.

45:05

But they never ever.

45:07

Wait.

45:08

And it almost seems like you want more and more people to die.

45:12

So that that's the kind of shit that LL Cool J is investigating.

45:16

And as he should.

45:18

And by the way, then that would also make Val Kilmer the best killer for this thing.

45:25

He should be a zero.

45:26

That's the whole thing because what this movie devils to is this moment, the least exciting

45:32

I'm pricking my finger to get blood out.

45:35

I was like, what is I'm watching a montage of people like, Plink, put a little blood

45:39

of things terrible.

45:40

As a line producer, how quickly do you think they were able to shoot all that?

45:44

Oh, you can bring that up.

45:45

You can bring that really quick.

45:46

You actually, yeah, you bring it.

45:47

You shoot that on another stage while they're doing, well, they're setting up some

45:51

skills and true.

45:52

That's it.

45:53

Yeah.

45:54

Do you guys think on this island?

45:55

Okay.

45:56

This is an island, a remote island that is used as a training facility for the Navy.

45:59

How did all these cats get there?

46:01

Well, I feel like cats are on island.

46:03

Is that like a thing that Alcatraz has a bunch of cats?

46:05

I think.

46:06

Oh, does it?

46:07

Okay.

46:08

I think.

46:09

Yeah.

46:10

I mean, and the cat is dead.

46:12

Hung.

46:13

Oh, I don't know that.

46:14

And there's a badge stuck into it.

46:16

I was like, that's the moment that I was like, this crew needs a joke.

46:22

Okay.

46:23

You know, because I was like, what rank is that cat?

46:25

I didn't know the cat was one of the agents.

46:27

Is that the cat's badge?

46:29

I do want to also just talk about that from the point of view of it doesn't make any

46:33

fucking sense because Sarah is brushing her teeth in the bathroom and the lights are

46:39

off.

46:40

And then when the lights come on, the cat is literally hanging behind her.

46:45

So I don't even understand how she approached the sink without seeing a cat hanging from

46:50

the ceiling.

46:51

Why don't why do you have to have brushing your teeth just have her walk into the room and

46:54

see the cat like, ah, yeah.

46:56

Like why are we why are we thing is everything is needlessly stepped out?

47:01

You know what would have been cool if the Navy knowing that the FBI was coming had also

47:08

set a bunch of traps.

47:10

Oh, interesting.

47:11

Wait, so you're saying, I get so I just want to get the strength of the right.

47:16

The fun traps.

47:17

Right.

47:18

So basically the Navy is like, Hey, you mother fuckers kick us out of our island once

47:21

a month or once a year.

47:23

So we're going to sabotage it for you on top of your sabotage.

47:27

Here's the way I would rewrite it.

47:29

So there's this like real kind of rivalry between the Navy and the FBI.

47:34

Got it.

47:35

Who's going to use classic rivalry?

47:37

Classic rivalry.

47:38

And so they've set up all of it.

47:40

It's heated.

47:41

You could say yes, it's a heated rivalry.

47:43

They've set up all of these traps, but they're fun.

47:46

Right.

47:47

Okay.

47:48

There's sort of like more like pranks, but they keep on derailing our crew because they

47:53

don't know which is which right.

47:55

So it could be like a pranker or a yes.

47:58

And then the Navy ends up being able to figure out that they're in trouble because some

48:04

of their traps either didn't go off the way they expected it or something happened, which

48:10

like the Navy is by the way, actually, I'm saying this who was watching those cameras that

48:15

were on Val Kilmer.

48:16

But nobody did need to take off the did need to take off the island or we guys need to

48:20

take off the that's what they reveal is that he stayed on the right and with other FBI

48:26

agents and was running the op until presumably Johnny Lee Miller goes finds them, kills them

48:33

all and strings him up because Johnny Lee Miller is the puppet.

48:37

But or the puppeteers, but at the but at the same point in this.

48:42

Okay.

48:43

Sorry.

48:44

Anyway, I wish it never happened.

48:46

It never even started.

48:47

And so his crew is immediately killed.

48:50

And I guess the question is, so when was his crew immediately killed that night?

48:55

Wouldn't it have been fun to cut into the control room and get to see Val Kilmer holding

49:02

the port and being like, let's do this.

49:04

Let's cue that.

49:05

Let's set up this.

49:06

Let's do that for a little bit of that's beginning of act two have there be like a little

49:12

you could still believe, oh, wait a minute.

49:14

Maybe Val is the big bad.

49:16

Yeah.

49:17

And he's, you know, because the team thinks he flew off the island, but we the audience

49:20

know he's talking with and maybe this is his thing.

49:24

Maybe he's trying to eliminate them.

49:25

Maybe he thinks they're coming for his job or maybe he's just lost his mind or any of

49:30

the things that you cast Val Kilmer to represent should be present.

49:34

But in fact, none of it is none of the cookie crazy Val Kilmer stuff.

49:38

He just gives a speech at the beginning.

49:40

And that's it.

49:41

And none of the fun antics of the Navy.

49:44

No, no, and no Navy pranks.

49:46

And so, but again, I guess what I'm looking at too is like if from again, not to look at

49:51

from a line producer's point of view, but if I'm a if I'm a military line producer,

49:55

I'm like, well, we just wasted all this money.

49:58

Like because a clearly

49:59

I think military line producers love wasting all the money.

50:02

All right. Well, I mean, I'm just looking at it from a bunch.

50:05

I'm like, this guy made me rent out this island and they didn't even get there.

50:09

All the profilers are dead.

50:10

Now I got to do it again.

50:11

See, for me, I'm looking at this from a wardrobe department.

50:15

Okay, got it.

50:16

Okay. So, you know, and I'm like, you know what?

50:18

We could have differentiated who a lot of these people were with wardrobe changes.

50:23

You know, like have someone be in like a Met Jersey.

50:26

I was not a Met.

50:28

Something that is truly identifiable so that you can really start to tell some of these

50:32

guys apart.

50:33

Well, because you want you want a little bit of like personality in these guys.

50:37

Now, at the end, I mean, they keep on blaming LL Cool J. It can't be more clear that it's

50:43

not LL Cool J, right?

50:44

Like it's like he passes every test, but yet Sarah beats the shit out of them.

50:49

But why does I may be revealing that my own dumbness here?

50:55

Why does LL Cool J shoot that one guy in the, like he shoots Johnny Lee Miller in the

51:00

street?

51:01

And that's Sarah.

51:02

I didn't understand why I didn't either.

51:05

Okay.

51:06

Unless that makes me feel good.

51:07

Unless LL Cool J figured it out.

51:09

I figured it out.

51:10

If LL Cool J has figured it out, he thinks I'm killing the killer.

51:16

But then, but then you would need a moment when she starts beating the shit out of them.

51:20

Like, hey, I figured it out.

51:21

It's not exactly.

51:22

Exactly.

51:23

And he starts to prove it.

51:24

Again, the only profiler in the mix, if he does do that.

51:28

But here's a question I have, though, is she, so she is able to find out that LL Cool J

51:36

is not the killer because she puts that special like blue light on his hands.

51:41

And that's that.

51:42

Which is, by the way, not profiling.

51:43

Powder.

51:44

It's the powder from, but the powder she uses is from the, the writing on the backs of

51:50

the, of their jackets, which really frustrated me because it's like, they've all touched

51:55

those jackets.

51:56

Correct.

51:57

And not only that, not only that, Johnny Lee Miller, when he picks up his hands and it's

52:03

revealed that the, the liquid or the whatever is on his hands, it's all over his hands.

52:09

Right.

52:10

How did he notice?

52:11

I don't know.

52:12

He must have been, the clock must have been slick with the liquid.

52:15

You know, grabbing at it every left.

52:18

So when did she turn back those clock?

52:20

I mean, I don't know.

52:22

What was the cigarette made out of, by the way?

52:24

Oh, it's got acid in it.

52:26

I mean, say it had acid in it.

52:27

I mean, but the amount of how did he make that?

52:29

How did he insert acid into a cigarette in like minutes?

52:35

And by the way, not even like he's, so he's in, he's put so much acid in the cigarette

52:40

that if the, if the cigarette touched the ground it burned through.

52:43

So that would mean that if you touched it to take it out, her fingers would have just

52:47

melted off, right?

52:48

Yes.

52:49

How did it, how did the cigarette exist in a pack of cigarettes without the acid just dripping

52:55

straight through the, the paper activated by the lighter?

52:59

I guess so.

53:00

I was also thinking the whole time like as soon as shit started to hit the fan at 10 a.m.,

53:04

I was like, sweetie, go have a cigarette.

53:07

Yeah.

53:08

Like it is not that like, please fuck the pet.

53:10

Like go have your cigarette.

53:12

You are about to die.

53:13

Wow.

53:14

Okay.

53:15

So you're at, you're at that.

53:16

And the thing that I wanted to say to you is, if this movie was at all fun, I wouldn't

53:20

be looking so critically at it.

53:21

I would be willing to be like, oh, and I loved it when she lit the cigarette and it was

53:27

acid and she melted into the thing because that caused this to happen.

53:31

That was so fun and it really paid this off for what it, no, because it seemed so random.

53:37

Each thing seemed so random.

53:39

And I know that it's every kill is tailored to that person's particular weakness.

53:44

Birds is cigarettes and this person's is panic.

53:46

Yes.

53:47

And he's trying to push everybody's buttons, but it's not really there.

53:51

It's not satisfying in any way.

53:53

You know, well, I think that, you know, look, does this movie work?

53:58

Absolutely not.

53:59

Is it well acted?

54:00

Probably not to the degree that I need it to be because I'm not ever feeling the only

54:05

time I felt tense in this entire movie and not frustrated was when the moment when

54:09

Christian Slater came up to the car window.

54:11

I was like, uh oh, cool.

54:13

What are we going to see?

54:14

Only tension moment and though because the rest of it is really like kind of bare knuckle

54:18

brawling.

54:19

It's like there's no, like, you know, that famous scene in one battle after another where,

54:25

you know, they're doing a blood test.

54:27

So cinematic.

54:28

So cool.

54:29

Love it.

54:30

And it's like the same thing.

54:31

Randy Harlan Paul Thomas Anderson.

54:33

But it's like, how did you make the, like the most exciting detective moment is a machine

54:39

telling you who is the person and guess what the machine's wrong?

54:43

Yeah.

54:44

How did he get the machine to be wrong?

54:47

How does he put blood under her finger?

54:49

Right.

54:50

But he put blood.

54:51

He moved the blood, I guess, which is really, it's unsatisfying in a way that like, you

54:58

know, when you pull at the threads of the reveal of at the end of usual suspects, you know,

55:04

and it's like, oh, wow.

55:06

He really did all of these things and you kind of get glimpses of all of the ways in which

55:13

he kind of was able to do it or you, it all kind of falls into place.

55:18

None of that is present here.

55:19

No.

55:20

Like it's a, it's a big reveal without any supporting data or any supporting imagery that

55:26

helps us understand how Johnny Lee Miller, how and why John, I guess we're meant to believe

55:31

he's just wants to kill.

55:33

He wants the best, the best, the best, the best.

55:35

But he wants to kill.

55:36

He wants a good, um, wouldn't a, uh, opponent, wouldn't be Val Kilmer.

55:41

You would think.

55:42

He seems to know the most, but I think that I was also really shocked that as soon as

55:48

they suspected someone of being the, uh, uns, what do they call it?

55:54

Unsub.

55:55

Oh, yeah.

55:56

Unsub.

55:57

By the way, the original title of the film unsub unsub unsubscribed.

55:59

Oh, my.

56:00

I mean, by the way, they're like, oh, yeah, the studio thought that mind hunters is better.

56:05

It's like, you think unsub, we're going to see this week unsub unsub unsub unsub unsub

56:10

unsub.

56:11

Is it a submarine movie?

56:12

Unsub actually makes me believe every bit of bad writing that we have having a problem.

56:18

It's like, if you, if you after writing a great script, we're like unsub.

56:22

Like no, no.

56:23

Like that level, like you didn't do it.

56:25

You didn't do enough work.

56:27

Okay.

56:28

But if they, they all, as soon as they accuse someone of being the unsub, the entire crew

56:33

immediately pulls their gun out on them.

56:36

And it looks like they're about to shoot down.

56:38

I'm like, I know you are like a member of law enforcement on some level.

56:42

Like how about detain them?

56:45

How about arrest them?

56:46

How about take a set of handcuffs and handcuffs them?

56:49

Like I guess they do that with all the cool drip.

56:50

But I'm like, it seems like the immediate response is you have to die now.

56:55

Yes.

56:56

Immediately.

56:57

Immediately.

56:58

Everybody panics all the time.

56:59

Well, they are, they are panicked.

57:01

They are.

57:02

And they are meant to be the elite.

57:05

And at no point are they like, whoa, whoa, whoa.

57:07

We are the best of the best.

57:09

We need to get our act together and work together to solve this problem and get out as,

57:15

as a group.

57:16

And in fact, it's, it truly is everyone for themselves.

57:20

Everyone is acting so weirdly selfishly.

57:23

They're not a good team.

57:25

And maybe you could, and maybe if we rewatched it, you would see Johnny Lee Miller.

57:29

No, Jason.

57:30

Don't give it up.

57:31

So in discord or something like that, but it's just not in them.

57:34

It's not there.

57:35

And if you say this, if I was going to go back in the movie, the only thing I would

57:38

be watching is Johnny Lee Miller's jacket, because clearly he's held everything in his

57:44

jacket.

57:45

His jacket is, oh, I got remotes that got trained.

57:48

Yeah.

57:49

Like he would be buzzing.

57:50

He is, he is wearing like, I've seen this before.

57:53

Like Jason, you might have seen this in some travel websites.

57:55

These like travel jackets where you can put them on, but you can also shove your computer

57:59

back.

58:00

So it looks like a jacket.

58:01

It's got like harnesses and 43 pocket.

58:04

Yeah.

58:05

Charging cables.

58:07

Has he killed since he was 10 years old?

58:11

I have to imagine yes.

58:12

Yeah.

58:13

Wouldn't it have been great if it turns out that the, that he is responsible.

58:19

He is the case study that Christians later and Catherine Morris, that house that, that

58:24

is murder.

58:25

It was like that the person they're studying in profiler class is in fact part of the

58:31

class.

58:32

You know, they should have made.

58:34

Yeah, they should have been the most elusive serial killer.

58:38

Then it's like, let's recreate his last crime scene.

58:39

Let's do this.

58:40

I will say this.

58:43

She doesn't even profile them at the end.

58:45

The way she gets them at the end is through thing.

58:47

I mean, literally just finger printing.

58:50

Like it's, there's nothing about it.

58:51

She doesn't go, of course, you did this and you did this.

58:54

She just figures it out because of the, the fingerprints.

58:57

So it's like, she doesn't get a win.

58:59

She's not even good.

59:00

It's not even good.

59:01

Oh, yeah.

59:02

And he just confesses, right?

59:04

She doesn't do anything.

59:06

She's looking, she is looking at LL Cool J's hands.

59:10

Does not see the glowy substance looks confounded and he holds his hands up to be like, dummy.

59:18

I really believe it.

59:19

It's me.

59:20

Had he not done that, she would never have checked his fingers.

59:25

I think she would have thought she was the murderer.

59:28

I think she might have been like, oh no, did I do it?

59:31

She would hold her gun out on herself.

59:33

I'll take myself out just in case.

59:35

Oh my God.

59:37

That's the best thing.

59:38

And then he's like, I killed my parents and nobody ever asked me.

59:42

Nobody ever said, did you do it or why?

59:44

Nobody ever asked me.

59:46

He just wants to be recognized as the murderer.

59:49

I guess.

59:50

Again, I want to talk about this from the other perspective of saying, LL Cool J, jump

59:54

some board.

59:55

I'm here to monitor because he's been spending too much money on props and renting

59:59

houses and fly sound effects.

1:00:02

And then what you reveal is, I wanted to be with the best of the best because I am a serial

1:00:08

killer.

1:00:09

He coordinated his appearance there because he is a master of serial killer and he's like,

1:00:15

I needed to do a cat and mouse.

1:00:17

But yet there are no clues.

1:00:19

It's really just countdown clocks.

1:00:21

But again, it's like there's no reason to feel excited about any of these choices.

1:00:26

Like, no, I just never understood where the clocks came from.

1:00:29

If you had told me like, oh, yeah, my parents died at the strike of midnight or I killed

1:00:34

them at the strike of midnight or I was assaulted by a clock.

1:00:37

Like, I don't know.

1:00:38

I needed some.

1:00:39

I needed some.

1:00:40

I was assaulted by a clock.

1:00:41

Another great key shirt.

1:00:42

I needed some.

1:00:43

I just imagined the scene.

1:00:44

Why do you care about clocks so much?

1:00:47

Imagine the scene that we never saw, which is John E. Lee Miller packing to go to the

1:00:53

island.

1:00:54

It's like everything in those.

1:00:56

It's a dozen watches.

1:00:58

It's 500 clocks.

1:00:59

By the way, almost they're all not automatic, but they're all manual clocks.

1:01:05

So again, if you're next to John E. Lee Miller, all you're hearing is, like he is a walking

1:01:10

time bomb.

1:01:11

Literally.

1:01:12

Also, one of the traps is like, I think three crossbows.

1:01:15

Yes.

1:01:16

Like that one guy gets hit with three arrows that are fired.

1:01:22

I don't know from what, but I got to assume crossbows.

1:01:24

Okay, but here's my question about that trap.

1:01:27

The initial trap before that trap set off is someone getting electrocuted in the water.

1:01:34

Maybe other favorite line in the favorite line in the home movie, which was like so.

1:01:42

Like basically it's like this action scene where he's trying to get just get to reach

1:01:47

down and just oh my god.

1:01:49

The first of all, that was a very long sequence of watching.

1:01:52

So long.

1:01:53

He's got to shoot out a cement wall.

1:01:55

And he says that the breaker rooms behind there and as he's shooting, I'm like, is he

1:01:59

just going to try to shoot his way in there?

1:02:01

We going to be watching this.

1:02:02

I thought so too.

1:02:03

I thought so too.

1:02:04

It was so drawn out.

1:02:05

Easy.

1:02:06

And then you realize, no, he's just shooting sort of like but holds.

1:02:11

And in foothold.

1:02:12

So he can boulder like so he can free solo from one room to another.

1:02:19

So he can throw the circuit breaker so that he and Clifton Collins Jr. won't be elected

1:02:24

you.

1:02:25

I tell you when he started to free solo, I was like, I can't take the light in the water,

1:02:33

flip the circuit breaker on their own.

1:02:36

Wouldn't that surge?

1:02:37

Flip the circuit breaker in turn?

1:02:38

I don't know about the engineering of it.

1:02:40

I was like, I don't know.

1:02:42

I think that that's an old building that I feel like there's a certain.

1:02:45

But here's my question though.

1:02:47

So initially the trap was you're going to be electrocuted by the water.

1:02:51

But then and nobody was nobody.

1:02:55

I think happened to be.

1:02:57

Okay.

1:02:58

But then there's a double trap.

1:03:00

Whether or two watches remember.

1:03:02

Oh, I don't remember.

1:03:03

So before that trap, before that trap, they found two watches which says, so which says

1:03:10

this is the next one's going to be a double murder, which it looks like it's going to

1:03:14

be for.

1:03:15

I see.

1:03:16

See first thing and I think some mystery and what's his face.

1:03:20

But then it's going to be those two guys that are in the water.

1:03:24

What's that?

1:03:25

But then it is just one.

1:03:26

Yes.

1:03:28

Because they survive.

1:03:30

The first thing didn't go off.

1:03:31

But again, it would have been three if both LLKJ and Clifton Collins Jr. had died in

1:03:38

the electrocution and those guys shut the water off and got the crossbow arrows.

1:03:43

Three people would have done.

1:03:44

The movie is a mess.

1:03:46

The movie like it's also like he could have like, so I guess at any given point, the movie

1:03:50

could have been over.

1:03:52

Yes.

1:03:53

Well, at any given point, the movie could have started.

1:03:56

Like it could have started.

1:03:58

It started.

1:03:59

And finished.

1:04:00

But the movie exists in like liminal space.

1:04:02

Okay.

1:04:03

It's time out of time.

1:04:05

But it really is.

1:04:06

So here's my question though.

1:04:08

I know he references this and there's a flashback to Johnny Limmiller at the front of

1:04:13

the line on the front lines heading toward that boat.

1:04:17

But what is the justification for why he was in the front when the bomb goes off on

1:04:21

the boat?

1:04:22

I think so.

1:04:23

He can set off the bomb.

1:04:24

Even though it was a very simple trip wire retroactively now that we know he's the bad

1:04:29

guy, I think he needs to blow up that boat so they can't get off.

1:04:34

He needs.

1:04:35

So I think he's purposefully sabotaging one to it.

1:04:38

I mean, I know, but he's also crazy.

1:04:40

That's true.

1:04:41

But I think he probably figured it all out.

1:04:42

I mean, he seems again, say what you will about Johnny Limmiller.

1:04:46

He's planned a lot of stuff and he and with with very, you know what you're right.

1:04:51

But why are we drilling down on three murders versus two?

1:04:54

Yeah.

1:04:55

You know, he did plan a lot of stuff and a lot of stuff worked.

1:04:57

He's pretty effective.

1:04:59

And when I say it's like the game most tramp, that is what it's like.

1:05:03

It is like everything most deals on the verge of being a Rubig Goldberg machine, a Rubig

1:05:11

Goldberg murder machine.

1:05:13

Which is the name of my punk rock band.

1:05:14

I love it.

1:05:15

And it really is like so convoluted.

1:05:19

You know, like the one the crossbow one, that makes the most sense.

1:05:22

Turn this wheel crossbow.

1:05:23

Go great.

1:05:24

Okay, I love that.

1:05:25

Some of the other ones are so weirdly like.

1:05:29

I still why train his blood.

1:05:32

Why?

1:05:33

And why write all of those numbers in blood in the blood to communicate?

1:05:38

He's a real sickle.

1:05:39

You get a profile of anybody.

1:05:42

I know a lot about this.

1:05:43

But they don't they have no interest in solving any of the mysteries.

1:05:47

And they just want to find the trap.

1:05:49

Here's the thing.

1:05:50

But here's the thing.

1:05:53

They should have really started not just pointing fingers and trying to shoot each other

1:05:58

and blaming each other, but really started to try to find out a lot about each other.

1:06:02

Yeah, right.

1:06:03

Because that's the movie.

1:06:05

Absolutely.

1:06:06

And it's like, well, Johnny Lee Miller, like, why did you?

1:06:09

What were your parents like?

1:06:10

Like, what happened?

1:06:11

And also, why did he kill them?

1:06:13

Yeah, yeah.

1:06:14

Because he's sasicco.

1:06:16

That's all we need to know.

1:06:17

We just need to know he's a killer.

1:06:18

A killer sickle.

1:06:19

A killer sickle.

1:06:20

Hey, I don't smell him.

1:06:22

I don't smell him.

1:06:23

I just tell him.

1:06:25

Oh boy.

1:06:26

Oh god.

1:06:27

I'm just telling you what the what the what is.

1:06:32

Look, obviously we had opinions about this movie.

1:06:34

The people out there with a different opinion.

1:06:36

Oh god.

1:06:37

Wolves of Glendale.

1:06:38

I'll play it soon.

1:06:39

All when Jason June talked a lot about what makes a movie good or not, but everyone

1:06:47

knows they're actually full of shame.

1:06:52

We need a second opinion.

1:06:54

Some of that knows what they're talking about.

1:07:00

We need a second opinion.

1:07:05

We need a second.

1:07:06

We need a second opinion.

1:07:13

So surprisingly, Jason earlier in the podcast, you said I didn't ever heard of this movie.

1:07:18

Many people have not.

1:07:20

This is one of the lowest scene films that we've done in a long time.

1:07:24

I know this because only 735 reviews for a movie that came out 20 years ago.

1:07:29

That's pretty low for us.

1:07:31

And 77% are 5 star reviews.

1:07:35

Yeah.

1:07:36

And you know, look, there's this is the people that found it loved it.

1:07:39

Well, yes.

1:07:40

And you know, and a lot of them are just taking a lot of anger out on the people who didn't

1:07:46

like it.

1:07:47

You know, don't listen to those couch potato critics.

1:07:51

Give it one starts better than that.

1:07:53

Right.

1:07:54

We've read of those a million times, but I'm just going to kind of hit ones that I thought

1:07:57

were a little bit better like Patricia Fentris, who titled a review, got to say, I outright

1:08:05

love this film.

1:08:06

Da, da, da, and you will too.

1:08:09

I'm sure.

1:08:10

Now Patricia writes, this was an amazing movie.

1:08:13

I have to be honest, when I saw the DVD on the shelf, I wasn't too sure about it.

1:08:18

The cover caught my attention and so did the title.

1:08:20

So I picked it up, took a look at the cover and a little better saw one of my favorite

1:08:26

rappers and actor was in it.

1:08:29

And I said, hmm, and I took a look at the preview in the back.

1:08:32

And after reading the preview, I was still left a little unsure, but I was interested

1:08:37

because L.L.

1:08:38

Cool J wasn't it.

1:08:39

I thought about it for a bit because I was a little disappointed in some of LL's earlier

1:08:43

movies, you know, Deepu C caught up and H2O, but I said, hell, I'll try it.

1:08:49

And after watching the movie, I am glad I picked it up because it is for sure going into

1:08:54

my growing DVD archive for good.

1:08:58

If you like L.L. Cool J like I do, you will for sure love his acting in this one.

1:09:03

And if you like really good who done its cop movies, movies that keep you guessing and

1:09:08

scratching your heads or movies leaving you saying, I would never have thought of that.

1:09:12

Or I never knew or saw that coming or really didn't decent action movies or thrillers,

1:09:19

then this is a movie for you.

1:09:20

You will for sure love this movie.

1:09:22

Or even if you want to try to get into one of those kinds of movies, this is kind of

1:09:27

a great one to start off with.

1:09:28

If for sure left me floored with my mouth open saying no freaking way, how in the hell

1:09:35

and just left in awe, I cannot say how much I enjoyed this movie.

1:09:41

It is a must see.

1:09:43

Wow.

1:09:44

I mean, not just an incredible review, but it beautifully acted.

1:09:50

Yes.

1:09:51

I mean, one of the best.

1:09:52

I mean, really, I will say like you brought that to life.

1:09:56

Yeah.

1:09:57

And if you're just listening at home, but if you were to be watching Paul really find the

1:10:05

truth of inside and do.

1:10:07

That's all I can do.

1:10:08

That's all I can do.

1:10:09

It's so available to you.

1:10:10

You know, this is the way I kind of am able to get my acting out.

1:10:13

You know, it's like they don't pay me to act.

1:10:14

They pay me to wait.

1:10:16

It's I'll act for free whenever you get.

1:10:20

And so interesting.

1:10:21

I will say now that I'm thinking about it, LL Cool J, I think stealthily becoming a

1:10:27

how did this get made also absolutely.

1:10:29

And in the way I love watching him on screen.

1:10:32

He's so watching.

1:10:33

So endlessly watchable.

1:10:35

You know, my parents made me destroy my LL Cool J album when we were on a board again,

1:10:41

Christian moment because they had heard about LL Cool J.

1:10:47

And it was and it was the I'm bad album.

1:10:50

So it was early LL and and man, I was the real rough moment because I saw my like in my

1:10:59

mind, if I could wear like the black leather pants and the big chin, I would have a can go

1:11:03

hat.

1:11:04

I would have done all that stuff.

1:11:05

But you didn't you couldn't convince your mom that ladies love Cool J.

1:11:09

I mean, I was trying to I thought that she would be open to that, but no, she wasn't.

1:11:14

And that's heartbreak.

1:11:15

You know, and I know it makes me so mad like as a parent now, I'm like, I wish you

1:11:19

had just never gotten those albums to have a kid get them and then have to destroy them.

1:11:23

Oh, yeah.

1:11:24

I had to destroy the real destruction.

1:11:26

Three albums were destroyed in three different occasions.

1:11:29

One was Poisons.

1:11:31

Look what the cat dragged in.

1:11:32

Okay.

1:11:33

Had to break that album over my knee and then throw it in the trash can and vinyl vinyl.

1:11:37

Like also just take it from your child and walk away with it.

1:11:40

No.

1:11:41

And the fact that you had to do.

1:11:42

Take it out of circulation.

1:11:43

Yeah.

1:11:44

And it was a it was a low garbage day.

1:11:47

So I saw it in the garbage for quite some time.

1:11:50

Like, you know, so that was tricky.

1:11:52

You have to stop.

1:11:53

You have to stop.

1:11:54

This is too much for well.

1:11:56

And then the other one was in excess suicide blonde.

1:12:00

That was a CD because my mom thought it was promoting suicide.

1:12:04

Oh, even though that song is not about promoting it's not at all that.

1:12:09

But okay, that I was because I was like in excess makes no sense.

1:12:14

That CD was just taken from me.

1:12:15

I didn't have to destroy it.

1:12:17

But I had the case but never had the CD again.

1:12:20

And then the LL Cool J was tricky because LL Cool J was a tape and.

1:12:30

Just tape over it?

1:12:31

No, I it was it was a tape that was like bought at the store.

1:12:35

So it wasn't like that.

1:12:36

And I had to smash it with a hammer.

1:12:40

I remember where it was on my front porch.

1:12:42

Okay.

1:12:43

Honestly cut cut.

1:12:46

Stop the recording.

1:12:48

I cannot take anymore.

1:12:50

That was a that was that the LL Cool J was the one that hurt the most because I just

1:12:54

loved it so much.

1:12:55

There's a listener.

1:12:56

Do you think there's anybody who listens to this podcast for whom they

1:13:02

discovered it at a young age and their parents said you can't listen to this.

1:13:08

Like are we the LL Cool J?

1:13:10

Oh,

1:13:11

interesting.

1:13:13

Were you a young person who was told this is for grownups or something?

1:13:17

I've talked to many people who tell me that they listen to this with their kids but

1:13:23

then their hand is very closely on the volume button because they never know when it's

1:13:28

going to be or very tricky.

1:13:31

But they are they are taking that they're taking that risk.

1:13:35

Yeah, okay.

1:13:36

We're not a dirty, dirty show but every I think it's less about the language.

1:13:40

Yeah.

1:13:41

But I'm so I'm so curious if there's anybody.

1:13:44

If you're out there, you know, let us know if you're parents.

1:13:47

Let us know if we were ever forbidden in your house.

1:13:50

I will read you one other review just because it was pretty good.

1:13:52

This is from that we had to go to IMDB to find more reviews because Amazon was a little

1:13:57

empty.

1:13:58

We went to IMDB and found this one by sweet, lovely, crazy butterfly.

1:14:04

We also reviewed in 2005.

1:14:07

Both of these are from 2005.

1:14:08

These reviews.

1:14:09

I have been reading comments where people say some situations are over the top and that

1:14:14

they act silly and do stuff that are hard to believe.

1:14:18

Well, seeing as they are professional profilers and must have great minds, what did you expect?

1:14:26

Of course, the whole plot was a bit dramatic but hey, the dude is crazy and brilliant.

1:14:33

What did you expect?

1:14:35

It was a fantastic movie and I failed to see why people are so into putting down great

1:14:40

movies.

1:14:41

I bet some sought twice just to find something wrong.

1:14:46

Then again, I agree some actors could be different but the whole team fits perfectly.

1:14:53

So why the hell are you complaining?

1:14:55

In my opinion, the best part was when they all fall asleep because of the coffee and when

1:15:00

Sarah changes the time to stay 15 minutes behind.

1:15:03

The clever stuff and Nick's death was the most well thought out in my opinion.

1:15:09

Great job indeed.

1:15:11

10 out of 10.

1:15:13

What if one single person had said, I don't drink coffee?

1:15:19

You know what I mean?

1:15:20

I'm just going to hydrate.

1:15:22

I'm just going to drink water.

1:15:23

Yeah, I don't need to get just one.

1:15:25

Yeah, I have a weird reaction to caffeine.

1:15:27

I don't do coffee.

1:15:28

You know, like I've never been in a room with everybody.

1:15:32

It is six to seven other people and every person is like, yep, coffee, let's go.

1:15:36

I was right in my thought that this was shot primarily because a line producer saw an

1:15:42

easy way in.

1:15:43

It was because this is a place, a fake village that they were able to get used by the

1:15:50

Dutch government.

1:15:51

So it's a fake village where right.

1:15:53

It's a government.

1:15:54

Yes.

1:15:55

Wow.

1:15:56

Yeah.

1:15:57

And so you can actually see a lot of Dutch writing if you look closely at the poster,

1:16:00

something the wall.

1:16:01

Now, see that's, boy, I like that.

1:16:04

There's something interesting about that.

1:16:06

But there's also something that makes no sense.

1:16:08

It's really hard to put a serial killer story inside of only law enforcement.

1:16:20

Yes.

1:16:21

Like there are no civilians being killed by Johnny Lee Miller, right?

1:16:27

Like he's only praying on FBI agents, right?

1:16:31

I'm 100% right.

1:16:33

And that's weird because you don't have that it could happen to anybody fear.

1:16:40

He is purposefully going after the best of the best.

1:16:44

So it really doesn't make any, you would think that he would be leveraging killing innocents.

1:16:51

And there should be something he's doing in a trapping danger in innocent law.

1:16:55

But they were in a trap situation where they had to find a serial killer in the, in the

1:16:58

economy again, not to not saying that even as a joke, but put them in a live situation

1:17:02

where there could be a lot more.

1:17:04

Here's what it is.

1:17:05

Here's what it is, even with the circumstances that there are that we have.

1:17:09

The Navy is still there.

1:17:11

There's a lot of information.

1:17:12

There have been a series of deaths on this naval base on this island that the Navy so

1:17:19

far has been unable to figure out.

1:17:21

So they're bringing in the best of the best profilers and they've got to figure out.

1:17:26

And then you find out it's one of their own and he's been going and killing Navy people

1:17:30

and blah, who knows.

1:17:31

I don't know what but that they're, I guess then they are not innocent really either.

1:17:35

I'm trying to, it doesn't matter.

1:17:36

I hear that I say so much work has been put into getting the script back at, but everyone

1:17:41

agreed to this movie and worked their asses off.

1:17:43

LL Cool J lost 40 pounds, traveled with the Philadelphia police department for weeks to

1:17:49

figure out how to play this character.

1:17:51

Drift and Collins, Jr.

1:17:52

He decided to just take a wheelchair out to Hollywood Boulevard and acted in this way

1:17:58

to make sure that he was playing it accurately.

1:18:00

Here's the two things that I thought you would really like.

1:18:03

Gerard Butler was supposed to play the Johnny Lee Miller role but then dropped out.

1:18:07

I'm out.

1:18:08

Would have been great.

1:18:09

Now the original cast that they wanted, it was supposed to be Ryan Philippi, Reese

1:18:14

witherspoon and their boss was going to be either Christopher Walken, Martin Sheen or Gary

1:18:20

Bucy.

1:18:21

Not a, not bad, not bad.

1:18:23

Not bad.

1:18:24

And of course, and everybody younger, that's like a younger school.

1:18:28

Which I think is a little bit more fun.

1:18:30

The other thing that was interesting is apparently there's an alternate ending where LL Cool J

1:18:34

kills Johnny Lee Miller's character.

1:18:37

And I have a feeling, just reading that now for the first time that that's what we see

1:18:42

at the end.

1:18:43

Oh no, I guess it's a Johnny Lee Miller's wearing a bulletproof vest.

1:18:49

I don't know.

1:18:50

That's how he gets away with that.

1:18:51

But like, what if LL Cool J had just shot him in the head?

1:18:54

No one's using headshots.

1:18:57

No, yeah, nobody's putting one in the brain.

1:19:00

I'll, Johnny Casper in Miller's crossing, always put one in the brain.

1:19:06

Nobody's doing that or John Wick, you know, body shot, body shot head shot.

1:19:10

You know, what are we doing here?

1:19:11

Now, you know what, you may like mine hunters, but I'm going to stick with Ali Walker, Julian

1:19:16

McMahon and Robert Davie.

1:19:18

Those are my profilers.

1:19:22

Four seasons, four seasons.

1:19:24

Oh yeah.

1:19:25

Any final thoughts on this movie?

1:19:27

Oh, this was, I will say, because we're getting there, not worth it.

1:19:32

No, you know, not really worth it at all.

1:19:35

My favorite, the thing that I loved the most, I loved this era of boxy vulva.

1:19:41

That when the opening cold open, the whole thing takes place, you know, like old school

1:19:47

boxy vulva station wagon.

1:19:50

I was like, give me this.

1:19:51

I love it.

1:19:52

I had one of those.

1:19:53

Oh, yeah.

1:19:54

For a little spell, we had one of those and it, you bring them back.

1:19:59

Yes.

1:20:00

People think people, like, I feel like Carcomies think we want these sleek looking, you

1:20:04

know, curvy lines on cars.

1:20:07

They all look the same now.

1:20:09

And we don't want that.

1:20:12

I know we want unique looking cars.

1:20:14

Yeah.

1:20:15

Even if they're not the most aerodynamic.

1:20:18

Yeah.

1:20:19

Who cares?

1:20:20

I mean, who cares?

1:20:21

If the movie did anything, it did that, which was make us think about car design and representation

1:20:27

in the automobile industry.

1:20:28

I don't want to say about this.

1:20:30

Again, I think it was just hard for me because I was so excited and I thought it was for

1:20:34

me and then it wasn't.

1:20:36

To set up put so many interesting things into motion, including Val Kilmer.

1:20:42

I was like, fuck, Val Kilmer is going to be in this.

1:20:45

And I was excited about Christian Slater.

1:20:47

Everything that I thought was going to happen didn't happen, but not in a good way.

1:20:51

I agree.

1:20:52

I will say one other thing if, because it did remind me so much of of law-abiding citizen,

1:20:57

that if you've not listened to our episode a few weeks ago from last looks, somebody

1:21:04

from the film, I can't name who, they asked me anonymous, gave us some great details about

1:21:11

some of those gimmicks and effects and what went in behind them and a whole bunch of

1:21:16

stuff.

1:21:17

Oh, that's cool.

1:21:18

And also sent me a picture.

1:21:19

And Jesus would mean nothing to you, but the rap shirt was the gun.

1:21:25

From the funeral gun, the one that pops up the robaca.

1:21:28

Yeah.

1:21:29

That's that was the rap shirt.

1:21:30

That was the rap.

1:21:31

Yeah, they knew what they were making.

1:21:34

But all right, fun.

1:21:35

Well, pleasure seeing you both here as always.

1:21:37

Oh, wow.

1:21:38

We really did it.

1:21:39

We really did it.

1:21:40

Thanks so much for listening to How To Disget Made.

1:21:43

If you have a correction or a mission from this episode that you want us to hear, well,

1:21:47

you can leave us a voice mount 619 P.A. U.L. ASK.

1:21:50

That 619 Paul, ask already comment on our discord at discord.gg slash HDTGM.

1:21:56

Tune in next week to listen to our last looks episode.

1:21:59

We respond to all of the best messages that you have left for us.

1:22:04

And we'll announce next week's movie that we'll be covering on the show.

1:22:07

Plus, Jason is always joining me on last looks to chat about our favorite TV shows, movies,

1:22:12

music, books, whatever is on our mind.

1:22:14

Sometimes we just hang out.

1:22:16

And if you need even more How To Disget Made before Friday's new episode, know that we

1:22:21

release classic episodes from the vault every single Tuesday.

1:22:24

If you listen on Apple podcasts or Spotify, please make sure you are subscribed to our

1:22:28

feed and you have automatic downloads turned on in the show settings that really helps

1:22:32

us.

1:22:33

And we appreciate it.

1:22:34

So make sure you got those automatic downloads turned on.

1:22:36

And lastly, I got to give a huge thanks to our behind the scenes team.

1:22:39

I'm talking about our producers, Scott Sonny Molley Reynolds, our engineer, Casey Hopeford,

1:22:43

and our social media manager, Zoe Applebaum.

1:22:46

We will forever be thankful to the one and only Avril Halley.

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That's all I got people.

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See you next week on last looks.

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Bye for now.

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Hi, I'm Angie Hicks, co-founder of Angie.

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When you use Angie for your home projects, you know all your jobs will be done well.

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Roof repair?

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Done well.

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Done well.

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Electrical upgrade?

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Done well.

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Angie's been connecting homeowners with skilled pros for nearly 30 years, so we know the

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difference between done and done well.

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Quick question.

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How old is your pillow?

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Not like I bought it last year.

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That's why Coop Sleep Goods launched their bedding upgrade program.

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So if your bedding is feeling a little vintage, this is your moment.

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Head to CoopSleepGoods.com slash comedy to get your 25% off.

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That's C-O-O-P SleepGoods.com slash comedy.