The Ezra Klein Show

At the center of the country’s debates over artificial intelligence is a simple but hard question: What kind of technology is this? Is A.I. a kind of “alien mind”? Are we unleashing a new species on the planet, one that will transform human society so completely that historical analogies to past technologies simply don’t hold? Or is A.I. more normal than that? Arvind Narayanan is a professor of computer science at Princeton University and the director of the Center for Information Technology Policy. And he’s an author, alongside his colleague Sayash Kapoor, of the extremely influential essay “A.I. as Normal Technology.” In that essay, and then in a Substack under that name, they lay out their case that A.I. is in fact something we’ve seen before — or at least, it’s close enough to past revolutionary technologies that we have a road map to deal with it. So I wanted to bring Narayanan on the show to hear that perspective.

Last week, David Robinson resigned from OpenAI. He’d been in charge of writing the safety reports for new models and came to believe that OpenAI and the broader artificial intelligence industry lack the safety culture necessary to protect the world from what they’re building. Robinson has an unusual background for an A.I. frontier lab staffer. He’s a Rhodes scholar and Yale Law graduate, he founded a civil rights nonprofit and he advised the Biden White House. He did not come up in the hothouse of Silicon Valley. And when he joined OpenAI in 2023, he says, he saw A.I. as a useful tool, not as a technology that could pose catastrophic risks. That’s changed. In Robinson’s first interview since leaving OpenAI, he tells me why. (The New York Times has sued OpenAI and Microsoft claiming copyright infringement. The companies have denied those claims.)

President Trump and the modern right have a theory of beauty. You see it in Trump’s gilded Oval Office, his imagined arch and his executive order requiring classical and traditional styles for certain federal buildings. This isn’t my theory of beauty, but it is a theory. And it’s a response, in part, to something that a lot of people have been feeling, and not just on the right: that the modern world is ugly, or getting uglier. I’ve seen at least a dozen articles or videos over the last few years asking, “Is the world getting uglier?” They point to the drabness of new apartment blocks, the sameness of new cars and the reign of “greige” in homes and fashion. So I’ve wanted to do an episode on this for a while. Why does the world seem to be getting uglier, or drabber? And at a moment when the right has a clear answer to this feeling, does the left have any answer at all? Debbie Millman teaches at the School of Visual Arts in New York City and hosts the long-running podcast “Design Matters,” where she talks to creative people about design. In her long career as a brand designer, she revamped the logos for companies like Burger King, 7 Up and Häagen-Dazs. She’s also written a number of books on design, and recently wrote an article for Time magazine, “Is the World Getting Uglier?”

Bill Gates thinks A.I. alarmism hasn’t gone far enough. He believes the years ahead will be marred by catastrophic cyberattacks, bio-terrorism and mass job loss unless the government acts, because he thinks the idea that the A.I. industry can just self-regulate is “insane.” I was struck in the conversation by how genuinely afraid Gates seemed to be that we are not ready for the consequences of what we are building, and how emphatic he was that so many of the people in positions of authority are in complete denial about what he thinks is about to happen. Gates is a pioneering technologist, the co-founder of Microsoft and the chair of Gates Foundation, which is set to spend down around $200 billion over the next two decades. He recently announced that trying to make A.I. a force for equality in the world, as opposed to an impetus for inequality, is a new priority of his foundation’s work.

Dr. Abdul El-Sayed, the Democratic nominee for Senate in Michigan, has been one of the most argued-over candidates this election cycle. If he wins, he’d be the first-ever Muslim senator, and he’s faced a torrent of attacks about his faith. The race has also become a proving ground for a lot of questions about the Democratic Party and its future: What should U.S. policy toward Israel and the Palestinians be? Is the future of health care reform Medicare for all? Can a left-wing populist win in a state that twice voted for Donald Trump? There’s been so much more heat than light in this race, so I wanted to invite El-Sayed on the show for a longer conversation. We talked about his upbringing, his views on U.S. foreign policy, his work on health care reform and what he would actually do if elected in November.

Jensen Huang might just be the single most influential person in artificial intelligence today. Huang is the chief executive of Nvidia, the company that designs nearly all the chips and infrastructure that the rest of the industry relies on. This has made Nvidia the most valuable company in the world and has made Huang incredibly influential in the Trump administration. And unlike many of the leaders of the frontier labs, Huang doesn’t think A.I. could wipe out humanity. He thinks that the doomers are just scaring people, and that the industry doesn’t need new regulation at all. I wanted to hear how he saw it, so I flew out to Nvidia’s headquarters in Santa Clara, Calif., to talk to him.

Fears of out-of-control A.I. have reached a boil over the last few weeks, and several industry executives have called for a coordinated slowdown of A.I. development. But if our goal is to control A.I. — and that should be our goal — slowing down isn’t enough. We need to stop the labs from doing something they’re already on the cusp of doing: recursive self-improvement, or handing over the training of A.I. models to A.I.

America is waking up to the critical risks posed by artificial intelligence. But every conversation about possible regulation tends to hit the same wall: “Well, what about China?” Chinese A.I. models are just slightly behind American ones. If America slows down its A.I. development to make our models safer, the fear is that China will simply race ahead of us and own this critical technology of the future — with A.I. models that are less safe than our own. So how should the United States respond to this prisoner’s dilemma? And is it possible that the two countries leading the A.I. race could actually strike a deal? Matt Sheehan is a senior fellow at the Carnegie Endowment for International Peace. He’s been closely following the A.I. debate in China, and how China’s been interpreting the A.I. debate here. And he’s working to try to lay a foundation for future coordination between the two countries. He’s the author of a newsletter under his name and the 2019 book “The Transpacific Experiment: How China and California Collaborate and Compete for Our Future.” This conversation was recorded on Sept. 10.

Francis Fukuyama's “The End of History and the Last Man” is one of the most insightful books for understanding the strangeness and instability of this political moment. Fukuyama wrote his landmark book more than 30 years ago, and it’s typically remembered as a triumphalist argument, heralding the permanent victory of liberal democracy at the end of the Cold War. But that’s not quite right. Fukuyama also talked about the serious weaknesses he saw in liberal democracy — how it may not fully satisfy the human soul — and his warnings feel very prescient now. So I wanted to have Fukuyama on the show to talk through the ideas in his book and how he sees them today, at a time when liberal democracy seems increasingly imperiled around the world. Fukuyama is a political scientist at Stanford University and the author of a number of other great books of political theory, as well as a new memoir, “In the Realm of the Last Man.”

Behind the intense political movements of the last decade, from Trumpism to wokeness and back again, there’s a strange and erratic rhythm. Movements saturate the culture seemingly overnight, only to evaporate or spark backlash just as rapidly. We’re extremely politically engaged, yet we’ve rarely felt so powerless to create lasting policy change. I haven’t seen many very successful attempts to explain what is driving this volatility. But one concept that has taken off recently, and captures what so many of us are feeling, is “hyperpolitics.” The idea comes from Anton Jäger, a historian and contributing writer to New York Times Opinion. In his book “Hyperpolitics: Extreme Politicization Without Political Consequences,” Jäger theorizes what it means to live in a moment marked by hyper-engagement — high voter turnout, mass protests, trends that flare up and fade with extreme rapidity — yet where institutional trust is low, institutional relationships are decayed and people are disconnected from the structures that make political efforts stick. I think Jäger’s theory cuts to the core of this political era. So I invited him on the show to break down what hyperpolitics is, how we got here and what it actually takes to build lasting change today.

Whatever type of music you love, Rick Rubin has probably left his mark on it. Rubin, a founder of Def Jam Recordings and a former co-chairman of Columbia Records, might be the most influential music producer alive. A very partial roll call of the artists he’s worked with: Johnny Cash, Jay-Z, Run-DMC, Eminem, Beastie Boys, Slayer, The Red Hot Chili Peppers, Kanye West, Neil Diamond, Brandi Carlile and Adele. We recorded this in 2023, after Rubin released a fascinating, unusual book, “The Creative Act: A Way of Being.” I’d expected stories of late-night sessions with famous musicians, but instead it read like a spiritual tract. Rubin was offering a guide to how to cultivate the mind states that lead to real creativity. And that’s what this conversation was about, too: how to open yourself up more to the world, and learn to trust your own taste. Rubin’s advice feels more relevant with each passing year, as technology gets ever better at hacking our attention and the world fills with A.I. slop. So I wanted to share this episode again.

A lot of things are on track to get more expensive. The U.S. Treasury market is the bedrock of the global economy. When yields on those Treasuries go up, mortgages, car loans and credit cards get more expensive, and it can hit the stock market, too. And yields have been going up – to levels we haven’t seen consistently since before the Great Recession – inspiring some erratic and futile efforts from the Trump administration to push them back down. So why are yields creeping higher? What is the administration trying to do about it? And if this continues, what’s in store for the economy? Robin Wigglesworth is the editor of the Financial Times blog Alphaville, a host of the podcast “The Story of Money” and the author of the forthcoming book “A Fabulous Debt: The Epic Story of How Bonds Built the Modern World.” This conversation was recorded on August 24, 2026.

In 2024, Americans spent an average of six full workdays a year filling out government forms, according to the government’s own estimates. That’s a total of 12 billion hours, or $430 billion of uncompensated labor a year. It’s easy to read something like this and say: “Oh, well, government is inefficient. That’s the price we pay for nice things.” But no, it’s not. Social Security, Medicare and the Postal Service are incredibly complex programs that are easy to use. When government is hard to gain access to, it is often by design. Republicans want paying taxes to be a hellish hassle. Programs for the poor are often designed to humiliate, punish, control or scrutinize. How the government works is always a choice. When it works poorly, we should ask why — and we should demand better. Annie Lowrey is a staff writer at The Atlantic and the author of the new book “The Time Tax: How the Government Wastes Our Time — and How to Fix It.” She is also, I should note, my wife, so this is a book whose ideas I have been living with for years. They have quietly infused more than a few episodes of this show. So it’s a thrill to finally get to explore them directly.

Brad Setser follows Chinese trade closer than just about anyone else on earth, and he thinks we’re in the early days of a China Shock 2.0. The first China Shock was when China came to dominate low-end manufacturing in the 2000s, filling American shelves with cheap clothes, toys and electronics, while devastating American factory towns. This new China Shock could be even more destabilizing. China now dominates advanced manufacturing: electric vehicles, batteries, solar panels. It’s outcompeting nearly all high-end manufacturing around the world, and other countries are just starting to feel the pain. And China isn’t slowing down. It’s moving into software, too. Its frontier A.I. models are neck and neck with American ones. China’s success poses a serious threat to the economies and domestic politics of countries around the world. So what should those countries do about it? Setser is a senior fellow at the Council on Foreign Relations.He served in top trade and economic roles in the Biden and Obama administrations. And he is widely cited across the field as one of the top analysts of China’s economy and trade practices.

We are living in the world we were warned about. Frontier artificial intelligence models from OpenAI autonomously coordinated with one another, then broke out of their testing environment and hacked into another company, Hugging Face, to steal the answers to a test. A.I. companies don’t want their technology to lie, cheat or steal. So why is this happening? Why are the creators of these models apparently unable to control their creations? If A.I. development isn’t on a safe path — and it doesn’t seem to be — what do we do about it? Helen Toner has been thinking about A.I. safety for a long time, from both inside and outside A.I. companies. She was part of the effort to fire OpenAI’s chief executive, Sam Altman, in 2023, which ultimately failed. Currently, she’s the executive director of the Georgetown Center for Security and Emerging Technology.

We’re in a really strange moment in the foreign policy politics of the Democratic Party. People are looking for an alternative vision — an approach to American power in the world that would feel more moral and just, after the failures of President Biden, and the wrecking ball President Trump has taken to international rules and norms. The answer many on the left are coming to is powerfully simple: international law. America could just start following the rules that we helped write. Is that possible? Is that enough? What would that even look like? To talk through these questions, I invited Linda Kinstler on the show. She’s a member of the Society of Fellows at Harvard, a contributing writer at The New York Times Magazine, and the author of “Come to This Court and Cry: How the Holocaust Ends.” She’s done some incredible writing and reporting on whether what we’re watching is the death of international law. In this conversation, we talk about the Biden administration’s failures to live up to the principles it set for itself, the Trump administration’s campaign to destroy the International Criminal Court and what it would take to reinvigorate international law.

My colleague Ross Douthat is leaving The Times after 17 years to become a correspondent on “60 Minutes.” Before he goes, I’m asking him a few questions. Douthat has had a unique vantage point on the news media and politics over the last few decades. He’s typically held the role of explaining the right to more liberal audiences, starting as an undergrad, when he was a conservative columnist for The Harvard Crimson. Douthat has also lived through the seismic changes in the media from the both the inside and the outside: He’s made his career at legacy media institutions, but I first got to know him – and spar with him – as an early-2000s blogger (and I have the 20-year-old Bloggingheads.tv clips to prove it). So what does Douthat make of the transformations he’s lived through? How did blogging change journalism? How did a Republican Party powered by evangelical Christians become a political party dominated by Catholics and pagans? What has he learned about persuasion from writing for liberal audiences? And with the resources of “60 Minutes” behind him, will he finally crack the U.F.O. story once and for all? Mentioned: Magnifica Humanitas by Pope Leo XIV “Is It Time for a New Sexual Revolution?” with Louise Perry, Interesting Times with Ross Douthat “Christopher Nolan’s Finest Trick” by Ezra Klein Grand New Party by Ross Douthat and Reihan Salam Book Recommendations: Speak, Memory by Vladimir Nabokov De Gaulle by Julian Jackson Treasure Island by Robert Louis Stevenson Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at This episode of “The Ezra Klein Show” was produced by Annie Galvin, Marie Cascione and Rollin Hu. Fact-checking by Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Marina King. Video editing by Arpita Aneja and Julian Hackney. Our executive producer is Claire Gordon. The show’s production team also includes Jack McCordick, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.

The show’s executive producer, Claire Gordon, joins me in the studio to ask me your questions. Topics include: whether my views on “woke” issues have changed; the feedback we got on our episode with Chris Rufo; the D.S.A. insurgency; my first singing lesson; and the story that I’m in a “secret society” with Peter Thiel. Thank you to everyone who sent in questions; we read them all and wish we’d been able to get to more of them! Mentioned: “What Has Chris Rufo Wrought?” The Ezra Klein Show “White threat in a browning America” by Ezra Klein Why We’re Polarized by Ezra Klein ““Yes Means Yes” is a terrible law, and I completely support it” by Ezra Klein Music Recommendations: Four Tet “Wingdings” “Mas Amable” by DJ Python “Reckoning” by Jon Hopkins and Imogen Heap Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at This episode of “The Ezra Klein Show” was produced by Claire Gordon, Kristin Lin and Emma Kehlbeck. Fact-checking by Michelle Harris and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Dani Dillon and Steph Khoury. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Jack McCordick Rollin Hu and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.

What’s big and ugly and has united Republicans and Democrats? A.I. data centers. An overwhelming majority of Americans say they’d oppose a data center being built near where they live. In New York, Gov. Kathy Hochul just imposed a one-year moratorium on data center construction, and there are over 100 other local or statewide moratorium proposals across the country. A.I.’s explosive momentum over the last few years seems to have finally run into a force that could slow it down: the messy politics of getting things done in the real world. So, is that a good thing, or a bad thing? And how much is the data center backlash about the actual construction of these buildings, and how much is it about A.I. itself? Jasmine Sun has an excellent newsletter covering both the culture inside the A.I. companies and the anger that’s been building against them. And she just finished a reporting trip in the Midwest, where she interviewed people on all sides of the data center fight. So I wanted to talk to her about what she saw and what she thinks A.I. companies can learn from the growing movement against them. Mentioned: @jasmine’s Substack Silicon Valley Is Bracing for a Permanent Underclass by Jasmine Sun Sam Bankman-Fried on Arbitrage and Altruism (Ep. 145) Is Your Social Life Missing Something? This Conversation Is for You. With Priya Parker, The Ezra Klein Show Book Recommendations: The Maniac by Benjamin Labatut The Technology Trap by Carl Benedikt Frey The Art of Gathering by Priya Parker Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Kelsey Lannin. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Brandon Belk-Yee, Steph Khoury and Arpita Aneja. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Jack McCordick, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.

'The Odyssey' is the political movie of the decade. Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at This column read was produced by Marie Cascione, Claire Gordon and Emma Kehlbeck. Fact-checking by Jack McCordick and Rollin Hu. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. Cinematography by Kyle Kelley. Video editing by Jan Kobal. The show’s production team also includes Annie Galvin, Michelle Harris, and Marina King. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.