The Last Temptation of Christ with Jamelle Bouie

2026-10-11 04:00:00 • 2:22:52

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If I was a woodcutter, I'd cut. If I was a fire, I'd burn. But I'm a podcast, and I love.

0:29

That's good. That's the only thing I can do. Thank you. That was the one I figured you would do. And I think it's a very good

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uh, Willem. I was doing older, Christ Willem. I was doing older. I'll admit it's hard to do young Willem. I'm something of woodcutter

0:43

myself. Something of a woodcutter myself. I feel like I lost it on that one. Yeah. Is that always funny? I think it is, right?

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Even though Marvel tried to ruin it by obviously like making it like a plowsline in the Spider-Man movie, they can't ruin it.

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I'll say part of what makes it funny is actually, I mean, as a line is funny, but it's the face he's making. Yep.

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The kind of like very should have like, well, I'm just your friendly neighborhood. Norman Osborne. We, we did a, uh,

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Remy Spider-Man with you, obviously. It was one of those things that Remy just understood of just like when to ask Willem

1:20

to photo smile beyond that as as Spider-Man has been back in the discourse and people talking about the new movie, people, you know, will always post the the fight in the first

1:30

Spider-Man. Yes. Where they're just fucking wailing on each other in the church yard or whatever. Right. And people are just like, nothing looks like this anymore in these

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comic book movies. They're just being the shit out of each other. Yeah. And you're like, yeah, that rocks. Yeah. But take me back. Return. You know what else? I mean, the thing we were surprised by

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rewatching that movie is there's no fight in that film that lasts longer than like 90 seconds. Like Spider-Man 2 broke that wall of, oh, shit, they're a map, they're

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amounts of money now invested in letting these fight sequences go on for 10 minutes. And when you got to the subway sequence, it felt thrilling. Yeah. But

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that church fight is so short. Right. It's just brutal and it's direct bang bang. It's it's brutal. And it feels because the brutality gives it like these

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real stakes. Like, oh, he'll kill Spider-Man if he can. He'll he'll he's crazy. I'll say this. But I will say also this. Yeah. When the military is like, we don't want to do your

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goblin glider. And instead we have like, and then they roll out the worst guy you've ever seen. Yes. Herendus. He's like this.

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Some goggles. Yeah. And they're like, we're going to find Norman Osborne. I also, I'm like, oh, guys, I built this company.

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Yeah. My thing is objectively better than this thing. Yes.

2:39

Wait, are they just doing the coup as he's crazy? Is that what it is? It's like, you're kind of do great. I'm gonna tell you this. You got kind of

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like a little defo vibe that's unsettling everyone. It is I didn't foresee William, uh, Norman talk, but I should have. Of course. Yeah. No, because it's it's

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obviously. Well, Defo gets used so much now the last 25 years as a villain and or an old coup. Oh, he's a rent a

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coup. Right. Aquaman was kind of like, it's sort of almost coup, but it's the rare like he's not neither villain nor

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coup. Yeah. That's not tempted at a at a Gary old man Jim. Yeah. Mentor. Right. Right. I would, I mean, I would cast, I mean, speaking of old

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Cude, so much to make an old prospector movie cast for them to vote. Wow. That's the prospect. Fine. Live action. What he's

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Roundup put William Defo in a fat suit. Have him placed in key Pete. He really is. He's going. Coup mode. He's going

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Coup mode, but this is to say it just is wild to watch this film from 1987.

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1988 is it not yes 1988 and to be like he was perfect as Jesus. Yeah. Well, I mean, so beautiful. Yes. My

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understanding is that's where says he had seen him in platoon. Correct. Yeah. Where he plays a very sensitive

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right. He's like an innocent. That almost right. Yeah. And spiritual. Right. Yes. No, that's that's a good point. Like

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it was a different Willem. But part of him in platoon is like, is this guy a little scary? There's even

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it's stepping into that which this movie is in a way in a really smart way. Yes. Of course. Absolutely. Is

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he crazy? The whole thing is and I God, this is going to be like a blasphemous episode away. I know. But

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like obviously one must consider if Jesus Christ was was mentally ill. Like if if if if one not not in this

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movie so much, but yeah, that's it. Well, some of these miracles I watch I go Jesus, you're crazy for

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that one. One of my favorite Wikipedia articles because of because of the image they use one of my

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favorite Wikipedia articles, mental health of Jesus. He looks sad where they have picked a very sad

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15th century painting of him looking at that. That's very such a frowned. Yeah. The question of whether

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the historical Jesus was in good mental health is a subject of consideration for psychologists,

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historians and writers. I mean, I guess that makes sense. I'm you know, I'm willing to grant Jesus

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good mental health. But I think of like authors of the Christian Bible who were clearly in saying I'm

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thinking John a Pat most who wrote the revelation of saying John, but we know as the book of revelations.

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What do you mean book of revelations? That's just yeah, it's really normal. Blockbuster shit.

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That's just great. I mean, I I imagine we'll talk about this a ton. But one of the things that I

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actually find really interesting about the movie is how much it's trying to capture the strangeness

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of the ancient Near East. You said this. I noticed this on the letter box. Yeah. It's like

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making it an alien place in an away. And one of the things that's true to fact is that there were

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lots of people yeah, who were like, I am the Messiah. There were lots of people who were like crazy

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things are happening in the world around us. It's clearly the end times. I am the Messiah. Yeah.

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And when we meet Jesus in the film, we're meeting them constructing a cross for the crucifixion

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of one of these people. Yes. Right. And that's that's the immediate anger that they start the movie

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with Jesus doing something that his disciples would find unforgivable. I prefer to the Mel Gibson

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Passion of the Christ thing where Jesus makes it seems like is it the first chair in existence?

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Oh yeah. Where you see him kind of knock a chair together and he's like, hmm.

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First lady, he invented chairs. Yeah. Anyway, moving on. That's part of the mechus is here, right?

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That you see Jesus making the first chair and then it turns into the first lady. Here was a

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obviously that was a chair heavy film. It's crazy. The guy who made us his chair got crucified

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for the chair. No, no, no, the chair was good. The chair was good. The chair was pretty good.

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I like you saying that and I was I watched I will admit I watched this movie twice last night.

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Oh yeah, man. I watched it and then I saw the criterion. I had their commentary track,

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their vintage commentary track on the criterion channel and I said, let me throw that on.

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And it's intercutting between Cox, Shrader, Scorsese and Defoe. What were you about to say, David?

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I'm just watching the chair scene. It really is like I fucking invented something cool.

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Proud of eating a table. It's a chair. That movie is so bananas.

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Did stools exist but not chairs? I don't know. No one had thought to put a back on a stool.

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That's my question. So it's major innovation. When were chairs invented? Was it the legs? Were the

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and then just around 20 and 100 BC. So no, they beat Jesus. That would be Jesus to that one.

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Trader said this thing people evolved stools by adding a back. That's how the chair was invented.

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That makes sense. Mostly for Pharaohs though. Trader said this thing that if you read of that time,

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people believe they were witnessing supernatural things on a near daily basis. Yeah.

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So that was part of the weirdness of the time. What was the supernatural stuff that we're seeing?

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Jesus ripping his heart out. That's a crazy thing. No, I'm sure. You know, right? We're talking

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about like the weather. We're talking about animals. Know about science. Sure. Yeah. I don't know.

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I don't know what they would have been seeing but Trader's read on that is right. The thing about

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the movie is that I actually wanted to try to do some research on this and I couldn't find

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anything but it clearly isn't formed by sort of modern biblical studies. Like just as someone who

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studied religious studies in college, like there's a lot. There's a lot in here that's for,

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I guess someone read a book about first century Judea before they did this movie.

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Well, and also that Scorsese grew up obsessed with biblical epics. Always wanted to make a

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biblical epic. When he originally planned this movie, it was supposed to be more of a classical

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biblical epic. And then there's this blessing and disguise of being told, you can do this right now

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if you can make it for seven million dollars all in. Right. And whatever was 45, 50 days of filming

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or something like that. And he had to scale it down and it becomes a small town movie. It

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becomes a ground level movie. Yes. Which I do think changes the way these stories are told.

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I think it's so much better. Because even most most modern faith-based tellings of the Bible

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look closer to this than the 40s and 50s epics. Right.

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Right. It looks closer to this. Yeah. In a weird way, when you think about this being like the

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most sacrilegious movie of all time when it was released, which is crazy to me, but I'm so happy

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you have this take as well because I was watching this and I was like, am I just dumb?

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Am I just dumb for thinking? I get what they're coming for.

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For 90 minutes is lighter on sacrilegian. It's the last hour people were more upset about that.

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They were more just upset when they heard about it though. It's not like they watched the movie.

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Right. Yeah. Even the last hour is only sacrilegious if you're an idiot.

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I would agree with that, but I'm no expert on sacrilegious. I probably live my life being very

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sacrilegious. I'm the most sacrilegious person alive. But I did think watching this. This feels

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very respectful to Jesus Christ. This makes for my guy. Jesus Christ movie. Yes. That is for sure.

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This movie makes me pretty on the side. But you know what? It's also a movie about how people

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really got riled up about Jesus since he was around. And so I guess it's not surprised that people

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got riled up because it's like, yes, see people who have been fucking riled up about this.

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Jesus makes people feel a little bit. Talking about him riles people. It's true. And we're going to

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have zero trouble talking about him today on blank check with Griffin and David. I'm Griffin.

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I'm David. Wow. This is a podcast about faith. Sure. About deep spirituality and about

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filmography as director to a massive success early on in their careers are given a series of blank

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checks to make whatever crazy passion projects they want. And sometimes those checks clear. And

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sometimes they get denounced by the church. Baby. Sure. This is the second time. Martin Scorsese feared

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for his life. Third. What are we talking about his general health or just kind of like people

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being after him or you mentioned? Okay. So if we're talking about his general health, this is like

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the one million. Yeah. He seems to me to be quite neurotic. A little sickly, a little neurotic,

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did too many drugs. You know, a certain point in his life. What's the other?

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Well, I guess there was a lot of hand-ranging around taxi driver. Sure. There was someone. Yeah.

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Yeah. Interesting. And then what was the Academy Award ceremony? Oh, it was the Raging Bull year.

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That ceremony happens the day after the William Henkley.

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Oh. So he was freaked out. Yes.

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He was going to get attacked next. Yes. That right. 1980 Oscars are even are delayed because of

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the assassination of Rampdon Royale. Oh, yeah. Okay. I guess I kind of get it still.

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I agree. I agree. I think people should chill out. I think Martin Scorsese is good at making

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movies. Yes. And we should be grateful that he makes them for us. I mean, I don't know if the

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podcast can handle that kind of incendiary content, Griffin, you saying he's good at making

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movies? I mean, come on now. I'm ready to to rouse some rebels here today. I will also say I

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had this thought while watching the movie. The fucking co-honies on him to make this thing. As

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much as I just said, I think people's outrage around this was kind of stupid. This is like,

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you knew what he was fucking getting into. He spent 15 years of his life.

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I know. I know. Tellting at this windmill beyond the fact that this was just going to be an

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impossibly difficult movie to make for an asthmatic. That's sand.

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A horrible condition. True. I just can't think of a modern filmmaker who would

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take this big of a risk. How do you see this film before, Greg? I had not. This is my first time

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watching. Okay. And as well, I see you had seen this film. Yes. I've seen this a couple times.

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And introduced our guest place. This is a mini series on the films of Martin Scorsese. Of course.

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I think makes good films. Crazy boy. It's called podcast fellas. It is not called the podcast

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temptation of pod. No. Casting the podcast. People wanted that. But today we are talking about

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bringing the podcast. Bringing the podcast. I mean, bringing it up. I love that.

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But it would people would think it was pretty absurd of us to name our

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Murens Scorsese series after bringing out the dead. As much as I love this film.

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That's what it's called. That's what it's called.

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That's what it's called. That's what it's called. That's what it's called. That's what it's called.

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It's who we are at our core. Today we're talking about the last temptation of Christ,

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his most controversial film. I suppose. I don't know. The Cundan maybe because of the Chinese

13:15

government. If you're going by pure numbers, I guess you could go for Cundan. I don't know how

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many actual Chinese people were mad about Cundan. I don't know if it really reached the general

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pop. But I'm sure we'll get there. We'll show up in Shanghai. What do you think about Cundan?

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I'm not sure. It was a he has people protesting outside the theater movie though. Yeah.

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What was I? Was there protests about a movie in the last couple of years?

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I remember being at Lincoln Center and like there were some nuns protesting a movie.

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It was like six nuns. Yes. It was like really? Oh, it was Benadena.

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And I was like, oh my god. I was not like, I disturbed it all. I was like, you're mad about this.

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Like there's so much to be bad. I think we made this point in our episode where we were like,

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it kind of shows that they just can't be bothered anymore. Yeah. There's like six.

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So it's been like, don't have, you know, tits and a Jesus movie. Yeah. Yeah. I'm sure you guys

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do your thing. I'll see you later. And we're hoover and said, don't worry. Give me the money. He's

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going to be a normal movie about none. They will wear clothes over their brush. Give me the money.

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No, they don't just get into the teacher on display all the time.

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Um, so we're here to talk about the last mission. Christ. One of my favorite Marty movies.

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Jamel Booey. Big movie for me. Oh, yes. Great. Jamel Booey. A friend from New York Times

14:30

returned to the show far too long. It's been a minute. What was the last episode?

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The hunt for red October. The hunt for red. That's a pretty good movie. Yeah.

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Very similar films. Very similar films. Well, I mean, I, I, I took years. It's, yeah, true.

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In late 80s. Yeah. The hunt for October. I think it's 90. I think so. Yeah. That's

14:49

what's right. Yeah. I check in. I was going to be the discord and stuff and people were like,

14:53

what is Jamel going to be back? Who obviously be back from master and commander?

14:57

I don't know about that. No, no, no. I think it's funny. That sort of like, well, he did hunt for

15:02

red October. He's got the other one. Ocean movie. They're making you the boat guy. He went

15:06

under the sea. Now he must go. Yeah. On top of the sea. Yeah. How many more boat movies are

15:11

in our future? We'll do Tony Scott Crimson tide. Yeah. You'll do the entire Venom trilogy on

15:15

Patreon because you're our chief Venom correspondent. Chief Venom correspondent. That is one of my

15:21

proudest bit runs we've ever done on the show, not to pat ourselves on the back, but Eddie Brock

15:25

reporter. Oh, yeah. People ring that up all the time. Yeah. Yeah. Yeah. Yeah. I mean, we need

15:32

him back right now. Eddie. Yeah. He blew this white. Look what's going on. Like, it meant putting Eddie

15:38

with like, he's got you know what I mean? Just matching those wits. Like, that'd be fun.

15:46

Oh, God. Eddie interviewing lettuce. What? Let me ask you one more question. Why are you giving

15:50

people diarrhea? Making everyone poop? Pete, Pete, uh, where are the missiles at?

15:56

Where are the missiles go? Just point them. My point amount to me. I had a friend who had the

16:01

poop thing that the lettuce thing. My sister had it. Yeah. You're sister out of tune. No, we'll credit.

16:06

And I was like, Oh, man, what'd you eat? And she's like, well, I went on a hike and we ate

16:10

some lettuce out of a bag. Oh, come on. I was like, wow, that probably might be the culprit there.

16:16

It was not the cleanest like detective work in possible. I couldn't even like, I went to

16:22

Taco Bell. And like, you know, got like a lot of stuff. I was going to see a wrap or whatever. I don't

16:25

know. I know Taco Bell was affected. Yeah. But do you think Taco Bell was actually quietly

16:30

celebrating being like, it's not just us anymore. Yeah. Right. Right. Right. It's so fucking

16:34

leaves. That's not our fault. We've, we've actually moved down the diary here right.

16:38

Things. I mean, I said this before. Not on this podcast, but I've said in places.

16:42

It Taco Bell gives you diary. You're not eating a fiber. This is true. It's, it's, it's so

16:48

often the case that it's right. Like the mistake was made before. Yeah. I haven't had Taco Bell in a

16:53

while. I get. So when I go grocery shopping on Sundays, I talk about right by the grocery store.

16:58

And I just go by myself for my, my Sunday, my Sunday treats it myself. Yeah. It's Taco Bell

17:03

What do you got? I get a chalupa with beans. And I get either a cheesy or did a crunch.

17:09

Yeah. With beans. I always be getting everything. Right. Right. Or I get, if you get like a,

17:16

a bean and rice and cheese burrito, you can get it fresh, go style, so new cheese and they put

17:21

like the salsa in there. And then you can ask for a grilled. Oh, and that's pretty good.

17:26

The cost of my ability has been there in a while. Yeah. Yeah. I think I need to, and the menu

17:31

hasn't changed much. Right. Like Taco Bell sort of. They're probably throwing things on. I mean,

17:34

there were stuff that got backlash for being pulled from the menu that they've started working

17:39

back in. They're doing a lot of throwback menu stuff. Yeah. Some classics coming back.

17:43

God, they always have us on the treadmill. They did. They do. They do. Here's what I tried the other

17:48

day that was very good. The Tahin cheesy, Gordy. Yeah. You know, I saw that on their website.

17:53

Yeah. Yeah. It did look pretty good for the listener at home because we're not a video podcast.

17:58

What I just saw is Ben did a sort of a three sets of eyebrows. Hit the seal.

18:02

I don't know that. There was a lot to see. Ooh. It was good. We're all. It's like instead of

18:09

Doritos Locos. They just they're just jangling keys on us. You could do that. You can sell.

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You're smiling. Yeah. I've never seen a smile.

18:20

Hey, listen, man, I just I just want to live moss. That's all I want.

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You can do it. We're trying our best to live moss as the world is not moss right now.

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I wake up every morning and I push myself to think outside the bun. That's all I do.

18:34

So this is an episode on the last temptation of Christ. We're talking about last

18:38

temptation of Christ. It's a big movie for me. Big like David Watchen in college while he was

18:43

like studying the Bible as literature. Okay. Where I was like, this is my favorite Marty.

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I'm so clever. You know what I mean? I feel like I'm making fun of college. David.

18:53

Sure. It's not still your favorite, but at the time I think Goodfell is his the best

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courses. Yeah. As I get older, yeah. I'm sort of like, fucking some of these things.

19:03

Good. Good. That's how I feel about taxi driver. That's fine. I think those are both right.

19:08

Right. He's yeah. This is a this is right up there for me, but I think it's a very special movie.

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And this movie I've shown to friends over the years. And I think this movie is it's not like a

19:18

slog exactly, but it's a bit of a slow starting movie. And you're in it for a while being like,

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wait, I thought this was controversial. And instead I feel like I'm just watching a Jesus

19:27

biopic. I'm just watching the Bible. And then of course it has, you know, the the last temptation

19:33

of Christ happened in the in the last act of the movie. And that's intriguing. And then the end

19:38

comes. And I've had this experience with a few friends where they are suddenly like very moved by

19:43

and struck by the end. I find the ending so incredibly moving. It is so transcended. I think it's

19:48

one of the most transcendent things he ever captured. And I'm getting worked up just thinking about

19:54

it. And I listen, I listen to Peter Gabriel's score for this all the time. I also think this is

19:59

influential film scores ever. It totally is. I think this is also like, and we haven't maybe

20:03

been talking about this because we've mostly recorded so far 70s Marty, I guess. Now we've done

20:08

mostly 80s. We don't have the 80s too. Right. This will this will finish the 80s. Right.

20:12

Relatively in order. His 70s movies to me, just getting, you know, it's it's Mean Streets, Alice,

20:19

Taxi Driver, New York, New York, and I'm counting Raging Bull. Like they all feel 79

20:24

parking. Partly it's the deniro, you know, he's running through a lot of them and like street

20:30

level, raw, right? You know, like even though New York New York's a little, you know, you know what I'm

20:34

saying? Yeah. Yeah. And then like his 80s can and which I love so much, which is King of Comedy

20:40

after hours, color of money and this. This feels it's such an 80s movie. Yes. Yes.

20:46

You've got one other credit. So much cocaine. Oh yeah. Yeah. No, the cocaine is running.

20:51

I'm trying to kick it. I guess it's more 70s. That's more 70s. It's like Raging Bull is him kind

20:55

of being like, okay, I got a yeah. Yeah. Yeah. No. And but this is like even though this film is

21:00

obviously an ancient period piece, it feels so 80s to me in the best way. The score, the cast,

21:09

the weird like eclectic, you know, the special effects like I love all of that about it. And I

21:14

love Marty's 80s because his 90s, that's where he's like, you know, Baroque, right? Like that's

21:19

what's like goodfellas, Cape Fear, Casino, Age of Innocence and Cundoon are a little, you know,

21:24

playing the studio game a little more, but like bring up a depth of movies that are just like

21:28

super high emotion, long, crazy, you know, and then. So I kind of I'm very fond of his smaller 80s.

21:36

And then 2000s is prestige. 2000s is the Oscar chase. It's right. It's it's Gaines and New

21:41

York Aviator departed. That's it. I think that's his entire.

21:45

The Shutter Island. Shutter Island's 10 or 11, right. And then like his 2010s are like

21:49

beyond Baroque. Shutter Island. Yeah. You go Wolf of Wall Street. Again, silence. That's sort of

21:55

the, sure, the one, you know, an Irishman like that these are like where he's like, you can't say no.

22:00

Like I can do whatever I want. Every movie's three and a half hours long. Yeah.

22:04

The performances are so dialed up. Like I love these movies. Yeah. Yeah. They're great. You know,

22:09

what's your what's your Marty history, Jamal? My Marty history. My Marty history is just years ago.

22:16

Maybe 10 years ago now. I just sat down. I was like, you know, I'd seen Goodfellow as a bunch.

22:21

But I just sat down and was like, I'm going to watch every single Marty Scorsese movie. You're like

22:24

David where you like a watch project. Yeah. So I just over the course of that year. It was 2017.

22:30

I just watched every Marty movie and came away first. I mean, this feels, this feels,

22:36

it feels so cliche to say or it feels, but I just like, Marty Scorsese is great.

22:40

It's really, I came away thinking, you kind of get canceled on a set of two with this guy. You

22:46

me to Marty. I've put it this I had a similar experience recently. I went through a big Duke

22:52

Gellington thing. I was just listening to nothing but Duke Gellington for months. And at some point,

22:58

I just thought to myself, I was like, Duke Gellington fucking rocks. And like on the one hand,

23:03

it's like, of course, of course he does. He's the most influential American musician,

23:09

arguably of the 20th century. But the scale of influence and the importance can sometimes

23:16

lead you to almost underrate these people. It's like when you drink a really cool glass of water

23:22

on a hot summer day. Right. And you're like, wait a second. Water is fucking awesome. Right.

23:27

Like I take this for granted. You need to adjust the glass a lot. I think I think Marty gets

23:34

taken for granted. Yes. Taken for granted. Sometimes that we have we have this we have this guy

23:40

making movies. Yes. And then if you just sit and watch his stuff. Yeah. You're like, it's remarkable

23:46

that this man has this longevity. Yes. As produced this much excellent work. Has this much to say

23:53

and listen to me. Maybe I need to listen to some Duke Gellington. You really got to. I don't

23:57

like that guy. Anyway, so that's basically my like my history with Chris as he is. I spent a year

24:06

watching all his movies came to really love the work. The last temptation is one of the ones

24:12

that I was particularly struck by. Both as it could grew up going to church. So many still kind of

24:17

goes to church. And but also it's also from the level of my main knowledge of the movie was

24:23

that it was controversial. Yeah. And then to go in and actually see it and just to kind of be like,

24:27

I don't understand what's controversial about this. You if you just like heard about this movie

24:31

like on the street or whatever. Sure. You were like, okay, so it's about like Jesus and he's like

24:35

rolling big dice and he fucks hookers. Right. It's fucking fatty. Yeah. I spoke to this like,

24:41

you know, drives a big car. Like where they're just like, oh, is he just like, you know, gangster movie?

24:47

Because they're just making it sound like it's like, oh, it's disgusting. What? Like, you know,

24:50

it's like this filthy movie. Sure about this hard film. Right. Jesus drives a big car.

24:57

That was one of your eight examples. He's like a gangster in a big car. You know what? What?

25:03

Like a mini-coop. Certainly. No big. I'm sorry. We can talk about, but had you seen this movie?

25:10

No, I've never seen it. What's your relationship with JC? Yeah. Your dad's your dad raised

25:15

you kind of like no religion, right? Yeah. Yeah. Yeah. Right. Totally atheist. I've never really

25:21

been to church. I've obviously been for weddings. Yeah. I've never sat through. No, but if you try

25:26

to cross the threshold, you throw down by the threshold. That's true. I've never been able to actually

25:30

get through the door. Yeah. Right. And a voice. Yeah. Yeah. You shall not pass. But I do come from

25:39

a Catholic family. Right. Yeah. Mom, side of the family, extremely Catholic. Almost a saint in your

25:45

in your lineage. There's almost a smell. There's like trying to get that miracle. In my, in my

25:50

who is he? What's his name? Father McGinley McGinley McGinley McGinley McGinley McGinley.

25:56

McGinley McGinley. Michael Johnson. John C. John C. McGinley. One of the great JC's.

26:01

McGinley. They're like the original scrubs is recognized as a miracle. The reboot.

26:07

We're waiting to see if the Pope approved. Yeah. He's blessed. Yes. He's currently blessed. We'll see.

26:14

You know, fingers crossed. Yeah. But my dad was such extreme atheist that he also really was

26:22

against me learning anything about the Bible. So really all I know is from that rug grad episode.

26:30

Yep. Oh, yeah. They have a Hanukkah episode. The Maccabees. That's how many people I got.

26:37

They're like ancient history lessons from like Arthur,

26:41

rugrats. Like what that rugrats episode might be one of the most important like

26:46

modern Jewish texts. But they have the little like the little sort of beddling hats.

26:52

We were just talking to a friend of the podcast John Bass the other night. Uh-huh.

26:56

And we were comparing stories. I forget what I said. But the moment in your childhood that you

27:02

felt proud to be a Jew for the first time rather than like kind of embarrassed. And he was like

27:07

rugrats Passover. I mean, that was the turning point. The 90s are very heavy on like let's actually

27:12

have sort of Jewish characters. Yes. Say they're Jewish. Right. Right. And then he lands has that too.

27:18

And piss their pants and fall down a flight of stairs. As I have always had two pickles. He's a

27:23

hot guy. Rugrats is is very it's it's it was a big win for the people. Yeah. Rugrats is good.

27:30

That like rugrats. I'm just trying to ruin that again soon. Like Ryan Gosling will make a rugrats

27:34

movie or something. They rebooted it with hitmaker. They did. Yeah. It's like completely over my head.

27:40

We really yeah. Uh-huh. They did a CGI rugrats. That's our friend Tim Simons was in. Who is he?

27:46

He was Angelica. No. Was he drew pickles maybe? Well, what can I possibly?

27:52

Anyway, I'll just say that now later in life, I feel very much left out from these stories and

28:00

these reference points. Yeah. But I can't really bring myself around to reading the thing.

28:06

Crack and open the good book. It's really hard to be. Yeah. It's long too. Yeah. The basic

28:12

construction of the old living earth as we learned on liquid swords. Yes. Um no, no, no, no, no.

28:18

Last track and liquid swords Bible. Oh yeah. Jim, you read the Bible or at least. Yeah. Yeah.

28:24

I'm I'm, you know, I'm I'm a I'm a raised religious. I was raised religious. I'm an African

28:30

American from the South. I was raised religious. Um, my parents are from the South as well.

28:36

I grew up going to church every Sunday and then took an academic interest in in

28:42

I Christianity in college. So I have more than my fair share. I mean, it also just like by virtue of

28:48

being somebody who studies US history and like early American history, you kind of have to be

28:52

somewhat fluent into a twine in the Christian theology and like the Bible, just because like

28:56

that's a major reference point. Like you can't you kind of can't properly understand

29:01

17th century America, for example, if you're not like at least somewhat fluent in

29:07

proscenism, Calvin, it like you need to know something. So yeah, that's that's that's that's my like

29:13

religious background. So I just like knowledge of the Bible over the interesting thing about this

29:16

movie. This is very Catholic. Yeah, it's unsurprisingly. It's despite, I mean Paul Shreighter wrote it

29:22

and it was a Dutch Calvinist Calvinist, right? That's Calvinist, right? But there isn't there isn't

29:27

but and it's written by a Greek. Yeah, I think a Greek Orthodox. Yes, right? The novel. I know

29:32

it's a Greek person. Yes, the original blog. Like the Shreight, the Shreighter of it is far more,

29:37

I think like the vibe and mood sort of like, you know, when you have when you have Jesus

29:41

riding on the ground with the voice over, but how is how his life is terrible and he's tormented by

29:46

his own mind? Oh, yeah, little Shreighter wrote this. Yeah. Yeah, man in a room. But the aesthetics of

29:52

it are extremely Catholic.

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31:29

What do you make of? And then we can talk about this movie. This is where I ask anyone who's

31:33

about the thing Bible. Because it's crazy. You read that thing? Griff, no. I haven't. I'm like Ben

31:37

where I feel left out on this part of culture that most people just kind of have in their back pocket.

31:42

We were, I would say, like in honesty, a fairly agnostic family. But felt that need to go through

31:50

the Jewish tradition. That's what my family did too. Exactly. So I went to synagogue a fair amount.

31:57

There were years where it was only on the big holidays. There were years where my parents were

32:01

trying to be the type of family that went every Sunday. Because there's a show of

32:04

shelalment. There's a kind of a, yeah, like, unity element. But the Old Testament I have in my head.

32:11

Call the OT. I'm sorry. The OT. Yeah. Because we have to call the original trilogy the OT.

32:16

Oh, yeah. That's the most important. Which is my oldest. Of course. Well, ironically,

32:21

my Old Testament's the prequel trilogy, the PT. But yes, no. So much of the story of Jesus,

32:29

I just, I only know in sort of like truly like comedy reference points.

32:33

Right. Right. Like enough to make my way through an improv scene.

32:36

Jim, how does anyone deal with the fact? Because I didn't realize this. So I studied the

32:41

Bible sort of like in college. Like that there's the Gospels, right? Matthew, Mark, Luke, and John,

32:46

Matthew, Mark, and Luke are all like, yeah, this is what happened. Yeah. We all basically agree.

32:49

And John's like, no, no, no, different baby. Yeah. My, my version is different. And everyone's like,

32:55

and that's, you know, that's, that's the story. And you're like, wait, what do you mean? That's

32:59

the story. They disagree. It's, it's, and they're like, I don't know. Like that's just how it got

33:03

written down. Growing up, there was no sense that there were tensions in Magospa accounts. Right.

33:11

No sense that like, you know, the Paul, the Pauline epistles are a lot of ways like a fundamentally

33:19

different thing than Magospa. Like there's all treated as just a single unified whole. Like this is

33:24

the Bible. And there's not really like temporal or like theological. This thing just made. But of

33:28

course, as you point out, yeah, like John's just different. Like Mark, Matthew, Mark, and Luke,

33:33

there's, there's a, I'm not sure if it's still hypothetical or if they know it existed, but they

33:38

can't find it. But this basically sort of like a gospel that does not exist. But there's enough

33:43

similarities between the Mark, Matthew, Mark, and Luke accounts that, and even like language,

33:50

that there's assumed to be, it's called Q, like a, a, a missing gospel. That is maybe the source text

33:58

for these other source, the source source. Right. The source that was written by someone anonymously.

34:03

No, it was written by someone. We just don't, it's like, it's, yeah, it was, it was, it was,

34:07

it was written, it was written, it was written to torment Picard. Oh,

34:12

God. Oh, yeah, that's true. Right. He was, he was, he was, he was, he was,

34:15

fingers, someone would get a cigar and it'd be very funny. Where funny, huh? But, um,

34:21

and I believe it's like, Mark is chronologically believed to be the first gospel written.

34:25

Right. Uh, uh, then Matthew and Luke. Yes. But then John, but then John's just completely

34:31

different. And even like, philosophically, it's, I mean, John feels influenced by his

34:35

riddle, like the Nostec traditions that pop up, uh, in the, in the century or so after the death

34:40

of Christ. It's like a very, it's a very different thing. Uh, but I, I, that's not something I

34:45

knew until basically like I took a class on sort of like the historical Bible, right? Like,

34:50

let's unpack this thing as like a piece of historical literature. I just, I remember this is in

34:56

that, uh, that great graphic novel, blankets. Remember that book? Watch my favorite books of all time.

35:00

Unsurprisingly. Right. Where it's about how Craig Thompson has this moment where he starts like

35:04

getting more into the Bible, like, or into religion, and gripping. Yes. And starts asking those

35:10

kinds of questions and the, the priest is like, yeah, that's very, it's very interesting. And like,

35:14

let me tell you more about it. And yes, like, let me tell you the, and then that's like shatters

35:18

everything for him. Wait a second. So you guys know this, like that, like, different people

35:23

wrote the Bible and like that it's, you know, kind of a, and then he's just like, he couldn't get past

35:27

it. Like, it's, yeah. But, um, I find the Bible so interesting. I find JC pretty interesting.

35:33

Chazay. Uh, and I find this movie wonderful. But like, it, but like, it's just like, it's just,

35:41

I get, I immediately get so, as I guess my brain is like, just so caught up on the history of it,

35:46

where I'm like, why did he catch on? Like when no one else, you know, like caught on in the same way.

35:52

Like, why was this it? I had a, I had a professor in college who this was like one of her

35:58

questions to us that was like, it's kind of an unanswerable question. This is life is brief. And

36:02

obviously his life is a rebel is even briefer. Right. Yeah. Uh, but it's, it's, that's like the

36:07

question. Like why, why this guy? You know, there are a lot of, and as you mentioned, the film

36:13

shows this, there are a lot of messiahs hanging around. A lot of people, it's a hot time. A lot of,

36:18

you know, Messianic cults, um, all sorts of things. And this is the guy who catches on such that

36:24

like, it would be in a couple hundred years, the religion that develops out of his life and

36:30

teachings become like the official state religion of the, of the state that killed him. Right.

36:35

Like we're pretty quickly, right? Yeah. And like I was reading about the first. So this,

36:40

in this movie, like when Jesus gets old, right. And then there's, they're burning down. Think,

36:44

you know, there's this moment kind of late in the movie where people start running. They're like,

36:47

they're fucking, the Romans are fucking everything up. Uh, that's like the first Uday in rebellion,

36:53

which is sort of like this big moment where the Judeans like rise against Rome and get crushed.

36:57

And it's sort of the beginning of the end for like Judea. Like before then, Judea was this place,

37:03

you know, where the Romans were in charge, but they were kind of like, do your thing.

37:06

And then after that, it starts to be over. I was in Rome and I saw the, um, the arch

37:11

that depicted them attacking Jerusalem and taking all of the treasurers back. They destroy

37:18

this. So Rome and all this shit. Yeah. Yeah. But like, so I'm reading about that. And then I'm sort

37:22

of scrolling back and I'm being like, so where's Jesus in all this? And it's like, that's 35 years old,

37:26

but like, there's nothing in the historical record basically beyond like, yeah, we also killed

37:30

that guy. Yeah, I mean, they kill him and then they're like, Oh, and it really caused this a lot

37:33

of problems. There's my understanding is it like the historical record. There are, there are

37:37

the existence of Jesus, the tested to by basically multiple, there are multiple resources. They're

37:41

like, there is this guy, his name was Jesus. He was from Nazareth. He had a following behind him.

37:47

He was kind of crucified, crucified, but, but you know, yeah, he was kind of weird. Yeah, yeah.

37:52

I mean, there was like a wreck like the things around him. Someone wrote in a big

37:55

tab of like, we strange guy. He taught me it was okay to be weird a lot of ways. He did go

38:00

on. He didn't. He did. He did. Jesus made it weird. He's a little bit of record or what

38:08

happened. There's a lot to basically say this guy existed. That's like actually not really

38:14

debated anymore. Right. Just as a historical man. Yes. But it's like, yeah,

38:20

he wasn't of any particular significance to Roman authorities. Right. It's not like

38:24

missives are being sent of like, oh my god, we should not have crucified this guy. Everyone's

38:29

mad. It's starting a religion that's going to fuck us up. It's so fascinating about the Pontius

38:34

pilot. I was just about to say, yeah, which is just treated as like, oh my god, what's this next

38:39

meeting? Right. Can I say, I mean, the first time I saw that movie, I was so struck by that

38:44

performance. Bowies incredible. Bowies. It's like five minutes. Yeah. And Bowies just, it's

38:49

exasperated, tired bureaucrats. Yes. Like somewhat superior in a way that really works.

38:56

And it's not an affordable council. It's like, he's taking one meeting in a side room with this guy.

39:01

Yeah. And he wants to help. He wants to be like, dude, come on. I don't know. There's no reason for

39:06

me to have to kill you here. Right. You know, you can go home. I want a three day weekend. You

39:10

want a three day weekend. And now say what was straight coming so many grew up going in church.

39:16

And the Christ stories I was taught at Pontius Pilate is like a great villain, right? And sort of

39:21

portray him in this very humanistic, recognizable way as simply a person who he is a bureaucrat.

39:32

Nothing more, nothing less. Was really relovatory to me. And then Bowie, Bowie just has like this

39:38

look of both sort of, I, this is not a part of my job that I particularly like.

39:47

Kind of compassion for the guy, but also sort of like, oh, that's what you want. That's what you want.

39:52

I am going to speak out of both sides of my mouth here because like my initial thing is,

39:58

it's stupid that people got this fucking offended by this movie. On the other hand,

40:01

versus what you guys were saying where you watched it. And for the first time, up until the sort

40:06

of dream ballet sequence of him imagining what his life could be or being shown some quote-unquote

40:13

version of what he lives that way. Yes. Yes. I think that what the movie suggests is that like,

40:18

he actually did live an entire life. That entire thing happens. And then, and then at the end,

40:24

he was like, you know that's Satan, right? That little girl, that's the devil, bro. Straight up.

40:32

I was clocking things throughout the movie starting from the beginning that I'm like,

40:38

if I held a certain set of beliefs, and I was so strident in them, I would be offended by this.

40:45

I get the small things that this is doing. All the small things. All the small things that don't

40:51

feel designed to be incendiary. But like that, there are people who want Pontus Pilate to be a

40:58

mustache twirling villain. The only way it makes sense to them is that this was a targeted campaign

41:03

against the most special man who self evidently was special from the very beginning and who never

41:08

had any doubt about anything. From the degree to which this movie so early on,

41:14

DeFos' performance is just caked in him being uncertain. Yeah. Which to me is interesting.

41:21

It is the most I've ever been able to connect to Jesus as a character depicted in a fictional film.

41:27

But if your belief is, I need this guy to have been perfect placed on earth,

41:34

immovable. It's the kind of performance that is usually given that is incredibly stoic and serene

41:42

and straight arrow laser focus. It's from Heston, not I am Jesus. Totally. It's a lot of posing and a

41:49

lot of, you know, trying to make my chin look square than it is. He had a great chin that guy.

41:54

He had unbelievable jaw. But this is, you cast DeFos and back to sort of our early discussion

42:00

at the beginning of the episode. This is a guy where there's going to be a Nate sort of tension

42:04

within the performance. Even if you get the most calm, kind of beautiful,

42:10

era of DeFos you possibly can get and you put him in the lowest register possible. There is a

42:16

little mania inside that guy. Yeah. And there's an itchiness inside of him. Itch is good. Yeah.

42:22

I'm going to open the Nasi. Do it. 1955. Two years before his death, the Greek author, Niko's,

42:27

Kazan, let me get this right. Kazan Sackis. I get it my best. Published the last temptation of

42:33

Christ in his homeland. The novel presented a deeply human Christ, contemplating a normal life

42:40

spent with Mary Magdalene and was instantly controversial. Greek Orthodox church,

42:45

got tritex, communicated. I think he might have died before they even got that done.

42:49

But they were mad at him. Yeah. And you know, this is the guy who wrote like Zorba the Greek

42:57

like other famous works of Greek literature. Like he's not like a nobody, but he thinks it was his

43:01

best novel. An American translation was published in 1960. In 1961, Scorsese, who is an NYU student.

43:09

I think maybe at that point he was about it, given it by a classmate. Just mentions it to him.

43:14

He says he actually didn't read it until David, uh,

43:17

carodine gave it to him on the set of boxcar bertha in 72. Yes.

43:22

And then he says he didn't even read it really until like the end of the 70s. So he had the books.

43:28

He had the book. It's not the commentary that it took him decades to learn how to be a good reader.

43:33

I'm sure. That he was just like, I grew up in a household without books. My parents both dropped

43:36

out of grammar school. I learned everything visually. It wasn't until later in my life where I

43:43

started knowing how to sit down and actually like focus on a book. Um, there's another book that he

43:48

likes called King Jesus by Robert Graves. I do not know the book, but uh, which was another one he

43:53

sort of thought about in terms of like, if I ever make like a biblical epic, um, but he couldn't

43:58

stop thinking about this because it in the battle between the spirit of the flesh is something he

44:02

really understood. Let's also call out like the human, you know, accessible neurotic. Christ, you know,

44:08

Barbara Hershey gives him book in 72 John Karrion, but yes, sure. He worked. Barbara Hershey's also

44:13

married. I guess. And Hershey says, you better let me audition to play Mary Magdalena. He did?

44:20

Well, well, we'll get there. Yes. Okay. But it's planted in his head by her. Yes.

44:25

Um, so he likes the book. Uh, this is a Jesus you could sit down with and have a dinner or a drink.

44:32

So, you know, which is really, I want my Jesus. I'm gonna help him in the purview of my Jesus. Yeah,

44:36

especially when I got a pick between two Jesus is November. And the Jesus I want, I can never

44:42

be a ball. I don't want the Jesus orders the Gray Pupon who's so stuffy. My Jesus doesn't wear

44:49

earth tones. No, no, no, well, 2000 election humor for you kids up there. And my Jesus always shows

44:56

off his pen with pride. Uh, the first, uh, Christ movie, he remember seeing is the robe. Uh,

45:03

that's the first Panavision movie. It's early like 50s biblical epic. But that was the first

45:09

wide screen film. That's cool. Yeah. Yes. The first film released in cinemoscope cinemoscope.

45:14

There we go. Um, so he's long, you know, he's struck by this from a young age. I don't know if

45:20

you know this, but he grew up Catholic. I do. That's come up in some of the earlier episodes. But

45:24

Paul Schrader, as we already pointed out, was a Calvinist and he was sort of intrigued by like what

45:29

could our sensibilities together produce, right? Like Paul can strip stuff away.

45:34

It's a long book. If you wrote it all down, it's probably more like a six hour movie. You know what I mean?

45:39

Like, so it's like, I needed Paul to kind of like, say, sort of sand it down.

45:42

Because Jay Cox ultimately ends up doing a lot of the work on this movie along with

45:46

what he says he doesn't get credit. Yeah. So Schrader says in the commentary, his big thing was

45:50

to sit down with the book and identify the themes, identify the big scenes, identify the recurring

45:56

patterns. Um, and then I think a lot of the more detailed work came from Cox and Scorsese later.

46:05

Paul's first version apparently he has Jesus taking his heart out. He's a literal version of the

46:10

last supper in terms of swallowing the flesh and blood of Jesus. I took that out. Um, he says that his

46:17

most important contribution was the outline. He sort of like listed everything in the book.

46:26

Like three or 400 scenes. And then just like kind of use that approach. He sort of like was like,

46:32

what's the most relevant? You know what screenwriting stuff. Uh, Mary Mother of Jesus is a bigger

46:38

character in the book. That's not really in the movie at all. I feel like they don't really address her.

46:41

It's uh, uh, uh, Verna Bloom, who's married to Jay Cox. And who's in, um, after hours. Yes.

46:47

Has been important figure throughout Swarce's life. This is her last performance. Maybe.

46:52

I can. I think there's something kind of interesting to me. Yeah. Essentially. Yes.

46:56

Herndborbe Hershey do have similar faces. And they are styled somewhat similar. Yeah, sure.

47:02

I think there's a really strong resemblance between the two of them. That's interesting.

47:06

Okay. So he's got a script. Uh, they give it to Irwin Winkler, uh, you know,

47:10

an artist, they turn it down. Uh, King of Comedy is released and Paramount signs on board,

47:17

which we talk about this. I think after hours episode, uh, and his pitch to them. And so it's

47:23

Katzenberg and Eisner before they go to Disney, they're in Georgia Paramount. And he says like,

47:26

I want to get to know Jesus better. Uh, like, you know, first I was going to be a priest. It didn't

47:31

work out. Katzenberg and Eisner essentially give him the F. Murray Abraham. Like I don't see a lot of

47:36

money. Uh, you know, they're not like, this is blasphemous, but they're just like, you want to

47:40

get to know Jesus. That's not really like lighting the world on fire. Yeah. I mean, like how much money do

47:46

you want? Uh, and that's where it's, of course, as he starts to be like, I could make an

47:51

an intimate character study. Like, don't worry. I do not need like a biblical, a, a, a amount of money.

47:55

But even at that point, it was going to cost almost twice as much as I think 13. Yes. And then it

47:59

goes up to like 16. Yes. Uh, Jay Cox comes aboard. They thought the script was too

48:04

already. So they want him to make it a little more regular. Um, the budget starts to go up.

48:10

That religious groups start to catch wind of what this project is. They start to get angry.

48:15

The protests were so immediate that they scared off paramount from making the movie the first time.

48:20

Um, Aiden Quinn, of course, is the original choice for Jesus. He's got a Jesus. He look.

48:25

But is I think way too obvious? Sure. Yes. But I mean, he was a good actor. He looks like a

48:31

painting of Jesus. Yeah. But I don't think he would have had the inner conflict down. Sure.

48:37

Yes. I mean, I don't want to be rude to Aiden Quinn because I'm like, I mean, I've never seen

48:42

Aiden Quinn performance where I was like holy shit. Like for the music. Good. I don't know.

48:46

Um, attending Quinn in ledges of all. Yeah. Um, magic. Eric Roberts, which would have been insane.

48:53

If you turned it down. I would like to watch the movie made with Eric.

48:57

Yeah. That sounds kind of fun. Actually. Uh, he turned it down because he thought it was too risky.

49:02

They did consider deniero. And traitor said that deniero's response was I don't think I can wear

49:08

a robe. And he's like, I think Bob might be right. I think the audience might not buy.

49:15

So it all starts to fall apart. The right stuff, which is a winkler production, is a huge bomb.

49:21

That's a great movie. Yeah, I love that movie. But it's a big long movie. It's an expensive

49:25

movie that didn't work. And they, so they cancel last temptation days before shooting

49:32

is supposed to begin according to Scorsese Sting was also supposed to be a conscious pilot

49:36

in that version. He always had the British rock star thing in mind. Yeah, there's a lot,

49:42

there's a lot to that. Right. So then, okay, the French minister of culture gets involved.

49:48

He's trying to, now he's like trying to find money anywhere. He can't, right?

49:52

This is a tough point in his life. He says at one point he told Katzenberg, I'll do flash dance too

49:57

if you let me make last temptation of Christ. Yeah. You know what? I'd watch it. I would watch the hell out

50:03

of Marty Scorsese flash dance too. I mean, back color of money is sort of him being like,

50:08

okay, like it's like a fancier version of like what's it like so cool I can do, right?

50:14

DiPalma, all right, this is a quote by Scorsese. DiPalma and I were talking about one night,

50:19

he just shows Scarface, Hollywood audience and like, and he said, what are we to? Are we going

50:23

to become teachers or something like are we done? And we were at Hugo's restaurant and I realized

50:30

honestly, I didn't know what else I could do. I wish I'd learned to write music or paint or express

50:35

myself in literature. I just don't have anything else I could do. I find that so relatable. I don't know.

50:41

I also have a case of the night's term like, why do I do this? Yeah, yeah, yeah, big time.

50:47

I wish I had other skills. Yeah. They make one effort to shoot it in like Russia with like a

50:54

$5 million budget Egypt at one point. This is what I'm talking about the Cajones though.

50:59

We're just like everyone is telling him not to make this work. His life would be so much easier

51:04

if he gave up on this. He is so fucking driven. He is this thing through. And so he makes after

51:10

hours, which is a great movie, but it's obviously him being like, see, I can make movies quick.

51:14

I can be responsible. Right. And then he makes a color of money to be like, I can work with stars.

51:19

I can work with studios. I can make a hit. Yes. And then he's got good fellas percolating.

51:25

And that looks like it's going to be his next book. That's the Nick Pilegie book wise guy.

51:28

You know, that he's working on that. And then he starts talking to Mike Ovitz, Paul Newman's

51:33

super agent. Yes. The King of CAA, obviously a very important person. And Ovitz poaches Marty.

51:40

Yes. From Harry Uppland, who is like his old classic agent. And suddenly Universal is interested.

51:48

You know, Ovitz works his magic. Ovitz has some kind of deal with Universal or at least some sort

51:54

of ongoing conversation to bring them a couple of movies. I think he's able to sort of bundle

51:59

a couple things together. Exactly. And so Universal, according to Marty, is basically just like

52:03

do what you want. Like the budget has to be fairly low, but like no notes. And then he shows them

52:08

the movie and they like the movie. Yeah. They're like, we're moved. It's great. Yeah. He has a

52:12

surprisingly, this is the underrated part of this. There's actually surprisingly chill part.

52:16

The making of like once Universal's aboard Tom Pollock had read the who's the head of Universal

52:21

of the time he'd read the book. He's like interested in religion. He's an admirer of Marty. They foolishly,

52:28

I think this is the most that everyone's being foolish with. I think we're going to move people

52:32

with this. Yes. I think this is going to work. And obviously it's a great movie. You know, like

52:36

they start to ignore the sort of pressure of like religious groups are going to be mad. Right.

52:41

They start to pick no, no, no, no, this is good. Just just just a just a

52:45

interjects real quick. Just thinking about the outside world reacting to this. It's like an it's an

52:52

odd period American history and American culture because like the age of the biblical app like

52:58

biblical apps are made anymore. No, that's not a decade. Not that. Yeah. Not cool. Not cool.

53:03

Probably uncool. It's not something that happens anymore. And so you could imagine,

53:08

you can imagine exactly this movie being made like the 60s, but like something like this being

53:12

made in the 60s. I don't think it would have been as controversial. No, precisely because the

53:16

biblical epic already existed in like the public mind. It was a close enough to that being

53:21

a string line of yeah. And so people would just be like, oh, this is just like a weird biblical

53:26

epic. Totally. Not like anything to get too upset about. It's it's it's a right. Yeah, I can

53:31

ignore it. I'll just go see Ben Hurigan. You know, just being the first major depiction of Jesus

53:36

in movies in decades. Yes. Yes. Yes. puts a lot of pressure on it. And then simultaneously in the 80s,

53:42

this is like you have the rise of the moral majority in the religious right. Yeah. So it's sort of

53:45

like a new, a newly organized with like aggressive, aggressive and organized like religious

53:51

conservatism. You also have televangelists. You have these people have platforms. These people

53:56

have broadcasting on a daily basis into a larger audience. Unfortunately for Marty, it's sort of

54:01

like a perfect storm of the public isn't prime for this. Yes. And the people who are super

54:06

attentive are insane. Yes. Yes. Can I throw out? Unfortunately. Yep. Tom Pollock who you mentioned

54:12

was head of universal at the time. Tom Pollock was producer on draft day. But most notably, he

54:18

started out his career as an entertainment lawyer. And the thing that he made his career on is he

54:22

is the one who got George Lucas the Star Wars deal. Okay. He is the one who got the if you're not

54:27

going to pay him his quote, he owns sequels and merchandising for the most famous right. So he's

54:33

responsible for the contract clauses or the greatest entertainment deal of all time. And was

54:38

what's a very cool guy. You know, I mean, he fucking green with this. That's right. To my point,

54:43

the other things. Of course, as he said, and why Barbara Hershey kept on coming up in his brain while

54:47

he was making this movie or developing it beyond the fact that she was one of the people who gave

54:52

him the book was that he had to approach once they finally green lit it such a small number.

54:57

Making this movie, Korman style. He said, like, I never would have been able to make this movie if

55:02

I didn't have my Korman background, right. And he experienced a boxcar berth is specifically that he

55:06

drew out every single storyboard, every shot of this movie. And he timed out how long they could

55:14

take to get that shot. Like this shot is going to last this amount of seconds. And I'm allotting

55:20

us three hours to get this shot. And if we're going over three hours, we have to pivot in some way.

55:26

We have to figure it out. Like he had the whole thing diagrammed out so cleanly because he had no

55:31

room to fail on this. And I'm sure it was stressful. J. Cox just to close that loop fought for WJR

55:38

Jeep arbitration didn't get it. Says he's very proud of his work and he did a lot of work on the movie.

55:44

That's cool. So yeah, Daniero was never really interested as we said. He was also very

55:51

interested in Christopher Walken who makes a ton of very similar. Very similar to. And

55:58

it's same with Eric Roberts. I feel like those guys were, you know, Aiden Quinn, it's like too

56:02

normal. Walken and Eric Roberts is like too weird. Yeah. And just like, okay, we found it.

56:08

Is this good? Like what walk into almost a little bit too on the eccentric size. Yes. Yeah.

56:14

Eric Roberts potentially too evil. Right. Yeah. Aiden Quinn had been in this movie called reckless.

56:20

I mean, Aiden Quinn's obviously very young at the time, which I've never seen. It's James

56:23

Foley movie that I think is like classic horny 80s thriller. Okay. He dug him in that. He

56:28

liked his intensity. But obviously the studio is like the fuck I've never heard of this guy.

56:33

William DeFo obviously is in platoon. He's also the villain in to live in Dianna Lane. She's

56:37

incredible in. And so those are the things. Of course, as he knows, and best from

56:44

Willem is obviously like it had never crossed my mind to play Jesus. But Marty's passion was really

56:49

infectious. I believe it when he says this, a very difficult role. Jesus. He said,

56:57

an interesting thing in the commentary, which was, are they all together in this commentary?

57:01

Is it one of those kind of separate tracks? It's one of those because it's like an early like 90s

57:04

piece and together razor disk commentary that's been repurposed. This weird thing criteria

57:09

used to do where they were record like five different conversations and edit them together.

57:14

But he said, the first time the project was coming around the Aiden Quinn version. And his rep said,

57:19

like, Scorsese wants to do a Jesus movie. He's like no interest in that. Don't submit me.

57:23

The second time he comes around, they're asking for him because his career is obviously boosted

57:27

up so much. And he went, I don't think that makes sense. But why not? I'll take a meeting with

57:31

Scorsese. And he takes the me on Scorsese and Scorsese tries to explain to him what his version is.

57:37

And he's like, it sounds insane to say. But like five minutes in, I was like, I think I'm the only

57:43

person who can play Jesus that the way he explained it within minutes he went from being like,

57:49

this is probably not something I should do or would even know how to do to feeling like he was

57:54

the only person who understood what he was trying to get at. So then he's committed. Yes.

58:01

Bowie. What film did it see in one day? Yeah. They said, one day rehearsal, one day of film,

58:06

Harvey Kitell and Barbara Hershey were part of previous projects like he brings them back.

58:13

And her, she's kind of having a career resurgence at this moment. He does make Barbara test because

58:18

he's like, I don't want to feel obligated because like you and David gave me the book. But

58:22

she tested for the role that was fine. I mean, Kitell is obviously

58:28

bananas casting is sort of the most mocked part of the movie. I feel like it doesn't

58:32

get a razzine. I think he's got a razzine again. Yeah. I think it's mostly for the wig.

58:36

Like it's like the razzie was for the wig. It's like, I mean, he sounded like a New Yorker.

58:40

Well, that's how Judas is in the Bible. Right? Yeah.

58:43

Yeah. I'm right here. Judas is in Brooklyn. Yeah. That's why I was assuming.

58:47

So I thought that was an authentic capturing of the Bible. 100%. There's always

58:53

eaten. But Kitell sort of, Kitell's energy is like aggression. Yeah.

58:59

Like it is sort of the jealousy, the weird kind of like loathing or whatever. Yeah.

59:04

Of course, as he said that it was like I wanted him to embody like violence and anger. Yes.

59:09

Yes. It's like it's, I mean, even the red hair in that regard, like it works. It's like it's a great,

59:14

I think it's a great performance. I think so too. I'm not sure the movie quite works without

59:18

without Judas being there. And you know, the point towards the end of her Jesus, like you need

59:23

to betray me. Yeah. You have to do this. Like doesn't work unless Judas is this almost like

59:31

diametric opposite of Jesus who comes to be devoted to it. Right? It's totally completely,

59:36

obviously, I knew nothing of Judas beyond like he's the guy who betrayed Christ. Right? They made

59:40

it make so much more sense to me. Yes. Right. But it's like we all have to fill a role here.

59:45

Even that must be your role. Touchy for some people. Right. So we're going down to Judas this much

59:50

more beyond just being a betrayer. The, you know, Marty says that the thing that attracts me to

59:57

the story is a struggle between the spiritual and the physical and all these things.

1:00:02

And the story is about taking seriously the fact that Jesus Christ was a man. But like one,

1:00:08

one consequence of that is it takes seriously that everyone in this story is just a human being.

1:00:13

Totally. And so like human beings are not one note villains for the most part. And what makes

1:00:20

people interesting is that they are tested. Right. And that the best people among us are able to

1:00:26

resist and persevere. And the most tragic people among us like succumb to these things. Right.

1:00:32

That the testing is a big part of it. If you remove the testing from it, then people become

1:00:37

uncomplicated. Right. I also, this is my hottest take on this movie. Uh oh. Here he goes.

1:00:43

I think this movie is fascinatingly structurally so similar to New York, New York. Okay.

1:00:49

But it feels like a corrective where he figures out obviously in an entirely different story,

1:00:53

how to pull off that type of movie, which is you have like an hour and 45 minutes to two hours,

1:01:02

where there's a lot of kind of repeat performances going on. This movie is almost a musical in the

1:01:09

series of the miracles and the set pieces that he's doing. And the central relationship between

1:01:13

Judas and Jesus where Judas is trying to suppress Jesus or at least be like, oh, the fuck down man,

1:01:19

stop it. But you're making the person who has the light within them be the prominent character,

1:01:25

rather than letting the person who's trying to stop them over roll the entire movie. And then

1:01:30

much like New York, New York, it has its last 45 minutes that are like, well, it's all been building

1:01:35

to this. Yeah. Like now we go into the inner life and the inner mind and explore all the possibilities

1:01:40

of what could have been and what have been and what are to then get to the final like tragic

1:01:45

hammer blow ending. But the central relation transcends it. It feels very similar to me.

1:01:52

And Kitelle's presence in this feels like a better version of what Jimmy Doyle is trying to be

1:01:57

without trying to make him charming. And I think it's the modern energy. And this is the other

1:02:02

thing he said was you had so many biblical epics that sort of like take the posture in the language

1:02:07

of Shakespeare and giant humongous sets and very pronounced, you know, King's English and all of that.

1:02:14

And it makes it feel very, very distant and theatrical. And at his whole thing was like, this has

1:02:18

to be street level. These have to sound like guys talking on a street. This is, we just, you know,

1:02:23

this debate is so happens every single time someone does this and Nolan had this happen this year

1:02:28

with the Odyssey where people like, well, I don't understand they say fuck and dad. Yeah. And Nolan's

1:02:32

like I like anything apart from it. Of course, as he says here, like unless they're speaking

1:02:37

air, I'm a we're wrong. Like we already blew it. So yes, I want to like, you know, you've got

1:02:42

Harry Dean Stanton doing kind of his like little sort of Appalachian lilts, right? It's sort of

1:02:47

the Baptist like thing. He said the big thing was to give let the Romans be British. Yes. Do

1:02:54

the Ben Hur thing of the Romans are British. But otherwise everyone brings their own America.

1:02:58

Yeah, it's it's very funny to be that that seems to be what what we've decided in movies is that

1:03:03

your evil imperial power. They're British. Of course. Doesn't matter. Doesn't matter what what the

1:03:08

world is. You're in space. Yeah. In space. Yeah. In ancient ancient Judea. Yeah. Does not matter.

1:03:14

Doesn't matter. They're all British. It always works. I really always work. Victor Argo, who I think

1:03:19

is phenomenal in this. He is so he is so so he's so he's Peter. Yeah. As essentially like a

1:03:25

fucking steve it or from like red hook. Right. It like has like a sort of fisherman kind of like,

1:03:29

you know, accent. I was and I was going to say has the energy of someone leaning on you to pay

1:03:34

back your debts. And according to Scorsese was smoking a cigar all the time. And then when they

1:03:40

were start filming, he's like, Oh, right. And he would have to take the cigar out of his mouth.

1:03:43

DeFos said that he was a big smoker at the time of filming. But beyond the fact that Scorsese so

1:03:48

as Madigan does want people smoking around him. He was like Jesus shouldn't smoke. He was like

1:03:53

will him if people get fucking pictures. Jesus just ripping sicks. I mean, isn't that a thing

1:03:58

from the Gibson movie that we're like, everyone still does the memes of like Kavisl in Jesus

1:04:03

makeup covered in blood just kind of sitting on set like drinking a mound. He's got a trick is

1:04:09

bound to wasn't there the one with Joaquin going around to smoke into sick. Yeah. I forgot that

1:04:15

movie happened. People forget the Joaquin played Jesus in. Yeah. Of course a movie called Mary

1:04:20

Magdalena. I've never seen it. I had no nothing about this movie where he was in love with

1:04:25

Ernie Mara. Yeah. I was going to say just as a quick a quick thought and I get this I kind of

1:04:31

already mentioned this earlier, but it's relevant to this. The the movie both that makes the or

1:04:40

Scorsese makes the choice of having everyone kind of sound like modern Americans sort of at least

1:04:45

try to capture the sense that these are ordinary people. They're like talking and like, you know,

1:04:52

vernacular language like they're not it's it is it is not Shakespeare. We're not trying to elevate

1:04:57

things. But then also it does is in tandem with the world presented is very strange and alien.

1:05:04

100% with like customs that we are impenetrable to us. It feels like most isolated. Right. Yes.

1:05:10

It feels exactly like most isolated. And to me, the alien this with which the world is presented

1:05:16

feels very like Robert Eiger's to me these days of like trying to take seriously the fact that

1:05:21

the past is truly different than what we experience and kind of put you there as much as possible.

1:05:29

They shoot in Morocco and Marty says like when they got there, he's like, I wish I had 10,000

1:05:34

extras like because this is so beautiful and like I could, you know, make you know, he thinks about

1:05:38

his epic. And then he's like, but it's on the landscapes. You go from village to village,

1:05:43

there's just a few people like that's what it was like. So there's the scene where the centurions

1:05:48

attack at the town center at like the marketplace. Yeah. And it's five centurions. You only

1:05:53

had five centurions. And he's like, this is all we got. He's like, great. This is what we're going to

1:05:57

do. Whip hand to five centurions attacking from this side. Then we're going to move them to a

1:06:01

different place. Whip hand different direction five centurions. And he reuses five centurions to

1:06:07

make them 25 centurions. You just never need to see them all in the same frame at the same time.

1:06:11

Michael Bauhaus, who's cinematographer, who'd already done after hours of them, obviously, is like

1:06:16

and who's his best DP is like it at it being a quote unquote poor movie like fits the subject.

1:06:23

I think it like worked for the movie better. He loved Pee Wee Herman. Marty square says,

1:06:29

Marty square says he loved Pee Wee Herman. He would tape, he would have tapes sent to him

1:06:34

of the show every week. This is like Albert Einstein watching Beanie and Cecil. This is the greatest

1:06:39

thing I've ever heard. He would have that he was so into Pee Wee Herman that they would send him like

1:06:44

pal tapes of like that week's show. That's so funny. Yes. And yes, to bring up something brought up

1:06:50

by Miriam Bell on our means for his episode. Yes, it shares a lot of locations with this star.

1:06:55

It was made around the same time. It does look very similar. Yes. It was shot incredibly quickly.

1:07:00

58 days for a big movie like this. He finds the experience for a physical, very challenging,

1:07:09

or whatever. But he says it was the worst shoot. Okay, so there's weather shit. It was bad.

1:07:15

It was it wasn't dramatic. And they had no rushes. They like couldn't check daily.

1:07:24

And he says he kind of did it blind, essentially. But he had it so planned out. It was his most

1:07:29

planned movie so that he went in with such a strong game plan, which was the only way to actually

1:07:34

get it done. And like all the stuff in the crucifixion, he could only be up there for like three minutes

1:07:39

before any of those actors start to go delirious. So that's like two days on the cross where he just

1:07:45

had to be so mechanical about what do we get him for how long. And basically the thing that's just

1:07:51

like the greatest irritation of filming is you go, okay, and we're ready actors and places.

1:07:56

And then the second the actors in place, they go, wait a second, we got to move this light. This

1:08:00

thing isn't working here. The microphone isn't turning on. But if you're doing that after you put

1:08:05

Willem to foe up on a cross, you're losing time rapidly. Right.

1:08:10

David. Yes.

1:08:21

No. Is that the CS cow?

1:08:26

He's not ever from her in a while. Yeah, she's reactivated because she's horny for chicken fingers.

1:08:33

Okay. She's excited for the streaming debut of Teenage Sex and Death at Camaiasma. Wow.

1:08:39

The cow likes chicken. Remember cow and chicken? Let's look it up. Well, well, you tell the great listeners

1:08:46

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1:08:50

world and to you curating and elevating visionary filmmaking all handpicked. Always. That's what movie

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That is a line in the movie in the new movie from James Schumbrand past and future guests.

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Hannah, I'm binder plays the filmmaker attempting to reboot the Camp Me Asma franchise trying to

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So let's talk about the movie. Yeah. It's about Jesus.

1:12:02

Uh, is my friend Carolyn Prattie who's read the book. She's like the book starts with the

1:12:06

imagine a guy who sucks in his lame and he's miserable and everyone hates him. And then he goes to

1:12:10

monastery and like starts to freak it. I feel like the movie is a little bit more like starting

1:12:16

pretty much like he's he's kind of knows what to say. But he starts at a point where everyone's

1:12:20

pissed off at him because of him making the cross. Right. You know, he's uh, I mean, look,

1:12:26

there's no ethical consumption under capitalism. This is true. And this is the most important

1:12:29

episode to say that. And Rome was capitalist. No, I, you know, right? I don't, I don't know if I'd

1:12:38

say that. Yeah. Yeah. Um, no, I mean, you, you meet Jesus. He's not, I mean, he's not quite at

1:12:43

the point where he's like ready to begin the ministry. But he's like clearly like a tormented man.

1:12:47

Yeah. Who, you know, by his own account, uh, doesn't understand why he's being tormented by

1:12:52

God and just wants it to stop. He's like me. Am I crazy? Is this nuts? And that's where, that's

1:12:58

where I think, you know, DeFoe is right. The maybe he's the only guy to play this play this

1:13:02

particular iteration of Jesus. Because it's like Jesus, the character is like, am I going insane?

1:13:07

Right. Yes. And DeFoe, I'm either the son of God or going insane. What are you guys?

1:13:12

Yeah. And DeFoe, looking like he's on the verge of insanity at all times.

1:13:17

Correct. Makes that like sells it. He doesn't have to say anything for you to kind of get.

1:13:21

Oh, this guy thinks he's losing his mind. Yeah. Yeah. And it gets back to like what we were saying

1:13:26

about DeFoe earlier as even in his old coot era, like some of those old coots are menacing and

1:13:31

some of them are like the one voice of reason this character has in the world, even though they

1:13:36

seem crazy. Right. Like DeFoe at his most still has that wrestling inside of him. Right.

1:13:44

Right. Which is great. Yeah. I mean, it completely works for the character, but more like

1:13:50

Willem DeSavier. I just remember the first time we got Willem DeSavier. Thank you. I wanted to

1:13:54

give it a shot. What do you think? I think it was a wild success. I'm the Willem DeFence.

1:14:02

Yeah. I'm sure I think of alternatives to the savior. DeSavier. The lamb. I'll get the lamb of

1:14:07

God. Man, that doesn't want to do it too much. Delay, my God. Delay. Delay. What the lamb.

1:14:11

Delay. My God is fun. He does like really, really boring. My name is Jesus Christ. And I'm here to say

1:14:19

it's fun to be, you know, blessed me soon and I like it. I don't know. It's fun to be blessed for

1:14:24

me. Yeah. I don't know. He calls himself the king of blasphemy. He does. I mean, look, he's

1:14:29

obviously he's a troublemaker in the Jewish community of Judea, which is a client state of Rome

1:14:37

that's sort of run by the Romans, but like it's a backwater, right? That's the that's the history.

1:14:41

Right. Right. Right. Oh, is that of any particular importance? Right. I mean, that's the thing with

1:14:46

like people like Pontius Pilate where you're like, well, what does the record say? And it's like,

1:14:48

I don't know. That's some fucking guy who got that shit job of having to go there. You know what,

1:14:53

rocked Rome? That's what you want to be. You don't want to be all the way over there where there's

1:14:57

like scorpions and whatever. It's terrible. Angry Jews. Coffee snakes. And like, I guess like,

1:15:06

Jesus is part of like a larger Jewish rebellion, but he's just one element, right? And he's not a very

1:15:12

organized element. It's not even clear he's like part of the rebellion. It's just like he just,

1:15:15

like he knows people involved, right? It's like Judas. It's Judas who, you know, who Judas

1:15:21

calls himself a zealot, which is like kind of this is where I think there's like actual biblical

1:15:24

scholarship here because if I have this right, Judas is scary at which is sort of the traditional name

1:15:30

is scary. It is like basically a transliteration of like zealot, right? Okay. And he's like,

1:15:37

he is someone who's like sent to deal with Jesus because they're like, this is a collaborator

1:15:42

essential. Right. Because they have the zealots were an actual group of like anti-Roman Jewish

1:15:48

or Judean rebels. Right. And right. So like, yeah, he sent a film implies that they know each

1:15:55

other like they've known each other for a while. And that part of the issue is that the zealot

1:16:02

telling Judas you got to kill this Jesus guy for making the crosses and Judas, this is not on

1:16:07

screen, but you can kind of kind of guess is like, I don't want to, you know, he's fine. He's okay.

1:16:11

I can persuade him to stop doing this. And then he starts being like, yeah, I'm sorry.

1:16:17

Son of God, right? Like he starts to build sort of believe in him. He's an early follower,

1:16:21

right? Yeah. And we see him saving Mary Magdalene. And like, that's the beginning of him acquiring

1:16:29

more followers. I'm trying to try to even getting tempted in that first Mary. Well, I guess there's

1:16:34

a second Mary Magdalene thing because there's a scene where she tries to stone him or at least

1:16:38

cross rocks. So when so there when he is carrying the cross to crucify the beside the other

1:16:47

side that we need. She spits in this face. Yes. We meet her again. So he goes to meet her

1:16:56

after he's in a cave with the priest. He starts into the one priest. Right. And he's like, you

1:17:03

know, the priest, like, I've never met God. I like to meet God. And like, because the priest who

1:17:08

greets him in this place, he's like, you know, your brother greeted me and was like, well, that guy's

1:17:11

okay. It's been dead. Yeah. Very is dead. You are dead for a day. You are met by God.

1:17:17

And so this this sort of like, he's like, Jesus asking, what do I do next? And then he's like,

1:17:22

I'll go see Mary Magdalene. Yeah. Which the dead guy is Robert's blossom.

1:17:28

He's the old Jonathan Demi movies, but also of course, is the old man and homelop. Yes.

1:17:33

Oh, great. Yeah. The other crazy one is

1:17:37

is Zebedee. Yes. Yes. Is Irving Kirschner, director of Empire Strikes Back.

1:17:42

My favorite moment of the movie when Jesus is like, Zebedee, that widow you've been with

1:17:46

and someone in the background goes, you know, he yells, Judith.

1:17:54

You know, there's a hole up there. The, the second Mary Magdalene scene.

1:17:59

What at first is just want to say, you know, the French cartoon, the magic roundabout.

1:18:03

What's that? The British British. What's better to say? It was originally French. Oh, really?

1:18:07

Yeah. The book is French. No, I think it was. All right. Now, oh boy. Now we got to go deep on this.

1:18:13

Yes. It used footage of a French stop motion animated show called Lim Minage and Shom-Tay

1:18:18

with completely different scripts and characters. So it is the British one that, of course,

1:18:21

the main character is Power Rangers, kind of, exactly. But the main character is called Zebedee.

1:18:26

I do know that with the guy with the mustache, the spring for a lower half of his body.

1:18:31

I think was voiced by Ian McKellen and the CGI. I mean, probably. Yeah.

1:18:34

Who ends every episode by going time for bed. And so that's where I learn the word Zebedee.

1:18:38

Of course, is the father of James and John, right? Like that is who Jez Zebedee is in the Bible.

1:18:46

But it is funny. He's played by Irvin Kurshner. Who, like, did he teach Marty at school too?

1:18:50

Because he wasn't, he was George Lucas's, yes. Like, like teacher at USC.

1:18:55

Right. But I think he had some connection with him, maybe just through George.

1:18:59

I mean, the whole casting of this movie is like a collection of like debut as an actor.

1:19:02

You can tell me that. Yeah. I just know all those guys cited him as being really good with actors

1:19:07

and teaching them how to direct actors better than others. The whole casting of this movie

1:19:13

feels like a Martin Scorsese. This is your life. Yeah. Like he's pulling people from such different

1:19:18

directions. The great Andre Gregory. Um-hmm. He's John the Baptist one of my favorite scenes.

1:19:23

But like, has my dinner with Andre? Yeah, that's already come out. Yeah. And this is Post-Masquito

1:19:28

Coast too. Right. Yeah. Um-hmm. Yeah. So what did Jesus get up to? I'm trying to

1:19:33

never let them win here. There's, there's, he meets Magdalene. Yes.

1:19:38

And he makes you the Magdalene to prostitute. Yes. He's there waiting.

1:19:41

You just have men who sit like Chris Cross applesauce on the floor watching waiting for their turn.

1:19:47

Right. Yeah. And then he gets baptized. Right. Yeah.

1:19:50

So there's a point between that. I kind of gets a little hazy from you. But then he,

1:19:54

then he meets John the Baptist. He gets baptized. And then he goes into the desert where he

1:19:59

is tempted. He's tempted the first time in the book, uh, attempted by a serpent with, uh,

1:20:05

human breasts. Uh-huh. In the movie, it's more just kind of like some fire and a regular serpent snake

1:20:10

with a voice. Be very funny if they try to give the serpent human breasts,

1:20:13

lubis. I would be very into that. I'd learn a lot about myself. I do think Barbara Hershey's

1:20:19

fantastic in this movie. Uh, you know, it's not a gigantic role. It's probably the most developed

1:20:25

female role in the movie though. And she's great. Apparently the female roles were worse in the book.

1:20:30

My friend's biggest review of the movie when I watched it with her a while ago, because she'd

1:20:35

read the book. She was like, amazing. She was also like, way less sexist than the book. The book is

1:20:39

very sexist. Um, and even the angel at the end of the movie or, or the physical form of Satan,

1:20:45

disguises an angel as a boy in the book. Um, no, I just want to call out that Barbara Hershey

1:20:50

seemed because it is a big early scene of her trying to call bullshit on him. Yeah.

1:20:55

Before he wins her over and being like, you're just like these other guys. You came here to watch

1:20:59

me fuck and you want to fuck me, which I do understand if you are a very literal minded follower of

1:21:07

the Bible. Could be a thing that like clashes against your very beliefs, you know? The notion of

1:21:13

even depicting a scene like that, but in a position. Yeah. Yeah. Um, but, but I do think DeFoe plays

1:21:21

it as like there is the part of him that's like, God, do I just have to sacrifice everything?

1:21:27

You know, I think DeFoe does that really well throughout the movie, which is he's 90% sure

1:21:33

that he wants to keep going the way he's going. But also it's so fucking difficult. It's so

1:21:39

fucking difficult. And there's so much sacrifice. Yeah. Yeah. Much like the Odyssey, which I'm now

1:21:44

thinking about because of that comparison with the language. You don't hear like God talking to him.

1:21:49

Right. It's not this kind of, you know, like he's saying, like, I'm getting little bits and pieces.

1:21:53

Like I'm doing what I, you know, God's me in these different ways. Right. I'm only like a little bit

1:21:58

ahead of you guys. Like I only like sort of know the next thing to do. The desert stuff is so striking.

1:22:05

Um, I'm sure it was a pain to shoot, but like I just love the plainness of it. It's just like empty.

1:22:11

It's rockier, you know, than like your classic desert. You know, it's not your like, it's not

1:22:16

lords of Arabia. Yeah. Agribons of sand. Right. It's not ag. It isn't Agribon. They thought about

1:22:22

filming an Agribon. Yeah. Yeah. But couldn't get the permits. Well, the tax incentives

1:22:25

they're actually really bad in a weird way. You think they'd want to get more production.

1:22:29

You know what happens to me? What? Like I'm out there in the desert and like some fucking lion is

1:22:34

like, Hey, you want some money? I'm like, yeah, please.

1:22:40

I'd be so bad at this. But then like then then he, uh, he does take his heart out

1:22:46

in front of his followers. That was Schrader's biggest idea. Yes. Yes. I don't know. What do you

1:22:51

guys make of that scene? Takes out like a rubber heart from his chest. Well, let's say in the

1:22:57

reality of the movie, the heart isn't rubber. I know, but it kind of looks, you know, yes.

1:23:02

You're like, Oh, damn, like he has like a little, a little prop heart. But we've also seen a lot of

1:23:07

blood in the movie up until this point. There's just constant. This was a thing that I think Cox

1:23:11

said in doing his research. He wanted to get in there, which is just like, they're just greats

1:23:16

everywhere of blood flowing of animals being slaughtered. Yeah. There's just like blood constantly

1:23:21

running through the streets and the walls and everything. So you've seen like internal organs

1:23:26

falling to the ground already at this point in the movie. Correct. We have them wrong. You know,

1:23:30

like that's not in the Bible. Yeah. Jesus doesn't like pop his heart out and go like see.

1:23:34

Yeah. I'm a magic baby. That's a Schrader invention. He does other magic stuff. Yeah. I think

1:23:38

it's kind of a Schrader. No, I don't know. I don't know if it's in the book. Maybe it is.

1:23:44

I don't know. I'm watching it. I don't think so. Here's my problem. The heart is beating.

1:23:49

You want the classic like the cartoon. Yeah. Yeah. Yeah. Yeah. It just,

1:23:55

it would hit harder for me if that was happening. Then he returns. And of course, does the most

1:24:01

important thing in this movie, which is the GIF. He raises a cup. Is he just a GIF? Oh, dude,

1:24:08

it is that is a classic. I'm like, I've seen it in a while. Jesus being like, given the toast.

1:24:14

You two brother. Yeah. Basically, like just a, it's a very funny image to me now. I mean,

1:24:19

it's not intended in the movie. It's funny. Obviously. He heals a blind man. He heals a blind man.

1:24:25

He tinnitus. The canonical miracles. Right. He turns water into wine. Which I do.

1:24:32

I better check that water. You guys like it. It's fucking water. I don't know. That's

1:24:36

seen. That scene is so funny. It's very good. It's so funny. And they drink to

1:24:41

these like fuck it to wine. Jesus Christ. That's who did it. Well, yeah. It is so funny that

1:24:49

it's the one scene where Marty goes into like Shine Box Red Throws. Right. Where it's like two

1:24:54

two guys on the street fucking with each other.

1:24:55

He's like, do me a favor, check that wine one more time.

1:24:58

Check that water one more time.

1:25:00

Do you think it's crazy that in the middle of all that,

1:25:02

Jesus did raise a guy from the dead?

1:25:04

Yeah, I came out of a cave being like,

1:25:06

Whoa, it does feel like,

1:25:08

it does feel, the miracles feel,

1:25:11

you know, water into wine,

1:25:13

kind of closer to a parlor trick.

1:25:16

Healing the blinds, that's pretty impressive.

1:25:18

I give that like an eight out of 10.

1:25:20

It feels like, you know, his power level is just explode.

1:25:24

Oh, when he's,

1:25:25

right.

1:25:27

When he's raising people from the dead,

1:25:30

he goes, it's like he's going super say in super Christ.

1:25:32

Do we need to nerf Jesus's power levels?

1:25:36

That's power scale, Jesus.

1:25:38

You know, Jesus versus super burn.

1:25:39

John burn will come in right here.

1:25:41

He'll reset everything.

1:25:43

He can leap over a building.

1:25:44

Like he's not, you know, super naked.

1:25:45

How are you going to be able to beat Jesus with a curvy?

1:25:48

You know what I'm saying?

1:25:49

Like that's not a fair matchup.

1:25:52

Thomas Aranya plays a play Lazarus.

1:25:55

Just shout him out.

1:25:56

He's also in on for a October.

1:25:58

He's a million things.

1:25:59

It's one of those guys.

1:26:01

They said they didn't have the money to dress that scene

1:26:05

in a way to get across how disgusting.

1:26:08

Right. He's not like totally right.

1:26:10

It could be, you could go more kind of zombie with it.

1:26:12

Right. So this is their like pragmatic problem solving of like,

1:26:15

okay, so what's the way we visualize how disgusting the space is?

1:26:18

And they were like, oh, it can smell really bad.

1:26:21

Every actor just needs to be like, oh, P you.

1:26:24

Right.

1:26:25

When they throw the folder out of the way.

1:26:26

It's really funny to watch just 40 guys going, yeah, stinky poo poo.

1:26:32

Oh, my God, the greatest miracle I've ever seen in my life.

1:26:37

After that is the temple where he trashes the money,

1:26:39

lenders and all that.

1:26:40

And like at this point, we're 90 minutes into the movie.

1:26:43

Yeah.

1:26:44

And I really feel like the first time I was just like,

1:26:46

I don't, we're just watching the Bible.

1:26:49

This is just, I'm so surprised that anyone thinks this is controversial.

1:26:52

Jesus is great.

1:26:53

Sure, there's some nudity.

1:26:54

Like that's like the extent to which I've been like surprised by,

1:26:57

I'll say there's one scene.

1:26:59

I love this movie.

1:27:00

There's one scene that did make me go, I,

1:27:02

that dialogue could be a little better.

1:27:04

And it's when he is first teach,

1:27:07

before he, he hasn't had disciples yet.

1:27:08

It's just him and Judas.

1:27:09

And he's speaking to a group of people,

1:27:11

some of whom become disciples.

1:27:13

Right.

1:27:14

And he's about to basically do the beatitudes.

1:27:18

And he doesn't quite say like the meek will inherit the area.

1:27:20

He doesn't quite say it.

1:27:22

But like the rhythm of way,

1:27:23

like the foe is delivering lines,

1:27:25

feels like he's about to just like say the line.

1:27:27

And I had a very short of like,

1:27:28

yeah, this is the Jesus biopic.

1:27:30

It's like Paul McCartney, singer guitar in the window.

1:27:32

Right.

1:27:33

Exactly.

1:27:34

Like love me do.

1:27:35

Oh, right.

1:27:36

Yeah.

1:27:37

Why is that guitar gently waving?

1:27:39

There's the counterpoint scene that's so well done,

1:27:41

which is the let you,

1:27:42

who's without sin cast the first stone scene,

1:27:45

where they never say it.

1:27:46

Right.

1:27:47

They never say where they actually just show don't tell the idea.

1:27:51

Yeah, Jesus is weird because like,

1:27:53

I mean, Jesus was weird.

1:27:55

Listen, I'm,

1:27:56

No, you got it.

1:27:57

Keep going.

1:27:57

I'm the tell you was okay.

1:27:58

Jesus was alright to me, I'll say.

1:28:00

That's so true.

1:28:03

You read the, like some of the parables.

1:28:06

Good right.

1:28:07

Really good.

1:28:08

Ben, Ben's like bad joke to me.

1:28:09

Yeah, I know.

1:28:10

If you knew the faces Ben makes during records,

1:28:13

Some of the carables call you tablebook are very obvious

1:28:16

and resonant and our things essentially long blinds

1:28:19

of like you should be nice to people and love your fellow man

1:28:22

and help and there's the weird ones where you would be like,

1:28:25

If you plan a mustard seed,

1:28:27

where is a plant and people like should we write that down?

1:28:31

And he's like,

1:28:32

and they're like,

1:28:33

it's already down and like see like mustard.

1:28:34

2000 years of scottily debate be like,

1:28:36

I see like mustard 2000 years of scholarly debate to be like what is that fucking one about?

1:28:40

And he's like that's all you got I

1:28:43

Can you know it is like a grain of mustard seed which a man took and put in his own garden

1:28:48

It grew and became a large tree and the birds of the sky watching its branches and everyone's like mm-hmm

1:28:53

And he's like and that and relish are the only things you should put on your hot dog and they're like Jesus hates ketchup

1:28:59

Oh, that's so trade-earned

1:29:01

Yeah, it's for children come on

1:29:03

Yeah, you got it. Yeah, you got it. Why didn't you guys get into mustard?

1:29:05

I always think cuz my daughter rejected mustard which is fine. They all five years old. They all day

1:29:09

And I'm like I get it spicy. I get it. I never I never I never I never I

1:29:12

When did I fall in love with mustard? I never I think I'm the condiments. I'm a subject of condiments. I

1:29:19

Never like mayo sure

1:29:21

And so I always have a place to give me some mustard right?

1:29:24

You you have to have a condiment on the sandwich you must and I was like well, I'm not gonna me

1:29:29

I'm I got mustard so I don't I've always like you got that fast

1:29:33

Yeah, but it felt like a process of elimination. Yeah, yeah, cuz I was thinking about how in Britain

1:29:38

You know the mustard is super spicy because they got that English mustard because like kind of cleans your sinuses out

1:29:44

Yeah, and so I think I for I sort of skipped yellow mustard

1:29:47

Uh-huh, and then later found like your your American hot dog

1:29:50

I never like that kind of mustard. I still don't like that kind of mustard

1:29:54

I think I got into it probably in my early 20s because along with horse radish

1:29:59

I was like should I keep this in the fridge to clear my sinuses right?

1:30:03

Yeah, and then I started putting it on stuff. It's good for that. Yeah, it's good for that. Ben you muster guy

1:30:08

I love mustard so good D. John. Yeah, my top. Yeah, yeah, great. Pupon president Pupon over here

1:30:16

We should have a fancy Ben is wearing a tan suit today. Yeah, and I look great

1:30:21

But I also got came around to it later in my 20s. Yeah, like I rejected mustard. I was only ketchup

1:30:27

Your 20s are for mustard. Yeah, your 20s are that's your mustard era. It's for experimenting

1:30:33

Your mustard maxing your musk

1:30:36

Mustard ball game. They will relish

1:30:39

We're gonna shot me

1:30:45

Around now is when her Indian stand shows up as Paul as well as not yeah, the sole is

1:30:50

Right, right, right, he's gonna have his road to Damascus later, right?

1:30:56

One of those things where it's like

1:30:59

Well, this heredin stanton belongs in the 20th century. Yeah, like where it's sort of surprising to see him in robes

1:31:05

Yes, but he also does feel eternal to me in some way and so full and

1:31:13

You know ring, you know his his his permanent wrinkles and his kind of like weird face like does kind of

1:31:19

Make him work in the movie. I don't know. It's it's not an iPhone face cast

1:31:23

But I did think it's a vinyl record cast. Yeah, they all have vinyl record face. Yeah

1:31:28

All of these people have have dropped a needle on on the record, you know, mm-hmm

1:31:34

But yeah, do you guys enjoy this you know this performance heredin stanton sure? Yes, no, I like it

1:31:40

I think I think when you I think when we see him again later in the film and he is Paul. Yes, I think that's great

1:31:45

I think it's a really great moment and sort of and you kind of need a very recognizable face for that. Yeah purpose

1:31:50

For it's sort of like you see him again. Yes, I mean even even when you mean the first time you're sort of like well

1:31:55

He must be someone important. I mean right there's a bit the purpose of casting someone as recognizable as heredin stanton like you know

1:32:02

This is clearly a

1:32:04

Significant person. It's also it's a straight-talk quality. Yeah, yeah, you know

1:32:08

This is a guy who can't lie on screen who who can who underplays everything

1:32:12

But yeah, this script does not have a lot of like and I'm Thomas and I'm always doubting stuff or like it does not I guess really

1:32:19

You know, it's sort of relies on it's on its audience figuring things out or not worrying about it

1:32:24

Like you're sort of like you know Judas you know Jesus you know Mary you can figure out that the rest were followers of some renown or what you know

1:32:31

Right mm-hmm

1:32:32

And if you know more about the the Bible you'll you'll probably recognize things

1:32:36

I do appreciate that it doesn't put like a point on things like you see you get the moment repeated to nice Jesus three times

1:32:41

Right, but it's not like

1:32:43

Telegraphed no, it's not like a zoom in zoom in

1:32:48

No, I don't know Jesus like that doesn't happen. It's just sort of like someone's like hey, I think that guy

1:32:52

I

1:32:54

Have Jesus it's followers. He's like no, I'm not no, I think I think I swear I've seen you with that dude. I know him

1:33:03

We all know

1:33:06

Little counter in the bottom of the screen. I'm friendly with him. I wouldn't say I'm friends with I haven't been to his hut

1:33:13

I don't hang out in his cave

1:33:16

Lazarus gets killed

1:33:18

There's the big fried in the temple things are popping off this guy just

1:33:24

I'm so it's a waste of incredible work. Yeah

1:33:29

Kind of the one time that it ever happened and they immediately undo it which I don't think is in the Bible either

1:33:35

I don't think it's in the Bible. No like that's like they kill him. Yeah, no, I don't they're just like you know

1:33:40

We're moving on this is like come out Lazarus is like all right. Let's keep the road

1:33:44

Yeah

1:33:46

Lazarus they don't just kill him they slice smoking like he's a fucking. Hey. Yeah, they got here

1:33:51

They do it's rough the movie is like you say griff. It's it's violent

1:33:55

It's not violent in the way of like a Marty movie can be like so insanely violent

1:34:00

I'm gonna kick him down guy in the ground

1:34:03

Perfectly the old time

1:34:05

Every time yes

1:34:08

Like what touching flesh like going all the way back and making such a journey to direct impact

1:34:15

Wait muscle these are these are cheap jokes of course, but it is the fact that it's of course as he directed

1:34:20

The local epic and then you know the rest of his movies

1:34:23

I do like when I want what I've watched this I do think of like it'd be funny if yeah

1:34:28

They were a scene of like Jesus laughing like the nearer on cave fear right just like at the temple going

1:34:36

Um

1:34:37

Right and that's when they have to arrest him

1:34:39

He's being too loud. Yes, right and that's when

1:34:41

I was like yeah, too and then it also does that whole thing with Mary Magdalens retainer

1:34:47

Yes, yeah, then there's the Pontius pilot, you know, which we talked about but is there more you know like we're just like total stillness again

1:34:54

Just a spare set well. We was such a good actor when I both rewatch prestige recently fucking rocks

1:34:59

He's so fucking good and it's the same use of him in prestige

1:35:02

It's like we kind of need someone who just communicates instantly weirdness and like you know authority

1:35:09

Yeah, like in this kind of peculiar way, but he knew he's sure how to not overdo it and it doesn't overdo it neither and fucking

1:35:16

Proceeds like doing an accent and he's Tesla he's kind of cyber truck

1:35:22

He looks awesome. He looks so good everyone cheering as he made comedy legal

1:35:28

That movie's about how you jackwood's trying to make comedy legal. Let's say it's the war

1:35:32

Make a legal yeah, say free speech. Yes

1:35:36

They should remake a

1:35:38

prestige bit about the Austin comedy

1:35:41

That's great. That's great, right? Isn't that great? Yeah, I'm yeah, no

1:35:46

I just find it so fasting that Bowie was able to completely tone down his rock star energy

1:35:52

Yeah, and just lean into the alienness and like you watch the man who fell to earth and you're a

1:35:57

Like well, of course he's great at this. This is the one appropriate time you could cast David Bowie in a movie and it's not

1:36:04

Distracting and yet every time he's putting in like a one or two scene role like this

1:36:09

He just fucking knocks it out of the park and he gives it an energy that no one else could

1:36:14

But it feels like he was a very smart actor like he really understood his moves. Is he the best rock star actor?

1:36:21

I think

1:36:23

Who are the competitors here? Mick Jagger made real movies sting Christopher Stofferson Christopher Stofferson James

1:36:29

But I do yeah, oh yeah, I guess I get more blue star actor. Yeah, yeah, yeah Bruce Willis

1:36:36

Yes, right any

1:36:41

Steven Seagull

1:36:42

I see of course. Yeah, Jared let on Jared let oh

1:36:46

Oh, that's not forget

1:36:50

No, I may if we're having the honest question. It's like the Beatles Elvis Presley

1:36:56

Mick Jagger but Bowie's a very interesting case of like he actually took these sort of like different roles Jaggers

1:37:01

I mean he's good in some like performance and

1:37:05

He could be good. You needed to craft around these guys right in the right way. I'm trying to think

1:37:11

I'm trying to think because when I think of musician actors, I actually think a rapper. Yeah, which which like they

1:37:16

Taken up rappers are basically always good at yes because like I feel like there's so much performance. Yes

1:37:22

Like that you have so much presence you have to have right even when you're like essentially performing in like the tiniest scale right right

1:37:29

How many rappers turned actors were bad is the question

1:37:34

They're all good. It's a good question. I just I just went to the 25th anniversary of Fast and Furious

1:37:41

Uh, re-release. I sure John rule wasn't like the greatest actor of all time. He had a little juice

1:37:48

Yeah, there was a reason they wanted him back for the second one and the greatest bag fumble of all time

1:37:53

Oh, as he says no and then they go like fine. We'll ask ludicrous and ludicrous is great ludicrous is great

1:37:59

I almost want to see like ice tea has like limited rain

1:38:04

Come on

1:38:07

He's got the hours he's got the hours

1:38:09

But ice cube is a very good act like you know like I scoop his given legitimately good

1:38:14

Yeah, most of is

1:38:17

Is a great act I mean most stuff should have been like a major start yeah

1:38:21

The mx is the rapper turned actor where I'm like I don't think anyone ever sat DMX down and taught him how to act

1:38:27

Right like and I don't think he was ever in like a particularly good movie anytime DMX is on screen

1:38:31

The movie he made I'm like I cannot take my eyes off this

1:38:35

Unbelievable couple good scenes and exit wounds which I don't say lightly like I mean like that's the sort of the example where I like right

1:38:43

You know like it's just kind of like I don't know just point the camera at him. This is gonna work like

1:38:46

Are there answers where we're just not thinking that I'm like is the game good, you know, I don't know exactly other people

1:38:52

We should Madonna Madonna yeah, who don't know shit. Yeah, it has given good performance. Yes, like she's kind of up and down

1:38:59

Portie love a very good actor. She's gonna say to you. Yeah, yeah, you have to shout out. Yeah, Cindy Lauper

1:39:05

I feel like never got her full what she I don't think I've seen some of you guys

1:39:10

Debbie Harry Debbie Harry

1:39:15

I mean like look you have to have stage presence like it makes sense. Yeah, sure. Yeah, keep going for me love

1:39:23

Forgun's Welk. Yeah, me love is a good actor me loves a good actor. Hey Tom weights Tom weight

1:39:28

But we love was more of an actor first sure. I guess music theater actor who then became yes, uh, his name was Bob weights is a great answer. Yeah, weights

1:39:39

And like the line from

1:39:42

weights is a good answer. I was giving me look like oh, no, it just lost his fucking mind. Oh, Ben. I was then what he's talking about. Uh

1:39:51

Tom weights might be the guy who challenges David Bowie in my mind. Tom weights very cool. If you look at the breath of the work

1:39:57

Yeah, and the directors he's worked with

1:40:00

Mostly did not take you know, they they work very well, especially in supporting roles in right

1:40:06

Uh character roles in his scene is great in this oh, oh just in Timberlake conversation over anyway, so back to last temptation of Christ

1:40:14

Yeah, well then they crucified Jesus. Yes

1:40:18

You know, they make him give them a crown of thorns, which I think is really rude

1:40:23

Just making care of the cross, which I think is really rude. I know it. I know it about these scenes. This is the part of the movie where

1:40:29

I really like his part of the movie and I really like that

1:40:31

Scorsese seems to linger on the composition a lot

1:40:35

Because they do look really incredible like the of Jesus being you know march down the corridor with the

1:40:41

Thorns crowds and yeah, there is a sense when he's coming in to Jerusalem on the donkey is a great sort of like composition as well

1:40:49

To be talk about the scene where he tries to convince

1:40:53

Judas to kill him. Yeah, like when he's having the dark night of the solar like it right before

1:40:58

I'm going to die. You should just do it. I need to die as a sacrifice. Right. Yes

1:41:05

But of course he sort of realizes like no, I have to be like publicly

1:41:09

A symbol like to well Judas Judas also is like can you imagine how bad my reputation would be in history if I'm the guy who kills Jesus

1:41:17

I'm not doing that now. I have to take one meeting

1:41:21

Yeah, crucifixion of bummer. You know what that happened in a year wait. Do we pass the last supper?

1:41:26

You got a shot the last I gave you the gift but no, yeah, that's pretty good

1:41:31

That's what he did he had a lot he had a it was a sater, but did they shout out that it's the last one? No

1:41:37

No, they were like we're gonna do this. I'm so full. I couldn't do another one of these. That's what you say

1:41:45

Yeah, guys, meet back here same time next week, right and so I get promise I feel so great guys. I'm gonna live forever man

1:41:55

No one's betraying like

1:41:57

On the cross no one's betraying me is such a funny thing to a number was such a problem

1:42:04

This is good and Judas Jesus is like why are you gonna betray me by the way? It's like what what's he talking about

1:42:09

I hope this doesn't get painted isn't onto a wall somewhere

1:42:13

I know it's suck to get walled. Christ is on the cross

1:42:17

Two hours and five minutes into the movie. Yeah, so it really the last temptation is really the last sort of half hour of the film

1:42:25

This is the happy ending sequence right and you know a girl approaches him and is like you did it buddy

1:42:30

Come on down like yeah, can I say real quick? Mm-hmm. There are things like I always expect this happen

1:42:37

I know it doesn't in the movie

1:42:39

On the cross there's there's two criminals being crucified with him with unshittier crosses

1:42:44

Like one of them is sort of like ha ha look at that guy is a king of the Jews fuck you

1:42:49

And the other guy is like, you know, will I be okay and in the can not economically in the lore

1:42:57

Jesus says, you know, you'll be with me and paradise and that's what's like his last blessing is to this other

1:43:03

crucified criminal which is not in the movie, but it's like it's part of the but they are there and they are there to see the other

1:43:08

Yes, this this this young girl is sort of like hey, gee listen to you this

1:43:14

Just like you know

1:43:16

God asked Abraham to sacrifice Isaac

1:43:19

He's seeing if you're gonna do it you did it

1:43:22

You proved that you were ready. Yeah, it's much like the binding of Isaac of sort of like yeah, okay

1:43:27

Then we believe you that you wanted to do it. Yeah, and so now you are

1:43:31

essentially

1:43:33

And here's Mary and you're gonna live a happy life. Yeah

1:43:38

And he does have sex with her which people were mad about

1:43:42

We will get into this in a second. Yeah, and then she dies

1:43:46

And then he just I just I mean

1:43:50

It's blasphemous. I suppose to compare the life of Christ in this film to the Star Trek the next generation

1:43:55

You can't not think of the inner light the most famous episode of this of that show has anyone

1:44:01

Okay, do you know what I'm going to go? You know, I start a guy I

1:44:04

Once you start explaining I think I will jog remember like start the Starship just like he's like hey, there's a weird beam

1:44:11

Picard looks at the beam the whole episode. He's living it in a

1:44:15

On a village a very simple life and then at the end they're like hey, what happened like you got knocked out for a second

1:44:22

And it's like this lost civilization. It downloaded its culture into you

1:44:26

Yeah, and you and he's like I just lived a whole fucking life like 50 years

1:44:31

And they're like okay, weird

1:44:33

Yeah, it's an amazing beautiful episode. What's a conception to I like just story of like right of someone snapping out of it

1:44:40

Yeah, and like the other person's like hello, and they're like I just was gone for 50 years. Sure

1:44:45

What wasn't there recently a story about a young woman who was in a coma? Oh boy

1:44:49

And she's similarly like a very extreme lucid dream of living an entire lifetime and then woke up

1:44:55

And then was like where are my children? That's the worst feeling. I don't I don't like that

1:45:00

deeply upsetting

1:45:02

But obviously profound and like and and like that's what happened. Jesus has an interlite he we watch him

1:45:09

In like you know, yeah sort of an accelerated pace like live a whole life and he's he's actually

1:45:15

And it's like I mean the interesting thing in the kind of the tale that this little girl is Satan is she's like you know

1:45:19

Mary is dead but like there's only one woman. Yeah, we just with different faces different faces

1:45:24

So just like find another one right first second. You're like our scurses. He's gender politics that bad

1:45:28

But no, it's like

1:45:37

Yeah, um, uh, but then he goes he goes to Mary sister of Lazarus. Yes, we we he meets earlier

1:45:43

They after he comes out of the desert after the first temptations

1:45:46

He meets her and her sister Martha and they bring him back to health and so he were in in Mary is clearly interested in him

1:45:53

Right, we returns to her and that's with her

1:45:55

That he has the family though. It's suggested that like it's like kind of a polyamorous situation going on a little bit

1:46:01

Yeah, well Jesus was poly no, I'm kidding. I don't

1:46:05

This is what I'm saying or it's is again so has everything we've said been offensive

1:46:10

Um, I think it's important though that it's not like his life is like perfect and a dillock

1:46:15

He has to lose Mary mag the law. He has a realistic ish although it's odd and fantastical in a way, but like right

1:46:21

It's that it's a hard normal life

1:46:23

Is that a life of a normal human being without this like fucking kids like coming back from like the market right and then you know, that's when he sees

1:46:33

He's now all preaching about him about the road to Damascus

1:46:37

And Jesus confronts and he's like I'm the guy you're talking about yeah, he's like I didn't I didn't I wasn't red directed

1:46:44

I'm a man right I'm just hanging out here. I'm just a guy

1:46:48

I fuck isn't there the thing to where he uh he does yell that

1:46:52

He says I fuck because I

1:46:54

That's sort of the implication of like this is imagining a world where like Jesus is myth

1:47:00

Exists but the real guy is sort of put in parallel with it right and then occasionally will just realize that that's happening around him

1:47:07

Of like people are spreading his gospel and but also sort of like Paul is preaching and like knowing particularly interesting

1:47:13

Yeah, that's true. That's that's they're not catching on it's not catching on yeah

1:47:16

So the message is out there with the absence of the sacrifice means it's sort of like you know

1:47:21

Well also when Mary Magdalene dies and he says like why can't we bring her back the way you brought me back

1:47:27

Right, and it's like no, it's not like this. This is God's will like she has to go you get to stay

1:47:33

This isn't a thing you get to horse trade about

1:47:35

Like he realizes the part of

1:47:38

the give of living a normal life is he's not in conversation with God yeah

1:47:43

And miracles don't happen. He doesn't get to negotiate with reality in that kind of way right

1:47:47

Yeah, when he is on his deathbed

1:47:49

Yes, and Ben we've talked about deathbeds before if you remember on our sense and sensibility episode deathbed the bed that kills

1:47:56

That is we should cover that movie on this show. Don't you think yeah, yeah, we can cover that someday who directed that John

1:48:02

Badam I just assume when you say deathbedness who we're talking about it was in the sense and sensibility episode at the beginning of the movie

1:48:08

It's Tom Wilkinson's character. I believe so someone's on a deathbed and Ben very earnestly said we see this old guy

1:48:14

He's on his deathbed and then we never see him again what happened

1:48:17

No, I didn't say I said he was in bed and we're like, oh, that was his deathbed

1:48:21

I was like no one communicated that that was the deathbed was it clear to me right? It was just a bet to me

1:48:28

Wasn't like made of skulls

1:48:30

Ben wants clear demarcation of what is a bed versus a deathbed which is a good point

1:48:35

You don't want to get into a deathbed by accident just because you're sleepy right that's true right never wake up

1:48:40

Ben just looked at me so seriously when he said right

1:48:44

And it's what I was saying and also people could visit you while you're in bed and you could have a conversation

1:48:48

That's totally fine. I know it doesn't mean that you're on your deathbed. It's true

1:48:52

No, but that guy was on his deathbed. All right. Well, well Jesus here is on his deathbed and he is very aged

1:48:58

Yes, and yeah, and they bring in Judas and then we'll know the guys then it seems like the rebellions happening outside

1:49:06

Right right here like you know, there's fire you're screaming and

1:49:10

The disciples come in and they all come in and they're sort of like heard you were dying one did wanted to see you been a long time

1:49:17

And Judas comes in and is like you fucked up

1:49:21

It wasn't supposed to be like this you were supposed to sacrifice yourself. You got scared essentially

1:49:26

I'm about to die and then you got off the cross. I did my part right why couldn't you do your part

1:49:32

And this is my favorite part then you like turns to the he's like then then due to Jesus like

1:49:37

I have I have a guardian gods and to guardian angel and Judas like looks over and he's like

1:49:42

Bro, that's Satan

1:49:45

Fix one look one look idiot. He's like I've never seen a movie a little creepy girl. Yeah, when he's 10 years old

1:49:51

Who's like really calm? That's always a bad guy. You're seeing resident evil. Yeah, you're the right

1:49:55

X-Men too

1:49:57

Come on

1:49:58

William strikers in your brain bro

1:50:01

He's made story bro bad

1:50:03

Jesus goes yeah, I saw X-Men too. Yeah, of course. I saw X-Men too

1:50:07

X-Men united and it was at the actual title or is that more of a promo it's the title is X-2

1:50:12

Title card in the movie is just X-2

1:50:14

But I think it's fun to call it X-Men Unite kind of but how united are they actually are fighting much at the time

1:50:19

It is weird that the movie goes into a 15-minute argument about the title of X-2

1:50:23

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1:51:13

And then so Jesus like runs out, you know being like I want to be fucking Jesus. I'm sorry

1:51:19

He dragged himself out. Yeah, and it's it's a great scene. It's also a very kind of like it's a wonderful life

1:51:24

See you know

1:51:26

Yeah, no

1:51:28

Well, well, I want to be close by

1:51:32

That cross looks fond of me

1:51:35

They do a rewinds like effects

1:51:38

They back then would be very blasphemous but good

1:51:42

Him like going like getting re-round black back onto the cross right

1:51:49

And you have that like

1:51:50

Marty zoom

1:51:52

Of him like back on the cross, right?

1:51:54

And he says it is accomplished. This is where I'm starting to freak out like and I'm just like oh my god

1:52:00

Then it you know goes to those crazy lights

1:52:02

And that was because in a camera man

1:52:04

Exposed the magazine to early. Oh, yeah

1:52:08

And it fucked up, you know the film, but it's like stand bracket shit almost

1:52:12

That's the thing I'm so and when they shot they were we're screwed because like willum can only be up there for a minute

1:52:18

And like it's so hard to shoot this shit

1:52:21

And then like they watch it like they when they keep keeps the damage take a seas like it's like his soul is going to have a whole

1:52:28

Yeah, it's it's it's perfect. I when I was watching this I watched this on Tuesday night

1:52:33

Was it last night? I was last I was a little bit less than that. I watched it Tuesday last night

1:52:37

And I had like do stuff from the house or have it on and I'm like paying attention and watching it

1:52:41

But I'm also sort of doing things or I can but this last 30 minutes. I'm just like transfix in that part

1:52:47

I'm like every time it moves me. It's crazy. It's sort of like really gets me. What's like the movie itself is transcending like the phone from the camera

1:52:56

It's like rising to that. It feels like in that moment that like they captured something

1:53:02

very real. Yes

1:53:04

And like it can't be expressed through normal beans and then yeah

1:53:08

And it is one of those things where I'm like if they could just tell all the people who were mad to watch the whole movie

1:53:11

But they got to watch it all they got to watch it all

1:53:14

Because they end really sells it. Yeah

1:53:17

um

1:53:18

The fact that yeah Peter Gabriel gum just popping off. Yes, he did the movie basically for free

1:53:23

Yeah, you know, because like Marty and every money and he was like it

1:53:26

I loved it

1:53:26

I brought in like voices from like all over the world like mixing all this music together

1:53:31

Stas passion music from the last temptation great work music. I listen to it all the time

1:53:35

Yeah, I do I list you a quite a bit too and I'm reading but like every movie set in the Middle East now sounds like this because of this

1:53:41

Score a little bit. Well, there's that two thousand zero where there's always just a woman going like

1:53:47

Yeah, exactly the minute they cut to like the helicopter shot of

1:53:50

Somalia or Saudi Arabia wherever

1:53:55

Usually the way it goes is it's like

1:53:57

Then like a cut this like a guy on like the street like kind of looking and then like

1:54:02

Don't do it. Yeah, you see like a market. Yeah, I feel like I'm in the

1:54:07

You know pitch meeting right now

1:54:09

But I like watch this and I was like oh, so this is where it all starts and then I go on to the Wikipedia page for the album

1:54:14

And it's like commonly cited as the breakthrough moment for world music in America

1:54:19

No, very much. I mean, I feel like is it like this changes the way people think of scoring film set in the Middle East

1:54:25

But this like popularizes new age world. Yeah, I mean along with like a grace land right the Paul sign up like that sort of like late 80s kind of like

1:54:33

Hey, man. There's music beyond European music class. When we like there's there's other continents out there

1:54:39

And they got their own instruments. I'll believe it when I see it

1:54:43

Um

1:54:45

Scorsese so this film okay in post production. Mm-hmm start to get a little bit of trouble. There's some demonstrations

1:54:50

They're editing the film they want to show it to some religious groups like to screen it

1:54:55

You know, it's a sort of like get ahead of things the religious groups don't show up

1:55:00

Instead the only people at the screening are Marty his crew Jack the Lenti head of mpa. I assume at the time boom boom valente

1:55:07

Paul Newman

1:55:09

He's just in town

1:55:12

And a man from time magazine

1:55:14

Then they finally got some religious people see it who are a little hostile but mostly are kind of into it

1:55:20

Um, you know the demonstrations are getting really ugly. There's a lot of anti-Semitism directed towards Lou

1:55:25

Losserman who's the head of mca who has nothing to do with the movie

1:55:29

You know what I mean like there's just a lot of general kind of like hate stuff happening

1:55:34

Shrater's viewpoint is like this is an anti intellectual wing of social and political Christianity

1:55:38

Like it doesn't have much to do with like Christian theological thought

1:55:42

It's what you're talking about of this sort of like weaponized political sort of wing of whatever Christianity that's sort of like becoming more and more powerful

1:55:51

um

1:55:53

The old Shrader script gets

1:55:55

uh sent around

1:55:58

Apparently that has something that sort of suggests that Jesus was maybe gay for a minute there or something and they get really mad about that

1:56:06

And they're like that's an old script like we didn't shoot that there's actual think all the secret gospel of mark

1:56:11

Which is like in a one of the apocryphal gospel text that was on ABC family. Yeah

1:56:17

That's just a terrible terrible drug by me. Can I get my all? Yeah, please and you could read that gospel on lipstick alley

1:56:24

That's right. It's correct. Yes. Okay. This is but is is that gospel does that have that has some just so it's it's

1:56:32

It suggests like you know that they have this like moment of ecstasy and like it's sort of like what does that mean?

1:56:38

And one suggestions immense sort of like an orgy interesting

1:56:41

But like that's I don't I don't trade it. I mean look if they ever want to like

1:56:46

You know sort of jazz up the Bible for like a new generator

1:56:50

For that in there. Are they sure wasn't like a literal moment of ecstasy like they took half a tab. Yeah half a tab

1:56:55

Yeah, it's possible. I mean just just the

1:56:59

The like we've said this a couple times already

1:57:03

But the movie really does take quite seriously the

1:57:09

Like it positions Jesus is being very strange a very strange man in that he's in age with the expectation is that the Messiah

1:57:18

Would be a literal king. Yeah a literal bot guy who would like kill the Romans and and right who would overtake and rule us all right

1:57:26

That's what people they were the expectation is that yeah, there's gonna be a Messiah is gonna show up

1:57:31

And he's gonna sort of like beat the Romans to death and establish a kingdom where we can live as we please that's leadership basically in those days

1:57:39

Yeah, I mean him and kind of the one way and and the movies

1:57:43

Jesus betrayed us like no, it's you know the kingdom is already here. It is spiritual

1:57:48

It is like us loving each other us like you know accepting each other as like fully each other

1:57:55

It's recognizing God's limitless and universal love and everyone's like that's the craziest thing I've ever heard

1:58:03

um and

1:58:05

Makes people die like they need to thirty two back

1:58:09

But like we should be open to rethinking some of this and in the movie shows like Jesus is so persistent about this

1:58:16

It convinces people people are persuaded. They believe him and they follow him

1:58:20

And it's it's a very powerful depiction of both like the radicalism of the message and the way that yeah

1:58:27

Then and now it's sort of it's kind of a crazy thing to say yes, and it's like very funny to me

1:58:34

That people who like hold who self-identify as like you know conservative Christian fundamentalist Christian what have you

1:58:42

Would like see this and get angry about it. It's like I don't know this is quite flattering to the entire system

1:58:48

It's why you assume a lot of them just get to see it didn't say it aren't thinking about it in those terms also that they've

1:58:55

Built a relationship with a modern version of Jesus that they have rebuilt to their worldview that they don't really want to be in

1:59:03

Conversation with what this guy was originally and I'll say I mean to me the the most

1:59:08

Important line in the movie

1:59:10

Beologically speaking is when he is arguing with the religious authorities

1:59:16

And he says God is not an Israelite and

1:59:20

That's very much a statement of like universalism that like God doesn't belong to us

1:59:25

He's not a nationalist figure

1:59:27

I

1:59:28

Given the current political climate like I think people would hear that and get very upset even today

1:59:33

Even right right right right like you know because you know quite literally like the people running the military

1:59:37

Like yeah God's God's in the American and

1:59:40

He fucking loves f 35 you

1:59:42

You wrote this on your letterbox log last night, but you said one final thought it makes total sense to me that fundamentalist hate this movie

1:59:49

Of course they would Christ as amissary of total and all encompassing love is in direct tension with the quote unquote Christ

1:59:56

Of vengeance and domination that is invoked in this country, which is the thing. It's like that's really good

2:00:02

It's a good piece of writing right there. That's a nice little write up

2:00:06

But it but it is it's it's that you know

2:00:09

They they would hate this guy if they met him tomorrow. Yeah, sure. Yes, right. I mean, it's the same with all this shit

2:00:15

Fucking eight Ronald Reagan they'd hate Ronald right he does ask now he'd win him over

2:00:20

Went to bed with a monkey

2:00:22

so

2:00:23

The film fundamentally also just comes out in August, which is yeah, I have an odd time to release it but whatever

2:00:30

Uh, it doesn't make much money, you know, I made about eight million dollars. You've done Christmas

2:00:36

Possibly I mean Easter

2:00:38

What I mean, I don't know what the 80s landscape like now you're like well, this is a prestige movie like you

2:00:44

You really fall like bubble blob um, I mean if you it's like if you want if you're trying not to court controversy

2:00:51

You release it in August. Yes, that it's kind of smart of them to put it out in August considering

2:00:57

Uh, what clamor there was around it. Yeah, if this were a christmas movie

2:01:01

People would be up in ours

2:01:03

Marty would legitimately have good reason to want a bodyguard with the middle times

2:01:08

He

2:01:10

Says the movie put him in debt and like he didn't come out of it until he made Kate fear

2:01:14

It did do very well overseas

2:01:16

It made a decent amount of money it made back its budget certainly because it ended up making like 30 world wide

2:01:21

I think 28 or 30. I don't know where you get that number but I believe you I saw a couple places

2:01:27

But sure, I mean because then you know the box office

2:01:29

Yes, and all that are bad now

2:01:31

um, but

2:01:32

Internationally gross 25 million for world-wide gross of 33

2:01:37

Was in a variety right up in 1995

2:01:39

um, but uh as part of the deal of him agreeing to make this movie

2:01:44

He promised universal that he would make a bigger budget film for them later

2:01:47

Which he was planning to make shinler's arc which later became shinler's list which turns into the swap that lands with

2:01:55

Spielberg giving him Cape fear right

2:01:57

So Cape fear is which is a money maker right although he says then then gangs in New York put me back in debt and then then departed

2:02:04

Took me out of it again, like you know who knows but um

2:02:07

Take fear is a direct result of his deal with universal for this one

2:02:10

It's a movie like Mulholland drive. I wonder how many of these movies exist. It gets one nomination at the Oscars

2:02:16

Director. Yes, it's very rare kind of the Oscar thing of like I don't know man good job like yeah

2:02:22

Jesus well blue velvet was the same thing

2:02:24

Did blue velvet only get the one that only gets the one? I believe

2:02:27

I think linter is the only guy to pull that off twice. I need I need a full list of this if you nerds can tell me

2:02:33

Uh like how many times that's happened uh the film got great reviews

2:02:37

Like it was celebrated by critics

2:02:40

but obviously

2:02:42

Pro between the controversy ended being a two-hour 40-minute movie about Jesus you know

2:02:48

It's not a life-changing like sort of success

2:02:51

Mm-hmm. It's it's had a great legacy. Yeah, I think I think I think it's now so well appreciated

2:02:57

I think it's I think I think most people who like you know

2:03:00

Think about this stuff recognize

2:03:02

It's just like one of like the highway says he's career

2:03:04

And I think it's given people much greater appreciation for because it's just religious pictures, right?

2:03:09

Like yeah, I write because of course because he makes kundun in silence

2:03:13

He has this kind of loose trilogy. Yeah about faith

2:03:17

That is really fun to sort of right take in totality

2:03:21

Um, take as you will collider says there are seven movies

2:03:26

The end of the six happiness in 1958. I don't know where that is Alice's restaurant Arthur Penn

2:03:32

Okay, Felini Satiricon. Well, that's one for sure. Yeah, you velvet. Yeah last temptation of Christ

2:03:38

Shortcuts

2:03:40

More Holland riots short cuts as a wild one to again, whether just kind of like look man

2:03:44

You're back maybe too weird for us, but good job doing that. Yeah, that that looked complicated

2:03:50

Those cuts were really short

2:03:53

Obviously, that's the rainman year at the Oscars Barry Robinson wins Best Director

2:03:57

Um, let's do the box of skin barber Hershey got a globe nomination. That's interesting. Yeah, I forgot about that. Okay. Yes

2:04:03

Got blesser, uh, and I think it got picture and director of the Globes as nominations as well

2:04:08

The Globes were friendlier to this movie because they were more euro and I feel like this movie apart from the fact that like half of Europe was on fire about it

2:04:14

Like this movie played better in Europe. Yeah

2:04:17

Um no, it just got no it just got barber Hershey and score. Oh weird. Okay, and you know

2:04:24

That's kind of it. It made like the MBR top 10. Like it didn't yeah, it was mostly ignored the rude

2:04:29

Cutel raspberry nomination. Good right. And then of course like his follow up is good for his follow up is good

2:04:35

Which is like probably overshadows as well, you know a little bit

2:04:42

The movie comes out August 12 1988

2:04:44

It's opening number 13 of the box office carfin. So we're not gonna get on love you. Yeah, that's true. Number one of the box offices

2:04:51

Uh, Western

2:04:53

It's a Western in 1988. It's not solverado, is it? No, I would say it's a

2:05:00

A little it's a Western with more of like a modern twist not in terms of setting, but in terms of like kind of attitude

2:05:06

Young guns

2:05:08

That's correct what it comes were young

2:05:10

You know, Amelia West of skey for southerling loop diamond Phillips Charlie Sheen

2:05:14

Mm-hmm Durant Mulroney the big six. How many are we up to at this point?

2:05:19

Yeah, that's six guys six reasons why the west was wild. That's the uh dragon never seen young guns

2:05:25

Um, but you know rap pack. I guess it's like it's Amelia West of s is Billy a kid, but it's like all made up right?

2:05:31

I think I think they kind of made it up after that. I think that movie took some liberties

2:05:35

Uh, haven't seen young guns too

2:05:38

But of course that also has the the classic tagline uh, the west just got wilder

2:05:45

The wild wild west you mix yeah, well, and then of course we were introduced to the wild wild west

2:05:50

whoa-woah was

2:05:52

Tim West Esperada keep gun rough neck

2:05:56

No, you don't know not uh, oh there you want not uh or no, I can't remember. Yeah, I remember not uh

2:06:01

Not uh, we all remember not uh

2:06:03

Uh, what's number two at the box office?

2:06:06

Number two at the box office is number one the previous week. Mm-hmm. It's a big hit

2:06:11

We're starting a big movie star

2:06:13

You know, it's a bit of a cult classic. I would say this movie is stupid bullshit. You would say this movie is stupid bullshit

2:06:19

But you say it has rocks for brains

2:06:21

Yes, one of your favorite this movie has rocks for brains is exactly how to describe it

2:06:26

It's pretty fun cult classic might be too nice to it because it was a hit like it was one of the action stars

2:06:32

It's one of the big action stars. It's not an action movie. It's not no

2:06:36

It's a dumb but it kind of has an action movie sensibility to it. It's not kindergarten cop. No, it's been

2:06:41

Stupider than that. It's dumber than that. It's what it's one of the dumbest movies ever made

2:06:46

Star the biggest movie stars of the all time. What could this possibly be?

2:06:50

So it's not it's not a Bruce a Stallone or shorts. No, no. Okay. No. Sorry

2:06:55

Action star was maybe misleading that no bigger star than that bigger star. Let's start

2:07:00

Okay, it kind of early-ish in his startup. No, he's pretty famous for this. You know, he's made giant hits

2:07:05

It's not a hanks

2:07:07

No, you're close. I'm close same first name Tom cruise. That's right. Is it

2:07:13

tail

2:07:14

That's right. Do you know where you're gonna go? I mean the stupidest movie he ever made correct

2:07:18

But he's making a string of these movies. There's like there's like young hot guy

2:07:22

It's true and it's just that it's the classic like you know, he's like so I became the best cocktail guy in the world

2:07:27

And you're like what does that mean? And he's like you know how you could mix a drink like this? I don't do that

2:07:33

I the crazy thing a movie based on TGI Fridays right based on the guy who invented TGI Fridays

2:07:39

Yeah, and how hot that was that they created a singles bar for the first time

2:07:43

What if bars weren't where men went to not go to therapy?

2:07:47

What if bars or where men went to try to get laid?

2:07:50

And the guys did crazy cocktails Tom cruise brine brown brine brown is so alive

2:07:54

Do you think brine brown every like six months like Texan being like like a same night? Yeah

2:07:59

Let's do it

2:08:01

cocktail two is when we need to like hold a Tom Cruise intervention

2:08:06

The fact that he's prioritizing color of money or it prioritizing days under over color of money

2:08:12

I'm like my guy if you want to do another like a sequel

2:08:15

Overdoing top gun three

2:08:18

Don't do the fucking racing movie when you've already done top gun and they've already done f1

2:08:23

I don't think there's anything left to be said there

2:08:26

Yeah, I assume with days of thunders just kind of like

2:08:28

You know car will go fast people seem to like that right like I don't do do fucking color of money with a Kaylee Spani or some shit

2:08:36

Can someone I'm not thinking I don't understand well if you were to do a color of money like a sequel

2:08:40

Wouldn't just be the color of money again

2:08:43

I think the way you could make it work is if it's somewhat you flip it back because what works in color of money

2:08:50

Is that there's such different types yeah that you need to think of what's the third type of

2:08:56

Of pool hall hustler where crews wouldn't quite understand coming from being such a hot shot how they do it. Yeah, yeah, maybe it's crypto

2:09:05

Maybe it's crypto this time

2:09:07

Crypto it's in the way that you think of finding forest or kind of movie

2:09:11

Thank you David that was pointed wasn't I like that yeah

2:09:17

Yeah, so cocktails number two

2:09:20

Uh, I've seen cocktail once it's uh

2:09:23

What what movie war has rocks in its brains than cocktail right like that's right it's on the rocks. Yeah

2:09:28

Well, it's on the rocks. Yeah number three of the box office is an action film. It's one of the best movies ever made

2:09:32

It's one of the best movies ever made diehard there you go

2:09:36

No, it's diehard

2:09:38

No question there been out for a month. It's doing great people like it and it's gonna have a strong legacy as an action film

2:09:46

What's proving to be very popular is it's goodness is all the stuff that happens in a quality of the movie

2:09:53

No, before the box office is a comedy that is a pretty solid hit and is also nominated for best director at the Oscars

2:09:59

And it's somewhat surprising uh fish colada fish called one had to be yes

2:10:04

Which you know can find also Charles Crighton the Ealing comedy director who's very old at that point. Yes, so it's kind of a like

2:10:12

Hey, good job. I think his line was like it's it's an 80 year overnight success story or something like that

2:10:18

Yeah, haven't seen since I was a teenager. Love

2:10:21

I loved it then yeah

2:10:23

You okay, you know

2:10:26

So I have to

2:10:29

Oh, I'm looking over. Yeah, I mean god this many years and we got a spice things

2:10:34

Yeah, it's something crazy. I would need to save each other's

2:10:36

I'm like episode that's how we get another 10 years out of the podcast. Do you like a fish called wand?

2:10:40

Anyone like I've ever seen one. It's funny. I like it

2:10:43

I believe the baffties that year gave their best supporting actor to Michael Palin and I agree that Michael

2:10:49

Palin is the best performance in that movie. He's very funny

2:10:52

Um, they nominated Klein and lead is part of why that happened

2:10:55

But then they gave John Cleese the trophy for best lead. They loved that move

2:11:01

I mean, it's a very British movie. Oh, and it was a success

2:11:04

So I think they're really happy but palin's very funny. I think killin's phenomenal

2:11:07

And it palin also just one of my favorites. I was gonna say you also just love the guy

2:11:11

I like lines really funny. It's a great and it's the rare like full comedic performance winning an Oscar

2:11:17

Yeah, kind of right like where it's like goddamn like

2:11:19

We got it. You know what else Klein is in that movie hot hot as he's really oh Klein rules

2:11:25

Does Jamel what do you the scene in days as someone who covers politics

2:11:30

The scene in Dave where I've not seen Dave in many years. Oh really? Yeah

2:11:35

Do you remember the scene where Sigourney Weaver walks in on him in the shower? No, no, okay

2:11:41

Is he hot map though? He's really hot in that yeah, you're gonna need hot map

2:11:45

Sigourney's

2:11:47

Smoke and hot. Yeah, isn't she yeah

2:11:49

No, she's got like a Hillary Clinton haircut and pants suits or which you look great. Remember the basic premise of Dave

2:11:55

It's like the president to count in or something becomes president. No, it's just a guy who looks like him

2:11:59

President's a jerk has a stroke goes into a coma rather than deal with this

2:12:03

They find someone who looks like him and they're like you'll just do what we tell you

2:12:07

We because we just need to get this like your own past and shit right

2:12:11

And like okay, well, whatever you want and then he's like by the way after my ideas like and he starts to be really good president

2:12:17

That's so it's so funny that that's funny, but also

2:12:20

In reality when this happens, but it does on occasion the president has a stroke. Yeah, they they pull a Dave

2:12:27

They do a week in at Bernice no one pulls a Dave they do like a sort of like yeah the president still

2:12:32

Why I'm sure who gives a fuck the big thing in Dave is there like he's never waking up right right? It's like this is it

2:12:40

Right is that then that is true? No, he does he does. No, he dies. They pull the plug. Yeah, they pull the plug

2:12:46

I kind of think you know we have not been Dave the other guy, but then they pretend the Dave died right these are Dave spoilers

2:12:54

If Trump were to be debilitated. Oh, I think I think we get a couple weeks of a week in that Bernie situation

2:13:01

Yes, like before we're tweets before anymore fighting from a long distance. I was having been buying him for a while

2:13:07

We're like he was so bad at the debate with people were like is he like fucking dead or something like or like a puppet or like was that

2:13:14

And then was like now he's finally is the flu don't worry about it

2:13:17

And then like people serving like I don't know I got a meeting with him and he like don't know what it was and everyone started going crazy

2:13:21

But Mitch McConnell's really alive right yeah, he's totally alive

2:13:25

So never been healthy. Never been better. I saw a really fun video of him tap dancing yesterday

2:13:30

The thing where he was holding then days news paper in the one picture

2:13:34

Yeah, he's the sort of like my t-shirt is answering questions as you know, but you don't mean

2:13:40

I'm so alive I'm holding this newspaper. It's like right

2:13:42

We all love to hold the newspaper to prove that we're alive every day

2:13:45

Like that's normal way to go through live. I hate gendered of AI

2:13:49

But have you seen this subsection of videos that are like I'm Mitch McConnell and I'm holding up today's newspaper

2:13:55

And then he takes out a helmet and he like pulls an ollie on like a scaper am I

2:13:59

But that sounds like a the use of AI. I think that's maybe the most productive use we could come up with

2:14:05

Now we're five of the box office one of the great movies in 1988 one of the covered it on this show

2:14:10

Uh classic it's not broadcast news is 87 that's right

2:14:14

88 also shot by Michael boy. It's a classic and no genre

2:14:19

It's a comedy I guess family, but two was really you know

2:14:24

You know, it's cool and crazy so like you know kind of classic movie that like scars kids a little bit

2:14:30

It's cool and crazy and it scars kids and it takes a hearty it makes them feel crazy

2:14:35

It makes them feel it does I mean I'm right you'll you'll agree with me. It's not a lynch movie. No, no, no

2:14:41

It's a kids way. It's a Disney kids movie

2:14:43

Oh, no, cuz little more man's 80s it's a great mastertective. Nope great. No great great guesses from you both. No

2:14:49

It's a Disney movie that makes bigger than this big movie big hit movie

2:14:53

It's a director. It's a big hit movie from a big big director

2:14:58

Uh, and it's a kids movie. It is you're gonna get mad maybe but it is it's a kids movie

2:15:04

It's it's for cats, but it's really horny. It's got yeah, it is no one's gonna jack these are good clothes

2:15:11

Huh, and this is a scary main feed director we care oh yeah, oh, oh, oh, oh, oh, oh, oh, he's right about all of it

2:15:21

This picture is entitled who framed Roger rabbit. Oh, yeah, ding ding ding ding ding

2:15:26

Yeah, it's very

2:15:28

Yeah, one of the most movies I watched I watched that like eight months ago

2:15:33

We show it to one of your kids. No, absolutely not

2:15:36

and

2:15:37

The scene where the shoe gets to dip

2:15:39

gentlemen, the dub a generation. Yeah, really it's a lot. It was very upset by it. Yeah

2:15:44

It's one of the most tragic things to happen in the movies

2:15:47

Um, number six of the box office so we will do this box office again one day is Francis Fort Coppola's a flop

2:15:53

Tucker the man in his dream was also good. Yes, just interesting that Marty and Francis on the same weekend released like passion projects and everyone's like

2:16:01

Okay, like you know like well, let's be clear. They weren't saying okay about last temptation

2:16:06

No, they were saying boo his

2:16:08

I think we're largely sort of like, you know

2:16:12

Pleasantly ignoring this movie. Yes

2:16:14

But also you can imagine if there's that level of protest happening outside the theater you might not want to go to the theater

2:16:20

I think there wasn't so much of that after a certain point. There was more more pronounced in Europe, I think yeah

2:16:26

Tucker man in his dream

2:16:28

Um, it's an awesome movie for great movie. It's a cool. Yeah, it for cool kids. Yeah, I don't know if you've seen it Jamel

2:16:34

But it's about pressing Tucker. I'm not it's about like

2:16:38

You know like the problem of America of a guy being like I think I can do things differently within the system

2:16:43

I can build a lighter car stop it. You know, you're fucking everything up like you're not allowed to do that

2:16:49

Great movie very interesting, but it was a flop number seven of the box office is coming to America. One of the big hits of the year

2:16:55

My favorite movie. Yeah, good movie. Yeah

2:16:58

Um still haven't seen the sequel

2:17:01

Uh, for a great day. I want to be bummed out

2:17:04

I remember it being fine, but here's what I also remember it was the COVID pandemic early

2:17:10

20

2:17:12

My brain was engulfed in flames number eight is midnight run great movie. I mean there's some movies of the box office right now

2:17:19

The number nine penny marshals big big we'll cover it on the show someday

2:17:23

Do you know that he has a dad in that movie?

2:17:26

Uh, sure. What do you mean you watch that movie and it plays as if Mercedes rule as a single mother

2:17:32

Uh-huh

2:17:33

But there's one scene where they go to the carnival where he sees the Zoltar machine for the first time and makes the wish

2:17:39

And there's a guy who's like, hey, don't go far and you're like, oh, this is Mercedes rules shitty

2:17:45

Boyfriend or something right there's a director's cut. There's a penny martial cut. That's 30 minutes longer

2:17:51

That mostly adds in more Elizabeth Perkins and I would say makes her character make a lot more sense

2:17:56

Sure makes her seem far less demented

2:17:58

But also at the same time adds back in the father

2:18:02

And she just cut out every single time the father appears for this one moment. Okay

2:18:08

It's fascinating

2:18:10

We're gonna talk about it whenever we do penny marshals. Yeah, which we will do. Yeah, what's that her second film?

2:18:15

Yeah, it's her second film jump a jack is the first. Yeah weird movie number 10 box offices of film tree like as well

2:18:20

Michael Keaton stars and clean and sober a movie. I love I

2:18:24

I was not able to get enough respect for it when I did a Michael Keaton out rush more on big picture

2:18:30

But I would have made the case for that to be one of his four he it's that and beetle juice the same year

2:18:36

And the national border review or was it New York film critic circle?

2:18:39

Maybe I think New York film critic circle gave him best actor for clean and sober and beetle juice

2:18:46

Sorry, you got no respect. Thank you

2:18:49

It's 100% what the Oscar should have done this year

2:18:53

Given you respect no given a trophy to to that was half beetle juice half clean and sober of course. Yeah

2:19:00

listeners give Griffin your

2:19:02

Spanning family of the national society film. They're expected that okay

2:19:06

New York gave him best actor for spotlight also kind of a cool win. Yeah, number 11 opening new this week is mac and me

2:19:12

Just wanted to shut that out. Yeah, so this week great movies up and down the list mac and me

2:19:17

That's the one with the the Paul Rudd clip correct and a lot of McDonald's right. Yeah, we have the big dance sequence at the McDonald's

2:19:23

Yes, which kind of goes and mac is usually a puppet, but in that scene. It's a little person in a costume. Oh

2:19:30

Good

2:19:33

So that's the box office. Yeah, and you know, it's I just

2:19:37

I think I'm not sure when this movie got its respects speaking about giving something proper respect

2:19:43

But uh when did this movie have its anti-rodney moment?

2:19:47

You know, I I think it's very esteemed now

2:19:51

I guess because of Marty's general esteem and because of the run he went on in the 2000s

2:19:57

It's still not like a canonical Marty masterpiece for some

2:20:01

Sure, I guess but it's a very well-regarded movie. I it's one of my favorites. It's interesting. I

2:20:07

I think it's well-regarded my sense. It's well-regarded, but when I think of

2:20:11

We need to say canonical Marty movies. It kind of falls out of that because I just don't think I don't think that people think

2:20:19

This happened a couple of you this was the thing a couple years ago on social media

2:20:22

People still think of mark Scorsese as he's the gangster gangster, right?

2:20:26

And so jj's favorite bit

2:20:28

people just don't think of the Last Intention of Christ or silence

2:20:32

Age of innocence as being like Marty movies

2:20:36

In the same way, but what's like this

2:20:40

Jesus is as central of this guy's empire filmography is anything right? Yes, going back to mean streets going back to mean streets

2:20:47

um

2:20:49

Jamal is there anything you want to plug?

2:20:51

Anything I want to plug

2:20:53

You know my columns every week at the times I have a YouTube channel you've been doing great videos that I've been doing

2:20:59

Are you still on Tik Tok or you kind of moving over to you? I know you're new Tik Tok

2:21:03

I'm still doing Tik Toks, but the YouTube channel I feel takes takes takes ever so often

2:21:08

I was like you didn't really trademark because it takes TM yeah, you didn't really trade my takes did you know?

2:21:14

It's no you did actually if anyone does a take five bucks I get I get a couple dollars

2:21:19

It's a joke. Well, you make a lot of money anytime I film a movie because they're on take five

2:21:23

No, you know, I'm telling me that people on the internet can take a joke. I maybe people on the internet can't take a joke

2:21:31

Okay, it was just my YouTube page. It's just like Jamal buoy

2:21:34

Easy to find and check that out. It's sort of like if you I understand people have feelings about the New York Times

2:21:40

And so if you don't want to like read New York Times and I do kind of basically sort of not the equivalent of my columns

2:21:45

But like you know little right seven eight minute like argument observations

2:21:50

Video editing

2:21:52

You're getting in the mix here game mix

2:21:54

Let me also throw this out not to steal Ben's

2:21:57

usual line of compliments here. You've been throwing fits you've always been a well-dressed man

2:22:03

But but the last year or so I think you've stepped up to a whole other level. Oh, thank you. I appreciate you look incredible today

2:22:09

You look incredible in the video. Yeah, your jacket is great. Thank you amazing jacket collection

2:22:14

Thank you so much

2:22:15

So that's that's the main other thing and

2:22:19

I don't really have anything else the plug. I you know, they released these like three weird flavors of Oreos

2:22:25

chicken and waffles banana pudding and fried banana pudding sounds kind of good fried

2:22:31

And I'm good. I before I came or I ordered them and they'll be at my house when I get home

2:22:35

And I'm gonna do like a stream. That's exciting

2:22:37

So if you want to see me eat weird Oreo. Yes, absolutely. I am looking at this. This is very interesting

2:22:43

I'll be doing that too. Amazing

2:22:46

Fried they just call it deep fried because that's like the carnival thing no

2:22:50

I know that but I'm scared it looks like the actual Oreo that you're buying though

2:22:53

It's just kind of a it's kind of like a triple decor Oreo, but the cream inside is flavored as if there's a fried coating

2:23:00

Sounds a little against God, but I'm genuinely curious, but he's chicken and waffle is very interesting

2:23:06

Savory Oreo as I get a little touchy. Have I told you about the city field egg rolls have we talked about this?

2:23:12

No, I mean, I've been to city field. Yeah with you. So you know city field has a walk and roll

2:23:16

Which is like an egg roll place and they have a different themed egg roll a very funny egg roll place

2:23:22

We should match walk and roll yeah

2:23:24

Different themed egg roll for every visiting team and so we're laying a braves

2:23:28

They had a chicken and waffles egg roll which is what I'm thinking about

2:23:31

America's just such an interesting place. Yeah, you know, they're just like what if we stuff X and Y

2:23:36

Yeah, it's just such a brand of how we nailed we're failing across so many different levels. Yes

2:23:42

But on the question of food innovation. Oh food science. We've never been better to heen cheesy

2:23:48

Gordita grunch cheesy Gordita at should we start it with this chat now? We're ending with obviously been on doboys several times

2:23:55

I feel like yeah, check out those appears. I'm jealous of whoever's gonna get the Tahin menu as an episode right

2:24:02

Um probably Barack Obama next week

2:24:06

Bro, I'm actually reasonably confident Barack Obama would go and doboys. Do we think he listens? Do we think he's spoon nation or burger burger?

2:24:14

Um, I don't know. I'm a something of a heat seeker

2:24:21

Next week on blank check good fellas good fellas. I'm recording that one. No

2:24:26

Um, good over on the patreon. Yeah, which we what we got we released

2:24:31

New York stories. Oh, yeah, sure as well as amazing stories

2:24:35

Right a double a double feature stories. So we're just gonna cover

2:24:40

Marty's New York's just Marty's saying we're trying twilight zone the movie rules

2:24:44

Uh, so that's happening over there. Thank you all for listening. This reminds me. Oh, no, I have one more thing to

2:24:49

Please my podcast unclear and present day. Yeah, John Gans about the political military goes 90s

2:24:55

Yeah, so just need to plug that what what movies have you covered recently? This week we're recording the ex files movie

2:25:02

The new cut

2:25:03

Know the old cut. Okay, fight the future right the future. Okay, but you know about the new cut

2:25:07

I heard about the new cut. I want to see the new cut because my main thought on this old cut is that the editing choices are inexplicable

2:25:13

But this is new cut of second movie. Yes. Okay, you can say what I want to move that's called like Dura Frank on stoon

2:25:19

David uh something like that look Chris Carter

2:25:23

I love you. I'm very glad you're getting pushed out on a big boat or a nice flow and this is the last thing

2:25:28

I think it's so clearly wreaks of him like he brought back the ex files. Yes, right and uh the first season he brought back was pretty bad people didn't

2:25:36

I was like, God, but it's great to see everyone and there were a couple good episodes there. I can fix it

2:25:41

I mean, there's like another season and everyone was like, oh my god enough enough you know what?

2:25:46

Enough buddy. And he's like what and they just picked it up. He's like, okay, but before you take it away from me

2:25:50

Can I recut the second movie and call it? I want to believe a uh Valk Frankenstein and they're like

2:25:57

Well, yeah, whatever. Yeah fine. Like it's go ahead. We'll put it on this. And that's enough out of you.

2:26:03

It's new subtitle is Dr. Frankenstein in German because he's like, I'm like Dr. Frankenstein

2:26:09

reconstituting this corpse. All right

2:26:13

Well, we didn't watch that. No, no, no, fight the future is canonical 90s conspiracy thriller great movie

2:26:19

I love that movie. It has some weird choices. I agree, but great movie

2:26:22

Uh, that's all that's how you interrupt. I don't know. No, no, no, no, very important. You need to play the part. Of course absolutely

2:26:28

And without having been said. Thank you all for listening. Please remember to rate, review, and subscribe

2:26:33

tune in next week for good fellows

2:26:34

And as always I'd like to try some allts if I can try some allts quickly. Okay. Willem de Redeemer

2:26:41

Willem de Bread of Life

2:26:44

Willem de Lord

2:26:46

Willem de Son of the Living God

2:26:52

How about William De Carpenter?

2:26:57

Yeah, William De Carpenter.

2:26:58

William De Sonna Mann.

2:27:00

William De Image of the Invisible God.

2:27:03

William De Lion of the Tribe of De Judah.

2:27:06

And of course, William De Christ.

2:27:08

William De Christ.

2:27:09

William De Christ.

2:27:10

William De Christ.

2:27:11

Father's son, sorry, let me try that again.

2:27:14

Father, William De Son and Holy Ghost.

2:27:18

William De Father, William De Son.

2:27:20

William De Villet.

2:27:21

William De Father, William De Son.

2:27:22

William De Holy Ghost.

2:27:23

Because it's the Trinity, they're all one and the same.

2:27:25

They are beautifully said.

2:27:27

Langcheck with Griffin and David is hosted by Griffin Newman and David Sims.

2:27:35

Our executive producer is me Ben Hossley.

2:27:38

Our creative producer is Marie Barty Salinas.

2:27:41

And our associate producer is AJ McKeein.

2:27:43

This show is mixed and edited by AJ McKeein and Alan Smithy.

2:27:47

Research by JJ Birch.

2:27:49

Our theme song is by Lane Montgomery in the Great American novel, with additional music

2:27:53

by Alex Mitchell.

2:27:55

Artwork by Joe Bowen, Holly Moss and Pat Reynolds.

2:27:58

Our production assistant is Minick.

2:28:01

Special thanks to David Cho, Jordan Fish, and Nate Patterson for their production help.

2:28:05

Head over to blankcheckpod.com for links to all of the real nerdy shit.

2:28:10

Join our Patreon blankcheck special features for exclusive franchise commentaries and bonus

2:28:14

episodes.

2:28:15

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2:28:19

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2:28:23

This podcast is created and produced by blankcheck productions.