‘13 Going on 30’ With Bill Simmons and Juliet Litman

2026-09-29 01:00:00 • 2:08:19

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So rewatchables is brought to you by the Ringer podcast network where my co-host today,

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Juliet Lippmann, who hasn't been out in a while for a variety of reasons.

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Maybe we'll discuss them later.

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You can find her in jam session.

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You can find her in the what do we call the reality pod down?

0:20

We changed the name.

0:21

Reality hangover.

0:22

And we're we're having a lot of fun.

0:24

Used to be bachelor party.

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It was bachelor party forever.

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Yeah.

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Now it's reality hangover.

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Anyway, you brought this movie up to me a bunch of times.

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And now we're going to do it.

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13 going on 30 is next.

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This episode of the rewatchables is presented by Mazda.

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All right.

1:48

You love this movie.

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I mainly love Jennifer Garner.

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She is like the second person in Hollywood I would take a bullet for.

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She is so important to me and I'm just delighted to be talking about her with this movie.

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Thanks for having me.

2:01

Who's the first person?

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Sandra Bullock, of course.

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So that I would take a bullet for you rankings.

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Sandra Bullock one, Gardner two.

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Yes.

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Am I in the top 10?

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I'm going to put you at number four.

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Carrie Russell is number three and then we get it to you.

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Carrie Russell, no, I can't.

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Absolutely.

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Jennifer Garner said recently about this movie, 13 going on 30.

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We were so little when we shot that movie.

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I don't I mean, she was like 32.

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I don't know what she's saying there, but the entire movie I feel like is just resented

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in the zeitgeist over the past couple of years.

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I've seen both Judy Greer and Mark Ruffalo recently.

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We talk about it every time we see each other.

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Like are you hearing more about 30 going on 30 than when it came out all those years

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ago and the answer is yes.

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It's weird when this happens, but it definitely 100% happened with this movie.

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For sure, I think there's a few reasons.

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Usually, you know, in this era, one of the answers is always TikTok and I do think that

2:54

I contribute here.

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When I was prepping for the pot, I was like, let's see what people are saying about this

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movie over there.

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And there's a lot of like 30-ish-year-old moms and their teenage daughters doing Halloween

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costumes together where one is young Jenna and then there's adult Jenna.

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So I think this has very firmly become a family movie that is intergenerational and you know,

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people can watch it together.

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So I think there's part of that.

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I think also Jennifer Garner and Mark Ruffalo, like both, you know, kind of had a big

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moment with this movie and then they're both sort of back for various reasons and Jennifer

3:28

Garner's ubiquitous, not just for being an actress though and I'd love to discuss that

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with you because her career is so fascinating.

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And so I think there's just a lot of entry points for this movie and in rewatching it,

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I was actually just like really taken by how family friendly it is and there's not really

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anything that like your 10-year-old can't really see.

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Maybe some stuff they wouldn't get, but it would all be like above board.

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So people can just gather around this movie and watch it together and then there's a bunch

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of iconic things from it, like the fashion, the hair styles, a few lines.

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Like there's many things that have transcended the movie that I think also can grab you.

4:04

Great timing.

4:05

04 Redd is she's about to date, start dating aflite, which we can talk about.

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She's on Aelius, which is a hit show and she kind of needed that one movie to push her

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into the zeitgeist a little bit more, which is what happened with this.

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I remember there was, it was such an unabashed big ripoff, which is funny.

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The writers were like, oh no, we were influenced by a lot of movies.

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Like no, this movie's big, but it was such, it was like critically, I wouldn't say beloved.

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But I think as the years passed and I watched it in my family because my daughter was born

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a year after this movie and my wife and daughter absolutely love this movie.

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And so people are wondering like why is this on the rewatch?

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It's like, this has been an honor my house for 20 years.

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Definitely.

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You know, and I get sucked in, I get sucked out.

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There's a lot of fun parts, but for the most part, just a really happy movie.

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Yes.

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Like, it's just a fun hang.

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Even when we hit the part where it's like going to, you know, every romcom and about

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like the one hour, 10 minute mark, something has to happen where we have to play the sad

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music and this, in this case, the sad music is Vienna by Billy Joel.

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It's like one of the best scenes in the movie.

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And I think Vienna is another big piece of this movie.

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Yeah.

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And I have a lot of Vienna thoughts later, but that became a big part of why this movie,

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I felt like just had a second, third, fourth life.

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But now you have people like my daughter who's now in her 20s who loves this movie.

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And then when she has kids, if she has kids, I assume she will, she will pass this movie

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down to her.

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And I just feel like that's what's going to happen now for the next 50 years.

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Definitely.

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And in nine years, Zoe will watch this movie when she's turning 30 and be like, it all

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comes together.

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It's funny to watch it as a young person and then come back to it like in 30 or older.

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And Jennifer Garner's performance of, you know, she's, I think you said she was 31.

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I think when she filmed it and a 31 year old playing a 13 year old is like a very funny

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thing to consider.

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And she does it so well.

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But I think that's another reason why it's so popular is like 30 and 30 and thrive

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in is something people have been saying since 2004.

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And when you turn 30, you want to watch the movie to remember why she says that and it's

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very, it's very fun.

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Yeah, we should talk.

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Well, let's talk about it, switch movies first and then we'll talk Jennifer Garner.

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Okay.

6:25

It's crazy.

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We've made so many of these.

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This is a premise that can exist in real life.

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And there's probably been 50 of these made, they get made all the time.

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When big came out, there were like three other versions of big that were out and they're

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all competing with each other and the body switched space.

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And then when this came out, it was right after a freaky Friday had come out and it just

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feels like we keep going in waves with this person's now in this person's body, which

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is an absurd premise.

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This would never happen.

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Yeah.

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It can't hold up to logic and yet people keep returning to it.

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Like when Jenna goes back at the end of the movie and she remembers everything that

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happens, she then has to live like her second life with the memories of what happened in

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her first life.

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Like that.

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Do you learn and how do you remember everything?

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Do you learn from the experience?

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Craig, what body switch?

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Who would you want a body switch with if you had the body switch with anybody?

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Would it be Chris Collinsworth?

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I was going to go Steph Curry, but Collinsworth is top five probably.

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Steph Curry.

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So you're just switching bodies with Steph Curry, just murder in the 22 Celtics.

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Yeah.

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And then learning some of that.

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Yeah, exactly.

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Learning some lessons after.

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I ranked body switch movies, but I really did the comedies because if it's not comedies,

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then you get into like there's a whole bunch of there's been horror movies, science,

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fiction stuff.

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So I'm ruling out face off.

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Okay.

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I'm ruling out freaky, which I actually really liked with Vince Vaughan in 2020.

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And movies like Kevin Conway down to earth.

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These are just the pure sitcom-y, almost like comedies, switch things.

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Sure.

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I'm also ruling out a movie I never heard of when I was researching this nine lives in 2016.

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It's vaguely familiar, yeah.

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Kevin Spacey, dad of a family, becomes trapped in the body of his family cat, Mr. Fuzzy

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Pants.

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I think that's-

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I think that's-

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Is that the version of Hollywood jail that Kevin Spacey was sent to?

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Maybe he was trying to tell us something.

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And then another movie that I think I blocked out of my mind 2015, the Cobbler, Adam Sandler,

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walks in people's shoes.

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I'm not sure you're gonna hurt of that.

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Yeah, I think that one kind of- everyone thinks that Sandman who I love has just been

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batting a thousand and he just hasn't.

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There's been a couple whiffs and that was definitely one of them.

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All right.

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On a scale of one to ten.

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Okay.

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So I'm an arank.

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I'm gonna build to number ten.

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All right.

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Number one, one out of ten, the hot chick in 2002, Rob Schneider switching bodies with

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Rachel McAdams.

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I can't believe she hasn't made enough money yet to just destroy all copies of this.

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Like, maybe she needs to do- what was the one, the notebook?

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The notebook with Ryan Gosling, her finest movie.

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Maybe she needs to do notebook to Netflix or Amazon, take all the money and destroy

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the things of the hot chicks.

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That's one out of ten.

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Okay.

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And dream a little dream with the Cori's, Cori and then Cori Feldman.

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Nice.

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This was the rare four person body switch.

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It was a teenage couple switching bodies with an older couple.

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Really bad, but someone made a sequel.

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Three out of ten, there's a whole bunch of father-son versions of this which never really

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worked, including 17 again with Matthew Perry and Zach Efron.

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Interesting set that was by the way.

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Oh my God.

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Yeah.

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I feel like son in 1987, Kurt Cameron and Dudley Moore, how would those two be related?

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That's crazy.

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And then vice versa in 1988, we judge Ryan Holden, Fred Savage is probably the best of

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the three.

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Anyway, that's three out of ten.

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Four out of ten, the change up with Ryan Reynolds and Jason Bayman in 2009.

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Both of them were kind of like we can be on a movie poster, but none of them were having

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success with movies yet.

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And this is not a very good movie.

10:19

Five out of ten.

10:20

Now we're moving in the Juliet's stratosphere here.

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I look to a kiss.

10:25

Meg Ryan out bald one.

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What are your thoughts on this?

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It was like the latter days of Meg's arc and it sort of felt like a favor that she did

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it, but I enjoyed it.

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I mean, everything in that, everything from the pixie cup forward is sort of a different

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era for her, but it's good.

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She didn't go to the NBA finals with this one, but she definitely made the playoffs and

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has good stats, but it is not around two movie.

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Yeah, it's okay.

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Six out of ten, all of me was Steve Martin and Lily Tomlin.

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This is just during the Steve Martin run of like really solid common days.

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He was making the eighties.

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I love Lily Tomlin.

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So I'm in seven out of ten, freaky Friday, not 1976 freaky Friday, which is a weird movie,

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which I saw in the theater with my mom, 2003 Lindsey Lohan, Jamie Lee Curtis.

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This is a rock solid movie.

11:14

It's a great movie.

11:15

It's a classic for me.

11:16

Lindsey Lohan's fantastic in it.

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Also, I remember going on like Kazah and downloading the songs that she sang in it.

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Like I wanted the music from the movie.

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It's legitimately really good.

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I understand why they did the sequel like last year.

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So freaky Friday, she had the movie where she played the twins with parent trap, parent

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trap.

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And then she had Mean Girls on the span of two years and was probably like minus one 30

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to win an Oscar at one point on Fandall, which didn't exist back then, but that was

11:45

the peak.

11:46

It was the sequel.

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The year from freaky Friday to Mean Girls, followed by her music, the song rumors.

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It was just like such an amazing run of like this person cannot miss.

11:55

And then she missed a lot.

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But that's okay.

11:58

We'll always have that one year.

11:59

It's okay.

12:00

It's okay to make mistakes.

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But yeah, she was really going for it.

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Eight out of ten, I have 13 going on 30.

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Nine out of ten being John Melchovitch and 10 out of ten big.

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That's a nice wrinkle in there.

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Yeah.

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I really wasn't sure if that should even be included, but I think it should be because

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it is, it's basically the really smart, yeah, high brow version of one of these movies.

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So but I think big is the best one ever.

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You agree with that?

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Oh, I think it's like, it's like the icon and everything else feels derivative from it.

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I mean, 13 going on 30 and admitted to it in various ways like in all the press and

12:35

everything.

12:36

But yeah, there's multiple.

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She's eating the shrimp at the party, throws the thing.

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Yeah.

12:40

That's in there.

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Definitely.

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When she wakes up, doesn't know where she is, touches her boobs.

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He like looks down in his pants.

12:47

The other thing with this movie, it's the tail end of the romcom boom.

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And either you or Wesley are one of the two best people on the planet to talk about this.

12:57

But we have this, the Meg Ryan, Julie Roberts, fueled boom.

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And we're just making them for 10 straight years.

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Oh, four gave us 51 states along Campali, Mean Girls and 13 going on 30 plus Garden

13:11

State before sunset in the notebook.

13:14

It's crazy.

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So many good movies.

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And it kind of, we kind of ran out of ideas right around here for the romcoms.

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And I also think we might have, we had this incredible Hall of Fame class of Reese Witherspoon,

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Sandra Bullock, all like these kind of the class right after Meg Ryan, Jennifer Garner's

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in there, Drew Barrymore made a bunch of them.

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And we never really replenished the roster.

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No.

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And that was kind of it.

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We had some people we were counting on.

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I think Rachel McAdams would have been a good one.

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But the next class just couldn't do it.

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And for whatever reason, Rachel McAdams, like she, she was never like the lead.

13:54

I love Morning glory.

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Have you seen Morning glory lately?

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You've, you've, you've tried to fish hook me with it a bunch of times.

14:01

That's like her movie.

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But all of her other great romcoms, she's like 50% of the equation at most.

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Like Wedding Crashers is probably her best comedy movie.

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And she's like the number three person in that at most.

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And like, you know, it just sort of feels like it never really took off for her in the

14:17

right way.

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And I actually think it's sort of similar to Jennifer Garner.

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Like I think Jennifer Garner almost came like a tad too late for the romcom boom.

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Like if she had had sweet home like Alabama two years earlier like Reese, I think we would

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think about her differently.

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But she was, you know, a TV actress.

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And so as a result, like her, her romcom moment sort of stands alone almost where like it

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could have been, it could have been more if the timing was slightly different.

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And by 2005, like just what I think like a new set of like teens kind of take over like

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to the Lindsey Lowham point.

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Like it's like her and like Hillary Duff and like this first generation or this next generation

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of Disney stars starts kind of like going.

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I mean, the bonds.

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Honestly, some of them weren't ready.

14:58

Some of them couldn't handle it.

14:59

The spotlight was too bright.

15:02

Exactly.

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It ended up being like these family movies for her instead of like what we consider like

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these, you know, canonical romcoms essentially.

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And of course the Judd Apatow, you're a start set in and all that.

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So I was going to say that.

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I think that was the other thing that happened is the traditional romcom, which just exists.

15:19

You just know what it is for 15 years from when Harry mitzahui.

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Yeah.

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All the way through basically to 2005.

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A lot like love one of my wife's favorite movies.

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That's kind of the end line.

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Sure.

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And the Apatow generations coming in, they're taking a lot of the romcom stuff, but then

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they're also bringing the R rated common in it and they kind of blend it.

15:40

Yeah.

15:41

And that I felt like kind of killed romcoms a little bit because then the romcoms were

15:45

trying to be more like the Apatow movies, like the changeups a good example.

15:49

That's a pretty raunchy movie.

15:50

Yeah, definitely.

15:51

I think they also just tried to get a little too high concept.

15:54

Like I always think about the breakup, which is a movie I really don't like.

15:57

But that was like a depressing movie disguised as a romcom because in the moment, it

16:02

and Vaughn had so much juice.

16:03

And I think that sort of like men just took over comedy where it used to be a little bit

16:06

more like skewing towards women and more of like family centric.

16:11

But like I think about old school in 2003 just before this, as also just like a major

16:15

turning point because it was so popular, same with Anchorman, like those were like when

16:21

I was, you know, 18, those were like the biggest movies and there was like kind of like no

16:25

time for romcoms in the same breath.

16:27

And like you could only really focus on one.

16:29

And it was just like, Christie, I think Christina advocates like, and I'm

16:32

amazing comedic actress.

16:33

But you know, she's again, like third most famous for her most important part.

16:37

She could have made a bunch of romcoms, right?

16:39

Well, she did.

16:40

They weren't that popular.

16:41

They're good ones.

16:42

Yeah.

16:43

Yeah, there's like, there's also these meta romcoms that come turn to the decade.

16:48

You know, where like the one Timberlake made, the one Ashton Kutcher made, like those

16:53

ones, friends of the benefits, those kind of ones where they're winking to the ones from

16:57

the past because they know they're basically ripping them off.

16:59

Totally.

17:00

That's good.

17:01

Five year engagement, I think is, it's probably the best of that group.

17:05

And I wouldn't even put it in the class of some of these.

17:08

It's kind of a sad movie.

17:09

You're just like, why are you guys so engaged?

17:11

And like, I feel like also winters bad for romcoms.

17:14

And there's the point in the five year engagement where it's like really cold and in our

17:17

burn.

17:18

And you're just like, why are they there?

17:19

Like give us like a beautiful city.

17:20

He can't find a job.

17:21

Yeah.

17:22

This is like his confidence has been ruined.

17:24

Yeah.

17:25

So they were trying to take them to the next level.

17:27

And that's one of the things with this movie.

17:28

This movie is 97 minutes.

17:31

Amazing.

17:32

Thank you so much.

17:33

It's fucking happy for 92 of them.

17:35

Right?

17:36

And we're outside.

17:37

We're in New York.

17:38

New York's never looked better.

17:39

She's happy the entire time.

17:40

Ruffle looks great.

17:41

Everybody looks great.

17:42

Yeah.

17:43

And this is just what this is the model of how to do this.

17:46

Absolutely.

17:47

Also, I was thinking a lot about like why this movie would never be made now.

17:52

And like the exposition scenes of this movie, like in the beginning when she's in Mark

17:57

Ruffle's apartment and she's like trying to figure out what happened.

18:00

It's like a very artistic scene.

18:02

Like we can talk about more in the categories, but like there's so much craft in this tightly

18:06

made 97 minute movie that like there's not a lot of wasted time.

18:10

Like there's not like a lot of downtime to you know, check your phone or whatever.

18:14

It's very tight.

18:16

And I also think that like everyone has a lane.

18:19

Like it's both, it's feels familiar, but each performance is like pretty strong.

18:23

So you feel like there's like new life in it.

18:27

So I was thinking the wishing dust that they have in this, whatever that pops out of

18:33

the dream house, the Zoltar.

18:36

And then one wish will owe from obsession.

18:39

There's the three versions of the same thing this mystical.

18:41

I do have some nitpicks about the house, but the premise of how they get into this,

18:47

it's like, okay, she's in the closet.

18:49

There was some magic fairy dust and she was wishing.

18:52

All right, I talked me into this.

18:54

All right, Jennifer Griner, let's go.

18:56

Jennifer Griner.

18:58

She's 31 when she makes this movie.

19:01

She looks lights out fantastic.

19:03

It's the most likeable charismatic she's ever been in a movie, I think.

19:08

Perfect role for her.

19:10

I can't really imagine anybody else in it.

19:13

And it's a little like the Tom Hanks and Big where there's an innocence with her.

19:17

There's a sexiness to her, but it also makes sense that she's not comfortable in her

19:22

body and she just kind of nails it.

19:24

And she's just a great hang for 97 minutes.

19:27

It's great.

19:28

I have one alt that I wanted to suggest to you, which is Cameron Diaz.

19:34

Is she too pretty for this?

19:35

Is she too like everyone knows who she is?

19:38

But the reason I think that is, I think Cameron Diaz is one of our great.

19:41

She definitely could have done this from a physicality standpoint.

19:43

Exactly.

19:44

The physical comedian aspect of it that when she first wakes up in the apartment,

19:48

I was like, this is so Cameron Diaz, like she must have like watched her or something.

19:52

But she doesn't have the same sort of innocence that Jennifer Garner is able to bring.

19:56

And like, I think that's been key to Jennifer Garner's career.

19:58

But that's the only other person I was thinking of throughout.

20:01

But here's the thing, if this came out in 2004 with Cameron Diaz,

20:04

I already have spent 10 years of movies with Cameron Diaz.

20:07

There's no discovery with her.

20:08

One of the great things about this movie in Jennifer Garner is,

20:12

unless you watch Aliess, you don't really have a history with her.

20:16

Where it's like pretty woman was the same thing with Julia Roberts,

20:19

Sandra Bullock, same thing in speed, where I don't have any baggage of other movie roles with them.

20:24

And I'm just like, this is the movie where like, I'm kind of falling for you as I watch this movie,

20:29

because I don't really know you from any other things. I didn't watch Aliess.

20:32

Did you ever watch Felicity?

20:34

Didn't watch Felicity.

20:35

That was her first major role as a Felicity obsessive.

20:38

I feel a lot of ownership over Jennifer Garner, which I'm not in.

20:42

She's only in her for a couple episodes, all right?

20:44

She's in it for three.

20:45

She's in it in the first season for two, and then she comes back at the very end for a third.

20:49

She met her first husband, Scott Foley on the set when she was in season one.

20:53

So it's sort of like part of the lore.

20:55

But then I was obsessed with Catch Me If You Can when it came out, and she has a great cameo

20:59

in that. So, you know, I personally brought a lot of baggage of Jennifer Garner to the movie.

21:06

It was like so happy for her to get this role.

21:08

Is this the first time you really saw her, though?

21:09

It must have been.

21:10

Yeah, I was looking back at the IMDB.

21:13

She basically lost her entire 20s to bad shows and movies and things that almost made it,

21:19

but didn't.

21:20

Like she was in a show in 1998 called Significant Others on Fox.

21:24

Right.

21:25

And it was about a bunch of 20s and things that live in LA and their friends.

21:29

And I actually probably would have watched that show.

21:32

Definitely.

21:33

I don't even remember it.

21:35

Maybe I watched it and don't even remember it.

21:36

But so that show, Bob, that last five episodes.

21:40

Then she was Jennifer Love Viewer, it's best friend.

21:44

In Tommy, your life on Fox,

21:46

where they spun Jennifer Love Viewer off.

21:48

She moves to New York to find her birth mother.

21:50

Yes.

21:51

And I actually did watch a couple episodes of that show because I'd like Jennifer Love Viewer.

21:55

Of course.

21:56

And we both looked party of five.

21:58

And we love party of five had to support the franchise.

22:00

But that show somehow lasted 18 episodes.

22:02

I don't remember any of them.

22:04

It's crazy.

22:04

I think I watched all 18, but I might be the only person.

22:08

Felicity three episodes.

22:09

And then in 01,

22:10

Alias finally happens.

22:12

But she was toiling away there for eight years.

22:14

Like she was a hostess at a New York City restaurant at one point.

22:18

She there's a famous story where she babies sat for Steven Colbert's kids.

22:22

It's crazy.

22:24

So she bounced around a little bit from an IMDB standpoint.

22:27

Alias happened when we launched Jimmy Kimmel show.

22:30

It's so funny to think about to this.

22:31

But the first year Jimmy Kimmel show,

22:34

he's on ABC.

22:35

Alias is taking off on ABC.

22:37

And he did this whole running bid about how he was in love with Jennifer Garner.

22:42

And she came on and he did this whole like he was like a schoolboy who had a crush on her

22:48

like an ABC crush.

22:50

And that's how long ago that she hit.

22:53

But Alias was the thing.

22:54

Oh, big time.

22:56

It started in 01.

22:59

There's like a lot of stories about how JJ Abrams would go between the Felicity set

23:02

and the Alias set and they're right next to each other.

23:04

They're the same same lot.

23:06

And she done did that for five seasons.

23:09

One of my favorite things about Jennifer Garner is like she stays close with co-workers,

23:13

co-stars and like she still.

23:15

Yeah, you know as judge that.

23:15

You like when the celebrities don't stay close with the co-workers, you notice.

23:20

Julia Polis is weighing in with reports.

23:23

Absolutely.

23:24

And she is one of the reasons I love her.

23:25

She's I think Victor Garber, I think officiated her wedding with Ben Affleck.

23:30

They're so really close.

23:32

She was recently at Mark Ruffalo's Hollywood Walk of Fame star,

23:36

ceremony.

23:36

She gave a speech.

23:37

She's still really close to Bradley Cooper.

23:39

Like she helped him out with like Leonard Cohen press when he was doing that

23:43

just to like, and she like moderated some 57 minute talk in a theater that I watched

23:48

all of for some reason because I love her.

23:51

On YouTube, I wasn't even there.

23:54

And she's still really close with Judy Greer,

23:56

who she just reunited with.

23:58

And of course, one of my favorite TV shows of the year, five star weekend.

24:01

So, you know, like it's amazing how much.

24:04

An abomination of a show.

24:05

But an absolutely great time.

24:06

Come on.

24:07

My wife devoured it with a fork in a knife in a one sauce.

24:11

Just absolutely devoured it.

24:13

I was just there making jokes all the time.

24:15

I was anticipating it for about 14 months.

24:17

So when it finally arrived, I was ready.

24:19

And I had the time of time of my life at a great time.

24:22

Like I just, I love an an example of things.

24:24

But anyway, check it out.

24:25

Jennifer Garner, a celebrity chef.

24:28

Right?

24:28

celebrity chef.

24:29

She's like an Instagram chef.

24:31

She's not even a chef.

24:32

Who somehow has like a $45 million

24:34

in Nantucket.

24:37

And invites all these women that she's friends with.

24:41

And maybe not friends with to her $45 million

24:44

house.

24:44

And plans the whole weekend in the most anal

24:48

A typeway possible.

24:51

And then she nan against happen.

24:53

Like barely like they just sort of like go like not

24:56

not much happens to sort of the point.

24:57

Just turned out there's a lot of like lies to expose.

25:00

But well spoiler.

25:01

Her husband dies.

25:03

And one of the ladies that comes to the weekend

25:05

is the lady he was having an affair with that she finds out about that weekend.

25:10

And they met a lot of it out.

25:11

Yeah.

25:12

It's a fan.

25:13

She she invites a fan to her home on the Nantucket.

25:16

We're like, you need a fairy to get off.

25:18

So there's something goes around.

25:19

It's like hard to part.

25:20

So you know what I'm never doing.

25:22

Inviting a fan to a vacation.

25:24

I just keep saying would you ever do that?

25:26

I don't see that happening.

25:28

I don't see.

25:28

Also her husband was Josh Hamilton.

25:30

My guy from kicking and screaming.

25:31

So hated to see him have a texting accident.

25:34

What about Chloe 70 as a town.

25:36

I mean, no one has ever been less of a town than Chloe 70.

25:39

It was really it was it was tough.

25:42

Anyway, Jennifer Gardner, what I wanted to say,

25:45

which crazy to think about.

25:46

She's doing you know 22 episodes a year of of alias.

25:50

And then in her summer break,

25:51

she's shooting a movie every year.

25:53

That's like that's a lot of work.

25:55

That's like very hard.

25:56

Driven and she's married.

25:58

Yes, she does catch me if you can in 2002 daredevil,

26:02

where she reconnects with Ben Affleck,

26:04

who she had already been on Pearl Harbor with.

26:07

She's in alias 13 going on 30.

26:11

Start stating Ben Affleck right around there.

26:14

The movie career, the best movie she ever made other than this one.

26:18

Do you know?

26:20

She's the female lead in Dallas Byers Club,

26:22

which was respected.

26:24

I was like Danny Collins would be the other one.

26:26

I really like Danny Collins.

26:27

Okay, interesting.

26:28

Yeah, I think this is by far her biggest credit.

26:31

I think Juno is an interesting life for that movie.

26:34

You know, it's like it had made a big impression when it came out.

26:38

And then I culturally mattered for a year or two.

26:41

And it hasn't held up in the same way.

26:43

Also, I think it's part of the Bateman Renaissance

26:45

like around the same time as the rest of development stuff.

26:48

But it just like doesn't really get acknowledged.

26:50

And I think people have like a lot of flaws with it.

26:52

But it was sort of like a turning point for her

26:53

because she was not not likeable in that movie.

26:56

Like and she's just sort of it was like it's kind of like the darker character of that movie.

27:00

Yeah, I don't like dark Jennifer Garner.

27:02

Me neither.

27:03

And I don't know.

27:03

She did that in peppermint too,

27:04

which is basically taking her John Wick for a female who loses her child.

27:09

I can't even remember the plot.

27:10

But she's it's like an action movie.

27:12

And it's just I don't want I want happy Jennifer Garner.

27:16

Yeah, it's not her.

27:17

Like that's not actually her personality.

27:19

And I think that one of the reasons she's so charming in this

27:22

and she has said this in many interviews is that like Jenna Rink

27:25

is similar to her personality.

27:27

And so she could like really connect with the character.

27:30

And that obviously comes through.

27:31

I wish I also mentioned the the Affleck relationship coming off

27:36

benefit where he was in a relationship that was so famous

27:41

and so gigantic that it actually got a nickname.

27:43

I think that might have been the first one to get the nickname.

27:46

Really?

27:46

I got to think about that.

27:48

I feel like it beat Brat.

27:49

Brangelina by a year.

27:51

I remember a relationship Nick Thames.

27:54

I just want to say that I read a 2017 interview where Ben Affleck says he and

27:57

Jennifer Garner fell in love on the set of electro.

28:01

So I don't think we even have the dance around.

28:02

I mean, Daredevil, we don't even have the dance around in 2002.

28:05

He said, oh, they shot it in 2002.

28:08

And he said that's when they found love.

28:11

So I was with J.

28:13

Lo at the time.

28:14

So it's all a little fuzzy.

28:16

You know, there was Scott Foley.

28:17

There was Michael Vartan.

28:19

And then.

28:20

So she had Scott Foley.

28:21

Then broke up with Scott Foley.

28:23

Divorced him started dating Michael Vartan.

28:26

And then there was an Affleck overlap.

28:28

That's correct.

28:30

Can I read you something really funny?

28:32

28:32

Juliet actors just fall for each other.

28:34

They're on the set.

28:36

Close quarters.

28:37

They're making out.

28:38

They're supposed to have sparks and connections.

28:40

Yeah.

28:41

It's insane to think that you wouldn't.

28:42

Like if you are trying to play a part as best you can,

28:46

what do you like fall in love with the person

28:47

who's also doing that opposite you like on these long days?

28:50

I think it's completely understandable.

28:52

I felt this way about Craig a bunch of times.

28:54

And we watch the bus like we spend so much time together.

28:56

And he's a handsome guy.

28:58

You know,

29:00

it's very understandable.

29:03

Mark Ruffalo.

29:05

Did you get all your Jennifer Garner takes out

29:07

or do you have any more of the holster?

29:09

You know, I'm sure we'll get to them.

29:10

I just think that she's electric.

29:12

I love her.

29:13

And I think we'll talk about it in her performance.

29:15

So the categories and stuff.

29:16

I just think that she should have had a better career.

29:20

And I think part of that is because she like has been very open

29:22

about choosing family because right after this movie comes out,

29:25

their first daughter is born shortly thereafter.

29:27

So I was going to say that I think she's two,

29:30

three movies short, but I agree with you.

29:31

But I think it was 100% the family thing.

29:33

She just became a mom.

29:34

She started raising kids and stuff working as much.

29:37

Yeah, she was just like, I'm doing one movie a year

29:38

when it fits in.

29:39

She and Ben App like you to talk about

29:41

how they would never film at the same time.

29:43

The family would move for each other's project.

29:45

So that's her choice.

29:46

And I think that she seems like a pretty happy,

29:49

fulfilled person.

29:49

So I think it was the right move for her.

29:51

But as a fan, I think she could have been more

29:53

reslevel.

29:54

And I don't think she's quite there.

29:55

The frustrating thing when you look back at the IMDB,

29:57

she just didn't get the chances to later.

29:59

Yeah.

29:59

Like her 20s, it probably should have happened.

30:02

Like she could have easily been on party five in 1995.

30:05

Or one of the one of those shows

30:07

or she could have joined the cast in the 902 and 0 and season six.

30:10

Yeah, yeah.

30:11

And then gotten the gotten the chops

30:13

to start making movies from there.

30:14

Imagine her as Valerie, what a life that would have been.

30:18

Valerie, that's it.

30:19

She could have been a good Claire.

30:20

Oh, interesting.

30:22

Okay, I love Claire.

30:23

One of my faves.

30:24

You like Claire.

30:25

I've always loved her.

30:26

Yeah, she's a great character.

30:27

Claire hated her 902 and 0 experience.

30:29

Basically talks about it.

30:30

Like she went to go serve and be a non for four years.

30:33

Jenny Garth really sounds like she was in that

30:35

excellent nightmare.

30:36

I think she was hard to be her ad.

30:37

And I think she had an authority with stuff too,

30:38

but she laughed so.

30:39

So yeah.

30:40

Mark Ruffalo.

30:42

He's the scene.

30:42

A little another one who's a little bit of a late bloomer.

30:45

It's just in 2000 with you can count on me,

30:47

which is an extraordinary movie that we're going to do on the rewatch

30:49

but at some point.

30:50

Okay.

30:52

His IMDB is awesome from that point on.

30:54

It is like the places that he makes is so much fun.

30:57

He's in the last castle with Redford.

31:00

He's in a movie called XXXY,

31:03

which I cannot recommend highly enough from a 2B.

31:08

Like just just throw it on.

31:10

It's one of those.

31:11

It's there's a million of these.

31:12

But this one I think is really good.

31:14

And your girl clears in it.

31:15

Oh my god.

31:16

Captain Robertson.

31:17

I got to go home and do that.

31:18

Okay.

31:18

I am a I'm a huge XXXY fan.

31:20

I would own it on 4K Blue Rafe if it existed.

31:23

In the cut with Meg Ryan, really weird movie.

31:26

We don't live here anymore,

31:27

which I recently watched too much ago with Laura Dern

31:30

and Peter Krausez in it.

31:31

And who's the other one?

31:35

Naomi Watts.

31:36

It's like a weird couples might like each other.

31:39

Sure.

31:39

They just film it in the middle of nowhere.

31:42

I vaguely remember this movie.

31:43

Then he's in internal sunshine.

31:45

And then in 04 he does 13 go 930.

31:48

And collateral.

31:49

He's filming it the same time.

31:51

Unbelievable.

31:52

That's incredible.

31:53

Can you say is that a rewatchable's category?

31:55

The strangest two movies somebody filmed at the same time.

31:58

He's filming this and going back and forth with collateral.

32:01

That's incredible.

32:02

That's also like like collateral such an amazing LA movie.

32:06

And 13 go in the right.

32:07

It's great in New York movie.

32:08

It's very different mindset.

32:09

And also doesn't for in particular.

32:11

It's like just could be more different.

32:14

That's amazing.

32:15

Kudos to him.

32:16

I have this written down.

32:17

Tell me if I'm right or wrong.

32:19

Most overqualified romcon lead since Tom Hanks.

32:26

Too good of an actor to be in this.

32:27

Which is why he's good at this.

32:29

Yeah, I mean, you can tell that he's like to stay in full

32:32

even though he seems to like Jennifer Garner.

32:34

Like in person.

32:35

But you can throughout the movie.

32:36

He's just like, I don't want to be here.

32:38

It does have a feeling of like,

32:40

I can't believe my agent talked me into this.

32:42

Yeah, it's he's the way people use a view TV.

32:45

Like I can't believe I'm doing this television show to get, you know, into a movie.

32:50

I guess that's right.

32:52

It's weird because later in his career,

32:53

Mark Ruffalo would never have disdain for something that would become so obvious publicly.

32:59

He would never have strong opinions that people were aware of.

33:03

Yeah, I think that might be right.

33:04

I mean, I'm just trying to think of all of the other ones in history.

33:07

Like, I think you could maybe put Ryan Gosling in that category,

33:11

but he wasn't in any rom-coms.

33:12

Ruffalo is a better actor than Reynolds.

33:14

Yeah, like Billy Crystal.

33:15

Ruffalo's probably like Ruffalo's the lead in task, you know,

33:18

he's done like real shit.

33:20

Yeah, I think it's I think that he's like Tom Hanks is really the only other one of the conversation.

33:25

You're right.

33:26

Well, this story, this is Steven Segal,

33:31

sheeding on himself a word, whatever we call that one, for craziest anecdote from

33:35

from the filming.

33:37

Ruffalo almost left the project during the rehearsals of the Thriller scene

33:41

because he hated the rehearsal process and the choreography so much,

33:45

and they he literally almost left.

33:47

They had to like talk him in a staying into the movie

33:50

as they were rehearsing Thriller with them because he was so horrified, but

33:53

that's like what I find really funny about that is he got his chops on Broadway, right,

33:57

like in place.

33:57

Yeah.

33:58

And you would think that someone like in the theater scene would be a little bit more respectful

34:02

of like grand choreography, but I know I know, I know he's not a musicals guy.

34:05

He is our only serious place.

34:07

So noted.

34:08

And by the way, it's obvious.

34:12

It's a mail-in by him, but I think that's one of the reasons it's so much fun.

34:16

They also cut out a scene later in the movie when he screams at Jenna.

34:21

They knew about Sparkle magazine.

34:23

They knew and you got those photos loose.

34:27

That got cut out.

34:28

If they had left it in, you would have been done this movie on the rewatchables already.

34:31

No.

34:32

Where do you stand on is Mark Ruffalo, how handsome he is?

34:35

Because my wife has always absolutely loved him.

34:37

Oh, interesting.

34:38

I think young Mark Ruffalo had a real like too cool for school charm.

34:42

He's never really been for me.

34:43

I like a prettier or more like kind of conventionally handsome rom-com lead.

34:48

But I see it.

34:49

Like I get that that's a type.

34:50

Also, there's something about him that's like imperfect that is refreshing,

34:53

especially with his teeth and stuff, but he's never changed.

34:56

Do you know good job holding back here?

34:58

Judy Greer's 2000s.

35:02

Her mount rom more.

35:04

Wedding planer 13 going on 30, 27 dresses and love happens.

35:08

She's basically the Robert Hory of rom-coms.

35:10

It's amazing.

35:12

And somebody that you personally absolutely love and adieu.

35:16

Love.

35:16

Yeah, absolutely love.

35:17

My favorite Judy Greer performance, this is really random descendants with George Clooney.

35:21

She's really fucking good in that movie.

35:23

Really good in that.

35:24

I agree.

35:25

So fantastic.

35:26

I thought you were going to say that terrible peacock show where she plays the the bitch.

35:30

Five star weekend.

35:31

Yeah, five star weekend.

35:34

She's the last job.

35:35

Okay.

35:35

She basically plays Lucy Tom Tom.

35:37

20 years later.

35:39

The funny thing about Judy Greer is she isn't so many things.

35:42

And it's those four movies that you listed is what she is known for.

35:45

I think because she's so good at it.

35:48

And the two, the wedding planner and 13 going on 30 were back to back,

35:51

I think in back to back years as well.

35:53

And and she's hilariously enough.

35:55

It's with J.Lo and Jennifer Garner, a consecutive movies.

35:59

And it's so funny how like in this era, they're linked in many ways.

36:02

Yeah.

36:03

And she's just great at it.

36:05

She's also, you know, she's I think the the wedding planner role is so different.

36:09

She's like this baddie.

36:11

Nervous assistant.

36:12

And then she's like this bitch in 13 going on 30.

36:15

I actually think she's played more mean people than like of the the wedding planner character.

36:20

But she's so much better known for being like the likeable best friend or whatever.

36:25

And it's just actually kind of a disservice to her because she is much more than that.

36:28

She seems like a she actually is like a pretty great actress.

36:32

Yeah, she is the two moves, the super sweet friend.

36:35

Or the I thought you were sweet, but you're actually a horror show.

36:38

And those are like the two types of characters she plays.

36:41

Well, Catherine Han in 2003 to 2010 was in the Hadelose a guy in 10 days.

36:46

When a date with Tat Hamilton a lot like love the holiday.

36:50

And how do you know it's really them in the finals for Matt.

36:56

I think it's Catherine Han just based on the credit for credit.

36:59

I think those movies she's more impactful.

37:01

Honestly, like I think Judy Greer is is really good.

37:04

But like Catherine Han also just sort of makes each of those her own.

37:08

And also Catherine Han was really able to like rise above that image of her.

37:12

I mean, think about her career since where is Judy Greer still known as like the rom

37:15

conference a lot like love.

37:18

A movie I've seen way too many times that appeared on my 50 most rewatchables of the 21st

37:23

century to a lot of people's horror because my wife watches it all the time.

37:26

And talk about rising above.

37:28

Oh my god.

37:29

She's pregnant at one point in that movie.

37:31

And I just caring shit.

37:34

Then we have Andy circuses in this movie too.

37:37

AKA gollum playing the magazine editor.

37:40

We're do you stand on any circus?

37:41

Well, the craziest thing is if this is after Lord of the Rings.

37:44

So like all all three of the movies are out.

37:46

And he's back playing him, you know,

37:48

I had some self embodied playing this guy.

37:51

I don't mind them.

37:52

I think the more you watch it, like the better his performance seems.

37:57

Because there's like just like funny moments that he lands like.

38:00

When he says like his like said his balls are being squished or whatever.

38:03

It's actually like really funny.

38:04

And first sort of like is this the right movie for that?

38:07

But the more I watch it, I was like, oh actually this is kind of.

38:10

Like it's a connective tissue for the movie.

38:12

It actually works really well.

38:13

So he's basically doing the Martin Short and Father of the bride

38:16

completely over the top.

38:17

Wrong.

38:18

Sidekick parrector.

38:20

And then Poise magazine.

38:21

Poise, yes.

38:22

Okay.

38:24

What's going on here?

38:25

So our friend Wesley who reviewed this for the Boston Globe,

38:28

we'll get to that later.

38:30

Called Poise, a Photoshop mix of Cosmo, Jane and Lucky.

38:35

Yeah, it's like a Cosmo versus glamour kind of thing.

38:39

Would you have bought Poise?

38:40

Would you have subscribed to Poise?

38:42

When I was no, in 2004, I subscribed to people,

38:47

us and in touch.

38:48

I was already more on like the celebrity popper Opsy side and not on like the women's magazine

38:53

side of things.

38:54

So this wasn't like a YM?

38:56

No, and I think the YM is an adult version of the YM basically.

39:00

So yeah, Lucky is I think a good parallel.

39:03

Yeah, and like, yeah, like a lore a little bit too, which is more makeup driven.

39:06

But like, yeah, I think it's more like that.

39:08

And YM in 17, of course, you famously wrote for YM.

39:13

So, Guy needs to cash check.

39:17

I think that those are more for like the middle school years, like when you were 17.

39:23

Poise.

39:24

Poise.

39:25

We're gonna take a break.

39:26

We're gonna come back and talk about the actual real star of this movie, The Music,

39:29

right after this.

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41:13

So this movie is advertised as Jennifer Garner being the star of 13 going out 30,

41:18

but it's actually the music.

41:19

This is one of the best soundtracks ever in a movie.

41:22

They have the go-go's with head over heels twice.

41:26

Jessie's girl, thriller.

41:28

Not just thriller, but the entire thriller song.

41:30

Burning down the house, talking heads.

41:32

Madonna crazy for you.

41:34

Whitney Houston, I want to dance with somebody.

41:37

What I like about you cover, it's not the original one, but it's a cover.

41:41

Pretty good day.

41:42

Say get a little more modern in there.

41:45

Vanilla ice, ice ice baby.

41:47

Vienna by Billy Joel.

41:49

Liz Fair, why can't I?

41:50

Which is a great song.

41:52

Oh my God.

41:52

So it is so important to my teenage years.

41:55

And then love is a battlefield by Pat Benetare with a call back at the end.

42:00

This is probably half the budget of the movie.

42:02

Homemade.

42:03

Beyond.

42:03

It's so good.

42:04

Great job guys.

42:05

It's incredible.

42:06

The list, also the Liz Fair song is used twice, which also meant a lot to me.

42:11

We can come back to that a little bit, but it's an amazing soundtrack.

42:14

And as I was watching, I did wonder like how do they get all these songs cleared.

42:18

It's amazing.

42:19

I think they probably skimped out on the Alex Coralson character.

42:25

But I have a lot saved on him.

42:26

$15 an hour and used that money toward the music.

42:31

I actually think I think this was a choice.

42:35

I think they thought we're going to spend a few million dollars on the music

42:38

because it's a huge part of this movie.

42:40

And they didn't skimp on any part.

42:42

Every song's a banger, every song's famous.

42:45

And then when you think about 2004,

42:47

they do a good job of the nostalgia.

42:49

It's like about 20 years after a lot of these songs hit,

42:53

combined with some of the newer stuff.

42:54

And it's honestly a tour de force.

42:57

I can't believe how good they did with that.

42:59

It also just feels like this era, I feel like this was more common.

43:02

You watch a lot of movies in the late 90s, early arts.

43:03

There was just a lot of huge pop songs that were incorporated into the movies.

43:06

And even like reference, the same way she references some lyrics from these songs.

43:11

I feel like now, I don't know if like the record labels have gotten smarter

43:14

and it's just too expensive to license, but you don't see that as much now.

43:18

Can I pause it? That's like the MTV effect.

43:21

I think that like music. Last era of MTV.

43:23

Yeah, music was seen as like a music videos were seen as such a powerful vehicle.

43:30

And like, you know, they used to get like the movie edit with the song or whatever.

43:34

For me, the definition of this is secret card in my Bruce Springsteen,

43:37

because that version with like the movie talking, what's your required?

43:40

And the radio.

43:43

So this break is a break up.

43:45

And like that's in the middle of the song.

43:47

And so I think that there was actually a lot more commercial value to be had

43:50

for the music by being in the movies.

43:53

And like you could go back and buy the records and give it a second life

43:56

when you couldn't just get the song on Spotify right away essentially.

43:59

So it actually was like smart for some of these songs.

44:02

Well, my beloved, a lot like love, has one of the best soundtracks of that entire decade.

44:07

And it's more new stuff.

44:09

Yeah.

44:10

But it's got that. What's that song though?

44:12

I never fell in love before.

44:15

Oh, I've forgotten that one is.

44:19

I know exactly what you mean.

44:21

You know that song.

44:22

They play it's like three different points of the movie they play.

44:24

Right.

44:25

Also happening in this time is the ocean.

44:26

Better than sunshine.

44:27

Oh, yeah.

44:28

Well, also happening on this time, at this time on TV is the OC.

44:31

And the OC had the power to like break a band.

44:33

Like death cab became big the year before.

44:35

So I think there was just like in this exact moment,

44:37

it was kind of short live TV and movies could make a difference in music.

44:41

That was a big thing for Josh Schwartz.

44:43

Yeah, because I think he always felt like 902 and O never totally leaned into that.

44:48

There was a couple like they had the Sundays on once.

44:51

And of course, but for the most part never really used like they had the

44:55

peach pit after dark for years and never leaned into the music part.

44:58

And the OC that second year, he's been he had the walkman.

45:02

He had a whole bunch of amazing.

45:03

Yeah.

45:04

Big ones during like a really good time for music too.

45:06

Remember when the Jim Blossoms were on the boat for Steve Sanders's birthday on the

45:10

I remember a great Claire episode.

45:13

If I recall correctly,

45:14

well, that had Steve Sanders is 21st birthday when he was 38 in real life.

45:18

One of the one of the great moments ever.

45:20

Steve kept weaver 21.

45:21

He's got like a receding hair like.

45:25

This movie was written by Kathy Jespa and Josh Goldsmith and directed by Gary

45:29

Winick, who is no longer with us.

45:31

37 million dollar budget made 96 million.

45:34

Roger Ebert not impressed two stars.

45:37

He said Jennifer Garner is indeed a charmer,

45:40

but she's the victim of a charmless treatment in 13 going on 30.

45:45

I gotta say, Raj made some decent points.

45:48

Okay, I'll see you around.

45:50

He couldn't buy the world of the magazine office was one of his big things.

45:54

You didn't understand why high-powered professionals don't seem to notice they're

45:57

dealing with a 13 year old mine.

45:59

Jenna's bright idea to redesign the magazine is so spectacular, bad that it's accepted.

46:05

And there are so many emotional and sexual puzzles to adapt dance around.

46:08

This should have been a musical.

46:11

He liked Garner.

46:11

I think that's why I got two stars out of him.

46:14

Wesley Morris.

46:16

Young Whipper snapper at this point for the Boston Globe.

46:19

Right.

46:19

A contagious but dopey first star vehicle for TV's Jennifer Garner.

46:24

The movie is tailor made for women who openly lust for dream houses, dream jobs,

46:28

and dream hubbies.

46:29

Sounds like Juliet.

46:30

Does the movie's heroin get what she wants?

46:33

And do you feel good about it?

46:35

Yes, and sort of.

46:37

That is so Wesley.

46:38

That is just the most Wesley.

46:39

Wesley, if we ask Wesley now, he would say this is one of his favorite movies.

46:42

The last 25 years.

46:44

Yeah.

46:45

Because I think that's what this, this is, he would love this movie.

46:48

Like he would have been on this podcast if we asked them.

46:50

So definitely.

46:52

Maybe next time we do it, I think that review also like, it is dopey.

46:56

But that's one of the reasons why it's fun.

46:57

Like movies and things can be dopey and you can love them.

47:00

Like there's actually a lot of like joy in that.

47:02

And it doesn't have to be serious.

47:04

And like you can just have fun with it.

47:06

And the movie encourages you to just go with it and be like, you know,

47:09

Roger Ebert made some great points about the logic.

47:11

That is correct.

47:12

Doesn't really exactly make sense.

47:13

But that's just part of the genre.

47:15

And you just sort of accept it as like table setting and move forward.

47:19

I did agree with his point about the office.

47:21

In particular, I was like, is this the set from working girl?

47:24

It looks very similar to like when they walk in and everything.

47:27

It's like, just so generic, it doesn't really draw you into that world.

47:31

But that's okay.

47:32

The magazine stuff isn't exactly nailed, but that's fine.

47:36

What was the Netflix romcom when they basically was built after Grandland set it up?

47:41

Yeah.

47:42

When they had their version of Grandland.

47:43

And it was like the nicest office possible.

47:46

It was so funny.

47:47

Not like our office at all.

47:48

It was a very airy, Glenn Powell have like beautiful light on him.

47:51

That movie's pretty good.

47:52

Yeah.

47:53

Thanks Craig.

47:54

They openly admitted they based it on.

47:59

I like that movie too.

48:00

With that, that's a classic movie where you just never know.

48:03

If your two lead actors have chemistry, it can go a long way.

48:06

And one of them has really taken off.

48:08

And one is Zoe Deutsch.

48:10

By the way, Zoe Deutsch.

48:12

I probably like in the last 10 years, there's probably made more romcoms

48:15

that people have heard of than any other actress, right?

48:18

Yeah, at least nine.

48:19

I think all on the strength of set it up, like everyone just like, wait,

48:22

because that was a big hit.

48:23

Like that was sort of a standout for Netflix.

48:24

Uh, like it was like 10 years ago already.

48:26

And I think just like looking for the next one.

48:28

I mean, you know, Netflix hovers over all the conversations of romcoms,

48:34

because there are so many.

48:35

And I like to watch all of them.

48:36

Always be my maybe with Ali Wong is really good.

48:39

Like some of them are great.

48:41

And, but it's just sort of like, you know,

48:43

in Amazon's doing a bunch of TV shows now too.

48:45

Like they have seen the more YA stuff.

48:47

Yeah, the tropes.

48:49

And we haven't even talked about sterling point,

48:50

but they've seized all of the tropes of these movies.

48:54

And sometimes it works and sometimes it doesn't.

48:57

But like it just, I support the strategy of like just throwing out a million

49:00

and seeing what lands because they're all kind of fun.

49:04

And once in a while they are great.

49:05

Like did you ever watch Marry Me on peacock with J.Lo and uh,

49:08

Owen Wilson?

49:10

Who's talking to?

49:12

I love that movie.

49:13

Am I the only one?

49:14

Maybe.

49:14

But like I will watch all of them and like sometimes they say.

49:17

Now there's another person who love that movie.

49:18

My wife, Gary Simmons.

49:20

That's how I watch it.

49:21

She watched it multiple times.

49:23

I'm using it.

49:24

J.Lo is really good at singing in that movie.

49:26

Her songs are great.

49:28

So,

49:28

not only did she really like it.

49:29

She was like J.Lo's back.

49:31

Yes, I felt the same way.

49:35

Yeah, Netflix.

49:36

Netflix in the last eight, nine years because their algorithm was obviously

49:40

telling them people love romcoms and horror movies.

49:43

And they just started cranking them out.

49:44

And they're hit or miss, especially the romcoms.

49:48

There's also like, there's the hallmark romcoms like the holiday era ones.

49:52

Yeah, there's like, there's a bunch of them now.

49:55

And then there's like letters to Isabelle.

49:57

Yeah.

49:57

Like things like that.

49:58

But I watch all of them.

49:59

And then there's like that Zoe Seldana show on Netflix.

50:02

So it's pretty popular too.

50:03

Like, I forget the name of it.

50:05

I'll look it up in a second.

50:06

But you know, these are all like feel good moments.

50:10

And sometimes they're good.

50:11

And sometimes they're like actually high quality.

50:12

And sometimes they're not.

50:13

But like I'm here for all of it.

50:14

I said, good strategy.

50:16

You know what?

50:17

Your algorithm probably likes.

50:19

Is like these teen romcomy type movies.

50:22

But somebody's either dying of cancer or have already died.

50:26

And it's like, I have to bring my friends ashes to every,

50:30

it feels like they've done every variation of those, right?

50:32

Totally.

50:33

My best friend from when I was growing up,

50:35

she's either about to die or she already died.

50:38

Or she's coming back.

50:40

Or she dies during the movie.

50:42

Or it's, it's men.

50:44

And it's like the high school quarterback.

50:46

And he loses the, they love those.

50:47

So totally.

50:48

So the tragedy early.

50:49

It's kind of like the my girlification of teen movies.

50:53

Because like that, it's very similar.

50:55

When McColley Colgan dies.

50:58

In the fall in my stars was huge.

50:59

I loved that movie.

51:00

It was a young Shaolin Woodley.

51:02

And that's a cancer movie.

51:04

But yeah, that had a whole year or two.

51:05

For that one.

51:06

2009, 2010.

51:07

I know she doesn't, she gets after what she wants, I guess.

51:11

That's what we've learned recently.

51:12

Shaolin is in the Unibomba movie.

51:15

You know, take down the Unibomba.

51:18

And it's not Aaron Rogers.

51:19

It's the actual Unibomba.

51:20

Ted, Ted K. Yeah, I think about him often.

51:23

The Unibomba, I learned, you know, you learn about like something really bad at a young age.

51:26

You never forget it.

51:27

So that's the Unibomba for me.

51:30

I mean, even the Wolf Arrow SNL sketches couldn't,

51:32

incredible.

51:33

Couldn't try to help him not be creepy.

51:35

All right, most rewatchable scene.

51:37

Okay.

51:38

Have a bunch of them, including we'll start with the big party, Agendas,

51:42

where the six chicks show up.

51:44

Sure.

51:45

One of the great gimmicks.

51:48

Do you have a six chicks in high school or a version of that or no?

51:51

Yes. So when I was in high school, there was a group that called themselves the A Squad.

51:56

And I was not in it.

51:57

I was on I was in the B team.

51:58

So yes, the six chicks A squad.

52:01

But because you're smart, you got along with them.

52:04

You go along with everybody.

52:05

Yeah.

52:06

The A Squad.

52:06

That's so snottied.

52:08

Like, who does that?

52:10

It's pretty incredible.

52:11

It's like, it's like so on the nose that it's like,

52:14

funny to tell people about.

52:15

But yes, it was real.

52:16

But the Bronx High School of Science.

52:18

When I was in college, the people that were like that,

52:22

we would derisively call them BPs for beautiful people.

52:26

And then some of them actually kind of owned it.

52:29

And we're like, we're the BPs.

52:30

And it's like, no, no, we're making fun of the fact that,

52:33

yeah.

52:35

Jenna being mean to be her hurts my feelings.

52:39

Seven minutes of heaven, I think has been banned in 50 states now in 2026.

52:45

Back then made sense.

52:47

And she wants to be 30 and flirty and thriving.

52:50

I think I was going to do what's at your best.

52:51

I'll do it now.

52:53

Tom Tom becoming Judy Greer, one of the best team to adult casting of two different people

52:59

that I can remember.

53:01

Interesting.

53:01

You know, Judy Greer doesn't agree with that.

53:03

Like, I guess people brought that up with her frequently.

53:05

She was like, I think that girl looks like her.

53:06

I know.

53:07

No, I do.

53:08

Judy Greer would like never acknowledge it, which is sort of funny.

53:11

Oh, maybe she doesn't like it.

53:13

I think the Jennifer Garner team is well, it looks just like her.

53:15

I thought she's great.

53:16

Yes.

53:17

For casting.

53:18

I think she looks like Hillary Swank that young woman.

53:20

But I couldn't agree more.

53:22

It's all I could say.

53:23

Exactly.

53:23

I respectfully disagree.

53:24

Oh, it's pretty good.

53:25

I mean, on the scale of like, you can be way off with stuff like that.

53:28

I thought it was pretty solid.

53:30

Well, especially they set up the nose job thing later.

53:32

So I got, yeah, I guess.

53:34

Yeah, but all I saw was Hillary Swank and that just,

53:37

well, we almost saw Hillary Swank in this movie.

53:39

She's in the casting.

53:40

What if?

53:42

Crazy.

53:42

Next one is Jenna wakes up and she's 30.

53:46

The cell phone thing is really funny.

53:48

It's like the perfect time in order to be like, what's that noise not knowing what a cell phone is?

53:55

The whole like checking out her body, waking up with the hockey player.

54:00

And then Lucy, I'm Jenna Rink, big time magazine editor.

54:04

They go into the office.

54:05

That whole part's great.

54:07

It's great.

54:07

Yes, I love that scene.

54:09

I think that's also like when Jenner,

54:10

it's almost like Jennifer Grunner's like mission statement.

54:12

She nails the physical aspect of it and the facial expression so well.

54:17

I think it recalls Tom Hanks and big a lot.

54:19

Like you, it's impossible to not think about when he first wakes up too.

54:22

And it's kind of like reassuring like, oh, she can do this movie.

54:26

Like it's going to be good.

54:27

By the way, she looks great.

54:29

She's beautiful.

54:30

I think she still looks great.

54:32

Great outfit.

54:32

Yeah.

54:33

Yeah.

54:35

That gets into the office for the M&M blah, blah, blah.

54:38

She's like playing her peanut has no idea.

54:40

I'm an M&M.

54:41

That was so funny.

54:42

Next scene she goes see Ruffalo

54:45

when he's like

54:47

doing his Ruffalo out of the side.

54:48

Or is not.

54:49

We're not friends anymore, Jenna.

54:50

Yeah.

54:51

Um, that whole part's really interesting.

54:53

How I like these are where you really have to suspend belief with movies like this.

54:57

Because

55:00

your reaction to this in real life would be you've taken fentanyl.

55:04

Well, he said that.

55:05

She got to get did you go into K-Hole?

55:07

He said that they did mushrooms like what if this woman's lost her mind?

55:11

Call the police.

55:12

I know.

55:13

She's like, I used to be 13 and now I'm here.

55:15

It's like, what's going on?

55:16

What drugs did you do?

55:17

But he doesn't have that reaction.

55:19

Yeah, it's like covered in one one line.

55:21

She's like, I can't remember anything that happened.

55:23

So he just like lets her start looking at materials and like doesn't kick her out.

55:27

I guess you're supposed to think that he's attracted to her right away.

55:29

So he left.

55:30

She was like, she might have amnesia and she looks fucking hot.

55:32

I'm gonna have to play this out and see where it goes.

55:35

Then we get a dress up montage with Whitney Houston music,

55:39

heading into the elevator combo 13 year old.

55:41

But this movie, you know, this is like where you're just following the romcom.

55:45

You know, you're following the footsteps of the giants.

55:47

And one of them is you have to have a dress up montage seen.

55:50

So it was Whitney Houston.

55:52

It was supposed to be lips like sugar.

55:55

By echo in the bunny man, which would have been great,

55:57

but they couldn't get the licensing for it.

56:00

Which is crazy to me because they got 15 songs and spent millions of dollars.

56:03

But somehow echo in the bunny man.

56:05

We're like, nope.

56:06

We can't do it.

56:07

They should take the money.

56:08

They're like, I hate alias.

56:11

No, thank you.

56:11

Yeah.

56:12

It shows terrible.

56:15

Jenna saves the party with thriller,

56:17

which is now an iconic romcom scene.

56:20

And an iconic dress.

56:22

Yes, the dress is I think.

56:23

So go, you take the floor.

56:25

Just go.

56:26

The dress is incredible.

56:27

It is a modified Versace dress from like the year before.

56:32

It's the green dress for the people in our room.

56:34

Yes, it's like sure.

56:35

It's so funny that you say that.

56:36

I'm like, how can people not know what I'm talking about?

56:38

Yeah.

56:39

The dress has such a long life.

56:40

I think it's like a Halloween costume every year.

56:43

I think it's something people think about when they turn 30.

56:45

And it has like the silhouette that moves really well

56:48

when she's doing the dance.

56:49

The funny thing about the dance,

56:50

I just something she's very good at it.

56:51

Like she's much better when she does love

56:53

as the battlefield dancing on the bed later in the movie.

56:55

But she looks like awkward and stiff.

56:57

And it gets better as the song goes along.

57:00

But the first minute of it is really bad.

57:02

And then Ruffalo is just putting a stamp on it for two minutes.

57:05

It's like he's like hurt himself.

57:06

And he's like dragging his foot along.

57:08

Yeah, Gollum comes in and he's banging it out though.

57:11

Gollum is ready to party.

57:14

But yeah, the dress is amazing.

57:16

And of course, it's like punctuated by her grabbing her boobs

57:19

and saying, because I have these incredible boobs to fill it out.

57:22

Like, yeah, it's such a gleeful moment.

57:23

And I think that like, you know, a lot of people,

57:26

particularly women can relate to like putting it on something

57:28

that makes you feel so good,

57:30

that you just like want to live in the moment

57:32

to experience like that greatness.

57:34

And it's very sweet.

57:35

It's like, it is literally aspirational,

57:37

which is why it works so well.

57:38

It's like you want to find a dress like that.

57:39

That's like, it's you perfectly.

57:40

That makes you feel like a million bucks.

57:42

And it just works.

57:44

Craig, does Michael Jackson have too much baggage now

57:47

where a scene like this and people busting out thriller

57:50

would be more complicated

57:51

or do people not care from your generation?

57:54

I don't think it's a Michael Jackson problem.

57:55

To me, the craziest part was that like,

57:58

is was the song was the dance really so popular that

58:02

in 2004, you could expect that anyone in a room

58:06

knew the entire dance?

58:09

Kind of yes.

58:10

Wow, because the video was like the probably the biggest video

58:13

of all time and everybody imitated it.

58:16

So I loved I loved that it wasn't that Mark Ruffalo

58:19

didn't know the dance and wasn't bearer.

58:20

She's like, well, obviously I know the dance.

58:22

It's thriller, but I don't want to do it.

58:23

I just love that anyone at this party,

58:26

if you pointed at them, they were like,

58:27

yeah, I know the thriller dance from beginning to end.

58:29

I mean, it added up for me.

58:32

Isn't that kind of back with TikTok dances?

58:34

Like, yeah, I spent a long time watching

58:36

everyone doing that baby doll,

58:37

Jamie Miller dance last night.

58:39

I was sure how does everyone know this?

58:41

The song is just funny.

58:42

It's just funny. It was like a two minute routine

58:43

and everybody knew it.

58:44

I was like, man, did people really know the whole thriller dance?

58:46

Man, sometimes that happens.

58:48

Wesley didn't like it.

58:50

Wesley wrote,

58:51

Shadow, Wesley's listening to this.

58:54

Having a great time right now.

58:55

Watching Garner and the rest of the cast

58:58

earnestly dance like ghouls,

59:00

I cringed the way I might have had this happen at a party.

59:03

I was actually attending.

59:04

The amateurness is in cute.

59:07

It's scary.

59:11

Wesley, not a fan.

59:12

Scary.

59:13

Well, that's been thriller.

59:14

Amateurishness.

59:15

That's really, I love when Wesley makes up a word.

59:17

Or like, you're like, is that really weird?

59:19

He made that word up.

59:20

That's for sure.

59:20

For sure, but like, that's another hallmark of Wesley's

59:22

wonderful writing.

59:24

I think this reminded me of like every bar mitzvah I've been to.

59:28

And since she's supposed to be 13, it's totally tracked.

59:30

I was like, yeah.

59:31

Every bar mitzvah I've been to because I went to a bunch

59:33

as a kid and then way more when my kids had friends

59:36

that had bar mitzvah.

59:36

So I've somehow been in like 30 bar mitzvahs.

59:38

Yeah, sort of like everyone knowing the cha cha slide.

59:41

It tracks.

59:42

I thought it was, you know, it's, it's a famous scene.

59:44

Also, there is just something like the mechanics of Michael Jackson

59:48

are obviously like he defies mechanics or he did.

59:50

And so then like seeing all these people

59:52

like just like get up into the party and doing it is hilarious.

59:55

I love when Arlene joins the secretary.

59:57

That's my favorite moment.

59:58

She's like so happy to be out there.

1:00:00

So Arlene's coming up later.

1:00:02

I like Arlene as well.

1:00:03

We have the Liz Fair Manches and to re montage into razzles

1:00:07

and to the Brooklyn Bridge with them and whatever throwing that in.

1:00:11

That's seems like a spot movies will go to.

1:00:15

Oh, on the side of the East River.

1:00:17

On the side with that shot,

1:00:18

Saturday, Fever was in there.

1:00:20

50 years of people shooting like right around in that area

1:00:23

because it's a good shot of the bridge in the background.

1:00:25

What about Manhattan?

1:00:26

I mean, that's the black and white shot.

1:00:27

I mean, that's iconic.

1:00:30

Love is a battlefield with the,

1:00:31

with the nice version of the six chicks

1:00:33

when she's explaining to the 13.

1:00:35

I actually like I could have gone one more scene with her

1:00:38

just hanging with the 13.

1:00:40

Totally dispensing advice.

1:00:41

Like that was a really fun part.

1:00:44

All right, Jenna two more.

1:00:46

Okay.

1:00:47

Jenna's class of 2004 pitch for the new magazine.

1:00:51

Bravo.

1:00:52

Bravo.

1:00:54

That's most rewatchable for you.

1:00:56

I've got some notes.

1:00:57

I wanted to bring that up later.

1:00:58

No, it's rewatchable because it's

1:01:01

probably the worst publishing idea of all time.

1:01:04

I think you're immediately.

1:01:05

This goes beyond nitpicks.

1:01:07

This is you're just immediately fired.

1:01:09

People are like, the fuck are you doing?

1:01:11

The materials.

1:01:11

It's supposed to be a glossy magazine

1:01:13

that people aspire to.

1:01:14

We're going to give them a high school yearbook.

1:01:16

You're fired.

1:01:17

It didn't even look well done.

1:01:19

The material she presented were so poor.

1:01:21

If I were maddy, I'd be like,

1:01:22

please don't include my work.

1:01:23

I don't want to be associated.

1:01:25

You do not have the right to use my.

1:01:27

Gollum's like, who is this photographer?

1:01:29

It's like these are fucking basic iPhone photos.

1:01:33

It kind of looked like

1:01:35

if like a five year old was trying to make

1:01:37

their own J Crew catalog.

1:01:38

This is what they would have been at that point.

1:01:40

It was a 13 year old.

1:01:41

But even worse, like someone with no skills.

1:01:44

So bad.

1:01:45

And the irony is that Lucy's idea of like heroin

1:01:48

chic. I was like, all right, this is pretty good.

1:01:50

Yeah, I get why she's coming out of the

1:01:52

music scene in New York in 04 and just kind of where things were going in general.

1:01:56

I kind of liked it.

1:01:57

I know why she became editor in Chief of Sparkle.

1:01:59

Good idea.

1:02:00

Craig, which idea did you like more?

1:02:02

Genes or Lucy's for the magazine redesign?

1:02:05

I did immediately turn to Liz.

1:02:06

And I was like, you know, Lucy's ideas

1:02:08

way better than Genes, right?

1:02:09

Fashion suicide would play.

1:02:10

Liz was upset.

1:02:11

She loves this movie.

1:02:12

She doesn't like to hear any criticisms.

1:02:15

Liz, Liz love the happiness, celebration.

1:02:20

nostalgia.

1:02:21

Wow, is it a bad idea?

1:02:22

Liz loves gollum.

1:02:25

My last one is just Gena and Lucy have it out.

1:02:28

And Jenna finds out that evil Jenna,

1:02:30

who she was before she kind of woke up,

1:02:34

was actually undermining Sparkle every month.

1:02:37

Judy Graher's lights out in the scene.

1:02:39

Really good, yeah.

1:02:39

I might have told him something else too,

1:02:41

but I just can't remember.

1:02:44

Are we supposed to think that she did

1:02:45

and it got cut from the movie?

1:02:48

Because later on,

1:02:50

Jenna, when she shows up at Mark Ruffalo's house

1:02:52

to stop the wedding, like it's my best friend's wedding,

1:02:55

she says, well, I guess it is.

1:02:56

She says, I don't know what she told you, but it's not true.

1:03:00

So like, are you supposed to think there was something else?

1:03:04

I think so.

1:03:06

But I did not put the wedding scene in that.

1:03:08

I didn't think that would.

1:03:09

I thought that scene could have been better.

1:03:11

I do have some thoughts about it later,

1:03:12

but those were all my rewatchable scenes.

1:03:14

So what you're, oh, I skipped one, accidentally.

1:03:18

After Thriller, the sad Viana scene.

1:03:24

What a classic.

1:03:25

I'm saving Vienna for later.

1:03:27

I mean, I have a part for later too.

1:03:29

Here's what Billy Joel said though about Vienna.

1:03:33

Actually, I'll save this part too.

1:03:34

All right, we'll save Vienna.

1:03:35

I have a whole separate part for this.

1:03:37

I mean, it's deserved it.

1:03:38

It's Vienna.

1:03:41

What do you have for your most rewatchable scene?

1:03:43

I can't wait.

1:03:45

My most rewatchable scene is the first scene when she wakes up

1:03:47

in the apartment.

1:03:48

The umbrella gag is really important to me when she like sticks it.

1:03:52

So she doesn't see his penis anymore.

1:03:54

Right.

1:03:54

In an underwear like in all of the physical comedy,

1:03:57

I just like feel proud as a Jennifer Garner fan in that moment.

1:04:01

And it's just very funny.

1:04:02

It's what really well done.

1:04:03

And then this, like the slip that she's wearing

1:04:07

and then putting on the jacket is so famous that it's like,

1:04:10

and that's even more than the dress for me.

1:04:12

That's like the defining look of the movie.

1:04:14

So it's definitely that.

1:04:17

I think you're right.

1:04:18

I think basically from the closet all the way through

1:04:21

when she gets to work,

1:04:22

then first 25 minutes of this movie are excellent.

1:04:25

Yeah, they're really good.

1:04:27

Really, really good.

1:04:28

What's the most 2004 thing about this movie?

1:04:32

So many.

1:04:32

And the M's on the phone.

1:04:33

He wants a decision now.

1:04:37

That slip dress is a little 1997.

1:04:40

Mm hmm.

1:04:40

Wrote that one down.

1:04:41

Mm hmm.

1:04:42

Being surprised by a cell phone ring.

1:04:45

What else do you have?

1:04:46

I have, like in the when she first gets to work,

1:04:49

you can see some of the like previous issues of both sparkle

1:04:52

and poise.

1:04:53

Yeah.

1:04:54

And the cover stars also include Courtney Cox and Marissa Tome.

1:04:57

Oh.

1:04:58

Those were pretty good.

1:04:59

I thought Courtney Cox in particular, very 2004.

1:05:01

Yeah.

1:05:02

There's the pick and Jenna's office wall.

1:05:05

She's a picture of her with like a lot of people,

1:05:07

like the Madonna's signed one.

1:05:08

She has a picture of her and Rudy Giuliani.

1:05:10

Yeah.

1:05:11

Oh, very, very funny.

1:05:12

I had the flip phone.

1:05:13

That's a good one.

1:05:14

Back when it was okay to have a picture of the Rudy Giuliani.

1:05:16

It wasn't like for humor or like having to ask a lot of questions.

1:05:19

It was just like this was the mayor during 9-11.

1:05:22

Right.

1:05:24

The flip phone was a big one for me too.

1:05:25

It's like, especially because I think colored phones,

1:05:28

like a colored screen came in like 2002, 2003.

1:05:31

So they were really kind of coming into their own.

1:05:34

And then for me, the repeated use of Liz Faire's, why can't I?

1:05:37

I mean, that is an early off song.

1:05:40

And to use it two times, it's like it wasn't a deep cut at the time.

1:05:44

It was just Liz Faire.

1:05:45

And so I don't think that resonates in the same way.

1:05:47

And it really brought me back.

1:05:49

My only other one, this was my winner.

1:05:51

Garner's performance earned her nominations from both the MTV movie awards

1:05:56

and the Teen Choice Awards.

1:05:57

It's like there was a three-year vortex where that could have happened.

1:06:00

Totally.

1:06:01

But I think you're right with Liz Faire.

1:06:04

The Floyd Gundalli Butter and My Ass Award and Lollipops and My Amount Award

1:06:09

for something I just enjoy.

1:06:11

I'll go first.

1:06:12

Okay.

1:06:13

I love rom-com bitches.

1:06:16

You like a bitchy lady.

1:06:18

There's just a certain level it goes to.

1:06:21

And it's never like really, really like catastrophically mean.

1:06:25

But more mean where you're like, oh.

1:06:27

And we all know people who are probably watered down versions of the rom-com bitches.

1:06:36

There's always somebody at work or somebody that

1:06:39

your friend is friends with or your wife or girlfriends friends with.

1:06:43

But there's variations of them and you can see the seeds.

1:06:46

So when I see Lucy, it's like, oh, I know.

1:06:50

I know Lucy's.

1:06:51

But rom-com bitches are great.

1:06:52

They are because they have to turn it up a little bit.

1:06:54

It can't just be like subtle.

1:06:56

They have to be really.

1:06:57

It's clearly.

1:06:58

Yeah, it's great.

1:06:59

I think Sigourney Weber is a really good example of that and working girl.

1:07:02

Great example.

1:07:03

She's like a great character.

1:07:05

And like if that was actually your boss, you would want to die.

1:07:08

That's a good one.

1:07:09

I mean, Judy Guerrero, this movie is great.

1:07:10

And like, she's on a sale ball.

1:07:12

She really like makes it a better movie.

1:07:14

So I get it.

1:07:15

It's a great one.

1:07:16

She said she might have been on the right side of history too.

1:07:19

Evil Jenna is just undermining the entire magazine.

1:07:22

The sparkle.

1:07:23

I do also think that like you can't understand what a bad person Jenna was without Lucy.

1:07:29

Because like if they're best friends,

1:07:30

I'm like calling them the dynamic duo at the beginning,

1:07:33

clearly like she has become a Lucy.

1:07:36

And so-

1:07:36

Lucy's Darth Vader basically.

1:07:38

She sucks her to the dark side from the moment that it's a birthday party.

1:07:42

It's true.

1:07:43

Turning 13 is such a big deal.

1:07:45

I mean, yeah.

1:07:45

Bring something to the six chicks.

1:07:46

Like just changes her life for the worse.

1:07:49

Don't you think Jenna Ring probably would have had a bought mitzvah?

1:07:51

Just throwing it out of that there.

1:07:53

Living in New Jersey.

1:07:54

She seems like a Jewish.

1:07:55

So you think Jenna Ring definitely Jewish?

1:07:57

I think so.

1:07:58

Kurt May right now.

1:08:01

Jenna Ring.

1:08:02

Yeah.

1:08:02

Positive.

1:08:03

That's a Jewish name though.

1:08:04

Well, as a Jew, I think it is.

1:08:07

You're more qualified to rule on this than me.

1:08:09

I'm just.

1:08:09

I'm just curious.

1:08:10

You're supporting Cabinet.

1:08:12

Jenna Ring.

1:08:13

Yeah, just think about it.

1:08:14

You know, people can let us know.

1:08:15

You're the parents seem Jewish enough to you.

1:08:17

Kathy Baker?

1:08:17

I don't think so.

1:08:18

No.

1:08:19

But I do love Kathy Baker.

1:08:21

Did you watch Picket Vences?

1:08:23

Well, I mean, she was the hooker in Street Smart.

1:08:25

So that's why I knew Kathy Baker.

1:08:27

Okay.

1:08:27

What's going on with the pilot of you and Adam Friedland

1:08:30

doing Jewish stuff?

1:08:31

Have you have we filmed that yet or no?

1:08:33

It's still just in our text messages.

1:08:35

We haven't gotten there yet.

1:08:36

But it's still feels like we do an eight episode test drive.

1:08:40

I'm interested.

1:08:42

He's available.

1:08:43

He's nearby.

1:08:44

We're both in New York.

1:08:45

Okay, the thing that I just like.

1:08:48

Jennifer Garner's hairstyles are so fun.

1:08:51

In this movie, they do so much for the character.

1:08:54

And like,

1:08:55

chopsticks in the hair.

1:08:57

I don't think that would be like,

1:08:58

acceptable in a movie in this era,

1:09:01

like after Gwen Stefani.

1:09:03

But it's so funny and the way that like they show her character,

1:09:07

like evolving from having just woken up

1:09:10

to like realizing she's a bad person

1:09:11

with like the very like,

1:09:12

elaborate hairstyles who are just being down

1:09:15

and like, no makeup on.

1:09:16

It's so it's so well done.

1:09:18

It's also just so like feminine.

1:09:20

It adds a real touch of like Jennifer Garner's

1:09:23

like feeling all over the movie.

1:09:25

And I just like love it.

1:09:26

When I laughed myself when I watch it.

1:09:29

We'll take one more break and then we'll go to the what's

1:09:31

age the best.

1:09:32

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What's age the best?

1:10:46

Obviously.

1:10:47

Unquestionably.

1:10:49

It is all of the J-Lo covers in a movie with Jennifer Garner

1:10:54

right as J-Lo is about to break up with Ben Affleck

1:10:57

who Jennifer Garner is about to start dating.

1:10:59

It's incredible.

1:11:00

It's the whole movie.

1:11:01

J-Lo is just, there's one part near the end

1:11:04

where she's in front looking good outside

1:11:07

with a J-Lo cover in the back

1:11:08

and it's like, I'm going to go get Ben Affleck now.

1:11:12

That you can do a supercut of her just

1:11:14

ending up with Ben Affleck just through scenes of this movie.

1:11:17

It is so funny because in the movie,

1:11:19

which came out in the spring of 2004,

1:11:22

she at the end, one of the final montage scenes,

1:11:25

she goes to the new stand and she takes down all the covers of Sparkle.

1:11:28

There's three of them that are being helped with the binder clip

1:11:31

and J-Lo is on the cover and then she hides them.

1:11:33

And you just couldn't script that better

1:11:35

because then five months later,

1:11:37

a game one of the World Series,

1:11:39

Jennifer Garner and Ben Affleck make their debut at the Boston Red Sack.

1:11:42

As did I.

1:11:43

We were all in Fenway Park together.

1:11:45

11 and 9 over the Cardinals.

1:11:47

And then it's just, it's crazy.

1:11:49

Like, yeah, you got to discuss that.

1:11:51

You know, it's just, this is the same.

1:11:53

I got to say, as you know, I love Affleck

1:11:55

and I'll fight for Affleck in Damon Forever.

1:11:59

Very important next girlfriend choice

1:12:02

because the J-Lo thing did not go over great

1:12:05

with the fan base being that she was from the Bronx.

1:12:09

Right. That's true.

1:12:11

And was unabashedly Yankee fan

1:12:14

and that was just really weird.

1:12:16

So then they break up.

1:12:18

He shows up symbolically game one,

1:12:21

04 World Series with his new girlfriend,

1:12:23

Jennifer Garner is a 100% approval rating

1:12:26

just to just a win all the way around.

1:12:28

It was like, we've got him back.

1:12:29

He's back in the fall of Ben Affleck.

1:12:31

Come back to us.

1:12:33

It's kind of like a Nick Hornby moment.

1:12:35

That's the kind of thing that'd be in a Nick Hornby buckford.

1:12:37

It's like, he's backed by a showing up at his favorite stadium

1:12:39

with a girlfriend you can all approve of.

1:12:41

I wanted to walk over to him during the game

1:12:43

and go, Ben, it's not your fault.

1:12:46

It's not your fault.

1:12:47

I'm just giving him a big hug.

1:12:49

It's not your fault.

1:12:50

It's not your fault.

1:12:51

It's not your fault.

1:12:53

More weight, it's age the best.

1:12:55

The six chicks just as a gimmick

1:12:58

and just a group of mean girls in a romcom

1:13:02

has a 100% success rate.

1:13:04

I don't think it's ever not worked.

1:13:06

Yeah, because everyone can relate to that.

1:13:08

Like you, you everyone knows that group

1:13:10

from some point in their life.

1:13:11

And also having a really good name is important.

1:13:14

So six chicks is great.

1:13:15

And especially because it allows Maddie to say

1:13:17

you can't be in it.

1:13:18

There's only six of them.

1:13:19

Like it's just, it works out really well.

1:13:21

They show up with shitty looks in their face.

1:13:22

They're all kind of dressed the same.

1:13:24

They have the different looks.

1:13:26

There's always one tall one in the back.

1:13:27

And then Craig buckle up

1:13:30

because you probably didn't research this.

1:13:32

Oh, you're gonna say,

1:13:32

you're gonna say,

1:13:33

Brie Larson?

1:13:34

Brie Larson, he didn't research it.

1:13:36

I just, I recognized her.

1:13:38

Ashley Benson.

1:13:40

Right.

1:13:40

She's also there.

1:13:41

She's Benson from Pretty Little Liars,

1:13:42

so sure, not watch.

1:13:43

But Brie Larson, I am familiar with her career.

1:13:46

Sure.

1:13:46

She's, she's on the far right

1:13:48

as a crappy look on her face.

1:13:50

And then in the yearbook photos,

1:13:53

when Jenna has ascended as a six chick,

1:13:56

it seems like Brie Larson got bumped out.

1:13:58

So I don't know.

1:13:59

What do you think the,

1:14:00

what do you think the mechanics of that one was, Juliet?

1:14:02

And maybe like where you get to stand in the row

1:14:04

is like how close you are to the center of power.

1:14:06

And she was obviously on the periphery.

1:14:08

So she got pushed out.

1:14:09

Yeah, and maybe a little too cute for Tom, Tom, Tom, Tom had to

1:14:12

became a zero sum game.

1:14:14

Had to get a great point.

1:14:15

Get Jenna in there.

1:14:17

We also get the plastics a week later.

1:14:19

Mean Girls came out a week after this one.

1:14:21

So you have the six chicks and then the plastics seven days apart.

1:14:23

You know, I'm glad you brought that up, Craig.

1:14:25

I think that hurt this movie a little bit

1:14:28

because Mean Girls was such a good high school movie.

1:14:31

And it was right after and it became more of a thing.

1:14:33

And I don't think it gave 13 going on 30,

1:14:36

the stage, the runway.

1:14:38

That it needed.

1:14:39

You know what I mean?

1:14:42

More would say she's the best for me.

1:14:46

I thought the mom daughter casting of Kathy Baker

1:14:50

with the 13 year old who becomes Jennifer Garner was really good.

1:14:53

Like they actually like look like they were mother and daughter.

1:14:56

And I like the mom in general.

1:14:57

I like the, I know I made a lot of mistakes,

1:15:00

but I don't regret making any of them.

1:15:02

Good high school yearbook quote.

1:15:04

I thought the mom was just great in this movie.

1:15:06

Nice even killed.

1:15:08

The next door neighbor gimmick in romcoms.

1:15:13

I just enjoy in general when somebody like anyway.

1:15:19

I ran a grand day.

1:15:20

Thank you next.

1:15:22

Yes.

1:15:23

I'm less familiar with this one.

1:15:25

Okay.

1:15:26

But um,

1:15:28

apparently Big Olmage in that video.

1:15:31

Yes.

1:15:31

This movie.

1:15:32

The fight thing is also a big Olmage to Mean Girls in that video.

1:15:34

And a couple other movies.

1:15:35

But yes, she has,

1:15:36

she's carrying the dream house in that video.

1:15:38

And it's a great video and a great song.

1:15:40

Billy Joel.

1:15:41

I have as a woodstage the best.

1:15:44

Um,

1:15:45

this is always fun when movies do this.

1:15:47

As Jenna softens during the movie,

1:15:49

the production team adjusted her wardrobe and gave her warmer colors.

1:15:52

But Lucy becomes ruthless and her fashion sense goes the other way and goes darker.

1:15:57

It's always like subtle shit.

1:15:58

I would never think of as a watching movie.

1:16:00

The the wardrobe in this movie is really, really well done.

1:16:03

And um,

1:16:04

Jennifer Garner has worked with the costume designer.

1:16:06

Like 10 times since this movie.

1:16:07

Yeah.

1:16:08

My name is Susie.

1:16:09

The green thriller dress we mentioned, um,

1:16:12

ended up in a costume warehouse.

1:16:14

And Garner said she always gets asked where it is.

1:16:19

Apparently it was on Sex and the City on an extra

1:16:23

during a scene in a theater.

1:16:24

And that's the last time it's been seen.

1:16:26

It looked pretty different on that extra.

1:16:28

I saw the scene and it doesn't have like the cutout.

1:16:31

Yeah.

1:16:32

Doesn't have the cutout.

1:16:33

And it's just like, you wouldn't realize it was the same.

1:16:36

It's actually like someone watching really closely,

1:16:39

must point it out because it doesn't,

1:16:41

doesn't even feel like the same dress.

1:16:44

I have three more quick ones and I'll save my last one for last.

1:16:47

Then we'll go to you.

1:16:47

Billy Joel, I think in the mid 2000s on has aged incredibly.

1:16:52

Yeah.

1:16:52

1987 mix tapes was right around the first era of mix tapes.

1:16:56

I think they did a good job with that.

1:16:59

And then, uh,

1:17:01

Matt's girlfriend.

1:17:02

Hmm.

1:17:04

Really attractive.

1:17:06

Anchor woman.

1:17:08

Moving to Chicago.

1:17:09

I got to say sounds like a dream girlfriend.

1:17:11

I don't know what Matt was thinking.

1:17:13

Well, she's fine.

1:17:15

She denigrate.

1:17:16

Commuter couple.

1:17:16

I've never heard of that before.

1:17:17

Commuter couple in the first year of marriage.

1:17:19

I does not determine my new, but I like it.

1:17:21

I'm going to start using it.

1:17:22

Um, she denigrated his work when she said you could take, uh,

1:17:25

pictures of, uh, vitamin bottles from Chicago.

1:17:28

So that wasn't so nice.

1:17:29

Yeah, that wasn't nice.

1:17:30

I guess she was really attractive.

1:17:32

Yeah, she's, she's great.

1:17:34

Also Chicago, a great city, you know, I support it.

1:17:37

I could see him fitting in.

1:17:37

It's been Chicago.

1:17:39

All right.

1:17:39

I have one more.

1:17:40

But you go.

1:17:41

What's what you have for what's actually best?

1:17:42

Okay.

1:17:43

I have a few.

1:17:43

Um, the topic of wardrobe, Mark Ruffalo, like everywhere he dresses is like so popular now.

1:17:48

And also like kind of never went out of style for men.

1:17:51

And he's wearing like the Adidas, the CBGB shirt,

1:17:53

but it's pants fit.

1:17:54

Like everything about his style really works.

1:17:56

I also noticed he has like a pendant light over his dining room table and his apartment.

1:18:01

That's also still very in.

1:18:02

So I was impressed by that.

1:18:04

Um, I think that they nailed luxury really well.

1:18:07

Like at the beginning when the guy at Coise turns to Jenna and goes two words,

1:18:13

St. Bart's like St. Bart's is still aspirational and like still where someone like that.

1:18:18

This is right up right now.

1:18:19

Yeah.

1:18:19

That's a good one.

1:18:20

That's really also at the end, um, Jenna's parents were like, it was something with the

1:18:25

Sanny Cidro ranch and her dad's like, Sanny Cidro.

1:18:28

And I'm like, yes, that remains quite luxurious.

1:18:31

So like, I think those have lasted.

1:18:34

And of course I noted them.

1:18:36

Um, I think that New York City, like they chose shots of New York that have not aged.

1:18:41

Like I was looking at the various addresses.

1:18:44

Like it's like 444 Madison.

1:18:46

It's 61 fifth.

1:18:47

Like those all look as good as they did then now and like won't change because they're like landmark buildings.

1:18:53

And they also didn't pick any part of New York that felt gimmicky.

1:18:57

Like for example, in big F.A.O. Schwartz has gone.

1:18:59

Um, they also, it's right after 9-11, but they didn't even like touch anywhere too far downtown.

1:19:05

They have a scene on the street in Tribeca that like looked like it could have been a Whitselman movie

1:19:10

or it could be today.

1:19:11

Like it just, they nailed New York and they had a very limited time there,

1:19:15

but they just picked really good exteriors that worked really well.

1:19:18

So I had that as my Denetheave's Benihano word for scenes dealing location.

1:19:23

Um, happy, sunny, crime-free 9-11 never happened New York.

1:19:29

Totally.

1:19:29

And this is filmed to, you know, year and a half after 9-11.

1:19:32

It never acknowledges it.

1:19:34

It just moves forward and it's like, look how great New York is.

1:19:37

And then I think it's one of the reasons this movie is sustained.

1:19:40

Definitely.

1:19:40

It's like sunny.

1:19:41

It makes you feel good, like you said.

1:19:42

Yeah.

1:19:43

Um, I also just think like the, you mentioned it,

1:19:46

but the pink slip dress is so, like, so, so good.

1:19:49

People would wear that now.

1:19:50

Yeah.

1:19:51

That's my list.

1:19:52

My last one is, you know, I love real estate.

1:19:56

61-5th AB 7C.

1:19:58

Greenwich Village did some recon on it.

1:20:01

Probably 55K a month to run from there now.

1:20:05

Definitely.

1:20:05

Yes.

1:20:05

That's like, really nice.

1:20:07

There's a couple good wide shots.

1:20:08

If you Google, it's a 10-story building,

1:20:11

perfect location in Greenwich Village.

1:20:13

And it's where like celebrities are living in that place.

1:20:17

I was just walking around there last week,

1:20:19

like, very close to there.

1:20:20

And I saw Alex Balboon on the street.

1:20:21

So yes, they are.

1:20:22

Um, he and Hilario were just leaving breakfast.

1:20:25

Hmm, Hilario.

1:20:26

How's she doing?

1:20:27

Was she good?

1:20:28

She seemed like she was thriving.

1:20:30

Her hair was like very voluminous.

1:20:32

Good update.

1:20:34

Great shot, Gordo Award for most cinematic shot.

1:20:38

That shot of the Brooklyn Bridge in the background

1:20:40

that so many people have gone for it.

1:20:41

But, um, in that, that, uh, I don't know.

1:20:46

I've just seen it many times.

1:20:47

It was works for me.

1:20:48

Yeah, it was great.

1:20:49

They kind of do both sides.

1:20:50

The beginning, they're eating the razzles,

1:20:51

like, walking, and that's on them in Hattenside.

1:20:54

And then when they go to the play,

1:20:54

you're on those on the Brooklyn side.

1:20:56

And it looks great both times.

1:20:57

It's, it's very beautiful.

1:20:58

Chess Rockwell, Brocklander's award for best character names.

1:21:01

It's got to be the six chicks.

1:21:02

Oh, okay.

1:21:03

What did you have?

1:21:04

Well, I just thought we need to talk about Matt Flamhouse.

1:21:07

That's like an awful, weird name.

1:21:09

And it's so awful and weird.

1:21:10

Like, that it comes good.

1:21:12

Yeah.

1:21:12

So I'm like, okay, sure.

1:21:14

Yeah, I could see that being like a dorky guy.

1:21:16

It doesn't fit for Mark Refflo,

1:21:17

but it fits for like the child actor.

1:21:18

So handsome handsome guy with a dorky name.

1:21:21

Yeah.

1:21:22

Signifying that he might have been a dork way back when.

1:21:24

And like, just like a not a name you'd want to say.

1:21:26

Like, if you were at 13 and you're talking about your boyfriend,

1:21:28

like, your mom would be like,

1:21:30

Flamhouse, like, what kind of name is that?

1:21:32

So it's not, it's just a funny, funny choice.

1:21:35

Fickahuna Burger, where best he's the food or drink.

1:21:37

Obviously, razzles.

1:21:39

I think starting the shrimp at the party,

1:21:41

it's a really good touch and really funny.

1:21:43

Okay.

1:21:44

That worked better for me.

1:21:46

Kid Cudi,

1:21:47

pursue to happen in Sward for best needle drop.

1:21:49

So, and I'm writing this down as I'm watching the movie.

1:21:52

It's like, go goes, head over heels.

1:21:54

We get this twice.

1:21:54

That's got to be the winner.

1:21:56

No, it's definitely thriller.

1:21:58

Iconic movie scene.

1:22:00

Then Vienna kicks in and it's like,

1:22:02

Oh, it's Vienna.

1:22:02

That's a winner.

1:22:04

Yeah, it's Vienna.

1:22:05

So it's so amazing.

1:22:06

It's such an incredible song.

1:22:07

And it use it.

1:22:09

I can't think of many other movies that use Billy Joel's voice

1:22:12

over like kind of like a sad montage that way.

1:22:14

It's so well done.

1:22:16

It's like kind of beautiful.

1:22:18

Also, it includes a train scene.

1:22:19

Who doesn't love a train scene?

1:22:21

Train scenes work 100% of the time.

1:22:23

Great shot of the character looking sadly at the window.

1:22:26

Things are moving.

1:22:28

Everyone can identify with it.

1:22:30

Was there a better title for this movie?

1:22:32

I don't think so.

1:22:33

Well, in Australia, it was called suddenly 30.

1:22:36

And then like in every other country,

1:22:38

they translated it in like a way that was suddenly 30.

1:22:41

Because apparently they didn't think 13 going up 30 would

1:22:44

track for other cultures.

1:22:45

And I'm just like, do people not have the sound of music

1:22:48

in other countries?

1:22:49

Because I am 16 going on 17 is pretty similar to 13 going on 30.

1:22:54

So I was confused by that.

1:22:55

But that is the individual name.

1:22:57

Or that's the Australian name.

1:22:59

Craig, you like suddenly 30?

1:23:01

No, I think 13 going on 30 is a better title.

1:23:03

Suddenly 30 is pretty good.

1:23:06

I like suddenly 30.

1:23:07

I also just think of it like if you're starting over 30 and 30 and thriving.

1:23:11

I mean, that's the line of the movie.

1:23:12

So that's probably the poor and parody of this.

1:23:15

Julia, you have a flex category.

1:23:20

I would like to do the Vincent Chase award.

1:23:22

I'll be sure this character was actually good at her job.

1:23:24

Oh, because I just have a lot of questions.

1:23:27

So I hope you're talking about Jenna.

1:23:29

I'm talking about Jenna, but I'm also talking about her boss,

1:23:32

Andy Circus slash golem.

1:23:34

Golem.

1:23:35

The way that he was so excited about the presentation,

1:23:40

I have to wonder.

1:23:41

Bravo.

1:23:41

I have to wonder part of their problem.

1:23:46

It's not just that she's giving away their ideas,

1:23:50

but that he has terrible taste.

1:23:51

Yeah, obviously.

1:23:53

If he had better taste, he wouldn't have liked that presentation.

1:23:56

And I think that he just, I'm worried about his judgment.

1:24:00

He didn't see that.

1:24:00

Also, don't have a boys party and invite the editor and chief from Sparkle.

1:24:04

That was really.

1:24:04

That was really weird.

1:24:07

And then with Jenna,

1:24:09

if you are committing some, you know, like IP theft or you're committing any kind of crime,

1:24:13

do you keep evidence in your guess?

1:24:15

No, I've been picking nets.

1:24:16

You're you're ripping that shit up at seven o'clock on a Wednesday night.

1:24:19

And like, why is there so much like paper trail involved in this?

1:24:22

Just make a phone call.

1:24:23

Like I don't understand.

1:24:24

So I just am worried that both of these people are not actually good at their jobs,

1:24:28

despite the fact that he's an editor and chief and choose a rising star.

1:24:32

I think it's a great call.

1:24:34

And I don't think they were good at their jobs.

1:24:35

That's why boys was in trouble.

1:24:37

Which is girlfriend of word for week link of the film.

1:24:40

So she goes back, she's in the closet again.

1:24:46

She's 13 again.

1:24:49

But she has the wealth of eight days of experience of being 30 that she can now use going

1:24:55

forward to basically reshape the next 17 years.

1:25:00

But still ends up with Matt.

1:25:02

Like if you redo all this, maybe Matt's life is completely different.

1:25:07

Like we just go into the fucking twilight zone.

1:25:09

It doesn't track it.

1:25:10

That's a problem.

1:25:12

There's no way.

1:25:13

Which I have a memory of it or no.

1:25:14

Because in big, the kid has no memory of anything.

1:25:16

He just shows up back home and doesn't remember anything that happened.

1:25:19

I think she does have memory of it though.

1:25:20

Because she does.

1:25:22

Yeah, she does.

1:25:23

I think so.

1:25:23

There's a line that indicates that she remembers.

1:25:26

Because and also like the way that she rips up the paper,

1:25:29

when Tom Tom comes back and everything,

1:25:33

suggests that she's no longer interested in becoming the editor.

1:25:35

So she's been her high school life trying to destroy Tom Tom basically and be queen bee.

1:25:40

Yeah.

1:25:41

But also trying not to be a bad person.

1:25:43

Yeah, I think so.

1:25:44

She's like kinder.

1:25:45

But I guess like she's like killing with kindness.

1:25:47

I don't see that working in high school, but you know, maybe.

1:25:50

And she's like, I'm just going to stretch it out here with Matt.

1:25:54

Because I know in 17 years, he's going to look like Mark Ruffalo.

1:25:58

Yeah, I know we're headed.

1:25:59

He's going to be a really talented photographer.

1:26:00

Yeah.

1:26:01

1:26:01

So she's just writing it out.

1:26:03

What's age of words?

1:26:04

Jenna hits on a 13 year old boy and asks for the ketchup.

1:26:07

I can't believe the scenes in the movie.

1:26:09

Yeah, it's a it's a really tough one.

1:26:10

No, no, no, it's a tough one.

1:26:12

It's really uncomfortable to watch.

1:26:14

You're just like, no, this isn't working.

1:26:16

And it is a little bit weird the way she talks to the girl in the elevator.

1:26:19

But obviously since it's not like sexual, it's fine.

1:26:21

But all of the like 30 year old talking to 13 year old as herself,

1:26:26

it's sort of the inverse of the big relationship.

1:26:28

Oh, wow.

1:26:28

I feel like that joke really landed for me.

1:26:31

I thought it was a great punchline.

1:26:33

Like to be honest.

1:26:34

And they're like, oh, that guy's really into you.

1:26:36

She's like, really, him.

1:26:37

He's cute.

1:26:38

And she walks past the adult to the 13 year old.

1:26:40

That was a great punchline.

1:26:45

It's a show.

1:26:46

It's fine.

1:26:47

What did what was list's take on that?

1:26:50

She agrees.

1:26:50

She thought it was cute and funny.

1:26:51

Come on.

1:26:52

All right.

1:26:54

Okay, sure.

1:26:55

I think that's getting cut now.

1:26:57

Well, maybe.

1:26:58

I mean, it would be worse if the genders were swapped.

1:26:59

But I think the older woman talking to the teenage boys,

1:27:02

like not as you'd do.

1:27:03

Well, the funny thing about it though,

1:27:04

it's like the sexiest she looks in the movie is in that scene.

1:27:07

Like in that black dress, like her hair out,

1:27:09

they like, it's like they really turn up her sex appeal on that scene.

1:27:12

So it's the bigger she was that scene is her friend is going,

1:27:15

there's some hotty chicken you out.

1:27:16

And it's just some that guy who's not a hotty.

1:27:18

I mean, the other actor must call it.

1:27:20

Judy Greer would have taken Jenna to the insane asylum after that moment.

1:27:23

Like there's no way she would have allowed her to just continue existing.

1:27:26

It's a human.

1:27:27

No question.

1:27:28

Seven minutes in heaven.

1:27:32

That's gone.

1:27:33

Feels like a long New Yorker piece about terrible things that happened

1:27:38

during seven minutes of heaven.

1:27:39

I don't know.

1:27:40

I don't.

1:27:41

Maybe it's just consensual.

1:27:43

What about consensual?

1:27:44

We're just in the closet for seven minutes.

1:27:46

Seems better than like doing drugs.

1:27:47

I don't know.

1:27:48

What did Matt call it?

1:27:49

Seven minutes of seven minutes of rapist or something.

1:27:52

It's like that.

1:27:55

I guess he was ahead of his time.

1:27:57

There's no email or internet in this movie even though it's 2004.

1:28:00

Come on.

1:28:01

Right.

1:28:01

Yeah.

1:28:01

Like Jenna could be emailing her.

1:28:02

Where was the idea of her being like, what is this?

1:28:05

I can send a note and somebody gets it.

1:28:07

Like, I don't know.

1:28:08

That's an easy one.

1:28:10

I had a problem with all the hockey stuff.

1:28:12

Well, I would yeah, the hockey stuff.

1:28:14

Yes, is really bad.

1:28:16

I mean, it's pretty much an insult to hockey players to seem so incredibly lame.

1:28:20

Goofy have no muscle tone and no self awareness.

1:28:23

It's just like really bad.

1:28:25

So this guy, first of all, the 2004 New York Rangers won 27 and 40.

1:28:30

Okay.

1:28:31

They were exactly light in the city.

1:28:32

I'm fire that year.

1:28:33

So we'll start there.

1:28:35

The guy who plays Alex Carlson, we've all known hockey players in high school

1:28:38

in college.

1:28:39

Maybe even you know a couple pros.

1:28:40

They don't act like Alex Carlson.

1:28:43

They're all kind of like stoic and cool.

1:28:45

Yeah, they do not have personality across the board.

1:28:48

There's no like gregarious hockey player.

1:28:50

They're all like, hey, you just got to go out there and do our thing.

1:28:54

So I don't know where this guy came from.

1:28:56

I mean, the Goofy striptease, that's an that's an 80 or that's really tough.

1:29:00

Like just.

1:29:01

So we're seeing in the movie.

1:29:02

I have that as well.

1:29:03

Jen is apartment as nice as it was.

1:29:05

I didn't like something that had the core that the kitchen cabinets look cheap.

1:29:08

It did.

1:29:09

Yeah.

1:29:09

It's still only 30.

1:29:11

It's cheap.

1:29:12

Only 30.

1:29:13

And then my last one was she's not curious enough about 2004.

1:29:18

They miss the easiest Michael Jackson joke possible.

1:29:22

Where they show her like, here's our Michael Jackson cover.

1:29:24

And she's like, who's that?

1:29:26

Like they.

1:29:27

It's just sitting there.

1:29:28

She hasn't seen Michael Jackson in 17 years.

1:29:30

That's a great point.

1:29:31

I missed that one.

1:29:32

So they missed a couple like, wait, that's that now.

1:29:35

And they just it's like a scene missing almost.

1:29:38

Yeah, like she doesn't have like Will Ferrell and Elf when he gets to New York.

1:29:41

And he's like, what is this?

1:29:42

Like there could have been a few more, a few more of those.

1:29:44

Um, yeah, I think also, um, the second Tracy from the art department's husband

1:29:50

when he comes in and like tries to say like, we ratted,

1:29:53

ratted a field draws drawers last week.

1:29:55

Yeah, that was weird.

1:29:56

That was really bad.

1:29:57

That was like in a different movie.

1:29:58

I was like, who is this person?

1:30:00

And that just like stuck out.

1:30:02

They're just trying to show that she's an awful person.

1:30:04

Yeah, I guess.

1:30:05

And she's like, yes, it just like didn't work though.

1:30:07

And it's just weird.

1:30:09

And uh, didn't didn't care for that guy.

1:30:12

Um, I also thought they're like making fun of plastic surgery.

1:30:14

At one point, um, Mark Ruffalo character like refers to the plastic surgery movement

1:30:19

as if it's something that's like happened and is over.

1:30:22

Yeah, just wait, Mark Ruffalo.

1:30:23

Yeah.

1:30:24

I was just like, that's damn, that didn't quite work.

1:30:27

And it's like, I don't know, just again,

1:30:29

like a different plane or something.

1:30:31

Didn't work.

1:30:32

Ruffalo had a ribbon cartridge overacting word.

1:30:34

It's got to be this strip tease with the New York Ranger, right?

1:30:37

Yeah, or the vaccine.

1:30:38

It's so bad.

1:30:39

Or the guy coming into her office and trying to make out with her.

1:30:42

So both really bad.

1:30:43

Anything sexual in this movie is not well done.

1:30:46

Like it's a very like neutered movie and they shouldn't have even tried.

1:30:49

The strip tease is terrible.

1:30:51

Yeah, big was able to somehow pull it off.

1:30:53

I think as of the gender switch, but also they just

1:30:56

painting Marshall's directing in.

1:30:57

I just they did a better job with it.

1:31:00

What do you have for the CR?

1:31:01

Thanks, Luke Wilson.

1:31:02

Could have been Harrison Ford.

1:31:03

How does take a word?

1:31:04

My how does take about this movie is it is not a romcom.

1:31:08

It's a teen movie.

1:31:10

Interesting.

1:31:11

Okay.

1:31:12

Because first of all,

1:31:14

they don't end up together in like the main timeline that we're in.

1:31:17

It requires time travel for them to end up together.

1:31:20

And ultimately the character of Jenna is 13.

1:31:23

Like everything about like her perspective of the movie is from a 13 year old.

1:31:26

And it actually is really well done.

1:31:28

But as a result, there's not this like professional woman who's like somehow wayward

1:31:33

finding, you know, back to finding this guy who like changes things for her.

1:31:38

Yeah.

1:31:39

And there's there's no like

1:31:42

threat to their relationship that they have to overcome in the course of the movie that

1:31:45

evolves.

1:31:45

Like everything all the cards are on the table.

1:31:47

He has a fiance.

1:31:48

She's actually 13.

1:31:50

And so it's really about a teenager like realizing who they want to be.

1:31:54

It's in like the couple itself is like you're happy that Jenna got a happy ending.

1:31:58

But really the moral of the story is like be a nice person and your life will be better.

1:32:02

So I think that since the romance is so secondary to everything that Jennifer

1:32:07

Garner is doing as Jenna, that's not really a romcom.

1:32:10

It's a non-sexual don't movie that's actually a teen movie.

1:32:13

Yeah. Exactly.

1:32:14

Like not even sure that's the hottest take.

1:32:16

You might just be right.

1:32:17

Thank you.

1:32:18

Thank you so much.

1:32:20

Mine is for almost 30 years from 1977 to 2004.

1:32:26

Vienna was the single most underrated great pop song we had.

1:32:30

And I still think it's one of the best pop songs of all time.

1:32:33

I would put it with Wonderwall and Hey Jude.

1:32:36

And I will always love you.

1:32:38

Pick a song.

1:32:39

I think it's perfect start to finish.

1:32:41

It's perfectly sung.

1:32:43

The lyrics are amazing.

1:32:45

And for whatever reason, it took everybody 28 years to figure out how to put this in a

1:32:49

fucking movie.

1:32:50

And it turned out to be this weird Jennifer Garner movie.

1:32:53

And they fucking nailed it.

1:32:54

And it was just sitting there for anybody for two and a half decades.

1:32:58

And nobody unlocked it.

1:33:00

It's so good.

1:33:01

It is such a great song.

1:33:03

It's I think it's his best song.

1:33:05

And he even says he thinks it's one of his two best.

1:33:08

And he said he attributes its late popularity of the film adding.

1:33:12

That's a movie that was so popular with girls and girls are mostly enthusiasm for where

1:33:16

that song comes.

1:33:17

It's a coming of age song.

1:33:19

Slow down you crazy child.

1:33:20

So I guess it resonates with younger people.

1:33:23

As a lifelong Billy Joel fan, that song was awesome the whole fucking time.

1:33:27

And Vienna and Summer in Highland, Summer Island Falls were his two great songs that for some

1:33:31

reason weren't as popular as like 12 other Billy Joel songs and I never understood it.

1:33:37

So they finally unlocked it.

1:33:38

It's a great song.

1:33:39

It completely grew with you.

1:33:40

I love the piano and it which is obviously like his signature but like it really stands out.

1:33:44

It's so beautiful.

1:33:45

The funny thing is I became a really big fan of the song within like the last like 10 years

1:33:49

because my Spotify algorithm has pushed on me so hard.

1:33:52

And willingly I'm like happy to be here.

1:33:55

Like I love it.

1:33:56

And I knew it from the movie mainly.

1:33:58

But I don't think it has like a it's like a niche song.

1:34:01

It's like a beside.

1:34:03

Even though it's so great.

1:34:04

I know it's a great great great song and it's the scene in the movie is unlike any other scene.

1:34:09

It's like because it's a different type of song than the rest of the soundtrack.

1:34:12

Like it just really sets it off.

1:34:14

It's really beautiful.

1:34:15

I have another personal connection with the song.

1:34:17

Okay.

1:34:18

My daughter was 10 fifth grade and her class everybody got to do some sort of talent show thing for a

1:34:24

minute and she sang Vienna and she finished it.

1:34:27

And it was like one of like my parent highlights of my life.

1:34:29

That's amazing.

1:34:30

I vaguely remember that when that happened actually.

1:34:32

Yeah.

1:34:32

It was her voice was like perfect 10 year old voice.

1:34:35

Like probably like the peak of what her voice was and she just crushed the song.

1:34:39

But nobody knew the song.

1:34:41

So all the parents were like, I love that song.

1:34:42

They're all fired up about it.

1:34:45

That's great.

1:34:46

Casting what ifs.

1:34:47

Guineath Poucher, a Hillary Swank, Renee Zellwiger.

1:34:49

We're all backups of Jennifer Garner couldn't do this movie.

1:34:54

I don't think any of those work.

1:34:56

Me neither.

1:34:57

Renee Zellwiger is probably a little too old I think.

1:35:00

I think mid 90s Renee Zellwiger, I think it works.

1:35:03

Yeah, like Empire Records Renee Zellwiger.

1:35:06

Yeah, plus she's already been in Jeremy McGuire, which is like weird.

1:35:11

That's the me neither.

1:35:13

I do think that young Jenna looks like Hillary Swank, but I definitely don't see a Hillary Swank.

1:35:17

And then funny enough, Guineath Poucher did like the host, the flight attendant movie with

1:35:22

Mark Ruffalo. So they got their swing together, but that movie was not good.

1:35:27

No.

1:35:28

Casting director said if Ruffalo turned it down, Paul Rudd and Sam Rockwell were next on the

1:35:33

west. And then Paul Ruddick is definitely seeing that role. He would be a way.

1:35:38

Young Matt and young Jenna, they did the test audiences, hated them.

1:35:43

They had to reshoot all of it with different actors and it worked better.

1:35:47

I don't think young Matt is that good.

1:35:49

I was surprised to even know about them, considering it.

1:35:53

I didn't feel like they landed an incredible spot.

1:35:55

No.

1:35:55

Joey Pants Award for Best That Guy.

1:35:58

I think Kathy Baker is Kathy Baker, even though Craig would say she's that lady,

1:36:02

but it's clearly Gollum.

1:36:04

Yeah, I said that he's like so famous. He's been in so many movies over the last like 20 years.

1:36:09

So who would you have then?

1:36:13

Mine is Kirsten Warren who plays Trish, the editor in chief of Sparkle at the party.

1:36:18

The frizzy lady.

1:36:19

I was like, I know that voice.

1:36:21

I know that voice.

1:36:22

Saved by the bell, the college years.

1:36:25

Oh my God. That's a good one.

1:36:27

I like that show.

1:36:29

Me too. I was like, I know her.

1:36:30

I know her. I know her.

1:36:31

And then I was a good.

1:36:32

I'm the winner.

1:36:34

Great call.

1:36:35

Dear Waiters Award, I can give you young Tom Tom.

1:36:39

I can give you the frizzy editor, Sparkle.

1:36:41

You just talked about I can give you Chris Grundy driving the cab.

1:36:45

It's grandie.

1:36:45

Come on.

1:36:46

Chris Grandy.

1:36:46

Respect him.

1:36:48

But it's clearly Arlene the assistant.

1:36:50

It's Arlene just taking home runs left every scene crying at the end

1:36:54

or in the word pitch ever in a magazine.

1:36:57

I loved Arlene.

1:36:58

I don't know who that actress is, but great job by her.

1:37:00

I also love when Jennifer Griner's like leaving the office.

1:37:03

I think it's to go to the photo shoot and she goes to Arlene.

1:37:05

Aren't you coming?

1:37:06

And Arlene's like so surprised but so happy to be included.

1:37:09

Yeah, I loved it.

1:37:10

Loved Arlene.

1:37:12

Recasting couch director city.

1:37:14

I can give you Tim Curry as Gollum's part as the magazine editor.

1:37:19

Just passed away by the way.

1:37:22

That's a good Ryan Reynolds.

1:37:23

Ryan Reynolds is Alex Carlson.

1:37:26

That's interesting.

1:37:27

That's interesting.

1:37:28

Early in the career like post vein wilder.

1:37:31

Little more famous would be fun to see him in this.

1:37:34

I'm just checking when the proposal came out.

1:37:36

The proposal was in 2009.

1:37:38

Yeah, I just thinking about him before that.

1:37:40

I guess he's like definitely maybe Ryan Reynolds at this point.

1:37:43

He's about to be Amityville Horror,

1:37:45

make a bunch of bad movies in a row.

1:37:48

I'm always just thinking with Ryan Reynolds.

1:37:49

I'm very anti-Ryan Reynolds having nothing to do with the recent stuff with Justin Baldoni.

1:37:54

You've never you've never liked him.

1:37:55

No, ever since I've known you, you've always been out.

1:37:58

Yes, and I just don't I think he works in the proposal because there's something sort of like

1:38:03

sick of fantasy about him and that.

1:38:05

We're like you like his family so much you let you buy it.

1:38:07

You're like yeah, she would want to join this family.

1:38:10

But he's just not like

1:38:12

likable and I just feel like he would want Jenna's approval so much more

1:38:16

than Maddie ends up wanting it as an adult.

1:38:18

Like can I offer you Mark Paul Gossel are then?

1:38:21

Wow.

1:38:22

Yeah.

1:38:23

He was the most important actor for me from like 1986 to 1992.

1:38:27

Actually when I when I was born until I was six.

1:38:29

Right right right right age range.

1:38:32

That would be good.

1:38:32

Yeah, I could see that.

1:38:33

I could see that working.

1:38:34

What about Scott Wolf?

1:38:36

Scott Wolf would have been great.

1:38:38

Short.

1:38:40

Jennifer Garner is tall.

1:38:41

That is true.

1:38:41

Yeah, she's got to be at least two inches tall.

1:38:45

1:38:46

Okay.

1:38:47

I always can say I think this movie works in almost any city.

1:38:50

Even though I think they nail New York,

1:38:52

I think you could move it to almost any city.

1:38:54

Chicago during the summer.

1:38:56

Yeah.

1:38:56

Boston easily.

1:38:58

I think even LA like I really do.

1:39:00

Like I think you can do this almost anywhere.

1:39:02

Same for just going to 2000s.

1:39:03

Mm-hmm.

1:39:04

Yeah.

1:39:05

Craig you have a flex category.

1:39:06

Are you going to come on the zoom for this?

1:39:08

Are you going to stay anonymous?

1:39:09

I can come on the zoom.

1:39:10

Oh thanks man.

1:39:14

I was going to do Lena Dunham running spawn ranch award

1:39:18

most during casting for Andy Circus

1:39:20

because I've just recently gotten into Lord of the Rings.

1:39:23

I'm like holy shit that's smegel right in the office.

1:39:26

But you guys hit that appropriately.

1:39:27

My precious.

1:39:28

Yeah.

1:39:30

We used to have a category that I don't believe is in the flex list

1:39:33

anymore called best time worst hang.

1:39:35

Mm-hmm.

1:39:35

Remember that?

1:39:36

Oh that should be in that.

1:39:37

That must have been accidentally deleted.

1:39:39

Say what you will about the actor and how good he is in it.

1:39:41

But I think the character of young Maddie

1:39:44

kind of a sneaky great hang.

1:39:46

Like kind of an independent gang solo dancing

1:39:49

to talking heads at the party was kind of awesome.

1:39:51

Like he just like has great taste in music.

1:39:53

He's a photographer.

1:39:54

He's building.

1:39:55

He's like woodworking.

1:39:57

I love that he was like I love that everybody.

1:39:58

The hottest.

1:39:59

Everybody should on him at this party.

1:40:01

And he goes I'm going to go home and get my keyboard guitar.

1:40:05

Like as a maddie.

1:40:06

He comes back.

1:40:07

He comes back and he's going to play a song.

1:40:09

I actually thought he was really likeable

1:40:12

and had a good personality for somebody who's supposed to be like a huge nerd.

1:40:15

He seemed kind of fine to me like a decent hang.

1:40:17

100% absolutely would have been friends with Matt in the 80s.

1:40:20

Yeah totally.

1:40:20

I think he's a good dude.

1:40:22

That's good.

1:40:22

That's good.

1:40:24

Half-ass internet research.

1:40:27

Not a ton here except for the Chris to be Alan played 13-Rale Jenna

1:40:31

and then did it again and go to the girlfriend's past where she played

1:40:34

Jennifer Garner's younger version.

1:40:38

In seven minutes I have and you can see actual photos of Jennifer Garner's

1:40:41

a child on the back of the door.

1:40:44

And then there's a scene when Jenna breaks up with Alex Carlson,

1:40:48

which was deleted.

1:40:48

But you can find on the Blu-ray special features, which I'm sure you have.

1:40:52

Yes.

1:40:53

I don't think I have that anymore.

1:40:54

But I definitely had the DVD of this when I was in college.

1:40:57

There's no doubt about that.

1:40:58

Apex Mountain.

1:41:01

Jennifer Garner, I think is a yes.

1:41:03

Wow.

1:41:05

She's got, she's on ALEUS.

1:41:06

This movie makes almost a hundred million dollars and she starts dating Ben Affleck.

1:41:10

I think this is Apexy.

1:41:13

As an actress I have to agree.

1:41:15

Like I don't think her acting career has like gotten bigger since then.

1:41:19

Like this sort of been like-

1:41:20

She's more famous now.

1:41:21

Yeah.

1:41:21

But yeah, back then you would have said like, oh she's going to be Julie Roberts.

1:41:25

Yeah, I mean it's funny because like we haven't mentioned the fact that she's like

1:41:29

been the capital one lady for a long time and she took,

1:41:32

she took once upon a farm public within the last year.

1:41:35

Like she has all these other revenue streams.

1:41:38

But as an actress like it's because of what you talked about before,

1:41:41

it's kind of like it became secondary in some ways.

1:41:43

One movie a year or whatnot.

1:41:44

So I guess I agree with you.

1:41:46

She's certainly richer now.

1:41:47

So maybe money making Jen Garner, maybe this was in Apex.

1:41:51

No, but I think her capital one money must be immense.

1:41:55

I can't even imagine.

1:41:56

Everybody likes her.

1:41:57

Pekable reputation.

1:41:59

I get why.

1:41:59

I've watched a lot of like wacky Jen videos

1:42:02

because I like I like to have the reasoning for why I'm a fan.

1:42:05

And she is so charming.

1:42:06

And I did get to meet her once when I was doing this Felicity project.

1:42:09

I interviewed her.

1:42:10

And she was there was no reason for her to say yes.

1:42:12

Like there's no reason for her to do a lot of stuff.

1:42:14

She did a lot of press around the 20th anniversary of this movie.

1:42:17

And I was just kind of like why?

1:42:19

Like she always something that she could be promoting.

1:42:21

But it seems like she was just like, yeah, sure.

1:42:23

Me and Judy Greer will do an interview with Vogue.

1:42:25

Why not?

1:42:26

So I think she's just like a great person.

1:42:28

How many times can I say it?

1:42:29

Beloved Hollywood lady.

1:42:31

Mark Ruffalo now.

1:42:32

Razzles.

1:42:34

Unless you want to say in the 80s.

1:42:35

But this that this was probably the most prominent razzles we've ever had.

1:42:40

I only know about them from this movie.

1:42:42

Yeah.

1:42:42

So there you go.

1:42:44

2000s fake fashion magazines as TV or movie plots.

1:42:49

It's time.

1:42:50

The 2010s for this.

1:42:52

I think that how to meet a guy in 10 days is sort of like the bigger magazine romcom.

1:42:58

So.

1:42:58

On the list by the way.

1:42:59

Yeah.

1:43:00

So I think that one probably would would be the apex bound for that.

1:43:03

Like I think I was I was looking into this for the pod of all of like the women who have played like TV

1:43:08

producers advertising execs or like journalists.

1:43:11

And I think that the two biggest ones in my opinion are even men doesn't hitch which you guys just did.

1:43:16

And came out to know how to lose a guy.

1:43:18

So I think of those those two are bigger.

1:43:21

Is this your resume to do the how to lose a guy in 10 days podcast?

1:43:25

Because it's been on the list for a while.

1:43:26

As a Sacramento Kings New York Dix and be a final.

1:43:29

So I've been I just wanted to the pod to talk about that for 10 minutes.

1:43:32

I'm just happy to be here.

1:43:34

Thanks.

1:43:34

Anytime you ask I'll be here.

1:43:36

So you you let me know.

1:43:38

Madonna's crazy for you.

1:43:42

The answer is no.

1:43:44

What is it?

1:43:44

Because it's actually when it came out and it was on the Vision Quest soundtrack

1:43:48

and has a really important moment in Vision Quest.

1:43:51

And I feel like that was a huge song.

1:43:53

And I don't think it needed this movie to become a big song.

1:43:57

So I'm going to say mid 80s for that.

1:43:59

Thriller's obviously mid 80s.

1:44:00

Obviously.

1:44:01

Sam Ball, the actor who played the hockey player Alex Carlson,

1:44:06

apex mountain.

1:44:08

It's always a red flag when you look at the IMDB and he's had multiple names.

1:44:12

There's the Samuel Ball stage for him that he was Sam Ball.

1:44:15

And it's that's going to be a sag thing, right?

1:44:18

Like having to change his background.

1:44:19

Yeah.

1:44:20

Well, I hope to never see him again.

1:44:22

Like no offense, but this movie.

1:44:25

Don't worry.

1:44:25

I don't think you had post that 11 feeling good about New York City again movies.

1:44:31

It's in the running.

1:44:34

I think it's Spider-Man and Spider-Man 2, the what's Toby McGuire.

1:44:38

But those are up there too.

1:44:40

Just because those are like, you know, like superhero movies in a way.

1:44:44

Yeah.

1:44:44

And like Spider-Man comes out in 2002 and it's such a beautiful view of New York.

1:44:50

And like, it's like 25th hour.

1:44:52

Um, a great movie.

1:44:55

Judy Greer now.

1:44:56

No, I think what's her apex mountain?

1:44:59

That's a tough one.

1:45:00

But I don't think it's this.

1:45:01

I mean, I do think actually why it's the descendants.

1:45:03

She's fantastic in that.

1:45:04

Um, and that's, but it's tough.

1:45:09

That's the thing.

1:45:10

She, her career, there hasn't really, there wasn't like the moment.

1:45:14

She was just always Judy Greer reliable.

1:45:16

She's not exactly a character actress, but she's just sort of like,

1:45:20

she's like a second banana all the time.

1:45:22

And she's never like the person you're showing up for,

1:45:25

but you're always glad she's there.

1:45:26

She's like the best person to have a party.

1:45:28

You're hoping five day weekend.

1:45:30

Season two, maybe a lot more Judy Greer in season two.

1:45:34

She was, say it's called five star weekend.

1:45:35

Please, please.

1:45:35

Five star weekend.

1:45:36

And five day weekend.

1:45:38

Well, that's it.

1:45:39

They packed a lot in.

1:45:40

Um, yeah, I hope Electra has back.

1:45:42

She was great.

1:45:43

Okay.

1:45:43

But my third person that shows Regina Hall, carry on.

1:45:46

She was great.

1:45:47

Using an umbrella self-defense.

1:45:48

Yes.

1:45:49

So great.

1:45:51

Romcom characters cruelly breaking up a wedding for their own self-interest.

1:45:55

I could offer you my best friends wedding.

1:45:57

A lot like love or 13 going on 30 as three candidates.

1:46:01

Unless there's another one I'm not thinking of.

1:46:04

It has to be Julia Roberts.

1:46:05

I mean, it's I think so.

1:46:06

The whole premise of the movie.

1:46:08

Yeah.

1:46:08

And the purple dress.

1:46:09

Yeah.

1:46:11

She's basically an evil person in the movie.

1:46:14

We've got the rewatch most.

1:46:15

Yeah, that's such a, that's like I start.

1:46:17

I guess my girl, Cameron Diaz, she's so good.

1:46:18

And that of course, she chooses her.

1:46:20

And then Vienna.

1:46:23

The song.

1:46:24

I think this was a Peck's mountain.

1:46:26

It completely rejuvenated it.

1:46:27

And it became it finally got the acclaim.

1:46:30

It deserved for 27 years.

1:46:32

Yeah, I agree with you.

1:46:33

I mean, and I can't think of another movie that could use it this way.

1:46:36

It's great.

1:46:37

It's perfect.

1:46:38

Cruiser Hanks.

1:46:40

Hanks.

1:46:41

Hanks for sure.

1:46:42

Hanks is ruffle.

1:46:43

Yeah.

1:46:43

I didn't prep you for this category.

1:46:45

Okay.

1:46:46

1977 Goldie Hahn, 1991, Julia, 2011, Emma Stone, or 2026, and Dia.

1:46:55

I think it's Emma Stone of those.

1:46:56

I feel like it's Emma Stone.

1:46:57

Yeah.

1:46:58

Emma Stone would have crushed this movie.

1:46:59

She would have been great.

1:47:00

She would have been great.

1:47:02

And I think she has the physicality for that really important first scene.

1:47:05

And she is like,

1:47:07

similar Jennifer Grunner.

1:47:08

She's like not attainable,

1:47:10

but she can present in a movie as like a regular person in terms of her attractiveness.

1:47:14

And I'll go one step further.

1:47:16

Craig, give me your thoughts on this.

1:47:17

Emma Stone, I think she plays herself as the 13 year old.

1:47:21

I think she goes all in.

1:47:22

She's like, I don't need a 13 year old.

1:47:24

I can do it.

1:47:25

I'm not going to be an actress.

1:47:26

Yeah.

1:47:27

Pays herself at 13 and 30.

1:47:29

Nobody's done it in her body switch, but before.

1:47:32

Yeah, you'll go slant the most, can film it.

1:47:34

Yeah.

1:47:35

I think that would be good.

1:47:36

Yeah, she uses like CGI or CGI.

1:47:38

I think she get it done.

1:47:40

The David Caruso Stuffal Legends Award for character who definitely

1:47:44

should have been spun off into their own sequel.

1:47:47

I, a Lucy Seekoyne could have been interesting.

1:47:50

A Lucy Running Sparkle magazine and then has a new competitor and it's,

1:47:55

you know, Lindsey Lohan or whoever,

1:47:57

an O5 would have worked.

1:47:59

I think that would have been great.

1:48:00

There's way more, there's way more to that character.

1:48:03

I'm still wondering why she's called Tom Tom.

1:48:05

Like, you know, I've got a lot of questions.

1:48:08

Yeah, why she called Tom Tom?

1:48:09

I don't know.

1:48:09

I'd love to find out.

1:48:10

Tom Tom Cat.

1:48:12

I guess I have no idea.

1:48:13

Yeah.

1:48:15

Pickin' Nits, I have a few.

1:48:16

Oh my God.

1:48:17

I'm going to turn the Florida U because I have so many.

1:48:19

I'll turn the Florida U and then I'll mop up what you didn't get.

1:48:23

I mean, the biggest one we already talked about is like, how does she live her life

1:48:28

knowing that she had this alternate life that she then undone?

1:48:31

Like, that just like doesn't make any sense.

1:48:35

You know, I have a lot of New York stuff like the address 61 Fifth Avenue is actually

1:48:41

11th Street but they frequently show 12th Street.

1:48:45

Oh, you're going deep.

1:48:47

Well, I looked at all the exteriors in New York.

1:48:49

Also, she lives in the village and they're like, he's in the village and she goes,

1:48:54

what's the village, but she's already in the village, right?

1:48:57

Yeah, I mean, it just doesn't really work.

1:49:00

And like, of course, every New York movie you have to wonder like, how could she get there so quickly?

1:49:05

Yeah.

1:49:07

I was also wondering how Maddie just like doesn't really have any work

1:49:11

like he doesn't seem like he actually does anything.

1:49:13

His girlfriend does refer to him like taking pictures of vitamin bottles

1:49:18

but as far as I can tell, he's actually unemployed and just kind of always home slash available.

1:49:22

Yeah, he should have been talking a lot about fantasy football.

1:49:24

He's in like three leagues.

1:49:26

Yeah.

1:49:27

And then the huge Nick's van or something.

1:49:29

He needed some sort of hobby other than I'm an unemployed photographer who's kind of

1:49:33

actually a huge pot head, I feel like.

1:49:34

What happened?

1:49:35

Probably a huge pot head too.

1:49:36

I feel like he'd like I smoke in a lot of weed.

1:49:38

Probably this might come up, but like he kind of sucks.

1:49:44

Like he's sort of a loser.

1:49:46

I'd say I feel like that's a rough little thing, but I enjoy it because I don't think he wants to be in this movie.

1:49:50

That's true.

1:49:51

But I do feel like his energy actually works for the movie because he doesn't want to be in the movie.

1:49:58

Everything with making a magazine is totally devoid from reality.

1:50:01

Like they could they could have made it a little bit more realistic.

1:50:05

Like when Andy Circus brings up the redesign and they're all like that is a death sentence or like

1:50:11

the R word.

1:50:12

It's just kind of like actually that's not true.

1:50:14

Like magazine.

1:50:15

Re-design some work.

1:50:16

Yeah, they really do.

1:50:17

It's like a relaunch and no way to get some attention.

1:50:19

So I had a lot of issues with that.

1:50:23

And I also just thought that some of this stuff like in her apartment,

1:50:27

like when she's going through her clothes and whatnot,

1:50:29

she just would have had so many more questions into your point.

1:50:31

She could have like looked some stuff up.

1:50:33

Like she could have sat down at like that you've got male style giant computer.

1:50:37

Yeah.

1:50:38

Like then like just ask some questions essentially.

1:50:40

And that that really stuck out.

1:50:44

I have a few really hardcore ones.

1:50:46

Okay.

1:50:46

Six chicks are dressed like it's 1985 and not 1987.

1:50:50

Okay.

1:50:50

I actually wanted to ask you about that specifically.

1:50:52

I didn't have to admit 80s.

1:50:53

They're they're dressed like it's 85.

1:50:56

87 the hair is starting to get bigger.

1:51:00

We're big hair across the board.

1:51:01

Nobody has the big hair.

1:51:02

They're like more in like the first two years of Madonna era retro look.

1:51:07

And it's just not it's not accurate.

1:51:11

Jenna's dad's video camera

1:51:15

just didn't exist in 1987.

1:51:16

Okay.

1:51:17

I had video cameras from day one.

1:51:20

They were super bulky.

1:51:22

You needed a battery on the side.

1:51:24

It was the camera attached to the thing to lug it around.

1:51:27

It was like 50 pounds.

1:51:28

Nobody had a camera like that 1987.

1:51:30

Okay.

1:51:33

Matt should have been way more dumbfounded and alarmed by how actually truly crazy Jenna was.

1:51:40

And it's just not hammered home enough.

1:51:44

He's just going with it because she's hot.

1:51:46

And I just think there would have been more questions.

1:51:48

For her.

1:51:49

So she she becomes an adult ghost.

1:51:51

She starts throwing.

1:51:52

She's she basically litters all the time.

1:51:54

Do 13 or else just litter?

1:51:57

I know they're saying it's a sign of a maturity.

1:51:59

But I'm positive I didn't do that when I was 13.

1:52:01

Like I need a shrimp and just throw it over my shoulder.

1:52:04

Who does that?

1:52:05

I'm embarrassed to say that I used to litter.

1:52:07

I did.

1:52:07

Okay.

1:52:08

It's really a dark time in my in my past.

1:52:10

I'm sorry.

1:52:11

I didn't even have to admit to it.

1:52:12

But I'm just trying to be honest with you here.

1:52:13

I did use to litter.

1:52:14

I regret it.

1:52:15

I would never do it now.

1:52:16

Craig's heart.

1:52:17

Just let the zoom.

1:52:19

Craig hates littering.

1:52:20

I know it's wrong.

1:52:22

It's really rude to the people around you.

1:52:24

It's just it's just a terrible thing to do.

1:52:26

Okay.

1:52:26

Julie, it's pro littering.

1:52:29

The parents would have redone the basement.

1:52:32

It's some point.

1:52:32

Jenna's out of there for college in their 20s.

1:52:37

Like at some point you're redoing it.

1:52:38

You're putting like a wine cellar down there.

1:52:40

Like they obviously have some money because they go away for trips and stuff.

1:52:43

I just don't think they're leaving the basement exactly the same 17 years later.

1:52:47

You're doing something.

1:52:48

You're doing some sort of remodel.

1:52:50

You're putting a TV down there.

1:52:51

You're not just leaving it intact.

1:52:55

Jenna.

1:52:56

Jenna from the moment she becomes 30 just eats like crap for the entire movie.

1:53:02

And you think they're setting up a scene where she's like,

1:53:04

I can't fit in these jeans anymore and they just don't.

1:53:06

They let it go.

1:53:07

Oh, interesting.

1:53:08

I think that's real.

1:53:09

She knows.

1:53:09

And candy and pizza and it just it's just bouncing off her.

1:53:14

Isn't that kind of like the freshman 15?

1:53:16

Like I guess like you gain weight in college.

1:53:18

But like you're you're free for the first time and you're able to like

1:53:21

eat whatever you want.

1:53:22

Never happens in this movie.

1:53:23

That's true.

1:53:24

That's true.

1:53:25

You mentioned evil Jenna.

1:53:27

No way she keeps the letters to sparkle.

1:53:28

Just hey, they're in the top drawer of my desk.

1:53:30

In case anybody wants to go through and I'll get fired.

1:53:34

Here's a big one.

1:53:36

Well, two my two biggest ones.

1:53:37

The class of 2004 sparkle magazine ad is on the bus in 12 hours.

1:53:42

Yes.

1:53:42

They've stolen.

1:53:43

They've stolen the ideas.

1:53:44

She walks out of the office.

1:53:46

It's on the bus already.

1:53:47

Where this is the most miraculous ad campaign anyone's ever had.

1:53:50

That did not make any sense.

1:53:51

And he's like, it's already all everywhere overnight.

1:53:53

That made no sense.

1:53:54

Agreed.

1:53:55

Like that is the bus ads are booked far in advance.

1:53:58

This is my wife's biggest one.

1:54:00

Okay.

1:54:01

The fiance of Mark Ruffalo.

1:54:04

This whole time, they're dating.

1:54:07

They're about to get married.

1:54:09

He's been keeping this dollhouse of Jenna in his closet.

1:54:14

It's just tucked away in the top.

1:54:16

And then Jenna shows up.

1:54:18

And she's like, oh, who are you?

1:54:19

And you know, you're going to be probably this woman's going to be on your radar.

1:54:24

It's like, oh my god, this is the lady that my fiance made a

1:54:30

fucking dollhouse of and then kept for the next 17 years.

1:54:33

I'm on higher alert.

1:54:35

I can't destroy this lady.

1:54:36

Nothing.

1:54:37

Baths is offer.

1:54:38

Yeah, keep it in your closet.

1:54:40

A special week, especially because he has a picture of Jenna in a bathtub

1:54:45

in that dollhouse.

1:54:46

It's like really weird.

1:54:49

That's a good one.

1:54:50

Craig, if Liz, you move in with Liz and you're like, yeah,

1:54:55

top left show for the closet.

1:54:58

She's going to have my dollhouse of this girl I was obsessed with when I was 13.

1:55:03

Does Liz move out at that point?

1:55:04

What happens?

1:55:05

Yeah, she probably throws that thing off the balcony and smashes it.

1:55:08

Yeah, that's the thing.

1:55:08

You smash the dollhouse.

1:55:10

You're like, it's me or the dollhouse.

1:55:11

You're picking right now.

1:55:12

It's actually because rough-alose character is like all pretending that he's like,

1:55:15

hey, Jenna, I moved on.

1:55:16

That was 17 years ago.

1:55:18

Like, you didn't move on.

1:55:19

I barely remember you.

1:55:21

Polishing off that dollhouse once a week, I bet.

1:55:23

It's a big dollhouse.

1:55:24

It's not like it's like this little tiny thing.

1:55:26

He shoved in the drawer.

1:55:27

It's like taking up actual size.

1:55:30

Isn't the dollhouse at his parents house though?

1:55:33

Like, it comes back in the final scene and he hands it to her.

1:55:36

And.

1:55:37

Yeah, but he's not taking the fiance back to the parents house.

1:55:41

Yeah, I guess he's fine.

1:55:42

It is in the parents house, but why did he keep it?

1:55:44

The fiance is not going to go through his room.

1:55:47

Well, we're led to that.

1:55:48

Why are they getting married to his parents house?

1:55:49

I heard they went to the standee said you're a ranch.

1:55:51

So they can have a much nicer way.

1:55:53

It's another round-bound trope.

1:55:54

Everybody gets married at somebody's house in a movie.

1:55:57

I will say meanwhile, I've never been to a wedding.

1:56:00

I've been to 70 weddings.

1:56:02

I've never been to a wedding at somebody's house.

1:56:04

I've been to two home weddings.

1:56:05

They're both in the Hamptons and home weddings are actually

1:56:08

incredibly expensive.

1:56:08

If you do it like in the Hamptons, you've to bring everything in.

1:56:11

All of like you need to have like generators catering.

1:56:14

A floor put down.

1:56:15

It's really a so lot of.

1:56:17

Like, if you've been to a home wedding,

1:56:20

I've been to a backyard wedding.

1:56:21

Yes.

1:56:22

Well, a backyard wedding is more like what they had,

1:56:24

but I'm just saying if he's going to stay in a sit-dro,

1:56:26

I think he can afford a wedding at a hotel or something.

1:56:29

So it's still weird if the dollhouse is at the parent's house.

1:56:32

Like I'm sorry.

1:56:33

If they're thrown that out.

1:56:34

If my parents were holding on to some dollhouse that I built a girl

1:56:37

when I was 13 years old and Liz saw that,

1:56:39

and she's 30 years old, she'd be.

1:56:41

That means they want you to get back together with that girl.

1:56:43

Yeah.

1:56:43

Also, they also say that she threw the dollhouse at him.

1:56:48

Yeah, so it should have broken.

1:56:49

He must have fixed it.

1:56:51

That's even weirder.

1:56:52

So, sequel prequel.

1:56:56

I got to listen to her email suggesting a tweak here.

1:57:00

Sequel prequel, streamer, all black cast, spin-off,

1:57:04

remake, or untouchable.

1:57:06

Now, we have six choices, seven choices for this.

1:57:10

The answer is remake.

1:57:12

Ironically, Netflix, March 2026, this movie is on Netflix right now.

1:57:18

Announce that they are doing a remake.

1:57:20

It is directed by Brett Haley.

1:57:23

It stars Emily Bader and Logan Lerman.

1:57:26

I like Logan Lerman.

1:57:27

I love Logan Lerman.

1:57:28

Yeah, he's great.

1:57:29

He's good.

1:57:30

She was in a previous Netflix movie

1:57:32

that people would meet on vacation.

1:57:34

Original cast members, Jennifer Garner and Judy Greer spotted doing cameos.

1:57:40

I think Garner is a producer.

1:57:41

Like she's an EP on it, I think.

1:57:44

I'll give it a whirl.

1:57:45

Of course.

1:57:45

Yeah, I made so.

1:57:46

I'm interested.

1:57:47

Logan Lerman is a good pick.

1:57:48

70 made 30% chance.

1:57:50

That's good.

1:57:50

70% chance.

1:57:52

It's disappointing.

1:57:53

And a 100% chance.

1:57:54

My wife will watch it and love it with my daughter.

1:57:56

So there you go.

1:57:57

Yeah, I'll definitely give it a shot.

1:57:59

And Jennifer Garner, like supporting it.

1:58:00

That's a good sign.

1:58:03

This, I'm surprised was not the remake was not just a streamer.

1:58:09

I mean, like a one season streamer show.

1:58:11

Mm-hmm.

1:58:12

Like I haven't already done it, you're saying?

1:58:15

Yeah, the first episode is everything,

1:58:18

her in high school leading up to the body switch.

1:58:21

The second episode she wakes up,

1:58:24

you have that whole first season of her trying to figure out what to do when she's 30.

1:58:28

It's kind of, it's kind of weird.

1:58:29

This didn't happen that way.

1:58:30

I agree with that.

1:58:31

I think the like the problem with the streamer romcoms, like whether or not it's high quality,

1:58:36

is because there's not as much like time committed to the answering those questions.

1:58:40

And so it would really change kind of the approach from all these.

1:58:43

For like Amazon YA shows that they do.

1:58:46

That's all that.

1:58:46

So be an Amazon YA show.

1:58:48

That's true.

1:58:48

That's true.

1:58:49

Those shows have gotten like more, this would need to be Ron Sheeran,

1:58:52

would need to have like, or like a real sexual aspect to it,

1:58:55

because those shows all have them, whether it's like,

1:58:57

Ron Sheeran, or kind, or whatever.

1:59:00

That's really missing from this movie that's present in those TV shows now.

1:59:03

Craig, what do you think if they remade this, but when she turns 30,

1:59:07

she becomes a male hockey player, and then it becomes like heated rivalry?

1:59:11

That's good.

1:59:12

That plays now, you know?

1:59:14

Yeah.

1:59:15

I mean, it's now Matt, Matt's playing hockey,

1:59:19

or maybe Matt is involved with the hockey player.

1:59:22

I don't know.

1:59:22

They heated and rivalry it up.

1:59:24

That's off campus.

1:59:25

That'd be great.

1:59:25

Great show.

1:59:26

Is this movie better with Wayne Jenkins,

1:59:28

for the four of St.

1:59:29

Low Robert Evans, Dr. Charles Nichols, Ted Levine,

1:59:32

or someone else?

1:59:34

Did you have anyone for this?

1:59:35

Well, there's not that many people in this movie,

1:59:37

which is what I was thinking about.

1:59:38

Like there's kind of four people in it.

1:59:39

Maybe six if you include Alex Carlson and the fiance.

1:59:44

So my answer to that is no.

1:59:45

Like we're good with this small cast.

1:59:47

I would like Kirk Kurb Street on the director's commentary.

1:59:53

Does he do hockey too?

1:59:54

Now Kirk Kurb Street, during the magazine pitch, is like,

1:59:58

yeah, it's a great pitch by Jenna.

2:00:00

She looked over the room and she nailed the pitch.

2:00:04

Al.

2:00:06

Just want to ask her who gets it.

2:00:07

Can the soundtrack get an Oscar?

2:00:09

Yeah, I think so.

2:00:11

Sure.

2:00:11

They have Oscars for soundtracks, I can't remember.

2:00:13

They usually have original songs.

2:00:15

And I don't think they have like license songs.

2:00:16

I feel like best put together soundtrack

2:00:19

should be there an Oscar or Grammy.

2:00:20

Maybe it's maybe it is a Grammy.

2:00:22

I think I don't actually want something.

2:00:27

I think the soundtrack is great.

2:00:28

For me, it is definitely the costumes and the wardrobe.

2:00:32

Uh-oh.

2:00:32

It's like just so well done.

2:00:35

And I know that Jennifer Garner has worked with that woman

2:00:38

many more times. Her name is Susie DeSanto.

2:00:40

And it's like, to me, it's why the movie has

2:00:42

trans like transcended culture is because of the dresses

2:00:46

and the way that she wears them.

2:00:47

And yeah, there's no question.

2:00:49

Do you have a problem in answerable question for this movie?

2:00:52

I mean, like I said, I'm wondering why she's named Tom Tom.

2:00:55

We can't find out unless they they add more to it.

2:00:59

I also would like to know what is the first issue

2:01:02

of sparkle that Judy Grell be overseeing Lucy.

2:01:06

Lucy.

2:01:07

Karen Sheik.

2:01:07

Want much more of her?

2:01:10

So I had as my first one who ultimately won the pose versus

2:01:14

Poise versus sparkle battle in the 2000s.

2:01:17

I think the answer is neither.

2:01:20

I think us weekly just knocks both of them out and it's over.

2:01:23

Probably.

2:01:24

I was subscribing to both.

2:01:25

So that's Joe.

2:01:26

My other answer was the R-rated version of this movie

2:01:30

is really interesting.

2:01:31

And I'm glad they didn't do it.

2:01:32

But there's a whole

2:01:34

wrongshaire version of this movie that you probably can do with Cameradillas.

2:01:38

Yeah.

2:01:38

Where Jenna has sex for the first time and like, but I don't think she can be 13 in that scenario.

2:01:43

I think the R-rated version Mark Ruffalo already did.

2:01:45

It's called poor things.

2:01:47

Right, right.

2:01:48

Where he's kind of in the same situation.

2:01:50

Yeah.

2:01:51

Actually, I watched him do a chicken shop date video just about that.

2:01:54

Actually, and he was like, yeah, I agree with you.

2:01:57

Yeah, I don't think this movie makes a hundred million dollars and lives on for our

2:02:00

rarifids are.

2:02:02

No.

2:02:03

Memorability and most one from this movie.

2:02:05

It's either the dollhouse or the dress.

2:02:07

I think it's the jacket that she wears to work on the first day.

2:02:10

It's that Nanette Laporte jacket that she wears over the slip dress for me.

2:02:14

But I guess the famous thriller dress is probably like the

2:02:17

thriller dress is making you the most money if you buy it in on eBay in 2010.

2:02:22

Yes, definitely.

2:02:23

The jacket Lily Reinhart just wore on her press tour.

2:02:27

Like she got, she went to the designer.

2:02:29

She had like one in her basement.

2:02:30

She borrowed it and they give it back.

2:02:31

So it's like still there's like a few of them out there.

2:02:35

Yeah.

2:02:35

This is great information, Julie.

2:02:37

Yeah.

2:02:37

Really bringing it to the table.

2:02:38

Thank you.

2:02:39

I'm trying.

2:02:40

Coach, Vince Doc, Mr. Mayor, I get where best worst life lesson.

2:02:44

I can give you, I don't want to be original.

2:02:46

I want to be cool.

2:02:47

I think that's a bad life lesson.

2:02:50

Or you can't just turn back time.

2:02:54

That's profound.

2:02:55

That's really deep.

2:02:57

Or slow down, you crazy child.

2:02:59

You're so ambitious for a juvenile.

2:03:02

Can I give you one from the great Kathy Baker?

2:03:05

Those aren't real people, honey.

2:03:06

Those are models.

2:03:10

I said, I think they're just great at beginning.

2:03:12

For me, it's that double feature choice.

2:03:15

I think it has to be big unless you want to do freaking Friday.

2:03:20

I think it's big.

2:03:22

I did it big first than this.

2:03:23

Yeah.

2:03:24

And also this movie like intentionally nods to big.

2:03:26

So like it inviting you to do that.

2:03:28

So I think it's a pretty easy choice.

2:03:30

And then who won the movie, Jennifer Gerner?

2:03:32

Jennifer Gerner, obviously.

2:03:33

I mean, she wins at so many things.

2:03:35

Craig, come into the zoom.

2:03:37

What do you got for us?

2:03:38

I'm not ashamed to admit I'd never seen this movie.

2:03:41

Oh, wow.

2:03:42

You're shocking.

2:03:43

I was nine years old.

2:03:44

And I was a boy and I'm sure many nine year old boys my age did not watch this film.

2:03:49

And you know, by the time I was like 16, I was watching Super Bad,

2:03:53

I wasn't going back and watching 13, going on 30.

2:03:55

This is one of Liz's favorite movies.

2:03:57

She was extremely excited to watch it.

2:03:59

I'm so not surprised to hear that.

2:04:01

It was probably the most amp she's been for rewatching for a long time.

2:04:04

Wow.

2:04:05

I really enjoyed it.

2:04:07

I was so impressed by Jennifer Gerner who

2:04:11

I didn't realize how little of a relationship I had to.

2:04:14

Like, yeah.

2:04:15

I see her more around Brentwood than I think I've seen her in movies.

2:04:19

Like I see her at my commercial shop because she brings her kid in.

2:04:22

And I, but I realized going through her IMDB.

2:04:25

I'm like, do you know, she's in draft day with costner?

2:04:31

Like, what else have I really seen her in?

2:04:33

Ghost of Grover in past I think I saw, but it's remarkable.

2:04:36

You know, people talk about how there's like a joke that young people

2:04:39

know of Paul Newman as like the guy from on salad dressings, you know?

2:04:43

They get honest and realize an actor.

2:04:44

What Julia said is completely true.

2:04:46

I think of the majority of people in their 20s.

2:04:48

Probably think of Jennifer Gerner as the capital one lady who was married to Ben Affleck.

2:04:53

And I just thought she was so good.

2:04:55

I thought her physical acting was like amazing and really subtle.

2:04:58

I think like even the scene in the beginning where she's waking up and it's more of the big broad

2:05:02

stuff was great.

2:05:02

But the whole movie like even the way she's drinking the peanut colladas,

2:05:06

she's taking these like giant gulps.

2:05:08

Yeah.

2:05:09

Because she's like so excited to drink it.

2:05:11

Super impressed with her.

2:05:12

I thought she was totally like fantastic in it.

2:05:15

And I actually think having seen this only for the first time

2:05:18

as somebody in his early 30s.

2:05:19

I kind of think this movie is better to see in your 30s than 13.

2:05:24

I think you can appreciate the humor.

2:05:26

My boss for both.

2:05:27

Yeah.

2:05:27

Because I watched my daughter live through it as she was growing up and she also loved it and

2:05:32

really identified with the teen stuff.

2:05:34

But my wife loved it because she saw it when she was in her 30s.

2:05:37

There's a couple of adult themes that are pretty good.

2:05:38

I think the scene where she's trying to break up Ruffalo's wedding and Ruffalo has that

2:05:42

moment where he was like, look, I'm going to marry this woman.

2:05:46

You have to live with the consequences of the choices that you made.

2:05:49

And she's like, okay, and she leaves.

2:05:50

Which is a pretty sad, poignant moment for a 13-year-old girl to live with.

2:05:56

And then even when she's with her mom at the house and she's like,

2:05:59

I'm sorry, I didn't come to Christmas last year.

2:06:02

I'm like, I'm at the age now.

2:06:03

I'm like, wow.

2:06:04

That's a real thing.

2:06:05

I can't often see your parents at that age.

2:06:07

So yeah, I thought this movie was really enjoyable.

2:06:10

Yeah, you read it.

2:06:11

It does flip the romcom thing because you think in any romcom,

2:06:15

they end up together at the wedding.

2:06:18

She steals her way and they leave the wedding and they drive off into the movie.

2:06:21

And this one is like, no, I'm marrying this lady.

2:06:23

Yeah, you blew it.

2:06:24

Yeah, it's done.

2:06:26

It's good.

2:06:27

Oh, Craig, he's in.

2:06:28

Yeah.

2:06:29

Could be one of these like, one of those kids someday.

2:06:31

I also recently watched Clueless for the first time.

2:06:33

That's insane.

2:06:34

That's crazy.

2:06:35

I don't know.

2:06:36

Jesus.

2:06:36

Which I think, like I think 13 going on 30 holds up much better than Clueless is really fun in

2:06:40

charming.

2:06:41

But I think this movie ages better to watch as an adult.

2:06:44

Clueless is very, yeah, very of a time capsule.

2:06:48

Yeah, like 95.

2:06:50

It's very sticky.

2:06:50

But this movie is going on 13 going on 30 is not as sticky.

2:06:53

No, I think also LA has changed in a way in the movie that you can identify so much.

2:06:58

Whereas with this movie, New York, they chose like kind of timeless locations.

2:07:02

The reality is the soundtrack of this movie will make this a 50 to 60 year run

2:07:08

for this movie and the streamers.

2:07:10

And because it's just not going to go away.

2:07:13

Yeah.

2:07:13

And the mother daughter aspect of it.

2:07:15

Like there aren't that many movies like this.

2:07:17

I think this is why Gilmore Girls is also so popular because people can watch it

2:07:21

as a young person or with their mom or then as a mom.

2:07:24

Like when you can capture both ends of like that spectrum,

2:07:27

it lasts a very long time.

2:07:30

100%.

2:07:31

This was great.

2:07:32

Juliet, I had a fantastic time.

2:07:34

Craig, thank you as always.

2:07:35

Thanks to Gihau and Eduardo and Chris as well.

2:07:38

And then we watch both sides.

2:07:39

We will see you seeing a week.

2:07:43

Every game day you show up for your team.

2:07:57

Now it's your time.

2:08:05

Ask your prescriber about week OV, some Maglatide injection 2.4 milligrams, a GLP one.

2:08:11

Call 1-8334-WeGovie or visit WeGovie.com to view the medication guide and to learn more about WeGovie.

2:08:18

Why wait?

2:08:23

This episode is brought to you by Whole Foods Market.

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